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Taxi dancer Charity continues to have Faith despite endless disappointments at its hands, and Hope that she will finally meet the man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it.
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5 |4 a$ h* ^! ]% a1 U5 K◎译 名 生命的旋律/蜡炬成灰泪未乾(港)
! R! L/ Z3 ?$ { E; `! d1 ~. u6 X◎片 名 Sweet Charity
4 A9 F, u. z Y5 E% d: ~2 |% _, Y◎年 代 1969! U& g" C- u1 X7 p* j
◎产 地 美国
+ B8 e: J1 D* d6 s! M/ r: `+ E◎类 别 剧情/喜剧/爱情/音乐8 I" u4 P, Y. S' j2 j
◎语 言 英语! x! O/ f* b9 F0 ^/ G9 m
◎上映日期 1969-02-14(美国)
$ V$ V+ K9 |5 m* W+ |0 ~( x( r6 G1 J◎IMDb评分 7.0/10 from 5,135 users$ H6 C% ?6 M0 d3 Y1 ?
◎IMDb链接 https://www.imdb.com/title/tt0065054/2 t9 G) f: J0 d! A
◎豆瓣评分 7.1/10 from 155 users
3 m2 X$ L- d# y$ y! k% n0 _◎豆瓣链接 https://movie.douban.com/subject/2139636/
0 Q" J! w, Z2 Z, A& w, v5 J◎文件格式 x264 + DTS
! T# l- L: D( J& ]1 k, D◎视频尺寸 1920 x 1080
3 w4 {: J" A- V2 b& C◎文件大小 1DVD 30.21 GiB
9 X0 {, `$ X* G: b& r; y% t◎片 长 2:31:01.886 (h:m:s.ms)4 z: k# N# u2 X- L* X
◎导 演 鲍勃·福斯 Bob Fosse
# Q. C8 x7 ]8 [) u, H◎编 剧 皮特·斯通 Peter Stone - a9 ^( @* M) N: Z7 B0 [
尼尔·西蒙 Neil Simon
}; i) U; y$ |* Z! o% s i$ d9 Z6 o 图里奥·皮内利 Tullio Pinelli # M$ U: {+ i# ?# H
恩尼奥·弗拉亚诺 Ennio Flaiano
+ x0 v0 }9 V. { 费德里科·费里尼 Federico Fellini: ^- I: A/ p/ G- c0 L
◎主 演 雪莉·麦克雷恩 Shirley MacLaine
' j2 A% t) W6 l7 x8 S8 c 约翰·麦克马丁 John McMartin3 }2 s. m1 z9 U' N8 u! c. v% m. B$ W# A
里卡多·蒙特尔班 Ricardo Montalban6 v1 y# r0 r* f
小萨米·戴维斯 Sammy Davis Jr.( `% ] n8 _% ]5 a
奇塔·里维拉 Chita Rivera
' ~: O- x) X# w$ S: I 保拉·凯利 Paula Kelly) z, u, A( g! ~( T* O+ J8 m/ w, {' T
斯塔比·凯耶 Stubby Kaye
9 m! f- q. l) @5 o) V& \7 Y 芭芭拉·布薛特 Barbara Bouchet
7 P/ K1 E, f5 G/ T 苏珊娜·查尼 Suzanne Charney
) k" f0 V4 K' [5 [$ E 阿兰·休伊特 Alan Hewitt+ ] v& M- \! [+ ]6 ]
但丁·迪保罗 Dante DiPaolo
; `, E5 r- X. u/ D& s! b! z, k, S Joseph Mell) B1 C/ K% j. P; l! ^% M0 @
Alma Platt# m/ j2 N0 i7 _
Maudie Prickett7 [+ L8 m s0 F: I3 J$ T
朱迪丝·劳里 Judith Lowry/ R" I1 y" E! t; I% _+ H$ k1 _/ B
Trish Mahoney( N0 m5 K/ [3 e
Buddy Lewis
/ }. ^! ?1 J7 O0 [ Jerry Mann
* `0 H! S( s9 g ~2 m Kirk Kirksey
5 q: ~) S2 u% E Lee Roy Reams4 w i% P' G2 P; E; I' q
