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As corruption grows in 1950s Los Angeles, three policemen - one strait-laced, one brutal, and one sleazy - investigate a series of murders with their own brand of justice.0 e+ z0 C0 `- H% V& V3 q! ]
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◎译 名 洛城机密/洛杉矶机密/幕后嫌疑犯(港)/铁面特警队(台) J3 k6 b, O2 f+ ?7 y* E1 s
◎片 名 L.A. Confidential* z' L' E+ W3 D9 v2 o
◎年 代 1997, X$ P+ Z: E5 E; j: k, q4 F2 V
◎产 地 美国( J3 N; y1 c# @& s: c$ @
◎类 别 剧情/悬疑/惊悚/犯罪: G/ Z& A. p/ p n5 p
◎语 言 英语$ g2 M' u8 u/ e
◎上映日期 1997-09-19(美国)3 |. r; x+ A% Q
◎IMDb评分 8.2/10 from 578,758 users
; U8 E8 N* G! o4 h5 U. f" \/ d◎IMDb链接 https://www.imdb.com/title/tt0119488/3 V# O f' J& o7 Z5 H% o# R$ \
◎豆瓣评分 8.8/10 from 136,497 users+ n& A; l; w8 r0 ]$ ~% {4 F5 B
◎豆瓣链接 https://movie.douban.com/subject/1292348/9 v1 y5 m9 V0 b/ R/ I5 l
◎文件格式 x264 + DTS
/ p% j; W/ L! c! E◎视频尺寸 1920 x 1080
. Q4 g; U4 O& P5 U◎文件大小 1DVD 31.01 GiB & 24.20 GiB
6 U4 A. Q V% G" b◎片 长 2 h 17 min
% c$ k! L) {1 K# l8 ]◎导 演 柯蒂斯·汉森 Curtis Hanson 2 m7 ]1 X- d; \# s8 K
◎编 剧 詹姆斯·艾罗瑞 James Ellroy
( m# x( f$ ^, e7 d$ j8 S% d 布莱恩·海尔格兰德 Brian Helgeland 6 k8 ?& ]5 h; z0 f* P
柯蒂斯·汉森 Curtis Hanson
( n, p+ G* ~5 ~* g. |2 h◎演 员 凯文·史派西 Kevin Spacey
! F+ s; x% r2 O$ N 罗素·克劳 Russell Crowe
6 ] N, ?% o7 T" z. w7 x6 Z0 N 盖·皮尔斯 Guy Pearce
) }. M8 b) F; M 詹姆斯·克伦威尔 James Cromwell : ]2 Z$ A4 T8 \
金·贝辛格 Kim Basinger
& c1 O- Q, Q: Y% G4 i" G 丹尼·德维托 Danny DeVito - W, _ h7 j) H& v
大卫·斯特雷泽恩 David Strathairn 9 j( M! q% K, E, `% D" e
朗·瑞弗金 Ron Rifkin
2 c; _$ O& {$ F( M4 D3 B- G* P 马特·麦考伊 Matt McCoy
. v# W; V) f- r 保罗·吉尔福伊尔 Paul Guilfoyle : O: F$ U( Y: \3 P* ~* r) _) N( _
保罗·塞甘蒂 Paolo Seganti
; g$ f( w, a0 r! n, a/ B$ f 伊丽莎白·格兰里 Elisabeth Granli
, F6 ?3 Z# B5 f# k3 b$ P4 B1 R2 ~2 } 桑德拉·泰勒 Sandra Taylor 8 s4 C# q. \7 c3 E3 f" N
史蒂夫·兰金 Steve Rankin
@) A, }9 j0 K p 格拉汉姆·贝克尔 Graham Beckel 1 x: P, Q) r) g
阿兰·格拉夫 Allan Graf & \) i( V" y. Z! r4 a7 x
