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A group of friends suffer a yachting accident and take refuge on a cruise drifting on the open sea, but quickly realize they were better off on the upturned yacht.
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◎译 名 恐怖游轮/汪洋血迷宮(台)/轮回三角/三角形/迷失三角洲
/ L0 z' P$ `0 Y0 ^, Y, P◎片 名 Triangle9 _; F$ x! O& I" e
◎年 代 2009
- W* S0 W. Z- g7 b+ t◎国 家 英国/澳大利亚, O# q* R% q: R& t3 m9 t
◎类 别 剧情/悬疑/惊悚
+ ?7 L- o5 C: M$ Q# U6 K◎语 言 英语
6 q' W6 u$ e# K8 d+ I# u◎上映日期 2009-10-16(英国)
4 Y7 @2 [% T9 g g/ t9 _◎IMDb评分 7.2/10 from 267,479 users5 b, J* w" N4 m: q$ l: M
◎IMDb链接 https://www.imdb.com/title/tt1187064/2 [9 `: E# f+ L
◎豆瓣评分 8.3/10 from 356,490 users% Y6 Q3 V: \- V8 y
◎豆瓣链接 https://movie.douban.com/subject/3011051/
: W! w1 T( _$ [7 O+ [% z1 Y: I◎文件格式 x264 + DTS( P, y) u' ~" d! A/ q
◎视频尺寸 1920 x 1080$ H* m* B2 {: X% s u& _+ m
◎文件大小 1DVD 22.60 GiB
8 U* ]3 w5 x5 T# p& R◎片 长 1:38:52.000 (h:m:s.ms)$ u( y% B4 d+ D+ e, |
◎导 演 克里斯托弗·史密斯 Christopher Smith' C; i# h& T' M" D# v
◎编 剧 克里斯托弗·史密斯 Christopher Smith
" L/ b1 U) P4 q V◎主 演 梅利莎·乔治 Melissa George/ F* B7 C& C* U% {( y3 I; G
利亚姆·海姆斯沃斯 Liam Hemsworth) @1 g1 u5 T0 r* S( j# J
迈克尔·多曼 Michael Dorman
1 s9 I# c0 R6 r3 ^, i T6 F 瑞秋·卡帕尼 Rachael Carpani3 T* P$ V! F c3 |5 X7 S3 S9 }$ N }
艾玛·朗 Emma Lung
' h* S4 @' Y6 N" O 亨利·尼克松 Henry Nixon
" E: i$ H0 O5 \4 H% U' r 约书亚·麦基弗 Joshua McIvor6 r# t# K3 U: n0 k
, n4 e7 ~, |! H; S$ e◎简 介
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8 R& R: v1 ?. p: N 单亲母亲杰西（梅利莎·乔治 饰）和一帮朋友乘游艇出海游玩，但她总有一种有不好的事情发生的感觉。不久，他们便在海上遭遇一场强烈的风暴。游艇翻船，众人落海，几经挣扎他们好不容易爬到游艇残骸上来。正当他们无计可施之时，一艘巨大的游轮向众人缓缓驶来。众人欣喜过望，未加思索便登上这艘名为“艾俄洛斯”的游轮，结果发现这竟是一艘1930年便告失踪的神秘之船，而船上更是空无一人。* I9 Q- `; r- z$ m( r
6 ]( I, V* o$ U 随处可见的鲜血、神秘的指示以及突如其来的凶杀事件，将这群男女带入万劫不复的恐怖轮回之中……
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When Jess sets sail on a yacht with a group of friends she cannot shake the feeling that there is something wrong. Her suspicions are realized when the yacht hits a storm and the group is forced to board a passing ocean liner to get to safety a ship Jess is convinced she's been on before. The ship appears deserted the clock on board has stopped but they are not alone... Someone is intent on hunting them down one by one. And Jess nknowingly holds the key to end the terror.
0 A6 z+ V$ i+ b# o- _% }/ H) ]- DISC INFO:, q9 t7 {3 w. W2 @5 i# y
( d& ^, O7 B* _5 i/ e3 ]8 p; a- Disc Title: Triangle.2009.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
# d% `0 e: h2 b' I) S1 w6 W: `& |; ]$ r - Disc Size: 24,267,194,589 bytes
& A: G" I6 a- f5 M# H - Protection: AACS
( O' O* s7 x" y7 W# o" d/ { r - BD-Java: No" k; k1 }! f6 V/ k$ g
- Extras: 50Hz Content7 D7 @* C. S7 ?% b
- BDInfo: 0.5.8; }' S V7 K+ |$ Q1 N. O% _' ?
