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Musical drama set in the 1950s ,starring David Essex and Ringo Starr, loosely-based on John Lennon's early years. A gifted but wayward young man finally discovers a sense of purpose when he decides to turn his love of music into a career." i" L) ^. C% X: k0 u/ z" _- L
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6 N1 p) M1 r* N+ e+ G% H( }◎译 名 绝不可能/戏剧人生
+ v- `: I3 s/ v, f0 Y* N! |+ Y9 v◎片 名 That'll Be the Day8 ]# O3 j" F1 \6 V' v8 m
◎年 代 1973
3 a4 v; h+ s0 z3 ^# y, r; j- c T◎产 地 英国/ T/ ^5 Z( a9 ^3 S; X+ l
◎类 别 剧情/音乐# w) o' o% ~$ Y* r
◎语 言 英语
% s: Q$ _0 ?# L" b6 F. ?◎上映日期 1973-05-13(英国)
d/ g+ p; n! Z; k9 J2 h2 a◎IMDb评分 6.6/10 from 1,242 users
6 d; I: T# W& H+ v0 y◎IMDb链接 https://www.imdb.com/title/tt0070788/
/ W8 ^% b5 K, ^ y$ d6 A9 @, T◎豆瓣评分 0/10 from 0 users( t5 G+ F+ Z# L$ n/ C+ l2 L7 {
◎豆瓣链接 https://movie.douban.com/subject/5054691/
( A3 ^* V7 ~$ g4 \◎文件格式 x264 + LPCM
$ S0 g5 t$ U' H @0 X1 D9 T◎视频尺寸 1920 x 1080) N. L1 c2 [2 n4 [5 y9 {
◎文件大小 1DVD 20.43 GiB1 }$ y& W: d" }3 M+ z7 t$ r0 \) Z8 r
◎片 长 1 h 30 min
2 @- s |% z- B* Y7 Y◎导 演 克劳德·惠特姆 Claude Whatham
7 M8 K' a+ ^0 A0 M◎编 剧 雷·康诺利 Ray Connolly! Z$ b- W' r" M2 D5 P( q; T" w
◎主 演 大卫·埃塞克斯 David Essex
: o$ g. ^& g" g" ?0 O9 A 罗斯玛丽·莉琪 Rosemary Leach
- p( {- X6 K# S/ s! U" ` 林哥·斯塔尔 Ringo Starr5 _) Z) @# C0 p( q
詹姆斯·布思 James Booth
1 E Z e# k9 U0 D7 s- B9 n4 ? Graham Bond3 |8 Z& ^& Q) ~) t! ]$ V7 O
: N% w* U) S6 f◎标 签 英国 | 摇滚回来3 _8 g# E- ?; q0 k! }
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◎简 介
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" ?6 H- j. M$ d A) @ 以20世纪50年代为背景的音乐剧,由大卫·埃塞克斯和林戈·斯塔尔主演,大致以约翰·列侬的早年为基础。一个有天赋但任性的年轻人终于发现了一种使命感,当他决定把对音乐的热爱转化为职业时。2 ~; u$ Z" x! d$ r) ~5 e
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Abandoned by his father at an early age, Jim MacLaine seems to have inherited the old man's restlessness. Despite his apparent intelligence, Jim decides not to take the exams that would pave his way to university. He lives, for a time, a life consisting of dead-end jobs and meaningless sex, before returning home to work in his mother's shop. But still he can't settle down; he begins to think that the life of a pop musician might be the thing for him.$ B% o% D+ u2 X9 o6 p# e$ \
7 x+ c' W/ R! u$ D- QVideo% K; e m# y* G9 _8 j
ID : 1
4 ~0 X% W9 Y" j4 LFormat : AVC$ L* n* q- L) _+ ]! Y
Format/Info : Advanced Video Codec9 e/ e4 g/ B* W2 }1 q# a
Format profile : High@L4% b0 U, a5 K5 u2 Q K
Format settings : CABAC / 4 Ref Frames
d2 V9 x9 _( RFormat settings, CABAC : Yes9 T# u9 W, Y! i$ ^6 {: S q" z1 j
Format settings, Reference frames : 4 frames
. U* Y& M% ?$ k2 KCodec ID : V_MPEG4/ISO/AVC
1 t( z g4 s. r4 j0 e4 K. j9 eDuration : 1 h 30 min5 k" G; Y h! v9 j4 j2 _
Bit rate mode : Variable9 ]9 Y7 u/ e6 ^7 P) Z6 S
Bit rate : 29.9 Mb/s4 b5 C9 K; L9 ~" n* Z M
Maximum bit rate : 38.0 Mb/s
1 R' x ~' G' {% o4 |* M0 ^; gWidth : 1 920 pixels, _; Y( }: g Z# L$ i0 ]
Height : 1 080 pixels7 G9 U/ d' D& I: `3 x* t D( G
Display aspect ratio : 16:9
- h8 A) K) \- YFrame rate mode : Constant. ~. w8 Q# ], r! g i: r+ s2 |
Frame rate : 24.000 FPS, v1 s$ C' {5 x) O
Color space : YUV
, _) x; u' f, [' jChroma subsampling : 4:2:0. b. W1 `! L0 N0 @+ r+ w
Bit depth : 8 bits& J1 R3 h" Z4 t. U* J6 a* a+ q; S1 s
Scan type : Progressive5 f$ P1 ~: ?( w- L1 e
Bits/(Pixel*Frame) : 0.601
b/ {* W. Q6 C: M) {2 `( XStream size : 19.0 GiB (93%)
: ~3 J$ d6 a* A* Z5 RTitle : That.ll.Be.the.Day.1973.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
% N1 j* T5 m7 H; S) \. E) cLanguage : English) ?% _) X- U* @5 t% `: m7 n, `5 E0 P
Default : No
2 T ~; F/ ]; c* x* K! CForced : No* ^, Y" C% x7 ~& d) Q, N U
2 x( Q, i, d% \* L* e: s& o) n7 n
Audio
- [+ s$ y s( c; E& G& M6 a; UID : 2: Q: {8 j+ \6 L
Format : PCM
* D4 u4 Q% E/ g1 x& O6 G( RFormat settings : Little / Signed
- g* g3 x) M4 ~Codec ID : A_PCM/INT/LIT% y3 O9 i4 {' m: E
Duration : 1 h 30 min
: c# Z% C: B* cBit rate mode : Constant
- r- m6 G' \. oBit rate : 2 304 kb/s9 a: A8 ^' v& O, o9 y3 D5 D
Channel(s) : 2 channels
1 ~2 |5 x/ z, J' s) g5 RSampling rate : 48.0 kHz
4 Y! I( Y% }: x3 {& a/ zFrame rate : 30.000 FPS (1600 SPF)
5 t$ i5 b$ X0 xBit depth : 24 bits
