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[蓝光原盘] 变线人生/连锁导火线 [蓝光原盘] Changing Lanes 2002 1080p BluRaycd AVC TrueHD 5.1-FGT 31.82GB

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kmvodys 发表于 2010-10-6 18:27:34 | 显示全部楼层 |阅读模式
A young lawyer and a businessman share a small automobile accident, and their mutual road rage escalates into a feud.
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◎译  名 变线人生/连锁导火线/生死交关/逆行风暴/命运交错* _: B$ g, V3 N
◎片  名 Changing Lanes / Đổi Ngôi $ i# W' W+ t) ?6 C, |6 p
◎年  代 2002% p- g$ f# V6 P: O2 q
◎产  地 美国
+ Z& k9 f4 f3 m9 I4 V◎类  别 剧情/惊悚2 j3 C# ~; @" O  [, f3 F" j  d2 w9 k9 |8 D
◎语  言 英语
& Z! d1 f& w9 \+ d- q& O◎上映日期 2002-04-12(美国)
1 y; K, k9 i7 H◎IMDb评分  6.5/10 from 74,528 users
: J0 b( f4 q9 y. O( t◎IMDb链接  https://www.imdb.com/title/tt0264472/% q# C! q6 e2 h% s7 N
◎豆瓣评分 6.8/10 from 4,188 users
0 i' }( A3 l2 d6 p◎豆瓣链接 https://movie.douban.com/subject/1297881/6 N2 r* G( A. k, N5 C
◎文件格式 x264 + TrueHD 5 t& l% G. m+ `; K
◎视频尺寸 1920 x 1080
5 _# d( w7 ]& e7 ?) ^! g( g◎文件大小 1DVD 31.82 GiB
9 s, Y' m/ u, J( M9 e◎片  长 1:38:44.919 (h:m:s.ms)
) W$ u. m: m4 f7 K) ?1 f# h◎导  演 罗杰·米歇尔 Roger Michell
3 X6 {: d4 O( G4 o/ i7 b. ~◎编  剧 Chap Taylor4 }" o" t" |; ^7 a6 A, p
       迈克尔·托尔金 Michael Tolkin
* k9 k4 s3 ^) w8 k" X- l4 d◎主  演 本·阿弗莱克 Ben Affleck
! P4 t  i- \4 E+ h2 _       塞缪尔·杰克逊 Samuel L. Jackson
) t1 f9 j1 `* x7 X& C  J       托妮·科莱特 Toni Collette- R! E( n7 _9 [; Q$ f
       西德尼·波拉克 Sydney Pollack
$ B. h( ?! p# v* b" D/ O       蒂娜·斯隆 Tina Sloan- k( g& C* u1 i8 l
       理查德·詹金斯 Richard Jenkins4 h, ^5 a5 C1 a( H( j& [; z' q
       科尔·霍金斯 Cole Hawkins; Z0 @1 O7 q1 f& c
       伊林·盖特兹 Ileen Getz; h8 ?6 k0 R. _) @( e/ H
       詹妮弗·邓达斯 Jennifer Dundas
4 x9 m% s4 f4 A7 N# L5 v       马特·马洛伊 Matt Malloy
7 Q3 Z* O% ~# W% Y       阿曼达·皮特 Amanda Peet! \+ u$ s3 \0 @' c* v) p
       迈拉·卢克利希亚·泰勒 Myra Lucretia Taylor* m1 l- L' y# O3 J
       布鲁斯·奥尔特曼 Bruce Altman& ^. Y: I3 W; ]- u
       乔·格里法西 Joe Grifasi
) Q- e+ p2 k% e" K( ~' Z6 e& \9 U       安吉拉·戈塔尔斯 Angela Goethals
+ r; q. {" h8 J( i; _3 R6 G" T8 z4 j       凯文·苏斯曼 Kevin Sussman9 B0 c0 k! v& B
       威廉·赫特 William Hurt8 {% g: f' I1 m0 K
       迈克尔·麦格拉斯 Michael McGrath
7 v9 g/ W8 D; ]* J. x- G       约翰·本杰明·西基 John Benjamin Hickey6 j0 y% b  r% E. v' c% y  B5 T* X
       迪伦·贝克 Dylan Baker0 J& J- o& b1 k& ^
       苏珊娜·赫弗纳 Suzanne Hevner: c: v: |! G8 U3 c
       乔丹·盖尔伯 Jordan Gelber+ y) L8 C( Q2 E+ {2 K( F" }
       欧嘉·梅雷迪斯 Olga Merediz
9 i. w) c* e1 c8 ~       杰妮·霍蒂谢尔 Jayne Houdyshell
. I3 ^! Q- g6 z       沙巴兹·雷 Shabazz Ray. }' z( K+ [& B% B8 o
       雷蒙德·安东尼·托马斯 Raymond Anthony Thomas' M+ V5 e. j' t6 p
       Sophia Guaspari . {, s  X9 ?# y+ j, R
       珠儿·布里梅杰 Jewel Brimage, M7 W$ O/ q  T2 }
       帕梅拉·哈特 Pamela Hart% Z# r. r4 ]* C3 m: U+ [& j. ~
       尼尔·琼斯 Neal Jones
) M0 c* @/ v! O) W4 G0 M" u! ^- @       苏珊·布莱克威尔 Susan Blackwell
. E7 w; a) s; h) [) F1 ^5 \6 P, p       伦纳德·L·托马斯 Leonard L. Thomas
' s% A/ N' ?$ |  T& O* n7 I1 }       梅丽安·布兰卡特 Myriam Blanckaert
! H( D0 o, S# ^1 ~( ]       Monet Cunningham
8 {, l0 Z4 C* M, ]; p2 W1 a       Jason Diamond& v  L7 @+ J2 C4 o' n0 m
       Philip M. Gardiner
- J! x0 ~) f+ L+ c0 v2 B       约瑟夫·奥利维拉 Joseph Oliveira
7 ^2 m& \. b' N# h1 E       大卫罗姆 David C. Roehm Sr.
- y. X& n8 E! [1 B4 h7 U$ D       约翰托宾 John H. Tobin
8 b# J% U( s( U8 t. c5 O9 E       Kim Staunton . n; G+ u0 s6 y0 v4 K
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◎简  介    1 B$ r* S& c: Q- k1 b: ~