Symba Smith
9 K3 o0 k6 r# Y8 H5 y 鲍勃·克莱德宁 Bob Clendenin
& A* d- `5 B, [# E, O 安贝尔·史密斯 Amber Smith ( R2 ^+ z3 v5 _1 |
达雷尔·桑迪 Darrell Sandeen
/ |# |- ?$ s; ?$ \5 ~ Michael Warwick
, j \0 N0 I4 p$ o" i' ^3 T: y2 s 西蒙·贝克 Simon Baker " f; P' ?5 q! T9 q+ L
肖尼·弗里·琼斯 Shawnee Free Jones
+ n* z3 v) B# h) B1 t. k7 i& h% L 小托马斯·罗萨莱斯 Thomas Rosales Jr. 6 P7 h2 H3 d R
Shane Dixon
z1 a/ u$ q( N4 {: r Norman Howell
* O7 z9 i d& I9 H: U 布莱安·莱利 Brian Lally 3 h- u$ @' q1 P
约翰·马洪 John Mahon + |- H7 }( `6 Y8 x4 B$ {- W
托马斯·阿拉纳 Tomas Arana
! K. K8 ]2 ~9 p* V' m: Y& H Michael McCleery + B7 j$ h; t' a7 L {8 u5 t3 j" G
杰克·康利 Jack Conley
9 ^1 `% d* G1 O0 X 杰克·奈特 Jack Knight
% C. P6 X% w4 X8 ` 格温达·迪肯 Gwenda Deacon , A- Y9 i' G1 Q8 J: }4 b
因格·内哈斯 Ingo Neuhaus
$ K( b# N/ e1 _6 V, Y# | 吉姆·梅茨勒 Jim Metzler
1 i! S0 o7 {5 _3 s4 P: }; ^ 萨利姆·格兰特 Salim Grant
+ H; B, x6 T& u; i9 |* I 马里索尔·帕迪拉·桑切斯 Marisol Padilla Sánchez
G7 O# Z/ q) _$ z! M0 t U 乔丹·马尔德 Jordan Marder
5 F; N4 G/ B8 R4 P* \8 P/ }& P Gregory White c3 W$ _: G( Z7 W. |* w% M
约翰·斯拉德 John Slade H1 U2 l6 B5 r
布琳达·巴克 Brenda Bakke D" Y6 i7 ]6 o8 X; _' M8 w& J
艾琳·罗森 Irene Roseen 5 g3 d/ ^) r* G8 |$ \
大卫·圣.詹姆斯 David St. James # ~6 A2 o& n% s" g% \# y
Jeff Austin Jeff Austin
5 S* D' b& q' v 迪克·史迪威 Dick Stilwell 3 a9 R* e: E' H! u
威廉·博伊德 William Boyd 8 T7 t# a3 c" C1 ~$ X
普里西拉·科里 Priscilla Cory
& W! N; @+ _) V' \ 朗达·弗莱明 Rhonda Fleming 3 ?2 R1 E7 d. n3 D
黛博拉·蔻儿 Deborah Kerr
, N! D1 Y: P! E$ L- i 艾伦·拉德 Alan Ladd 4 ]3 u g5 `( R. ?3 W
维罗妮卡·莱克 Veronica Lake
& y9 b$ E% s" t Scott McKinley
. w$ R# T8 }! {7 f$ u# P D. p- r' s 玛丽莲·梦露 Marilyn Monroe
! u% N5 j6 W% k7 t' G( f- T1 _: w 吉尔伯特·罗萨莱斯 Gilbert Rosales
& @ {0 T# ~( d 弗兰克·辛纳特拉 Frank Sinatra
7 ^# _2 [, J4 e: G# d+ g4 H/ s& I 简·拉塞尔 Jane Russell
, u: f ]7 R9 g! _* M 弗吉尼亚·梅奥 Virginia Mayo : S; q8 R4 \6 g: f+ `4 B" p
Mike Kennedy % C0 G& ]; c8 A3 T
Dan Kolsrud
6 R- W+ b+ X3 q" y: l* ? 迈克尔·G·纳森森 Michael G. Nathanson
