尖峰时刻1/巅峰时刻 [蓝光原盘 自带中字] Rush Hour 1998 1080p BluRaycd VC-1 DTS-HD MA 7.1-FGT 33.45GB
A loyal and dedicated Hong Kong Inspector teams up with a reckless and loudmouthed L.A.P.D. detective to rescue the Chinese Consul's kidnapped daughter, while trying to arrest a dangerous crime lord along the way.https://images.static-bluray.com/movies/covers/5277_front.jpg
◎译 名 尖峰时刻/火拼时速/巅峰时刻
◎片 名 Rush Hour
◎年 代 1998
◎产 地 美国
◎类 别 喜剧/动作/惊悚/犯罪
◎语 言 英语/粤语/汉语普通话
◎上映日期 1998-09-18(美国)
◎IMDb评分7.0/10 from 260,790 users
◎IMDb链接https://www.imdb.com/title/tt0120812/
◎豆瓣评分 7.3/10 from 96,083 users
◎豆瓣链接 https://movie.douban.com/subject/1292624/
◎文件格式 x264 + DTS
◎视频尺寸 1920 x 1080
◎文件大小 1DVD 33.45 GiB
◎片 长 1:37:49.905 (h:m:s.ms)
◎导 演 布莱特·拉特纳 Brett Ratner
◎编 剧 吉姆·科夫 Jim Kouf
罗斯·拉曼纳 Ross LaManna
◎演 员 成龙 Jackie Chan
克里斯·塔克 Chris Tucker
汤姆·威尔金森 Tom Wilkinson
马泰 Tzi Ma
马克·罗斯顿 Mark Rolston
肯·梁 Ken Leung
伊丽莎白·佩纳 Elizabeth Peña
沈晓谦 Xiaoqian Shen
火星 Mars
朱莉娅·许 Julia Hsu
郑继宗 Andy Cheng
艾伦妮·泰 Arlene Tai
凯文·杰克逊 Kevin L. Jackson
拉里·苏利文 Larry Sullivan
爱万 Ai Wan
伍咏薇 Christine Ng
艾达·泰 Ada Tai
艾尔特·舍弗尔 Art Schaeffer
韦恩·莫里斯 Wayne Morris
詹姆斯·弗雷塔格 James M. Freitag
杰伊·施特恩 Jay Stern
罗杰·伯恩鲍姆 Roger Birnbaum
亚当·格林伯格 Adam Greenberg
马克·海尔弗里奇 Mark Helfrich
南锡·格林-凯斯 Nancy Green-Keyes
罗伯·威尔逊·金 Robb Wilson King
雪伦·戴维斯 Sharen Davis
梅兰妮·休斯 Melanie Hughes
迈克·迈克尔斯 Myke Michaels
艾米拉·L·迪瓦罗 Amy L. Disarro
特里·伦纳德 Terry Leonard
郑伟明 William Cheng
詹姆斯·弗雷塔格 James M. Freitag
马克·科尔帕克 Mark Kolpack
琳达·德雷克 Linda Drake
查克·康米斯基 Chuck Comisky
丹尼·穆德特 Danny Mudgett
肯尼思·琼斯 Kenneth Jones
李忠志 Chung Chi Li
段伟伦 William Duan
◎标 签 成龙 | 动作 | 喜剧 | 美国 | 美国电影 | 1998 | 尖峰时刻 | 电影
◎简 介
韩大使（Tzi Ma 饰）驻派美国之前曾主持破获了中涛犯罪集团的走私活动，他因此受到仇家愤恨。在美国，中涛指示手下绑架了韩大使的女儿素洋（Julia Hsu 饰），并勒索赎金5千万美元。FBI闻讯展开全面调查，韩大使担心美方办事效率，执意要求调派香港的老搭档李督察（成龙 饰）前来协助。为了阻挠李抢先破案，FBI派出洛杉矶警察局状况不断的问题警探卡特（克里斯·塔克Chris Tucker 饰）作为李的搭档。卡特作风张扬高调，李则身手不凡、低调谨慎，这对临时组合的东西搭档闹出不少误会和笑话。但随着一次次危机发生，两人渐渐培养出默契。他们的营救行动最终能否成功？
本片荣获1999年拉丁媒体艺术奖最佳女主角奖（Elizabeth Peña）、1999年MTV电影奖最佳银幕秀。
As the FBI scrambles to save the life of the kidnapped daughter of the Chinese Consul, the diplomat hires trusted Hong Kong police detective Lee to find the girl. Unwilling to have their investigation invaded by a meddling outsider, the FBI assigns a rogue LAPD detective to keep Detective Lee away from the case at any cost. Carter, the detective, covertly embarks on a one-man crusade to solve the case, having first distracted Lee. Within hours, Carter realises he has greatly underestimated his Hong Kong counterpart, who has seen through his ruse, given Carter the slip, and landed in the middle of the FBI's investigation. Both excluded by the FBI,these two cops from very different worlds must join forces to save the young girl.
https://cdn.imagecurl.com/images/56616276300598824318.pnghttps://cdn.imagecurl.com/images/89112884732069397123.pnghttps://cdn.imagecurl.com/images/49998260960161536994.pnghttps://cdn.imagecurl.com/images/04738082313941543693.pnghttps://cdn.imagecurl.com/images/97257759954284601838.pnghttps://cdn.imagecurl.com/images/29795177231806788199.pngDISC INFO:
Disc Title: Rush.Hour.1998.1080p.BluRaycd.VC-1.DTS-HD.MA.7.1-FGT
Disc Size: 35,918,938,860 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00100.MPLS
Length: 1:37:49.905 (h:m:s.ms)
Size: 25,769,189,376 bytes
Total Bitrate: 35.12 Mbps
(*) Indicates included stream hidden by this playlist.