% \. D! Y) H  \0 C; G  都勒(塞缪尔·杰克逊 Samuel L. Jackson 饰)是一个失意的黑人商贩,为了能获得孩子的抚养权,他费力地争取到了房屋贷款。在酗酒者分享会上,滴酒不沾的他难掩心中的欢喜,言辞激动。凯文(本·阿弗莱克 Ben Affleck 饰)是一家艺术品基金会的白人律师,他曾经帮助某富豪做过慈善捐助工作。但当老人死后,他却在上司的授意下,接连清洗了基金会的老成员,此举被老人的继承人视为背叛,一纸诉状将其告上法庭。
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& ^; P: j; \1 T' {$ e6 y  F/ [  正在此时,一场车祸让都勒和凯文相遇。因为拿错了对方的文件,两人的命运发生了改变。因为错过了约会的时间,都勒的孩子被判由妻子抚养,从此父子难得见面。而凯文也在法庭上被逼上了绝路,陷入了信任危机。这时,两人才发现彼此的对抗只会让事情更糟,但是化敌为友的路途却荆棘丛生……
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+ D0 \( l3 q. S# l* [  Modern society draws lines between right and wrong, good and evil, rage and redemption. A moment of self absorption and a spark of anger will cause the two men to cross them. As the battle of wills escalates, both lives are changes forever. Samuel L. Jackson and Ben Affleck star in a provocative and gripping drama that exposes the best and worst in all of us.1 A- N  `. I/ b! Q$ `1 B2 |$ U
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  1. DISC INFO:1 w4 I* @+ M( Y; n) S1 ]/ c

