逃狱三王/霹雳高手 [欧版原盘] O Brother Where Art Thou 2000 1080p BluRaycd VC-1 DTS-HD MA 5.1-FGT 28.73GB

In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them.


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◎译　　名　逃狱三王/兄弟，你去哪？/兄弟，你在哪？/霹雳高手
◎片　　名　O Brother, Where Art Thou? / O' Brother
3 q# V" G6 ?& u7 ?& u  y4 V◎年　　代　2000
9 S5 |  k1 O, T: r9 l+ a) G( j4 T◎产　　地　英国/法国/美国
◎类　　别　喜剧/犯罪/冒险
& n' m# d. N: b2 t◎语　　言　英语
2 K4 w" Y7 t. j! W3 G& @◎上映日期　2000-12-22(美国)
◎IMDb评分  7.7/10 from 292,379 users
2 X  v2 _  Z" U0 p4 H: x◎IMDb链接  https://www.imdb.com/title/tt0190590/
* a, v7 v& l, a8 k4 K◎豆瓣评分　7.9/10 from 51,377 users
6 O  E8 G1 ^1 r8 ^# n% E◎豆瓣链接　https://movie.douban.com/subject/1292264/
( }: K4 H4 M9 w/ a' q◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 28.73 GiB
◎片　　长　1:47:09.423 (h:m:s.ms)
  I. }+ N. k# E* n3 R◎导　　演　乔尔·科恩 Joel Coen
% Q6 _. f; ~- N. k+ P　　　　  　伊桑·科恩 Ethan Coen
◎编　　剧　伊桑·科恩 Ethan Coen
　　　　  　乔尔·科恩 Joel Coen
◎主　　演　乔治·克鲁尼 George Clooney
5 g" B3 @* d  [- Z6 V　　　　  　约翰·特托罗 John Turturro
  h$ q9 [6 W% u　　　　  　蒂姆·布雷克·尼尔森 Tim Blake Nelson
# _! P( v9 n& Q2 t0 S5 y　　　　  　约翰·古德曼 John Goodman
　　　　  　霍利·亨特 Holly Hunter
　　　　  　Chris Thomas King
　　　　  　查尔斯·德恩 Charles Durning
　　　　  　Del Pentecost
1 v- o  `! Y' C' \　　　　  　迈克尔·巴达鲁科 Michael Badalucco
0 u5 Q9 I9 M8 F0 w　　　　  　韦恩·杜瓦尔 Wayne Duvall
3 T* P9 v5 `6 S- p% d+ y+ h1 b　　　　  　艾迪·盖尔 Ed Gale
　　　　  　雷·迈克金农 Ray McKinnon
$ b& `/ _" L" m" M; {6 _: a　　　　  　丹尼尔·冯·巴根 Daniel von Bargen
　　　　  　罗伊斯·D.阿普勒加特 Royce D. Applegate
4 }. n1 `/ K0 D9 e. ^$ o4 a/ a- }　　　　  　弗兰克·考利森 Frank Collison
　　　　  　李韦弗 Lee Weaver
　　　　  　斯蒂芬·鲁特 Stephen Root
3 C7 Z  G6 C0 d5 k# m: I　　　　  　吉莉恩·韦尔奇 Gillian Welch
) u% {+ ^2 |3 L7 q2 n  E　　　　  　Mia Tate
' \  ]. Q( Y5 s$ X/ |' ~　　　　  　穆赛塔·万德 Musetta Vander
　　　　  　Christy Taylor
　　　　  　Michael W. Finnell
: Y) Z. L: g+ H8 _1 j$ v' X　　　　  　约翰·麦康奈尔 John McConnell
　　　　  　Ryder Davis
! Z4 d# B5 J( |  S" r$ b! M: M8 e! k　　　　  　Jerry Douglas
0 X( w3 I( ]. T　　　　  　Christopher Francis
　　　　  　杰弗里·古尔德 Geoffrey Gould
　　　　  　纳撒尼尔·李·JR Nathaniel Lee Jr.

