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. M: z& B9 T( b8 C3 ?: i◎译 名 碟中谍3/不可能的任务3(台)/职业特工队3(港)+ v/ l1 \, ?, ?1 A% J& N( A
◎片 名 Mission: Impossible III / L( D) o( E5 E3 Z7 s
◎年 代 2006. K& W4 G, N5 ^, A1 @1 J7 H9 O
◎国 家 美国/德国
/ f) F( q7 x T◎类 别 动作/冒险/惊悚" B2 K! F o2 |7 E( I# |8 {
◎语 言 英语/粤语/德语/意大利语/普通话! p* Z' l% A2 o7 W9 J: j. ^! S1 _
◎上映日期 2006-05-05(美国)/2006-07-20(中国大陆)
2 N3 O) g8 |! G {◎IMDb评分 6.8/10 from 217,947 users8 j8 \# N8 w: r$ B& u
◎IMDb链接 https://www.imdb.com/title/tt0317919/0 H9 T- R& P0 i, X* W' O3 P
◎豆瓣评分 7.2/10 from 69,768 users$ ]* x( r0 u6 A9 i* [
◎豆瓣链接 https://movie.douban.com/subject/1401533/# O% k5 } v1 ~$ K- D0 W
◎文件格式 x264 + DTS- I) c9 O5 } o4 x' c5 c/ N( Z% T
◎视频尺寸 1920 x 10808 j% N/ b9 Z$ S$ {) S8 h2 Z
◎文件大小 1DVD 38.62 GiB
# j" w8 e& Z2 }1 f◎片 长 2:05:24.517 (h:m:s.ms), V3 I1 V( M' ]* A8 B
◎导 演 J·J·艾布拉姆斯 J.J. Abrams
% {% `: M; \/ h/ ?! N% M◎主 演 汤姆·克鲁斯 Tom Cruise
/ @ R% k' Y( b- k% o5 Y 菲利普·塞默·霍夫曼 Philip Seymour Hoffman- m" B2 u$ d& o5 S+ B
米歇尔·莫娜汉 Michelle Monaghan9 p, B1 y$ Y/ m7 C7 G! Z: z
乔纳森·莱斯·梅耶斯 Jonathan Rhys Meyers+ O. S/ q& \/ @5 R
李美琪 Maggie Q
: N6 m, i& T% ]% o0 J5 g7 B 凯丽·拉塞尔 Keri Russell6 l; j+ y& v- b- b5 [
西蒙·佩吉 Simon Pegg5 y- { s- f4 ~2 z ~* H
劳伦斯·菲什伯恩 Laurence Fishburne/ V' W" d& E* f, r' c2 D
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9 h W+ W1 F# n' V1 l IMF Agent Ethan Hunt comes into conflict with a dangerous and sadistic arms dealer who threatens his life and his fiancee in response.
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伊森（汤姆·克鲁斯 Tom Cruise 饰）曾是任职于特殊部门的秘密特工，自从一位名叫茱莉亚（米歇尔·莫娜汉 Michelle Monaghan 饰）的美丽女子出现在他的生命里后，伊森决定金盆洗手，卸甲归田。遗憾的是，好景不长，幸福的生活还没过多久，伊森便接到了徒弟林德赛（凯丽·拉塞尔 Keri Russell 饰）被死对头戴维恩（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰）掳走的消息。戴维恩冷酷又凶残，林德赛落入他的手中可谓是凶多吉少。) C/ W; G+ n p$ J, |% r
0 U3 V7 b9 ]2 K% W6 e+ L$ G2 K4 O 为了解救林德赛，伊森重操旧业，他组织了一支精干的特工小组，向着目标人物发起了进攻。让伊森没有想到的是，戴维恩的真正目标并不是林德赛，而是茱莉亚，当爱妻落入敌手之时，伊森会做出怎样的反击？, A# `" Z2 X# M3 J, e0 Y5 v9 v
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Lured back into action by his agency superiors, Ethan Hunt faces his deadliest adversary yet - a sadistic weapons dealer named Owen Davian. With the support of his IMF team, Ethan leaps into spectacular adventure from Rome to Shanghai as he races to rescue a captured agent and stop Davian from eliminating his next target: Ethan's wife, Julia.) m9 `4 h2 H" m) n9 q; w
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 - DISC INFO:
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- Disc Title: Mission.Impossible.III.2006.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT" Q6 y3 N" C# n5 I A$ f8 a1 a
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E+ {. m7 ^" p - Length: 2:05:24.517 (h:m:s.ms)1 M6 K/ ^# g- A+ ^; `" B
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5 u& A/ e6 w$ Q3 z6 f' DMission: Impossible III arrives on Blu-ray with a 1080p, MPEG-2 encoded transfer framed in its original 2.35:1 aspect ratio. This is easily the best looking Blu-ray of the Mission: Impossible trilogy. Colors are a bit warm; much of the image seems to have a slightly golden and red tint, and flesh tones tend to look somewhat rosy. However, it's a very good image overall, with rather strong detail and levels of clarity in most every object seen on-screen, from faces to background materials. The image occasionally has a slightly soft look to it, but the majority is sharp and well defined. Black levels are good throughout. The print is free of any discernible blemishes, and a subtle layer of film grain lends a bit of theatrical flair to the image. Overall, M:I III boasts a rather strong, but not quite reference-grade, transfer.- o7 D* ^9 F8 S2 D
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Mission: Impossible III Blu-ray, Audio Quality4 s( ]0 V/ G. i1 U0 f0 v; T
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0 X5 O! a& [( eMission: Impossible III explodes onto Blu-ray with a solid if not slightly underwhelming Dolby Digital 5.1 soundtrack. A recent summer blockbuster and an Action extravaganza yearning for a lossless soundtrack, M:I III is a missed opportunity to showcase the potential of lossless audio and perhaps even serve as reference-grade track. Instead, the lossy Dolby Digital mix is sufficient and exciting in all the right spots, but lacks that last bit of oomph and clarity to take it over the top. The action sequences fill the soundstage with plenty of ear-splitting moments, punctuated by a plethora of gunfire during the Farris rescue sequence. Several explosions throughout the film offer up a sufficient level of bass, notably those as heard during the bridge attack sequence. Surround speakers are often put to good use; an opened cargo bay door on a plane in-flight in chapter ten engulfs the listener with blowing wind and shaking objects as the powerful wind bursts through the listening area. Dialogue is delivered crisply and evenly, never presenting volume or discernment issues.& ]- j1 f Z8 l/ Y$ c
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