热情如火/热情似火 [欧版原盘 自带中字] Some Like It Hot 1959 1080p CEE BluRaycd AVC DTS-HD MA 5.1-FGT 44.20GB

◎译　　名　热情如火/热情似火/如此热辣
# Z' G1 n: V. X" S) X% }, x◎片　　名　Some Like It Hot
◎年　　代　1959
◎国　　家　美国
◎类　　别　喜剧
◎语　　言　英语
- l% u# s! i3 ?◎上映日期　1959-03-29
◎IMDb评分  8.3/10 from 152,100 users
8 G0 e. _" D- ]/ ~7 O8 {◎IMDb链接  https://www.imdb.com/title/tt0053291/
0 S2 h' `1 [: ?! b9 w" z+ B4 C8 `◎豆瓣评分　8.7/10 from 10,819 users
◎豆瓣链接　https://movie.douban.com/subject/1292574/
◎文件格式　x264 + DTS
4 f6 K. {+ E( L$ M: w◎视频尺寸　1920 x 1080
! i; x8 W; Z  _! e/ R+ r& |7 T; z3 h◎文件大小　1DVD 44.20 GiB
◎片　　长　2:01:32.076 (h:m:s.ms)
◎导　　演　比利·怀德 Billy Wilder
7 G4 E& Y5 U, {2 c0 U% L, @◎编　　剧　比利·怀德 Billy Wilder
# U* i2 E6 U* H% I4 ?　　　　　  I·A·L·戴蒙德 I.A.L. Diamond
◎主　　演　玛丽莲·梦露 Marilyn Monroe
　　　　　  托尼·柯蒂斯 Tony Curtis
' O) }1 O3 B: o. w1 r4 V　　　　　  杰克·莱蒙 Jack Lemmon
　　　　　  乔治·拉夫特 George Raft
! {; U4 S, Z& Q9 |7 m) B/ Q: t3 g　　　　　  帕特·奥布莱恩 Pat O'Brien

◎简　　介
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" T4 n8 x/ y( r& B+ C( Z　　When two male musicians witness a mob hit they flee the state in an all-female band disguised as women but further complications set in.
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　　1930年代，动荡的芝加哥时常被强盗集团骚扰。乔（托尼·柯蒂斯）和杰利（杰克·莱蒙）本是乐团成员，两人因偶然目睹盗匪史巴克的手下在车库内射杀告密者而被穷追不舍。走投无路之下，他们男扮女装加入一女性乐团，并随该团来到迈阿密。

% O4 ^5 f; |$ e3 ^: i　　该团中有位名叫秀珈（玛丽莲·梦露）的异常美丽性感女郎，乔晓得她一心想钓有钱人时，便化身石油王的公子企图得到她的芳心；另一面，杰利也对秀珈情有独钟，可是他却得到一位不知他是男儿身的富翁的不断纠缠，笑话迭生。不久，乔和杰利又遇史巴克一伙，只得再次逃亡，场面更加逗笑。
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% }' G: g% W2 t" J　　Two down on their luck jazz musicians find themselves on the run after the police raid the speakeasy they perform in. With nowhere to hide, a gig with Sweet Sue and her Society Syncopators at a beach resort seems like the perfect getaway. There's just one problem: the Syncopators are an all-female band, and Joe and Jerry aren't women — yet. Armed with some dodgy wigs and wobbly falsettos, they manage to join the Syncopators and meet Sugar Kane: a hooch-swilling, ukulele-playing knockout with a soft spot for saxophone players. Things start to go off the rails when they begin to attract unwanted attention from lecherous millionaires and some familiar faces show up at their hotel for a gathering of the country's most dangerous criminals.

◎获奖情况
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' U: z9 [/ X% q0 U　　第32届奥斯卡金像奖 (1960)
　　最佳导演(提名) 比利·怀尔德
　　最佳男主角(提名) 杰克·莱蒙
7 u, |2 K; T( O- \　　最佳改编剧本(提名) 比利·怀尔德 / I·A·L·戴蒙德
　　黑白片最佳摄影(提名) 查尔斯·朗
　　黑白片最佳艺术指导和布景(提名) Ted Haworth / Edward G. Boyle
　　黑白片最佳服装设计 Orry-Kelly
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Some Like It Hot Blu-ray, Video Quality

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: r- Y  m2 f' v* g# lSome Like It Hot received a new transfer in 2006 for the film's 2-disc Collector's Edition DVD release, and while I may be wrong, I suspect the resultant remaster was also used as the source for the Blu-ray's 1080p/AVC-encoded image. While this might not sound like good news, the film is an absolute pleasure to watch in high definition.  Although white specks and small bits of debris sometimes pop up, there's little brightness flickering, no major print damage, and—here's the biggest relief—no hints of excess noise reduction or edge enhancement. The film's grain structure is intact, and the image looks entirely natural, free from any after-the-fact boosting or tweaking. Clarity is noticeably improved from the DVD. While rarely tack sharp, cloth and skin textures look more finely resolved—see Josephine and Daphne's pancake batter makeup—and there's a greater degree of detail all around. The film's monochromatic gradient is also nicely reproduced, with dark, detail-preserving blacks, rich grays, and crisp whites that very rarely look too hot or overexposed. (There are a few scenes, like Joe E. Brown's character talking on the phone on his yacht, where brighter portions of the screen take on a slightly splotchy quality.) I didn't notice any significant compression issues. While we can only speculate on what Some Like It Hot would've looked like had Criterion picked up the rights—as some were predicting earlier this year—I'm more than happy with MGM's treatment of the film on Blu-ray.
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Do note that although the film was screened theatrically in the U.S. in 1.85:1, it was shot in 1.66:1 and is presented that way here.

Some Like It Hot Blu-ray, Audio Quality
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MGM has subtly and capably expanded the film's mono sound elements into a more immersive DTS-HD Master Audio 5.1 surround track. Purists will probably be disappointed that the original track isn't also included—not even in lossy, Dolby Digital form—but rest easy, there's nothing about this multi-channel mix that seems gaudy, gimmicky, or out of place. A few gunshots and car sounds have been panned into the rears, and Adolph Deutsch's score sometimes takes up residence in the space around your head, but that's about it. Most of the action is still up front and center, where it's always been. I have no complaints. The music sounds wonderful—particularly Marilyn's three featured songs—and the limited effects have about as much punch as you'd expect from a film from the late 1950s. Dialogue throughout is perfectly balanced and easy to understand—once you set your initial volume, you'll have no reason to touch your remote for the rest of the film. The disc also includes a number of dubs and subtitle options, including a subtitle track for the audio commentary.
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