( L3 ^4 U5 i% P B3 u3 @- PLAYLIST REPORT:0 Y/ V a# h: o' k7 P" ]
3 o' [# r! `9 A' H' U- Name: 00000.MPLS4 b0 O& ?9 l+ b& A! B& {! h
- Length: 1:38:52.000 (h:m:s.ms); g1 c& s, Q! M+ _5 R
- Size: 21,338,701,824 bytes# I" ~% u5 {3 H4 [6 d+ q( }
- Total Bitrate: 28.78 Mbps
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- Codec Bitrate Description ( f, H8 p% t. V4 o: Q4 H9 ^
- ----- ------- ----------- 1 X3 X; c9 R6 c5 c2 J# l5 L
- MPEG-4 AVC Video 24499 kbps 1080p / 24 fps / 16:9 / High Profile 4.1
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- AUDIO:; x @! L0 |4 l+ c$ q
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- Codec Language Bitrate Description
( C& V7 _8 Z" ]% l. ~+ K, V - ----- -------- ------- -----------
3 Z6 U: ?0 e, @) t$ S, X. X - DTS-HD Master Audio English 2249 kbps 5.1 / 48 kHz / 2249 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)) c" A0 J$ \& Z5 ?0 t4 V2 p8 ]. q Y
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB
1 C0 M' g. F7 H; ]4 o - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB
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- SUBTITLES:+ D. `; n4 B {
% e2 P& D5 ^% v: V9 ^- Codec Language Bitrate Description
: b' H2 F) B. T - ----- -------- ------- ----------- % y: W6 U( Z0 \- w- {
- Presentation Graphics English 29.457 kbps
& N( p& s, O% p, p' B - Presentation Graphics Chinese 17.355 kbps
' k+ k, g i6 ]+ I$ p - Presentation Graphics Chinese 19.427 kbps
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Triangle Blu-ray, Video Quality( q& H7 D) l0 Z" z) }
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Presented in 1080p utilizing the AVC codec (at an average bitrate of 25Mbps), Triangle sails onto Blu-ray with a strong visual presentation. Fine object detail remains consistently high throughout the majority of the feature despite the use of multiple camera angles across various environments. From the intricacies of the glistening water as the crew sets out across the open sea, to the dreary interior of the Aeolus ocean liner, every texture shines through with wonderful depth and clarity while still retaining the stylistic intentions of cinematographer Robert Humphreys. Colors aren't always vibrant or well-saturated, but they incorporate every element of the intended palette and never appear washed out or garish. For an example of the color spectrum at its finest, take a peek at the screenshot of the blue ocean against the bright horizon. In between shiny reflections on the ocean surface you'll discover how deep the blue shades manage to descend. Regarding black levels and contrast, I'm happy to report the same level of strength as other aspects of the transfer. Given the potential for ambiguous black levels within the interior shots of the ocean liner, I halfway expected contrast to suffer as soon as we left the comfort of the sun-drenched exterior. Thankfully, shadow detail never skipped a beat, and contrast rarely dipped below ideal levels. I wish I could tell you everything is peachy with the visual presentation, but there's one glaring flaw that held it back from reaching its full potential. I know it's become the norm to include CGI effects in low-budget productions, but sometimes I wish they'd sacrifice a shred of that "epic" feel and settle on effects that seem more realistic. In the case of Triangle, there are several scenes where the use of CGI is glaringly obvious, and detracts from the overall experience. This clearly isn't the fault of the transfer, but remains a factor in my assessment of the visual presentation. If you remove the shoddy CGI from the equation, I'd give this a solid 4.5/5.& Q( ?, f$ b2 k, r; i, V9 [
! X& B- n; E6 W, a8 K. y8 }Triangle Blu-ray, Audio Quality" A- |$ w; f- W: L G1 a r
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It's a good thing I didn't use my entire packet of gold stars on the visual presentation, since the audio track raised the bar even higher. If there's one key element that sets marginal suspense films apart from exceptional ones, it's the clever use of sound design. Beginning with the title sequence, the film slowly builds a sense of dread through an ominous score that interplays with innocent dancing vocals of children. The effect is truly eerie, and serves as the main theme music at other key moments in the film. Moving along to use of surround separation, my jaw nearly dropped at the robust incorporation of the entire surround field, which places viewers directly in the middle of a mind-bending thrill ride. From the crushing waves capsizing the yacht, to the subtle creak of steam pipes in the bowels of the immense ocean liner, every effect is reproduced with amazing clarity and precision. I'm not typically creeped out by low-budget suspense films, but there was one scene toward the end of Triangle where Jess is being pursued through the corridors of the ship, and I caught myself glancing at the door toward the back of my theater when I thought I heard a loud sound come from that direction. It turned out to be one of many effects emanating from the rear sound stage of the audio track, but it's those moments when you know this is more than simply an average audio presentation.
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