教父2/教父II/教父续集 [4K蓝光原盘] The Godfather Part II 1974 2160p BluRaycd HEVC TrueHD 5.1-ESiR 90.89GB

The early life and career of Vito Corleone in 1920s New York City is portrayed, while his son, Michael, expands and tightens his grip on the family crime syndicate.
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◎译　　名　教父2/教父II/教父续集(港)
◎片　　名　The Godfather: Part Ⅱ
◎年　　代　1974
6 |" n" V7 S& h' e◎产　　地　美国
3 {9 |% K' Z/ P4 G4 G: U◎类　　别　剧情/犯罪
◎语　　言　英语/意大利语/西班牙语/拉丁语/西西里语
6 y/ g% R, ~# h4 a  }& X8 h◎上映日期　1974-12-12(纽约首映)/1974-12-20(美国)
8 K4 i* t5 k$ X$ p◎IMDb评分  9.0/10 from 1,220,349 users
- q/ b" k5 X: g◎IMDb链接  https://www.imdb.com/title/tt0071562/
9 ~( H. y: X) H4 Q, O2 `◎豆瓣评分　9.2/10 from 479,172 users
◎豆瓣链接　https://movie.douban.com/subject/1299131/
◎文件格式　x265 + TrueHD
" h) M  J5 y; x. \, c, n/ ~5 m- ^◎视频尺寸　3840 x 2160
3 o! O# Y, N( p  F$ T- R2 ~1 ^◎文件大小　1DVD 90.89 GiB
. ]0 V+ ]6 S' F◎片　　长　3:20:33.646 (h:m:s.ms)
" E6 E7 M! F, n$ T* y# e◎导　　演　弗朗西斯·福特·科波拉 Francis Ford Coppola
◎编　　剧　弗朗西斯·福特·科波拉 Francis Ford Coppola
　　　　　  马里奥·普佐 Mario Puzo
! z0 Q+ Z# T2 W0 N/ w◎主　　演　阿尔·帕西诺 Al Pacino
　　　　　  罗伯特·杜瓦尔 Robert Duvall
6 O: X5 `4 d; f2 c6 ^" e/ A　　　　　  黛安·基顿 Diane Keaton
: O* @' Z0 ^( O5 ], T& w- {+ K1 K　　　　　  罗伯特·德尼罗 Robert De Niro
　　　　　  约翰·凯泽尔 John Cazale
( ]5 K* L! L- E$ y  @2 G7 R; w　　　　　  塔莉娅·夏尔 Talia Shire
5 S/ s" t1 A2 w: }3 F　　　　　  李·斯特拉斯伯格 Lee Strasberg
　　　　　  迈克尔·V·格佐 Michael V. Gazzo
; Z  I/ {" K  ]9 Z0 u0 C5 A　　　　　  G·D·斯普拉德林 G.D. Spradlin
+ w# M% _, o8 `; R　　　　　  理查德·布赖特 Richard Bright
　　　　　  加斯通·莫辛 Gastone Moschin
7 |% @, F" l4 m& z) L　　　　　  汤姆·罗斯奎 Tom Rosqui
4 B( Z- ?: Y0 s+ K2 K1 R　　　　　  布鲁诺·柯比 Bruno Kirby
　　　　　  弗兰克·西维罗 Frank Sivero
　　　　　  弗朗西丝卡·德·萨维奥 Francesca De Sapio
: u+ _  j$ \. D  m　　　　　  摩甘娜金 Morgana King
　　　　　  玛丽亚娜·希尔 Marianna Hill
% u% D+ x' j! v　　　　　  莱奥波多·特里耶斯泰 Leopoldo Trieste
/ y" y: Y% a: M( W　　　　　  多米尼克·查尼斯 Dominic Chianese
　　　　　  Amerigo Tot
　　　　　  特洛伊·多纳胡 Troy Donahue
) ?% P) i1 L, W* m' Y0 i　　　　　  约翰·阿普雷亚 John Aprea
- D: x6 L2 w( z- F6 ~　　　　　  乔·斯皮内尔 Joe Spinell
　　　　　  阿贝·维高达 Abe Vigoda
* D1 m$ R" a* H; T7 `- a8 e　　　　　  吉亚尼·罗素 Gianni Russo
6 I4 b- l2 m$ p7 D9 O　　　　　  Maria Carta
$ f6 B- A! q0 D( h( c　　　　　  菲伊·斯潘 Fay Spain
/ M2 R. V4 f- D　　　　　  哈利·戴恩·斯坦通 Harry Dean Stanton
; W9 ~0 Z% ?! i# w( m% f　　　　　  卡明·卡里迪 Carmine Caridi