2 o- X. \+ i' @# k 阿诺恩·米尔坎 Arnon Milchan
5 L% A# j4 a7 T8 d+ o8 x 柯蒂斯·汉森 Curtis Hanson
! w# |1 Q* g K3 ]& Z" z8 s+ A4 u 杰瑞·高德史密斯 Jerry Goldsmith
/ C# D1 r' y! l" \ 安娜·贝尔莫 Anna Behlmer
7 X# I4 B6 @$ X. U 但丁·斯宾诺蒂 Dante Spinotti ( `5 i# _( W3 i# t8 r/ Q, J
彼得·霍尼斯 Peter Honess
" x8 C* f) a2 W0 A/ G 杰·哈特 Jay Hart 3 }: d( {( | X+ r1 y4 h: r. U
威廉·阿诺德 William Arnold
1 Q9 ?1 _8 B% T! Z 露丝·迈尔斯 Ruth Myers
: \% g9 w5 x+ g, }; L Janis Clark Janis Clark 3 {6 [6 O5 E4 w3 z3 D5 d, h) s) R4 b$ |1 |
兰斯·安德森 Lance Anderson 8 v+ c0 \, X- W& Z4 R6 n
Linda Leiter Sharp ; T: @% U; P5 }8 s3 G5 G: @
小约翰·M·艾略特 John M. Elliott Jr. 1 D4 h0 b* p2 S5 ]! c) }( [
Drew Ann Rosenberg
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◎标 签 犯罪 | 悬疑 | 美国 | 剧情 | 经典 | KevinSpacey | 美国电影 | RussellCrowe
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◎简 介 ! ?* [; V$ |, o- X7 t
; ]% p o- |, v/ k# U3 u 此片根据詹姆斯·艾罗瑞(James Ellroy)的小说改编，描写了1950年代，警界腐败、犯罪纵横的洛杉矶。
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- a( K& K6 o4 |6 Y6 E' g 杰克·文森（凯文·斯派西 饰）是警界名人，常常出现在电视媒体中，与《嘘嘘报》的八卦记者狼狈为奸，靠制造和揭发明星的桃色新闻，赚取外快。艾德·艾斯力（盖·皮尔斯 饰 ）子承父业进入警局，野心勃勃，做事严谨，因为出卖同事而升职，受到大家的排挤；巴德·怀特（罗素·克劳 饰） 铁面无私，但是个性冲动，容易遭人利用。* @! O- w- C( C
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一桩疑似抢劫的餐厅命案将这三个人联系起来。艾德·艾斯力找到了三个黑人嫌疑犯，并被判死刑结案，还因此收到上级嘉奖，但是他却在进一步的调查中发现案子并没有那么简单，他说服了杰克·文森和他一起继续追查；巴德·怀特对餐厅命案一直心存怀疑，他找到的线索也显示，案子根本没有想象中那么简单。
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三个人迅速被卷入一个色情、毒品、谋杀、背叛、贪污、阴谋交织的网中，惊人的内幕......
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Los Angeles in the early 50s. Unrelenting sunshine, alluring glamour, easy money and a burgeoning industry called Hollywood. The entire country is transfixed by the seductive images coming from the City of Angels. But beneath the gleaming surface lies a corrupt soul. The energy and growth of post-war America is a combustible mix that's bound to explode.