◎标　　签　科恩兄弟 | 黑色幽默 | 喜剧 | 美国 | 音乐 | 犯罪 | 柯恩兄弟 | 公路
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◎简　　介     

　　影片由家喻户晓的科恩兄弟导演，电影原声大碟获得第44届格莱美最佳年度专辑大奖。

3 |: F8 \( N+ A# U: r+ d　　30年代初，密西西比州荒野的监狱里，唠唠叨叨、油嘴滑舌的艾弗瑞特（乔治·克鲁尼 George Clooney 饰）整天打着各种逃跑的鬼主意。在成功说服了狱友——头脑简单的德尔玛（蒂姆·布雷克 ·尼尔森 Tim Blake Nelson 饰）和贼大胆的皮特（约翰·特托罗 John Turturro 饰）之后，艾弗瑞特的越狱大计终于得以实现，三个穿着犯人服、拖着手铐、脚镣的罪犯叮叮当当地踏上了通往自由之路。据艾弗瑞特说，在密西西比河边还埋藏有一大笔赃款赃物。
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' l  }4 s5 f) w5 V# g% q　　逃亡途中，他们不仅要对付各种各样令人棘手的突发事件，还要与追捕他们的执法官库利斗智斗勇。这个锲而不舍的家伙发誓要把这三个“脱网之鱼”送回监狱。这一路上意外不断，状况百出，究竟他们能否获得真正的自由？

! U3 D# v2 N/ M$ i( \　　Homer's epic poem "The Odyssey", set in the deep south during the 1930's. In it, three escaped convicts search for hidden treasure while a relentless lawman pursues them.

◎获奖情况   
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9 V% {' G) u7 |% O3 L　　第73届奥斯卡金像奖  (2001)
' u: m; c7 B% Q: ?: p5 {　　最佳改编剧本(提名) 伊桑·科恩 / 乔尔·科恩
　　最佳摄影(提名) 罗杰·狄金斯　　

9 T3 E4 y' m! h$ U　　第53届戛纳电影节  (2000)
　　主竞赛单元金棕榈奖(提名) 乔尔·科恩　　
; s( C3 H9 h( D  |
5 @( z( ]6 e3 L. K& t　　第58届金球奖  (2001)
  y0 k- [8 M+ ~) g* _& E0 x　　电影类最佳音乐/喜剧片(提名)
　　电影类音乐/喜剧片最佳男主角 乔治·克鲁尼　　

2 T. c6 h* {- g3 r/ P* P　　第54届英国电影学院奖  (2001)
5 A9 ]( `1 a$ S2 F6 {" {　　电影奖最佳原创剧本(提名) 伊桑·科恩 / 乔尔·科恩
　　电影奖最佳摄影(提名) 罗杰·狄金斯
2 N# w2 T% ~8 d2 g3 Z* T　　电影奖最佳艺术指导(提名) 丹尼斯·加斯纳
9 u- L( L8 |# ]# U　　电影奖最佳原创音乐(提名) T-本恩·本内特 / 卡特·伯韦尔

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3. Disc Title:     O.Brother.Where.Art.Thou.2000.1080p.BluRayCD.VC-1.DTS-HD.MA.5.1-FGT
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4. Disc Size:      30,849,780,657 bytes
   
5. Protection:     AACS
   
6. BD-Java:        Yes
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7. BDInfo:         0.5.8
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11. Name:                   00800.MPLS
    
12. Length:                 1:47:09.423 (h:m:s.ms)
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13. Size:                   29,832,554,496 bytes
    