Dom Salinaro
% C0 n1 n" F' @- {% y5 U Walter Painter% A1 n( a0 A& b; P- Z# f* j4 @; p3 K
Ray Chabeau
. R: ~1 D8 W) o( Z) W9 @* s7 ]# U Lorene Yarnell Jansson
2 Q6 x) `2 y0 o: p( S8 a. |1 @ Larry Billman, R: P( @* G9 Y% ?! `' E) R
诺尔曼·斯蒂凡斯 Norman Stevans) C0 W: b' d$ {8 b) }+ a# t. ]6 V
Bud Vest
/ S1 c* ]( o+ m# ` Chet Stratton& I) N6 r7 a1 |9 u1 j' M
Robert Terry7 f+ t5 q& H5 a- {
罗杰·蒂尔 Roger Til! W4 I" m- ~2 d j% l' M2 |% l. ~
Nolan Leary; O: d& y5 L, ?# Y- @4 H
Ceil Cabot) c3 I( z0 f: Z5 u1 r) S; O
亨利·贝克曼 Henry Beckman
8 R) D) u4 X0 d 托妮·罗勒 Toni Basil
/ w+ p+ y) G4 [' [. j+ y, T Herman Boden0 q" t9 i& z5 O3 V7 X
Richard Angarola
5 F* Y+ S. _+ V& d# h# e 巴德·库特 Bud Cort) M3 h- X/ M6 Q. X" ~8 B1 p
本·沃伦 Ben Vereen
- C# w# u+ x& {* q8 Y3 i) |: ~$ U Charles Brewer7 n/ ~* Y( m& T' u2 l, N. V' m
Chelsea Brown
- M4 }/ t; n% n$ k y* i 蓝斯·勒高勒 Lance LeGault" h$ s4 z4 f% C: o3 W+ R: _3 [
Carlton Johnson( f1 ~; w, @9 m8 `0 M, h
汤姆·哈滕 Tom Hatten# S( q6 N9 b& Z. R# c0 x1 Y
Dee Carroll; W: g7 w1 S: Z1 V
Bill Harrison. S' \3 i8 e' P! K$ A
Lynn Fields A/ `9 D0 I( A" }
John Craig( ~* P( ?6 B! E$ j: }, r
Lonnie Burr7 }6 g, r+ }, v' i* ~ g- Y0 v
Kathleen Cody
, f7 D* d3 X4 D$ E 克里斯托弗·塔柏 Kristoffer Tabori
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◎标 签 歌舞 | 美国 | 音乐剧 | BobFosse | 1969 | 音乐 | 喜剧 | 1960S' S# `5 c/ h% j S. k" n; x9 b7 c
2 T/ a( W; K, O3 ?" p◎简 介
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* o) P6 H" y5 W1 d6 B( Y 描述由奥斯卡影后莎莉麦克琳饰演的风尘女郎,即使屡次遇人不淑,依然对浪漫的爱情抱持梦想。鲍伯佛西惊人的歌舞编排、舞者高难度的表演,不仅将通俗的故事展露新貌,更是日后天王天后的MV和演唱会的参考经典。
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" s- e9 S% n1 y9 g. g Shirley Maclaine stars as dance hall hostess Charity Hope Valentine, a woman whose faith in the virtues of old-fashioned romance is knocked by a string of disastrous romances. Robbed of her earnings by her absconding boyfriend, she suffers further heartbreaks at the hands of an Italian movie star and a nervy insurance clerk. Bob Fosse's musical comedy features songs like 'Big Spender,' 'If My Friends Could See Me Now,' 'Rhythm of Life' and 'There's Gotta Be Something Better Than This'.+ M. b6 F4 d8 {/ O' I& C) D6 ?