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. d9 ?( J' ]5 Q# Q, k◎获奖情况
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第70届奥斯卡金像奖 (1998)6 n# h6 h) Q! p. G4 d4 c( W
最佳影片(提名)
% Y7 Y7 h" p) d! r, N1 S/ D. h+ X 最佳导演(提名)
8 e- p0 ?% S( T/ }2 P { P └──柯蒂斯·汉森
% M9 p, Q( U' I2 R: e. J 最佳女配角
- [4 t. }) |- i3 k: S" Y' M └──金·贝辛格
% N8 `6 z4 r. h+ e, c4 J 最佳改编剧本- A- U* \0 I! _8 s3 X F; E3 K
最佳摄影(提名)
" d- z8 E8 l1 G5 q6 Q9 v └──但丁·斯宾诺蒂 ; x0 ?% U- J! F2 e4 n
最佳剪辑(提名)3 k" u$ a5 ?& S
└──彼得·霍尼斯
0 r% `6 [! Z9 H6 ^ 最佳音响(提名)" C1 D8 O- ?5 V+ ` V* ~
最佳艺术指导(提名)
: M- k0 Y1 F6 c2 O3 z 剧情片最佳原创配乐(提名)
* E% @1 R$ d" ]( G └──杰瑞·高德史密斯
- T2 |4 e8 y8 l `' T/ \, R 第50届戛纳电影节 (1997)
( n; o. g+ T; l( z7 _ 主竞赛单元 金棕榈奖(提名)( y \" @& w9 h$ v7 J Z
└──柯蒂斯·汉森
1 o$ q j7 S& Y& V/ p 第55届金球奖 (1998)
4 M" h; f! W: A/ S) R' ? 电影类 最佳剧情片(提名)
5 D9 E2 x$ S3 i" k 电影类 最佳导演(提名)/ j q7 l y: K. k4 v
└──柯蒂斯·汉森 $ W. P" G9 y p1 C9 O
电影类 最佳女配角
A3 p0 y/ H6 F; o └──金·贝辛格
9 q- l3 D3 |, D, j6 { 电影类 最佳编剧(提名)9 t+ B! y) p1 j$ U( q, s
电影类 最佳原创配乐(提名)
5 z* U5 ?' [8 x5 }5 y8 z └──杰瑞·高德史密斯
" v: ^2 K/ A# x 第22届日本电影学院奖 (1999)" t$ R# Y1 ?$ o, m# L: o
最佳外语片
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9 J0 C$ Z" p* V; p3 e   L.A.Confidential.1997.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT1 S1 E" h) u/ b1 Z
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Video& @ Z2 K4 K$ C# H L/ x* Z5 b" N, l
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) S. M" b- g; B* | S n4 a4 Z: b8 FID in the original source medium : 4113 (0x1011)
8 X! v; m; C$ b& ?2 q6 tFormat : AVC% T% }& }4 m( O8 w' {$ k
Format/Info : Advanced Video Codec/ L8 l! }8 R6 g4 e' z: B) ~- {
Format profile : [email protected]
# i5 z7 v: b2 c( ~4 E7 {4 {* vFormat settings : CABAC / 4 Ref Frames" G1 i9 v9 j- {$ ~. n2 ~
Format settings, CABAC : Yes
1 [' \, V/ W/ k5 g& MFormat settings, Reference frames : 4 frames; H; ]* g( p" U$ m; k0 L l
Codec ID : V_MPEG4/ISO/AVC& R; P# c& J/ [( L; N& d
Duration : 2 h 17 min( i$ O! U! r% E
Bit rate mode : Variable
* {$ }$ b. I- V% I L! x8 k5 [9 @Bit rate : 24.5 Mb/s
4 W. _" P+ q( P! P# h2 \Maximum bit rate : 35.5 Mb/s
& F, s3 e7 `! c! vWidth : 1 920 pixels5 y7 B% ]0 v' U( d n" A3 [/ K- R
Height : 1 080 pixels, b R* C* ^& ]5 d
Display aspect ratio : 16:96 V; L; O1 V; q7 D' A& j
Frame rate mode : Constant3 K; f& |- a4 {( [& z
Frame rate : 23.976 (24000/1001/189150) FPS% m7 t0 _$ Z$ G k9 R5 c* V9 P6 Z7 {
Color space : YUV, O, H1 P# M% O! Z
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8 I3 X2 w" r1 w+ RBit depth : 8 bits
# z5 l/ B i, P- t0 TScan type : Progressive/ B& u' x9 I4 y
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# |3 [& I* I7 Y6 v. m0 BStream size : 23.5 GiB (76%)
* @* P9 X8 v6 X$ A0 V. a5 b V, QLanguage : English
$ v {8 p) c# |8 L) z* LDefault : No
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Original source medium : Blu-ray
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9 E C5 i, Y( `2 x6 M- z. jAudio #19 J' V7 K% G6 }0 w6 D1 H
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Format : DTS XLL
' D& F+ I9 a Z k+ N' W: ^+ oFormat/Info : Digital Theater Systems