7 U% V7 |' M' Z- {( p+ U, p　　　　　  丹尼·爱罗 Danny Aiello
　　　　　  威廉·鲍尔斯 William Bowers
　　　　　  约瑟夫·德拉·索尔特 Joseph Della Sorte
" s4 z% G5 t7 {5 b5 s0 p　　　　　  卡门·阿尔根齐亚诺 Carmen Argenziano
# N$ v0 q0 q  K: _　　　　　  乔·罗·格里普 Joe Lo Grippo
　　　　　  Ezio Flagello
　　　　　  凯瑟琳·贝勒 Kathleen Beller
　　　　　  Saveria Mazzola
　　　　　  Tito Alba
　　　　　  彼得·多纳特 Peter Donat
$ ^* O& X! t; E4 {, ^　　　　　  汤姆·达尔格伦 Tom Dahlgren
* a" b8 S5 T- X. |　　　　　  Phil Feldman
  N9 V, D- o1 o3 r　　　　　  罗杰·科曼 Roger Corman
0 `3 @1 h8 @" Y# p; o　　　　　  伊凡·科尔 Ivonne Coll
& s- V6 k0 Q+ g* d8 v　　　　　  艾丽卡·约恩 Erica Yohn
7 z0 q* _7 a# u　　　　　  Teresa Tirelli
8 B0 T- H0 P7 w! F! o' ^- ?　　　　　  詹姆斯·肯恩 James Caan
　　　　　  Italia Coppola
4 Y; y6 O  B; E8 `2 o; x- D　　　　　  罗曼·科波拉 Roman Coppola
　　　　　  索菲亚·科波拉 Sofia Coppola
　　　　　  朱莉·格雷格 Julie Gregg
2 H1 L, p; E5 M' @) Y" i: B　　　　　  George Holmes
% J+ {; Y4 x: n' c4 @. L  d　　　　　  Buck Houghton
1 @, k' R& L# G2 Y$ {　　　　　  Shep Houghton
4 `/ I# r$ v2 f, E9 V　　　　　  小杉正一 Shô Kosugi
　　　　　  加里·库尔茨 Gary Kurtz
　　　　　  Laura Lyons
　　　　　  理查德·麦瑟森 Richard Matheson
　　　　　  约翰·梅根纳 John Megna
3 U2 G( |1 {8 M# v) X7 s　　　　　  Harrison Ressler
: \, f% H+ c( C9 g7 ]4 `/ j　　　　　  Al Roberts
1 G4 R6 `4 Y# f' \　　　　　  Hank Robinson
　　　　　  Filomena Spagnuolo
　　　　　  朱利安·沃洛辛 Julian Voloshin
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! o) v4 P+ }/ M! Q3 B◎标　　签　黑帮 | 教父 | 经典 | 美国 | 犯罪 | 剧情 | 人性 | 人生
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3 G$ j5 T9 q# z0 {1 a/ a: i& F◎简　　介   
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5 e7 y9 K! ?! k0 ?' M( ~% \7 K1 C# f; e7 d　　迈克尔（阿尔·帕西诺 饰）是美利坚黑手党科利昂家族的头目。 迈克尔的父亲维托·安多里尼（罗伯特·德尼罗 饰）出生于意大利科利昂镇。1901年，维托的父亲安东尼奥、兄长保罗、母亲（玛丽亚·卡塔 饰）都死于黑手党西乔家族之手。9岁的维托只得漂洋过海逃亡美利坚谋生。入境时，海关官员（理查德·沃森 饰）将其名姓登记为维托·科利昂。 1958年，迈克尔为儿子安东尼（詹姆斯·古纳瑞斯 饰）举办了初领圣体的聚会，不想当晚便遭遇暗杀。迈克尔侥幸躲过一劫，两名杀手却被人灭口。 维托在异国他乡如何生存？他身负的血海深仇能否得报？想要迈克尔性命的是谁？将杀手灭口的又是谁？
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/ }- b. a1 [4 S/ @& N; ]$ B　　Continuing saga of the Corleone family as they move to Nevada and make the casino business their major income source under the leadership of the increasingly paranoid and malevolent Michael, whose reign as the "Don" is juxtaposed against the parallel tale of his father's escape from Sicily as a young boy and his subsequent rise to power in New York's Lower East Side during the turn-of-the-century.