VIDEO:
Codec Bitrate Description
----- ------- -----------
VC-1 Video 22754 kbps 1080p / 23.976 fps / 16:9 / Advanced Profile 3
AUDIO:
Codec Language Bitrate Description
----- -------- ------- -----------
DTS-HD Master Audio English 5363 kbps 7.1 / 48 kHz / 5363 kbps / 24-bit (DTS Core: 5.1-ES / 48 kHz / 1509 kbps / 24-bit)
Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
Dolby Digital Audio Spanish 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
Dolby Digital Audio Czech 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
Dolby Digital Audio Hungarian 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB
Dolby Digital Audio Thai 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
* Dolby Digital Audio Japanese 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
SUBTITLES:
Codec Language Bitrate Description
----- -------- ------- -----------
Presentation Graphics English 41.044 kbps
Presentation Graphics German 45.338 kbps
Presentation Graphics Italian 42.293 kbps
Presentation Graphics Spanish 32.588 kbps
Presentation Graphics Chinese 32.931 kbps
Presentation Graphics Korean 24.332 kbps
Presentation Graphics Spanish 31.431 kbps
Presentation Graphics Arabic 19.071 kbps
Presentation Graphics Bulgarian 32.608 kbps
Presentation Graphics Croatian 31.701 kbps
Presentation Graphics Czech 23.498 kbps
Presentation Graphics Danish 32.892 kbps
Presentation Graphics Estonian 35.556 kbps
Presentation Graphics Finnish 28.226 kbps
Presentation Graphics Greek 21.384 kbps
Presentation Graphics Hebrew 25.328 kbps
Presentation Graphics Hungarian 32.298 kbps
Presentation Graphics Icelandic 40.134 kbps
Presentation Graphics Norwegian 29.172 kbps
Presentation Graphics Polish 31.214 kbps
Presentation Graphics Portuguese 34.886 kbps
Presentation Graphics Romanian 29.638 kbps
Presentation Graphics Slovenian 28.240 kbps
Presentation Graphics Swedish 32.582 kbps
Presentation Graphics Thai 30.850 kbps
Presentation Graphics Turkish 37.052 kbps
Presentation Graphics Chinese 59.410 kbps
Presentation Graphics Chinese 25.491 kbps
* Presentation Graphics Japanese 23.368 kbps
* Presentation Graphics Japanese 44.320 kbps
* Presentation Graphics Japanese 26.938 kbps
* Presentation Graphics Japanese 0.176 kbpsRush Hour Blu-ray, Video Quality
https://images.static-bluray.com/reviews/3634_1.jpg
Rush Hour hits the streets with a somewhat consistent 1080p/VC-1 encoded presentation -- soft shots are fairly common, nighttime scenes are problematic, and grain, though clean and refined on the whole, is occasionally a bit soupy -- but, more often than not, Adam Greenberg's original photography seems to be the culprit. Warner's video transfer, on the other hand, is a fairly impressive one, and Ratner's action comedy, now twelve years old, looks pretty good. Vibrant East Asia reds and golds collide with vivid Los Angeles greens and blues in an already colorful image, skintones are cool but lifelike, and black levels are deep and satisfying (minus the muted, noise peppered skies that frame some of the aforementioned nighttime shots). And detail? Soft scenes notwithstanding, most every available detail has been preserved to some degree, fine textures are adequately resolved, object definition is generally sharp and filmic, delineation is decidedly decent, and a few closeups and generously lit midrange shots brush against greatness. The technical image is strong and stable as well. Carter and Lee aren't forced to contend with any significant artifacting, banding or aliasing, and other unsavory anomalies simply aren't a factor. A hint of intermittent ringing and some slight crush creeps in from time to time (just enough to register with some as full-fledged issues), but their presence is so unobtrusive that they never struck me as distracting. Though a far cry from impeccable, Rush Hour's transfer should please any fan armed with appropriate expectations.
Rush Hour Blu-ray, Audio Quality
https://images.static-bluray.com/reviews/3634_5.jpg
If you didn't understand the words coming out of Carter's mouth before, you certainly will now. Rush Hour leaps into the catalog fray with a fully loaded DTS-HD Master Audio 7.1 surround track and holds its own, even when the fight is at its fiercest. Dialogue is crisp, precise and perfectly intelligible (at least as intelligible as Lee's English should be), and Tucker's banshee wail has never sound so startlingly shrill. Ratner's fists-of-semi-fury action and Lalo Schifrin's kinetic East-meets-West score are given full run of the soundfield as well, and misadventure upon misadventure unspools with suitable sonic charm. Wood splinters in every direction, errant bullets bury themselves in nearby walls, blows send henchmen flying across the floor, glass shatters overhead, and Schifrin's nimble music embraces the commotion wholeheartedly. The LFE channel responds in kind, granting punches chop-socky oomph, gunshots welcome kick, and hip hop beats throaty menace; the rear speakers rise to the challenge, immersing listeners in every exotic locale, high-security consulate, L.A. hotspot, seedy back room, and spacious convention center Ratner has on tap; and both dynamics and directionality are commanding and convincing. It all amounts to a breezy, bustling experience I frankly wasn't expecting to enjoy as much as I did.
That being said, there are moments when Rush Hour shows its age. Gunfire and impact effects are tinny on occasion (particularly during the climax), obvious ADR runs rampant, and ambience is a bit flat and stagey at times. I have no doubt most of these mishaps trace back to the film's original sound design, but there are a few too many disruptions (negligible as many of them may be) to give every aspect of the audio experience a free pass. Still, kudos to Warner for giving Rush Hour a 7.1 lossless track in the first place. I look forward to the day when such mixes are more common.
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