, G. q% \" ^' s, q. W# L# PCommercial name : DTS-HD Master Audio8 f. |. F0 Q& ?( O0 j# l
Codec ID : A_DTS4 c; r$ }3 c3 ?+ y$ }0 b
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! g1 }( p A) V5 ]5 FFrame rate : 93.750 FPS (512 SPF)
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* x& {9 b2 c: }$ b7 A; ?Language : French
, m: W# N6 l7 u6 t# I& U. {7 CDefault : No8 E5 E5 i. g6 F+ c' t( n
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" o; o! Z, B1 ]$ |" R, G- R7 ^Original source medium : Blu-ray
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Audio #3- s4 q3 r2 i o9 ?3 g* m
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0 K: T @; R7 B( t/ UFormat/Info : Digital Theater Systems
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4 G8 g& I7 Z1 _5 A0 dTitle : DTS 5.1, V' j: n: g8 }( I, t
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/ g1 D7 I( a% ?+ [* V' c( E: GDefault : No
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. x& X- P) A0 ?2 `; WOriginal source medium : Blu-ray
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: e; f4 N5 h' O* O+ q ~Title : DTS 5.1) a0 @4 Q i& E. X
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2 H( B N9 @5 ~) z0 z, w) kFormat : AC-30 ]# ]% P) l( | ]8 k1 r
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: i2 {+ g$ @7 p5 q# i# |Service kind : Complete Main
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, t+ E. G) F: M' Y/ p7 C
. E- G( y2 R* Z3 @ S9 O( c" OAudio #69 X3 O% N8 h! ]$ H! H: z; {8 w
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Stream size : 221 MiB (1%)
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, b$ V6 k# d1 ?. FDefault : No
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5 {# I* k6 w2 J. o2 {+ q9 P$ ?
3 x) S4 h9 |0 G, o3 B# sAudio #7
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) l: ]1 b+ U- ^% \" wBit rate mode : Constant7 {. \7 ~6 s' K3 e3 U, S* R5 g
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Title : DD 5.1! h! c5 k) q+ r5 [6 ^
Language : English
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% j" E( `" M0 q% D" A6 D7 L$ X0 S0 {; ?, a% V
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4 `7 ~7 i2 g3 }. |5 Z8 N3 ~Original source medium : Blu-ray
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( P5 j4 `2 Z" }/ ^3 oText #3- ]8 }# P* G5 \8 [
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; W" a: ~: ~+ q4 o3 B: a" JFormat : PGS
9 U; Z9 F$ D8 p& r. |8 v! M% wMuxing mode : zlib
! o4 d# L# Q4 p/ h" ?; [# CCodec ID : S_HDMV/PGS- t9 L. u6 L2 P8 P7 `7 U0 Z
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Forced : No
2 E4 k' q% t1 c! P9 z! eOriginal source medium : Blu-ray
8 [7 {9 r ^! W6 ], d$ Q
/ ~1 w; U& K2 j$ _8 `! A1 fText #4
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# }, |( _: U/ B" {/ e* |Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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Language : French
) c5 G4 U1 t# U# d1 _& v4 aDefault : No
4 |8 u7 N% k Y. BForced : No8 J' f+ Q# I+ C+ Y G$ y) n
Original source medium : Blu-ray! E/ s7 T1 s+ p I1 i
: n# L: |, U' s0 C. M8 w, i* u
Text #5! G% |: K2 v$ u! j6 q/ l6 ?
