针孔旅馆/针孔旅社/空无一物 [蓝光原盘] Vacancy 2007 1080p BluRaycd AVC TrueHD 5.1-FGT 29.47GB & 28.28GB

A married couple becomes stranded at an isolated motel and finds hidden Video cameras in their room. They soon realize that unless they escape, they'll be the next victims of a snuff film.
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6 x* n4 G& R; n$ [( {$ U3 {4 k, }2 O◎译　　名　针孔旅馆/针孔旅社/空无一物/空白
! R% m' G* v- w5 A◎片　　名　Vacancy
◎年　　代　2007
% P- [4 l& J6 ~. G$ h/ R- O8 m( I◎国　　家　美国
# I3 [0 e( |6 \◎类　　别　剧情/悬疑/惊悚/恐怖
◎语　　言　英语
◎上映日期　2007-04-20(美国)
◎IMDb评分  6.2/10 from 96,105 users
$ w( d; z# \* Y5 K◎IMDb链接  https://www.imdb.com/title/tt0452702/
◎豆瓣评分　6.3/10 from 18,797 users
◎豆瓣链接　https://movie.douban.com/subject/2002954/
# Q/ ]$ g$ H7 V& z2 {  B2 b◎文件格式　x264 + TrueHD
. b. l& Z( r- u  W- Z0 ^◎视频尺寸　1920 x 1080
- ~1 `  M: _/ b2 A; Z  Y◎文件大小　1DVD 29.47 GiB & 28.28 GiB
" w; z! w4 b+ q$ U& z. H$ I: K◎片　　长　1:25:06.101 (h:m:s.ms)
◎导　　演　尼莫洛德·安塔尔 Nimród Antal
7 s5 ?3 v% P& n+ I◎编　　剧　马克·L·史密斯 Mark L. Smith
3 p$ I/ s% m, v0 C  _5 T' X- D8 n◎主　　演　凯特·贝金赛尔 Kate Beckinsale
* I( w/ M8 f! d+ H6 H　　　　  　卢克·威尔逊 Luke Wilson
　　　　  　弗兰克·威利Frank Whaley
　　　　  　伊桑·恩布里 Ethan Embry
4 @: O) @/ M5 W$ V- Q: Q% c　　　　  　Scott G. Anderson
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◎简　　介     

7 {) ?2 K( W. D2 Y# L　　大卫（Luke Wilson 饰）与艾米（Kate Beckinsale 饰）是一对刚经历了丧子之痛的夫妻，为了纪念他们即将分解的婚姻，两人驾车行驶在茫茫夜色中，进行他们最后的分手旅行。为抄近路，大卫拐入了一条荒僻小路，然而行驶不久车子即宣告故障，一位子夜时分仍未眠去的年轻人出现帮助了他们，但问题仍未解决。大卫与艾米不得不步行到一家汽车旅馆休息。

. r3 O: s; \& h  H　　旅馆内空无一人，值班室内传出令人毛骨悚然的尖叫声，值班员大咧咧的关闭了电视录像，将两人安排在一间拐角的房间，房间设施陈旧肮脏，大卫在翻看电视柜内遗留的录像带时发现内容尽是极其写实的血腥电影，然而更令人震惊的是电影内的场景分明就是他们入住的房间！这家旅馆无疑是杀害旅客制作录像带的变态乐园。于是清冷的夜里，夫妻俩唯一要面对的是自己的生存问题。

1 @3 z+ I7 w# \) b　　When David (Luke Wilson) and Amy's (Kate Beckinsale) car breaks down, they have little choice but to spend the night at a remote hotel. The couple entertain themselves by watching low-budget slasher movies on TV -- until they realize that the horrifying images they see were recorded in the room in which they are staying. With hidden cameras capturing their every move, David and Amy must find a way out before they become the latest stars in another film in the series of snuff films.

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1. DISC INFO:
   
2. 
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3. Disc Title:     Vacancy.2007.1080p.CEE.BluRaycd.AVC.LPCM.5.1-FGT 28.28 GB
   
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5. Disc Size:      30,370,521,741 bytes
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6. Protection:     AACS
   
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Vacancy Blu-ray, Video Quality   


# v$ J$ |. \9 ]8 hVacancy is not alone on this Mill Creek Blu-ray, sharing precious disc space with two other films. Fortunately Mill Creek has managed to produce a fairly filmic and representative 1080p presentation, boasting more than adequate detailing and solid black levels and shadow detail, critical to so many of the film's lower light interiors and nighttime exteriors, which define the vast majority of the film's runtime. A light grain structure appears throughout, helping to solidify core details which are never tack-sharp but that do reveal more than satisfactory skin, clothes, and environmental clarity. Colors fare well, particularly in the film's daylight finale but also in serving various accents in the room and the motel's neon glowing sign. Compression artifacts are seemingly ever-present but rarely appear at scene-breaking levels of visible intensity. A far cry from what it could be but more than watchable given the constraints, there's little room to criticize Mill Creek's presentation, particularly considering that the studio is all but giving this film away in the Queens of Scream triple pack.

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+ ?/ G: r2 q+ @* d9 bVacancy's sonics are constrained by a Dolby Digital 5.1 encode, but this one doesn't suffer quite the same low output volume problems and dynamic range limitations as the two films with which it shares a disc (I Know What You Did Last Summer and When a Stranger Calls). While both areas of concern are still problematic, there's a clear uptick in raw volume and a little more depth to the track as a whole. And that's a good thing, too, because the film relies on its sound design to fully immerse the listener into the film's chilling motel confines. Knocks and pounds on doors present with positive discrete location elements while some of the more frenetic sound details in the film's final act, and particularly in the climactic action scenes, are appropriately powerful and immersive. Certainly a lossless or uncompressed (as was the case with the aged Sony disc) encode would be preferable and would drive the track upwards beyond lossy's limitations, but like the video it's easy to live with the track when Mill Creek is charging a pittance for three films. Dialogue is clear and maintains a natural front-center position.

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