" j% m0 R* C+ ?Stream size : 1.46 GiB (7%)
4 q' m$ U. V& ^Title : That.ll.Be.the.Day.1973.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
1 Z5 ~# R5 C' Y; E/ V3 V$ X6 t8 B# fLanguage : English
+ F+ v6 L/ b% WDefault : Yes
. m8 e; u0 C% p `+ qForced : No1 Z7 r4 ]% a5 m0 ]8 u, O
$ s3 G, ^; `1 w `7 ~Text! ~( Y0 c/ u3 N4 l# e
ID : 34 m5 @6 l1 }4 g5 x( H1 ~
Format : PGS
$ O) F! P- j, X( P( eMuxing mode : zlib7 J! r* Z/ {% Q
Codec ID : S_HDMV/PGS
' [( u1 D1 C7 q6 CCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
( u9 ?: z. ^0 ?0 g# D$ lDuration : 1 h 28 min
4 U) s1 l$ S/ l9 m* F0 ABit rate : 37.5 kb/s1 |, Q: Y: J% K2 I# A
Count of elements : 2418
& }, a u3 V& G9 W5 C( C* G0 UStream size : 23.7 MiB (0%)1 S( b; \# v( F
Title : English-PGS+ d+ F" b+ x* ~, g, y: l! r% r
Language : English
4 v( g: \# d$ G4 I: x" jDefault : Yes; w7 X+ ^6 m; n0 [7 x7 ^; z
Forced : No& i2 G# U0 g$ O! p4 d" P$ @- M
* O$ I/ b& a6 LMenu
6 B9 o$ T% Z7 e; `$ j Q00:00:00.000 : en:Chapter 00
; A2 e2 O' G' ^, v2 C00:05:03.375 : en:Chapter 01& v4 G# q" K* l3 ^+ {0 s7 a- h* x
00:10:04.041 : en:Chapter 02
1 Z5 }4 n0 s8 X9 j! l6 @00:18:33.541 : en:Chapter 03
3 Z6 p* V7 v. S% `! U00:30:17.958 : en:Chapter 047 o& e" h+ u# ~
00:41:51.666 : en:Chapter 05, s, |1 f& m2 R& U9 [! w8 e
00:50:12.125 : en:Chapter 06& {7 P. S* b* M* d: Z& Q. ]
00:56:36.208 : en:Chapter 07# `" b, n2 b' t" x+ U
01:04:14.666 : en:Chapter 085 L' ~* K; v6 T! q- j
01:09:19.041 : en:Chapter 099 B! t9 T2 ^6 t; r% r5 ^
01:14:58.250 : en:Chapter 10
5 G4 h3 v9 e. H- f/ ?# F: m01:25:03.083 : en:Chapter 11 That'll Be the Day Blu-ray, Video Quality
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% u7 a4 e9 x/ g4 v7 EPresented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, That'll Be the Day arrives on Blu-ray courtesy of StudioCanal.
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This release is sourced from a recent restored master which was prepared on behalf of StudioCanal. However, in the United Kingdom StudioCanal also introduced a newly restored master of Stardust. These two films can be seen individually, but they are actually part of the same cycle. Unfortunately, the folks at Kino Lorber have been unable to secure the rights for Stardust because in the United States they are apparently controlled by another party, so at the moment it looks like Stardust will not have a local release.
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6 U5 |: T% \" u) F& B" f5 r' q4 a1 LThe technical presentation of That'll Be the Day looks exactly the same as the one that was offered on the European release. The film still reveals the same signs of aging, plus in the darker areas I noticed the same light crush (see screencapture #6). Some of the crushing can be traced back to the color management -- the grading job could have been more careful -- but I also think that the element that was used to produce the new master was not in optimal condition. In our review of the European release I mentioned that there are pretty obvious inherited limitations that affect the consistency of the density as well as sharpness, and they are again present here. (A lot of the visuals reveal a look I would expect an interpositive to deliver, though I am unsure if this is the element that was used to produce the current master). Overall image stability, however, is still very good. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content). H5 e6 t8 C1 b; h/ Z
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That'll Be the Day Blu-ray, Audio Quality 7 J* P, E0 T H6 Q
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There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
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# p" v. t" R7 m0 ~& I2 Vhe audio has been remastered and anyone with a decent system should be able to tell as soon as the opening credits disappear. Depth, clarity, and balance are very nice. There is a very good range of nuanced dynamic as well, though as it is always the case with these types of older films native limitations remain. There are no audio dropouts, pops, background hiss, or distortions to report.1 w5 i( o W1 V
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