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Codec ID : S_HDMV/PGS
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: g7 R% L- C" ?: i/ D4 R* PCount of elements : 3136; W4 Z) L' i: c! q
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# l# q" R9 D- X' O/ r2 WForced : No& \" ?1 W4 v6 @$ ~% {
Original source medium : Blu-ray
# E9 o2 N+ ^1 q0 f2 t# N
) P" ^$ Z7 I% `2 j8 iText #6' R. Z3 w: {* I( ~. [$ _
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Format : PGS& b4 n; q& }/ W$ z' q
Muxing mode : zlib
" M& E0 C- n# t; cCodec ID : S_HDMV/PGS* t- p4 C5 {( L x& ~" N
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs8 ~- e( K! A6 I" D2 y( P, f6 ^
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Language : German
7 e, R- ~1 [$ H7 O1 `; XDefault : No
% F- u2 ~- _/ m/ W, G- h3 ]+ wForced : No% d7 M* n1 ~& C7 r4 M1 {
Original source medium : Blu-ray/ ?) a) l: ~% h r, U5 `& J ]! v5 V4 i
& u4 ?* }9 m. ?% JText #7
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Format : PGS" c, ^' C& H0 m; ~% W( K
Muxing mode : zlib) Z$ `1 z$ w8 E/ d. |2 C
Codec ID : S_HDMV/PGS. M; o( e% v# m6 |2 G& ]2 r4 X
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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! D7 I6 ^4 F- F, U% nText #8+ g; O( ?% b, b" X6 K( I. _
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Muxing mode : zlib& j, ]- q' S- O) L5 w/ V* L- U6 h
Codec ID : S_HDMV/PGS" Y% E" Y0 T% Z# t) v R% [
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs! w; `2 W( E' m+ N Y
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# g( u3 T+ I' f. i7 M% LLanguage : Italian0 c$ M: p/ o% @% w6 V6 y
Default : No$ ^0 u& F- j# b# C! r* a% N' @- b. |
Forced : No1 p8 ]( \) q- h% G1 k+ E2 J
Original source medium : Blu-ray
8 Z: k# E1 A( @ p0 n! U% @- ^ }; T% k$ K5 N0 j7 p/ o, a( D: Q% [
Text #95 S! Y8 ]1 |# ], c
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% D- { P, W% o6 `, \Language : Italian1 M( v3 U1 _9 d9 D" x) ^& ?
Default : No3 L; T' k/ \2 k
Forced : No; P. R% v) t& h
Original source medium : Blu-ray
3 m6 ~# r$ U, s: B
3 l+ R1 b4 g; B G/ g, V. h2 AText #10
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( e& y* C7 k# i+ U) rDuration : 2 h 17 min8 l! L2 o' p+ c' u7 a. M
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+ @, I% j: N, Q }9 s" {2 d& r6 G" _Language : Korean
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Forced : No1 f, r/ X+ e; Q$ k0 v B" k
Original source medium : Blu-ray
9 X) T) a' A+ u* K& h1 b! P$ I
, R* {, y, {5 v- I* h- U* xText #11
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" W" \: E# }9 l; e4 |- S& c1 cCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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9 r. T! ?; A8 n0 j% N9 v7 x) o7 oCount of elements : 32087 V3 H; }! X: c
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8 b ~. ^5 r& k- b* L, TLanguage : Arabic
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$ t w, |( L! M/ m0 J+ P$ m( IForced : No4 W$ g! G6 k0 s+ d3 |
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4 \: v7 |8 _; P I% y# n
Text #12
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. ?. c: I% ]( U1 GCount of elements : 2568% g9 g' i; ]9 z
Stream size : 28.8 MiB (0%)
: p% m8 b S* W! vLanguage : Bulgarian
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Text #13
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& v2 T- u4 b; F" [+ }- H5 z) u' M: sStream size : 29.1 MiB (0%)9 Z4 D( @ t ~5 t$ W3 |4 J
Language : Croatian
: m6 c* d% F% L8 M8 {6 d2 Y' {8 C' [* wDefault : No# d7 T. u8 g4 j% y
