脱衣舞娘/脱衣舞 [蓝光原盘+REMUX无损版] Striptease 1996 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 19.29GB

A stripper and single mother gets dragged into a dangerous situation after a congressman takes a fancy to her.

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$ l1 g7 [- |3 A7 {' B" ^◎译　　名　脱衣舞娘/脱衣舞
◎片　　名　Striptease
◎年　　代　1996
◎国　　家　美国
◎类　　别　喜剧/犯罪/惊悚
$ X+ B* O2 R- [! j◎语　　言　英语
6 b6 o* _4 A4 H4 W◎上映日期　1996-09-26
$ f3 _- f) g6 N4 W$ A  O# r◎IMDb评分  4.4/10 from 38,830 users
+ H5 o8 [. @! `& B! k8 ]# x◎IMDb链接  https://www.imdb.com/title/tt0117765/
◎豆瓣评分　6.1/10 from 2,612 users
◎豆瓣链接　https://movie.douban.com/subject/1298821/
◎文件格式　x264 + DTS
9 V' L0 i: ^3 r4 g2 C% t# r◎视频尺寸　1920 x 1080
- ]0 B/ B+ h" V◎文件大小　1DVD 19.29 GiB
  r2 O2 y, k2 c2 a9 ?3 N◎片　　长　1:57:10.064 (h:m:s.ms)
3 i- S0 g9 G  k2 s2 Q# w/ K◎导　　演　安德鲁 伯格曼 (Andrew Bergman)
- A, g9 o8 |7 ~. J- y& R; A; n◎主　　演　Demi Moore
& t6 R4 z' x7 p4 H1 t　　　　　  Pandora Peaks

3 I2 ^6 b9 ]/ t◎简　　介

　　艾琳·格兰特（黛咪·摩尔 Demi Moore饰），一位因没有稳定工作和收入而失去女儿抚养权的单身妈妈。深爱着女儿的艾琳，不想把女儿留给无赖前夫达雷尔·格兰特（罗伯特·帕特里克 Robert Patrick饰），只能每晚都去佛罗里达的一家酒吧里跳脱衣舞赚钱，以争回领养权。
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　　好色的国会议员戴维·迪尔贝克（伯特·雷诺兹 Burt Reynolds饰）是迷恋她的客人之一。一晚，艾琳被一个酒鬼纠缠。戴维上前用酒瓶痛打了那个酒鬼。然而这一幕却被艾琳的一个迷恋者拍下，不仅戴维的身份随之暴露，戴维也开始遭受他的恶意敲诈。然而没过多久，敲诈者就被人谋杀，溺尸水塘。警探加西亚（阿曼德·阿山特 Armand Assante饰）奉命侦办此案。在抽丝剥茧的调查过程中，一连串的意外事件也随之而来。
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　　After losing custody of her daughter, Erin Grant takes a job stripping to raise money for an appeal. She's soon embroiled in multiple complications, as her ex tries to use her job against her, a corrupt congressman becomes infatuated with her, various parties try to blackmail the congressman, and the elected official's handlers consider drastic means to remove Erin from their boss's life.
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1. DISC INFO:
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2. 
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3. Disc Title:     Striptease.1996.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
   
4. Disc Size:      20 717 337 380 bytes
   
5. Protection:     AACS
   
6. BD-Java:        No
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7. BDInfo:         0.5.8
   
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9. PLAYLIST REPORT:
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11. Name:                   00100.MPLS
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12. Length:                 1:57:10.064 (h:m:s.ms)
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13. Size:                   20 176 693 248 bytes
    
14. Total Bitrate:          22,96 Mbps
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16. Video:
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18. Codec                   Bitrate             Description     
    
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20. MPEG-4 AVC Video        15445 kbps          1080p / 23,976 fps / 16:9 / High Profile 4.0
    
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22. AUDIO:
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26. DTS-HD Master Audio             English         4390 kbps       5.1 / 48 kHz / 4390 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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27. Dolby Digital Audio             Russian         384 kbps        5.1 / 48 kHz / 384 kbps / DN -4dB
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28. Dolby Digital Audio             Russian         384 kbps        5.1 / 48 kHz / 384 kbps / DN -4dB
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29. Dolby Digital Audio             French          192 kbps        2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
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30. Dolby Digital Audio             Russian         256 kbps        2.0 / 48 kHz / 256 kbps / DN -4dB / Dolby Surround
    
31. Dolby Digital Audio             Ukrainian       192 kbps        2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
    
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35. Codec                           Language        Bitrate         Description     
    
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37. Presentation Graphics           English         34,716 kbps                     
    
38. Presentation Graphics           Danish          22,943 kbps                     
    
39. Presentation Graphics           Finnish         24,193 kbps                     
    
40. Presentation Graphics           French          24,642 kbps                     
    
41. Presentation Graphics           German          35,280 kbps                     
    
42. Presentation Graphics           Norwegian       24,095 kbps                     
    
43. Presentation Graphics           Portuguese      28,688 kbps                     
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44. Presentation Graphics           Russian         39,482 kbps                     
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45. Presentation Graphics           Spanish         27,252 kbps                     
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46. Presentation Graphics           Spanish         28,139 kbps

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Warner's 1080p, AVC-encoded Blu-ray is a capable rendering of Striptease's tricky photographyby Stephen Goldblatt (The Help). The blacks are strong and solid, which is crucial for this film, because so many scenes occur either at night or in the darkness of the Eager Beaver. Theperformances by the dancers are full of flashing lights and changing colors, and these are likelyareas for motion artifacts, but I didn't see any. (Extracting a good still image of a dancer inmotion is a whole different subject.) Colors are appropriately vibrant and saturated in the club,and the Florida pastels stand out in elegant locale's like Dilbeck's hotel suite and the boat wherehe meets Erin. More prosaic places like the courtroom where Erin loses custody have a moremuted palette. Fine detail is evident throughout the frame. The grain patterns appear natural and well-controlled, without evidence of high-frequency filtering, artificial sharpening or other inappropriate digital tampering. Although thefilm has been issued on a BD-25, no compression artifacts were observed.


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The most aggressive use of the surround channels on Striptease's 5.1 track, presented in DTS-HD MA, occurs in the Eager Beaver, where the sound mixers have done a superb job ofrecreating the enveloping, thumping, overpumped club sound for the musical selections thataccompany the various dances. Erin prefers songs by Annie Lennox, either from her solo careeror with the Eurythmics, and the bass extension in these scenes is more powerful than on theactual albums (but without the boomy effect of a cheap stereo system). Compare the sound mixto the scene where Erin rehearses to a tape in her apartment (and is interrupted by a visit from Lt.Garcia), and the difference in the mix is immediately obvious. Since I happen to like many ofthese songs ("Little Bird", "Sweet Dreams (Are Made of This)", "Money Can't Buy It"), theserejiggered mixes were a saving grace that helped get me through a film I would have turned offlong before the end, if not for the requirement of writing a review.
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The remainder of the mix is solid and serviceable, with clear dialogue, a general sense ofambiance and almost unnoticeable incidental scoring by Howard Shore. If you're at all like me,by the second half of the film, you'll be praying for more scenes at the Eager Beaver, not to seemore skin, but because you'd much rather hear songs than the increasingly ludicrous dialogue,especially whenever Burt Reynolds appears.

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