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◎获奖情况
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第42届奥斯卡金像奖 (1970)* d } d) O n
最佳艺术指导(提名) 乔治·C·韦伯/亚历山大·高利思/杰克·D·摩尔* z+ X& ?' `& ?9 G9 W
最佳服装设计(提名) 伊迪丝·海德2 M% b6 ~6 P, L( O- T
歌舞片最佳配乐(提名) 赛·科尔曼
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* x7 U- e) j% @; |+ g* i' u1 w5 j5 o- DISC INFO:# n8 o( x% e: p4 d1 F
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- Disc Title: Sweet.Charity.1969.1080p.BluRayCD.AVC.DTS-HD.MA.2.0-FGT% X' r7 Q9 }% ?6 `0 T/ {5 m$ c
- Disc Size: 32,438,046,183 bytes" O) V, y5 O/ |1 L2 Y" V3 r
- Protection: AACS+ e9 C" R2 Y( E
- BD-Java: Yes* R8 n# {& p% o: M- W
- Extras: 50Hz Content
' j w% L+ t* y8 r/ W) x - BDInfo: 0.5.8
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- PLAYLIST REPORT:
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- Name: 00002.MPLS$ ?' l: d# @! j
- Length: 2:31:01.886 (h:m:s.ms)
# w' ~7 T# G9 Y! u8 p9 n' _ - Size: 27,278,592,000 bytes: h' |0 _% G) ]' k9 E
- Total Bitrate: 24.08 Mbps# B M- R7 w& v' b; S
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1 o! p0 m1 y* Y% p4 b. U- x - MPEG-4 AVC Video 20000 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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- AUDIO:) w2 X( z" r( \4 @' f. G
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- Codec Language Bitrate Description 4 Q8 R5 w, `0 M$ e6 ~; u+ U8 F5 G
- ----- -------- ------- ----------- - | g" G2 {. W& l7 U# ~5 d- c
- DTS-HD Master Audio French 1227 kbps 2.0 / 48 kHz / 1227 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1152 kbps / 16-bit)
7 ?, }' b/ m" z/ g2 V9 l* B - DTS-HD Master Audio English 1398 kbps 2.0 / 48 kHz / 1398 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1152 kbps / 16-bit)
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- SUBTITLES: r- | H7 Z2 \8 z' h& S, I
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+ h( y3 s# D# `; w2 L, H' V - Presentation Graphics Undetermined 5.119 kbps ! j! r0 U u6 e5 c
- Presentation Graphics French 25.107 kbps
复制代码 Sweet Charity Blu-ray, Video Quality
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& N0 `! t6 V: C' D8 k2 A/ lSweet Charity is presented on Blu-ray courtesy of Kino Lorber with an AVC encoded 1080p transfer in 2.35:1. Kino is advertising a "brand new 4K restoration of the Roadshow* Edition" as well as a "newly restored in 4K" transfer of the Alternate Version, but as fans have pointed out, the look of this release, along with some missing music, may suggest this is sourced off the same master that was released in France a couple of years ago. One way or the other, this is a largely ravishing looking presentation, one that offers a mostly vivid palette, and one that is especially impressive in some of the reds, purples and blues it purveys. Grain resolves beautifully throughout the presentation, and detail levels are routinely high. There are a few slightly ragged looking moments, many featuring the still photographs that are used as interstitial elements, but also some of the big club scene, where I'm now wondering if they didn't immediately cut out of the opticals for the superimposed titles of the dances, since there's just a slightly "dupey" look at times, one that I frankly hadn't noticed as much on the old DVD release of the film. There are no major signs of age related wear and tear and no compression issues that I noticed.$ m1 v' c! G8 t2 ~, [. B
* R% U' {; r% ?1 a8 WSweet Charity Blu-ray, Audio Quality
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Sweet Charity features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 tracks on both of the versions included in this release. While there's the arguably overly "wet" sound to a lot of the music, something that is immediately apparent once dialogue kicks in with a "dryer" (i.e., less reverb) sound, both tracks offer sterling fidelity and rather robust sonics. I notice we have one Member Review up for this release here already where there is a complaint about amplitude of the dialogue, but all I can say is I experienced no such falloff when I watched the film. There are occasional minor sync issues that I attribute either to lip synching or post-dubbing, but dialogue and sung material all resonates with great clarity. The surround track certainly opens up the orchestrations, as well as providing some fun immersion (in more ways than one) in some sound effects out in the urban hustle and bustle the film offers. There is some noticeable hiss on the 5.1 version during the solo guitar work that accompanies some of the photo montages.
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Trivia fans may know that Cy Coleman and Dorothy Fields penned two new songs for this version, "My Personal Property" and "It's a Nice Face", probably in the hopes of securing an Academy Award nomination for Best Song (they failed in that regard). Coleman also wrote a pretty delicious new setting for the title song that largely retains Fields' original lyric from the stage version. Kind of interestingly, the film omits one of the stage version's better known songs, "Baby, Dream Your Dream", and some fans (like this one, sorry) may argue that "I'm the Bravest Individual" was a catchier tune for the elevator scene than "It's a Nice Face".
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This is really a propos of nothing other than my inveterate geekiness (see my final comments below for more examples), but those aforementioned Swingle Singer-esque vocals that open the film feature singers who sound remarkably like the session singers who populated late sixties "easy listening" recordings by Hugo Montenegro in particular. I'd love to know who sang on these sessions; if any other inveterate geeks out there happen to know, Private Message me.1 a! y9 ~; d4 W
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