- 积分
- 45314
- 经验
- 15732 点
- 热情
- 12593 点
- 魅力
- 327 点
- 信誉
- 3141 度
- 金币
- 250 枚
- 钻石
- 39 颗
- 蓝光币
- 10 ¥
Forum Admin
- 金币
- 250 枚
- 体力
- 18086 点
|
- X: {1 I& p) P9 _( e# w0 K
( }5 f# V, F8 r! S9 R5 n) t
◎译 名 刺客战场/最后的刺客
! n; P& J1 o; Q. Y◎片 名 Assassins) p) k" p* |- Z
◎年 代 1995* [7 ?) v, l4 {& n) c5 Z( W4 T
◎国 家 美国/法国
2 }6 ?& l' ~9 b! B5 F9 t◎类 别 动作/惊悚/犯罪2 B3 G6 L+ X8 H" f) j# [
◎语 言 英语/德语/西班牙语
t9 b: c x! t- P$ h' A/ g2 r◎上映日期 1995-10-06
( }% ^* M. e. U7 s◎IMDb评分 6.3/10 from 71,232 users$ a- @! N3 J% l- |! w: _
◎IMDb链接 https://www.imdb.com/title/tt0112401/" a" J6 `7 h, \. p' k& r7 T( M
◎豆瓣评分 7.1/10 from 2,644 users
% ~) R C6 ]+ l0 ~◎豆瓣链接 https://movie.douban.com/subject/1295582/ ]& G Z# ^1 C+ `% T
◎文件格式 x264 + DTS
4 \ C$ v- d$ C6 x" }' K◎视频尺寸 1920 x 1080
6 z2 ~; G8 Y- I( `◎文件大小 1DVD 22.90GiB
. e' p# p9 h" c# j' y◎片 长 2:12:44.790 (h:m:s.ms)
5 w- E* o- _# ^' c◎导 演 理查德·唐纳 Richard Donner
/ x$ |- G- n: @/ Z/ r. E◎编 剧 莉莉·沃卓斯基 Lilly Wachowski+ l3 e: ~/ `0 x. u6 O
拉娜·沃卓斯基 Lana Wachowski9 }3 u" ] E+ ]: y( ]
布莱恩·海尔格兰德 Brian Helgeland5 E7 o# p" j5 }( |
◎主 演 西尔维斯特·史泰龙 Sylvester Stallone
! U! b# E, w& ~ 安东尼奥·班德拉斯 Antonio Banderas+ {3 R3 z' i* a, @1 @% t$ y
朱丽安·摩尔 Julianne Moore1 x0 l3 i3 S/ w8 v/ ~% q6 D
Anatoli Davydov7 F2 i* Z0 @2 d% O% ^6 r5 c
: B, V$ p, ]- E& _" _◎简 介
2 ^1 B: ? c* V( ]; `; _6 g$ h9 N+ u i, K% d
Professional hit-man Robert Rath wants to fulfill a few more contracts before retiring but unscrupulous ambitious newcomer hit-man Miguel Bain keeps killing Rath's targets. 0 Q( I3 ]0 z- Y' H" t
! N! x: C2 p. e4 i& Q 身为一名杀手,罗伯特(西尔维斯特·史泰龙 Sylvester Stallone 饰)有着自己不可动摇的原则,那就是除了任务目标外,决不滥杀无辜。尽管与罗伯特是同行,但米高(安东尼奥·班德拉斯 Antonio Banderas 饰)的生死观却和罗伯特大相径庭,他不仅为了达成目的不择手段,更是将业内“德高望重”的罗伯特视作眼中钉肉中刺,欲除之而后快。
2 W- \, K3 O3 i8 O9 }- A2 C0 O/ H/ [
% f& Q; s# Q8 h# S 充满了杀戮的生活令罗伯特感到厌倦,他决心再干最后一票,从此金盆洗手。很快,技术高超的罗伯特便捉住了目标任务——一名叫伊莉(朱丽安·摩尔 Julianne Moore 饰)的女贼,不幸的是,此时的伊莉和她手中价值两百万美元的磁盘亦成为了米高的猎物。随着时间的推移,罗伯特渐渐的爱上了伊莉,与此同时,残暴的米高也离他们越来越近。
3 _/ y$ k5 s( J/ B: N8 L! ?# x' Y$ S" J9 a! a, k$ ^) @7 G/ Y5 ]
4 F" S6 V+ k' Q/ P Robert Rath is the best hitman around, but the code and sense of duty once part of his deadly career are lost in a post-Cold War world of free-lance guns. He wants out. Not so Miguel Bain, a driven killer who knows how to claim the top spot of his shadowy profession: eliminate Rath.