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* N5 e6 S; J: A* O3 D　　第47届奥斯卡金像奖 (1975)
8 |. H  u! ], k( k: O9 E　　最佳影片
% P" Q4 [- s, i2 x3 \　　最佳导演 弗朗西斯·福特·科波拉
　　最佳男主角(提名) 阿尔·帕西诺
% P8 O1 f# G7 d( _　　最佳男配角 罗伯特·德尼罗
, K+ C: T  _: H# X* T% E　　最佳男配角(提名)
* c: c) l- d+ V! P- n　　最佳女配角(提名) 塔莉娅·夏尔
8 P2 u+ Z% b% k; D& L+ A　　最佳改编剧本
; z% K* Y3 K% r6 s* |7 Y　　最佳艺术指导
　　最佳服装设计(提名) 西娅多拉·范朗克尔
　　剧情片最佳原创配乐
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1. DISC INFO:
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3. Disc Title:     The.Godfather.Part.II.1974.2160p.BluRayCD.HEVC.TrueHD.5.1-ESiR
   
4. Disc Size:      97,309,099,876 bytes
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5. Protection:     AACS2
   
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The Godfather: Part II 4K Blu-ray, Video Quality   
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The included screenshots are sourced from the legacy Blu-ray discs; the film has been released on remastered Blu-ray; please click here for screenshots (available once those reviews go live post-street).

& I% ^# u' w) j7 S2 X* Q: eThe three Godfather films look beyond amazing and mere words can do little to express the level of work, care, and love that went into bringing this film, and the others in the series, to the UHD format. For this release American Zoetrope and Paramount "undertook a painstaking restoration of all three films over the course of three years." This releases uses the original 2007 Robert Harris restoration as a "blueprint" for this presentation. This new work is the result of "thousands of hours" of careful, scrutinizing work that has today resulted in this glorious presentation which is "the most pristine presentation" of the film that also "remain true to the original look." In short: it's the best of both worlds, offering a classic film-like look that has not been "boosted" per se but rather returned to full, original glory for home viewing in a presentation that is certainly befitting of one of cinema's most valued treasures.
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0 m' n6 J  m5 p' }* Y& GParamount outlines the arduous work that was involved in the new restoration process which was overseen by Coppola himself:
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• Over 300 cartons of film were scrutinized to find the best possible resolution for every frame of all three films.
• Over 4,000 hours were spent repairing film stains, tears, and other anomalies in the negatives.
• Over 1,000 hours were spent on rigorous color correction to ensure the high dynamic range tools were respectful of the original vision of Coppola and cinematographer Gordon Willis.
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From the opening shot depicting Michael Corleone as The Godfather, the picture offers a resounding message to audiences: The Godfather, Part II on the UHD format is going to be a treat. The warm, low-light shot reveals both perfectly defined skin tones within the ambient lighting conditions and picture-perfect skin detail and definition. After the Ellis Island open, the film moves to another large outdoor sequence, broken up by scenes inside Michael's office. Though the latter is not quite so shadowy and warm as it was in the original film, the stark contrast between warm low light interior and sun-drenched exterior offer a good contrast to how the image works at both extremes. In both locations grain is well managed and natural; it doesn't appear pushed too hard inside and it is very fine outside. Textural delights are apparent in both locations, too, offering striking clothing density, picture-perfect facial feature definition, and wonderful detailing to various support elements. These qualities stand far above the remastered Blu-ray, rendering what was years ago reference material at 1080p more or less obsolete. This is the picture at its peak.
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5 {4 Z  c( ?: k7 Y0 A; N! IThe Dolby Vision color grading offers a newfound level of integrity, balance, fullness, and realism to the proceedings. At the two extreme ends, whites are presented with incredible vibrancy and intensity. The increase in purity is evident from the opening title card and extends to white shirts and other accents which stand out for their natural proclivities. Opposite are the blacks which, as in the first film, can occasionally teeter on crush but hold very deep and dark, never appearing too light and, in the vast number if instances, revealing picture-perfect shadow detail. Everything in between is boosted for tonal nuance and clarity. Bright lights are more even and balanced. Clothes appear with wonderful stability and accuracy. Green grasses leap off the screen with beautifully firm accuracy. Warm wooden interiors offer a comforting elegance. Skin tones are spot-on perfect within any ambient lighting condition. With no encode issues and nary a source blemish to be found, this is The Godfather, Part II at the zenith of current capabilities.

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For this release, Paramount has included both the legacy Dolby TrueHD 5.1 lossless soundtrack (please click here for a full review) and a newly remastered two channel mono track. This new track, presented in the Dolby Digital 2.0 configuration, is similar to that included with the UHD release of The Godfather. While it is obviously absent the fullness and greater immersive definition that the 5.1 track offers, the 2.0 mono track offers a good, basic listen. Musical clarity and definition satisfy, and spacing is never an issue. Most of the action-type content pushes to the middle but some gunplay and other elements do find some extension along the front. Dialogue is clear and holds to a nicely imaged front-center position.
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每天都来蓝光论坛看看，我爱蓝光电影。
至少是现在，我一天没有访问蓝光电影论坛就不爽！At least now, my day did not visit the Blu-ray Film Forum on unhappy!
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