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, U; e, y5 T8 E$ d' COriginal source medium : Blu-ray
, I$ Y- h4 ^0 z6 e+ O/ Z* s; m. P# z, M
Text #14
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; b# d- ]$ e2 H5 K% W9 SOriginal source medium : Blu-ray" e% I' z9 r9 [# A) b/ X. v% C
- ?' s! R5 I, l: n p
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Muxing mode : zlib
& d( G0 W& W( j! hCodec ID : S_HDMV/PGS0 @" J T2 v; R: ?; \
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4 I6 K7 J% d- z r9 H+ I0 `Language : Greek. \$ b7 i) o9 ^' V- U
Default : No3 ]! Q s6 z' T/ O* @1 |
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8 \! m {- B- A \; e: FOriginal source medium : Blu-ray
" x, v% o! [( }: U8 p, j9 j4 e- Z
Text #16( l7 o' D5 I, k6 E# d3 w
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& N% s# E. W: W% A& C7 tFormat : PGS
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9 J0 ?( M! g; z9 J! uCodec ID : S_HDMV/PGS% |0 D% d) m5 U. T; h6 s
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Forced : No! V. F2 M2 G- ?1 U/ Y
Original source medium : Blu-ray
" N) B$ J8 | `# f- `, x# b
z) s5 I6 O+ KText #17
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Forced : No6 @1 t4 @! {# _ Z& r- [0 k' y% o) k8 A
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: a3 g4 E/ {1 Q' O. P& { H: xMenu! @2 r: X$ C4 w! f
00:00:00.000 : en:Chapter 01
* N! X: ?8 I* a0 t5 ?* m00:02:36.114 : en:Chapter 02
4 Z1 a+ c% t3 X* K& R/ E5 N00:04:43.574 : en:Chapter 038 @' O( `6 F9 Z
00:06:14.290 : en:Chapter 04
" x. n" E6 T8 i( d3 I. s9 J! ^00:08:28.591 : en:Chapter 057 [ t- \1 K0 K7 C, I; u: c
00:11:24.684 : en:Chapter 06
* l& [& \/ J, s8 g/ B00:12:57.443 : en:Chapter 07
; ?/ y9 K+ d$ k% X' {1 x00:17:04.606 : en:Chapter 08
" \6 W0 z5 ]8 x! D) U00:22:28.764 : en:Chapter 09
- l( H- X# y/ L4 _7 T7 f6 j00:24:18.039 : en:Chapter 105 \; X1 u6 ?% i
00:26:27.127 : en:Chapter 11
8 K2 U+ K" M- q @/ r00:29:52.457 : en:Chapter 12/ A4 ~2 {5 T; [$ g# o
00:37:17.068 : en:Chapter 13; m: b5 J+ f& b6 R7 V3 y* C
00:40:56.328 : en:Chapter 14
; k; @6 `- K6 t" E1 }00:45:50.122 : en:Chapter 15: m1 z4 b2 M5 E, t
00:49:33.929 : en:Chapter 16
. G, Z7 G" s+ h" M8 I6 D0 k( [2 ]00:55:58.521 : en:Chapter 17
$ _* T9 c/ m1 s. \ a) A! w00:59:51.462 : en:Chapter 18
# n& ?" a$ X+ @1 |01:02:02.635 : en:Chapter 19
5 N, ?; V, m, o; O& S01:05:38.267 : en:Chapter 201 T' B4 n8 B1 ~9 V% a' D
01:07:36.135 : en:Chapter 21/ d" x1 {$ w. U/ j: y
01:12:20.669 : en:Chapter 22
( l' Q7 ?7 K: q: ]& e, `# \01:15:22.017 : en:Chapter 23' @' c2 W! P9 x( V
01:18:06.598 : en:Chapter 24" k. F: T1 U9 U' O' u3 C
01:22:59.641 : en:Chapter 25
( s$ a+ U$ V1 \3 T; [2 Y ^6 k, C01:26:44.574 : en:Chapter 26
/ ?4 `$ y6 ~( o8 q, l, l# x01:29:00.335 : en:Chapter 27
9 O5 P# I$ w4 {* A' d; Q01:30:32.301 : en:Chapter 284 v: r8 f" w: l" e, d6 ?9 S
01:31:42.497 : en:Chapter 29
" f5 O; Q, o m6 |- ~% T, H01:36:27.782 : en:Chapter 30
! }- u' E" |9 Z% Y( @! l6 W01:40:40.617 : en:Chapter 31
+ |5 L7 O' l2 a7 K* c; r01:45:41.877 : en:Chapter 32
2 m: n% ]0 h8 E `4 }01:51:21.800 : en:Chapter 33# d$ s% g9 c8 K8 r1 g5 p
01:54:29.404 : en:Chapter 34
1 K9 e4 {6 f$ E2 u9 x; M01:57:29.709 : en:Chapter 35$ P; B' D9 L! ~% B6 E
02:00:18.252 : en:Chapter 369 ]+ ^ }" z( Y& |3 ?4 ? Z
02:03:26.982 : en:Chapter 37
7 b$ h7 a3 U2 z" h8 T% }02:06:48.934 : en:Chapter 38
7 u1 m& O' m" g# _8 r02:09:50.657 : en:Chapter 39
+ h& h S+ r: `* q# W02:12:52.172 : en:Chapter 40