6 |! T1 j' `; z
0 g. Z. s j% K$ l ]5 ~6 f3 T
. \+ ?0 @" k h5 S: \& ` b1 n' Q1 P" b: Y+ e% X K% w
- e. K+ T* w; ~$ S
Assassins Blu-ray, Video Quality
* s* s o% a3 p
2 b; j }, \+ [
* `* G c3 j R+ G6 D" DThe great Vilmos Zsigmond shot Assassins, and although Zsigmond is best know for his work onanamorphic widescreen features like Close Encounters of the Third Kind, he does equallymemorable work with spherical lenses, and Assassins is a good example. Whether lighting thedelicate chiaroscuro of Robert Rath's apartment, or the sunny heat of the Caribbean daytime, orthe cityscapes of Seattle and Portland in rain and sun, Zsigmond gave Assassins a rich textured look and a frame that'salways interesting.7 X! v) s* L& }3 R4 y
2 P- r) _1 U( K8 W j- ~3 e
The 1080p, AVC-encoded Blu-ray from Warner provides a finely detailed image withexceptional clarity, solid black levels and the right levels of color saturation to differentiateamong the differing environments. Grain is faintly visible but never intrusive, and I saw noindication that it had been reduced by DNR or other filtering. Although I was initially concernedthat this 133-minute film had been compressed to fit on a BD-25, I did not spot any compression-related artifacts. It's likely that the saving grace was the relatively large number of scenesinvolving two-person conversations, including some conducted through computer screens; theseare usually a gift to the compressionist6 E# v4 C: h* T
3 E, d u5 ]* x: h% eAssassins Blu-ray, Audio Quality
; B e" \8 a! b# B @$ U' N7 v
8 A1 m9 |/ r/ S3 i2 @
' T, b& b9 \2 \ r' [& Z; IThe film's theatrical 5.1 track, presented here in DTS lossless, is elegant but not showy. Thismay the only film ever made in which large amounts of gunfire provide no opportunity for sounddesigners to show off, because every shot is silenced. Instead, the sonic style is set in the openingsequence, as Rath and Ketcham walk through a swamp. The sound of distant thunder rumblesthrough the surrounds, panning left and right, along with the sound of a few birds. The focusremains on the dialogue in front and Mark Mancina's mournful underscore. (Mancina wasreportedly called in at the last minute, when Donner rejected the score submitted by MichaelKamen.) The surrounds provide the same kind of service throughout the rest of the film, whetherit's the passage of traffic during various chase scenes, or of trains during a key sequence onSeattle mass transit, or pigeons in the plaza outside the Banco Internacional. Bass extension isfull but natural. The people may be strange, but the physical phenomena are normal.