14. Total Bitrate:          37.12 Mbps
    
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20. VC-1 Video              28071 kbps          1080p / 23.976 fps / 16:9 / Advanced Profile 3
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O Brother, Where Art Thou? Blu-ray, Video Quality   
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Aside from its intrinsic merits, O Brother, Where Art Thou? is notable for being the first American film to be finished entirely on a digital intermediate. The Coens and their cinematographer, Roger Deakins, felt that digital tools had progressed sufficiently to do the job, and Kodak was building the first DI suite at its Cinesite facility. In addition, Deakins had concluded that photochemical processing would not provide him sufficient control to achieve the "dustbowl" look the Coens wanted, especially since their shooting schedule called for principal photography during the summer, when the outdoor locations would be lushly green.
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In April 2010, Deakins noted on his website that "I recently supervised a new transfer of 'O Brother Where Art Thou', which looks far superior to the original release to my eye." Deakins provided no further information, but the transfer to which he referred is presumably the version on this Blu-ray, which is 1080p and encoded with the VC-1 codec.
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; R3 F" a& O  g8 F3 U0 X' zThe Blu-ray image is gorgeously detailed with excellent black levels and precise contrasts that bring out minute picture elements without blowing out the whites. Consistent with the intended storybook, old-postcard look (as signaled by, among other things, the opening fade-in from, and closing fade-out to, black and white), the image is soft, but softness is not automatically a flaw in a film image. It can comfortably coexist with finely resolved detail, and that is the case here. I viewed the image on a 72" screen from about ten feet away, and there was no mistaking the quality of the image.
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The color pallette is generally desaturated, except for very specific effects, such as yellow-orange flames or the red of the KKK Grand Wizard's uniform. The specific tints in individual scenes -- amber here, brown there -- have already caused controversy, either because they don't match up with what some viewers say they recall from the theater or because they vary from the DVD. Even if we leave aside the likelihood that the film's cinematographer supervised this transfer, using digital tools substantially advanced from those available to him during the film's production, and found it "superior to the original release to my eye", I don't consider either of these comparisons valid. Memory is notoriously unreliable (my own included), and it's been over ten years since the film was in theaters. As for the DVD, I will never understand the desire of some viewers to pinion Blu-ray to an earlier format with a fraction of Blu-ray's resolution and a much shallower color space. If a low-resolution, limited-pallette format is going to set the outer boundaries of how one judges a film's reproduction on video, then why bother with Blu-ray at all? Watch your DVDs, save money and be content.
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) F; K" Q, `2 z3 d9 eOnly in the rarest of instances will any of us have access to an authoritative source -- an answer print, original digital files, or perhaps an exhibition print struck from an interpositive -- against which a Blu-ray can be evaluated. Lacking such an objective basis for comparison, outcries based on memory, intuition, DVDs produced with outdated technology, rumors or general hostility toward studios are not a relevant basis for evaluating a Blu-ray. One should watch the disc and evaluate the quality of the image presented, noting such viewable things as black levels, color saturation, grain patterns, compression artifacts (if any), print damage (if any), etc. The Blu-ray image of O Brother has nothing in the "con" column and everything in the "pro" column. Highest marks.

O Brother, Where Art Thou? Blu-ray, Audio Quality   
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The audio quality of O Brother, Where Art Thou? is particularly crucial, because the soundtrack was even more successful than the film, winning multiple awards, selling millions of copies and inspiring concert tours and follow-up albums. Fortunately, the DTS lossless 5.1 track delivers everything that a fan could hope for, conveying the songs with presence, force and musicality, whether they are accompanying the action or being performed by the characters. "A Man of Constant Sorrow", which is heard twice in the film, has never sounded better. As for the non-musical elements of the track, the Coens have always been precise and imaginative in their use of sound, but they are sparing in the placement of elements in the surrounds. They prefer to keep the viewer's attention facing forward. There are moments when the soundfield expands to envelop the viewer (an example would be the revivalist meeting, sometimes referred to as "The Lotus Eaters", where a large group in white robes pass Everett, Delmar and Pete in the forest on their way to a mass baptism), but such effects are brief and rarely used.
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& S* M$ B3 \/ ^The dialogue remains clear, even though it's frequently delivered in thick, overdone accents that are the Mississippi equivalent of the extreme Minnesota accents in Fargo.
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6 f5 ?% f' |3 C; E至少是现在，我一天没有访问蓝光电影论坛就不爽！At least now, my day did not visit the Blu-ray Film Forum on unhappy!