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  3. Disc Title:     Changing.Lanes.2002.1080p.BluRayCD.AVC.TrueHD.5.1-FGT& @# @* i7 z( R9 Y
  4. Disc Size:      34 166 162 105 bytes. q, V6 n' t7 T3 o: j- W
  5. Protection:     AACS- d, ], E' c) p/ \3 r
  6. BD-Java:        Yes, T4 Y/ {% X# C6 o
  7. BDInfo:         0.5.8
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  9. PLAYLIST REPORT:
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  11. Name:                   00001.MPLS
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  12. Length:                 1:38:44.919 (h:m:s.ms)
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  13. Size:                   30 299 854 848 bytes
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  14. Total Bitrate:          40,91 Mbps
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  16. Video:: _5 J) H  z& y0 L
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  18. Codec                   Bitrate             Description   
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  19. -----                   -------             -----------    0 X. e' h% n8 R+ {. `% Z
  20. MPEG-4 AVC Video        31949 kbps          1080p / 23,976 fps / 16:9 / High Profile 4.1
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  22. AUDIO:
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  25. -----                           --------        -------         -----------   
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  26. Dolby TrueHD Audio              English         3585 kbps       5.1 / 48 kHz / 3585 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps / DN -4dB)# t/ j8 }/ C# r% y
  27. Dolby Digital Audio             French          640 kbps        5.1 / 48 kHz / 640 kbps / DN -4dB
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  28. Dolby Digital Audio             Spanish         640 kbps        5.1 / 48 kHz / 640 kbps / DN -4dB
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  29. Dolby Digital Audio             English         224 kbps        2.0 / 48 kHz / 224 kbps / DN -4dB / Dolby Surround0 W# D1 P. n3 A- k* ?' E
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  31. SUBTITLES:
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  35. Presentation Graphics           English         41,321 kbps                    8 g- V% o2 t4 `+ X( F$ I
  36. Presentation Graphics           English         43,284 kbps                    8 k5 a) K6 }. h0 T2 F  T
  37. Presentation Graphics           French          40,128 kbps                    
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  38. Presentation Graphics           Spanish         33,492 kbps
复制代码
Changing Lanes Blu-ray, Video Quality   ' ^% I! A/ w1 _$ L# B& w0 V/ d

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It may not offer the most striking cinematography (dueling closeups rule the day) or sharpest image, but Changing Lanes features another competent and capable 1080p/AVC-encoded transfer from Paramount Pictures. While Michell frequently drains his palette of color, skintones remain relatively natural, primaries are still given the opportunity to pop on occasion, and black levels are quite deep. Shaky cameras and low-lit interiors make detailing inconsistent -- poorly focused shots dominate the proceedings, crisp edges usually give way to softer ones, and textures aren't as refined as I hoped they would be -- but such shortcomings should be attributed to the source rather than the studio's technical transfer. Edge enhancement is kept to a minimum, artifacting never becomes an issue, delineation is impressive, and distracting noise isn't a factor. I suspect a slight application of noise reduction (closeups sometimes have a spongy, at-times buffed appearance), but it's so negligible that I can't be certain. All things considered, Changing Lanes delivers a faithful rendering of Michell's intentions. I doubt the film could look much better than it does here., Q' D8 {, D/ A" r* P

9 Q% {: u! N2 t7 I7 S! n. vChanging Lanes Blu-ray, Audio Quality   9 m: s' @& _" H; U8 z9 [
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Chalk it up to the original sound design if it helps you sleep at night, but Paramount's Dolby TrueHD 5.1 surround track is nevertheless inconsistent and front-heavy. There are moments when the rear speakers assault the listener, creating an immersive soundfield and a convincing sense of depth. However, more often than not, they disappear from the mix altogether or simply spend their time toiling with the most basic ambient effects. Acoustics lose their authenticity, voices pull forward, and crowded sequences are surprisingly uninvolving. Some notable LFE oomph enhances the weight of it all, but I couldn't help but feel disappointed with the presentation. On the flipside, dialogue is clean, intelligible, and well prioritized in the mix: Jackson's enraged intonations sound just as perfect as his hushed desperation, Affleck's nervous asides are steady and stable, and their most heated conversations (even when played out over a phone) are precise. Fans will probably be more forgiving of the track's flat soundscape -- particularly since it draws attention to the film's performances above all else -- but audiophiles will be underwhelmed by the shortsighted sonics and hollow soundfield.
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zzk980220 发表于 2024-3-9 18:13:58 | 显示全部楼层
啥也不说了,楼主就是给力!
/ s% w% Y3 z2 |6 UNot see, I am a novice, the inadequacies of the first Please bear with me!' q: C/ a& P" A8 T

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sawas 发表于 2024-3-10 03:16:16 | 显示全部楼层
That was awesome!

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