7 C/ U- \9 m/ A4 n& [; Y/ i% WDISC INFO:
y8 y6 s; {. S! z' i+ b2 @ P' {! N) ]
Disc Title: Assassins.1995.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
+ r% _" c) F g9 K& x rDisc Size: 24 593 876 698 bytes
! Z& c! G4 u, ~% N: |7 zProtection: AACS6 q6 K9 E9 P2 V# p% `4 W' r3 J' ]& K
BD-Java: No' S" _8 y3 B$ J/ _5 B
BDInfo: 0.5.8
- g& J3 E( X3 k0 j* ?5 s
' c+ V( w4 t. ~2 R; B& l& i2 [# v+ KPLAYLIST REPORT:
9 o! z* l5 s2 ]( X! F. k* g
% _4 P) U7 C) _- ^5 vName: 00100.MPLS
9 E0 h2 |& o& F3 x! L( MLength: 2:12:44.790 (h:m:s.ms)
3 }( b' @8 a1 f+ l2 p7 i u OSize: 23 979 552 768 bytes; O* n( x2 ?; E: y
Total Bitrate: 24,09 Mbps9 _# \+ q0 B9 d; C4 l$ _
, {+ n4 k, D; ~. m; k/ t
% l; O6 @- G l2 tVIDEO:0 E/ c2 I' n( ?7 [
- y. H- T+ _$ q X- d4 l7 G
Codec Bitrate Description 9 Q+ h9 t. S; p1 U- d) U
----- ------- ----------- ( Z+ s5 ^- d- s' \
MPEG-4 AVC Video 14492 kbps 1080p / 23,976 fps / 16:9 / High Profile 4.0" m) _+ ~8 f6 N
) H4 i3 s- u2 v0 x4 CAUDIO:! G" {0 a+ b: l
! Y0 s- [/ G2 p2 A FCodec Language Bitrate Description * \& ^8 Q5 T$ D) t5 E* V4 R) A: p
----- -------- ------- ----------- ! W, I2 M8 ~4 D: O* b) B" C
DTS-HD Master Audio English 4132 kbps 5.1 / 48 kHz / 4132 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
: i5 `, ]5 W! g4 s# ]Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB' ^; N; u7 e$ k8 h4 n+ _
Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB3 _/ O/ @- ?- y
Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
?! u! X3 U% V: k9 R9 ` ^. PDolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
$ k5 c! h) C8 K" zDolby Digital Audio Spanish 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
1 U- ` z" `7 ^( L# lDolby Digital Audio Portuguese 192 kbps 1.0 / 48 kHz / 192 kbps / DN -4dB
4 D8 f+ J+ f/ ^& L1 n* w4 {8 N# {* Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
) y% k g1 ?8 F5 t" R0 X9 ?1 K: g
3 ^1 r8 k7 n/ a3 ?- Q( [# ^ M2 ^SUBTITLES:# I* E" N& o; d3 Z5 W! i+ ^
5 j8 C6 d$ ^5 R) l! K+ GCodec Language Bitrate Description & v8 Q; b- f0 w/ n1 }
----- -------- ------- -----------
. M1 b: j$ B( u; g) V* Presentation Graphics Japanese 11,795 kbps
. a c/ ]* j- U7 K5 w( P( E) Z2 ^Presentation Graphics English 21,012 kbps
; K) j5 }% B: RPresentation Graphics French 12,424 kbps
% K9 M5 K( ?0 h- CPresentation Graphics German 20,157 kbps
$ X( J0 i. Y2 ]Presentation Graphics Italian 20,384 kbps * N6 u: p; o; R) j& i: O# s/ L
Presentation Graphics Spanish 16,034 kbps
) r0 D( j/ S" ]& A4 |Presentation Graphics Dutch 16,088 kbps . P4 D1 A* J1 l4 ]5 `
Presentation Graphics Spanish 15,760 kbps
]) W" }/ n2 sPresentation Graphics Portuguese 14,985 kbps ! P( C. c6 i( h3 f, u4 U; z
Presentation Graphics Danish 15,046 kbps 7 {$ g% c5 G' E
Presentation Graphics Finnish 15,535 kbps
; y l- M! o4 I! i0 g7 K7 ZPresentation Graphics Norwegian 14,096 kbps : J& P5 @& Q4 W- V, r4 W* _
Presentation Graphics Swedish 15,864 kbps . c, W2 e4 _! K& f1 E
* Presentation Graphics Japanese 0,948 kbps : G& v2 b$ S4 X* x6 n
; y4 H/ L% [+ ~6 v4 [/ l9 }+ T' J
, k: ~# d F3 p1 L5 Q5 Z* k5 J9 p6 a6 I
5 S; [( ~" a/ ^ q& }
; A; `+ P- d1 L- a, D7 S; q3 W# F& }$ D d2 x
|
|