# F% ]1 f0 C9 a4 r+ [2 l# u
/ o7 A# U1 Y; D: R; Y6 ~3 wAt first glance, L.A. Confidential features an underwhelming 1080p/VC-1 transfer that doesn't offer the sharpness or clarity of other notable catalog releases. However, upon closer inspection, it becomes clear that Warner's presentation pays a tremendous amount of respect to Hanson and Spinotti's intentions, relying on lifelike textures, savory shadows, and convincing depth to craft a decidedly satisfying experience. After a less-than-thrilling series of opening shots (that left my brow furrowed and my pen scribbling across my notepad), Hanson's Los Angeles heats up the screen, offering perfectly saturated skintones in place of hyper-realistic faces, and comfortable contrast in place of stark vibrancy. Blacks are wonderfully resolved, colors are warm and inviting, and vivid primaries (particularly reds) pop with the urgency of a more aggressive palette. Detail isn't mind-blowing, but it is engrossing -- edges are nicely defined (without the use of any overzealous artificial sharpening) and delineation is revealing.
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Compared to the previously released standard DVDs, the Blu-ray edition is an absolute godsend, deftly trouncing everything that has come before with filmic grace and technical proficiency. Some brief artifacting and banding appear in a handful of chaotic shots, but they're fairly negligible in light of the transfer's overall quality. Ultimately, I doubt many viewers will be disappointed by L.A. Confidential's high definition presentation. Once you adjust any unreasonably lofty expectations you might have, you'll find it's quite easy to sink in and enjoy Warner's faithfulness and Hanson's intentions.
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L.A. Confidential Blu-ray, Audio Quality # A8 S0 O+ b+ D* R; _
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Warner's Dolby TrueHD 5.1 surround track is just as rewarding, injecting crystal clear dialogue, lively LFE support, and increasingly impressive dynamics into an already immersive soundfield to create a memorable sonic experience. Regardless of whether a scene is filled with Pearce's quippy banter, Crowe's rugged throatiness, or Spacey's brisk syllables, the studio's lossless mix perfectly prioritizes each one, even amidst the most chaotic shootouts. Gunfire is blessed with jarring savagery, splintering wood explodes across the floor, and the roar of car engines is hearty and menacing. And while rear speaker activity is generally restrained, it storms the room anytime it's called upon: an open-window interrogation is invigorating, a third act gunfight surrounds the listener with a squad of advancing assassins, and the precinct is populated with clacking typewriters, shouting prisoners, and disgruntled police officers. Moreover, interior acoustics are dead on, directionality is accurate, and pans are silky smooth. If I have any nitpick, it's that Jerry Goldsmith's score is overpowering at times, overwhelming the on-screen action and reducing important ambient effects to mere bit players in the soundscape. Still, it's a minor gripe, especially considering how integral Goldsmith's music is to the film.8 d) o+ `" f7 Q, H: T8 i. u
{ O) b; W# e. E+ }; V% sAs it stands, I was thoroughly pleased with L.A. Confidential's lossless audio track. So pleased that I nearly bumped its score up another half point. Fans will be thrilled with the TrueHD upgrade, newcomers will nod their heads in approval, and audiophiles will find their list of complaints is much shorter than usual. Well done, Warner.1 Z9 g @$ e& R7 y0 L
L.A.Confidential.1997.1080p.BluRaycd.REMUX.VC1.DTSMA-MAXiMiZE 24.20GB
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