一个连环杀手的肖像 [蓝光原盘] Henry Portrait of a Serial Killer 1986 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 23.05GB

Arriving in Chicago, Henry moves in with ex-con acquaintance Otis and starts schooling him in the ways of the serial killer.

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# g0 \9 l9 W. p◎译　　名　杀手的肖像/一个连环杀手的肖像/亨瑞/亨利：一个连环杀手的肖像
◎片　　名　Henry: Portrait of a Serial Killer
; {! q3 x* X% C7 n' F6 l1 ~◎年　　代　1986
◎产　　地　美国
6 h7 U" q( T4 {. k( @. B◎类　　别　剧情/传记/犯罪
3 s) I2 ^! H% Z8 j! Y# u8 H. c- l◎语　　言　英语
◎上映日期　1986-09-24(美国)
◎IMDb评分  7.0/10 from 35912 users
% E# T! z' S' i% o/ {5 }◎IMDb链接  https://www.imdb.com/title/tt0099763/
+ f1 `; Y" U9 x" j8 R2 j◎豆瓣评分　7.5/10 from 1449 users
" W" J: f9 y; W2 y' X◎豆瓣链接　https://movie.douban.com/subject/1297599/
◎文件格式　x264 + DTS   
; y  v* B' d- O/ y* M9 T◎视频尺寸　1920 x 1080
, S. d# h. L' R6 M◎文件大小　1DVD 23.05 GiB
  C5 a* B. J9 x2 r6 k: c◎导　　演　约翰·麦克诺顿 John McNaughton
- m( M/ i$ w6 M# A6 t◎编　　剧　理查德·法尔 Richard Fire
　　　　　  约翰·麦克诺顿 John McNaughton
◎演　　员　迈克尔·鲁克 Michael Rooker
( S+ m3 t  N- F8 p1 c0 G" ]/ T　　　　　  埃里克·杨 Eric Young
2 z! g. J5 b/ i2 E: H. v　　　　　  Erzsebet Sziky
9 k* H* E8 v8 H: h, k0 Q  V　　　　　  汤姆·托尔斯 Tom Towles
4 `2 g, K8 ]' P- G* ^8 d. G　　　　　  Lily Monkus
　　　　　  Tracy Arnold
( r) h1 A. J6 ^$ |  G# U5 N  E) |　　　　　  约翰·麦克诺顿 John McNaughton
　　　　　  Steven A. Jones
9 F# ~; n- @' O. ]$ y4 |　　　　　  Lisa Dedmond
( N0 u% x" @0 g2 T% H　　　　　  Steven A. Jones
$ }/ k) D% c( O& P/ j0 M8 g4 L9 \; L　　　　　  Elena Maganini
+ N1 S! m: i( B6 \/ Y  |
% G) m/ `) T( h+ W◎简　　介   
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- q" y6 `/ o5 U% R  m0 `6 K0 N　　HENRY热中于杀人，他把杀人当成一种艺术，在相同的时间用不同的方法杀死不同的人。他把房子租给了一个叫OTIS的人，当他的姐姐来访的时候，HENRY的杀人冲动又开始萌动了。。。。。

6 @3 R, P% W# [0 K7 D- R6 B0 W　　这部片子是美国黑色电影的代表作，在80年代末曾多次获奖，电影的表现手法及剪辑都相当精彩。
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# Q  h# N; _# R2 Q2 \: R9 C　　谓“黑色电影”？它是否一种类型，运动或潮流？至今仍无定论，有的学者认为“黑色电影”是一种类似西部片，音乐喜剧片，恐怖片的的片种，是一种有着深厚历史与社会背景下产生的1940－1960年间的电影潮流或运动，有的甚至认为“黑色电影”必须是黑白片，60年后便再也没有“黑色电影”了。但我个人认为“黑色电影”不是任何一种类型片，虽然其称号来自30，40年代的强盗片/犯罪片与侦探片。那“黑色电影”到底是什么呢？我个人认为，它是一种含有“黑暗或黑色”情绪与心理色调的特质电影，所以它与一些类型片如强盗片/犯罪片，侦探片（有人认为黑色侦探片是强盗片的延伸），音乐喜剧片，甚至科幻与恐怖片都会有互相重叠的部分（因为划分标准是不同的）。

8 [8 d) E0 U; N# }+ `　　黑色电影所具有的历史社会背景很大如战争，经济大萧条，政府与社会制度的弊端等；一般取材于现实生活（当然也有少量的科幻题材）；描写的阶级层面并不仅限于社会底层，也可涉及中上流社会；影片中常常出现夜色下的城市，兰色的灯光洒在湿漉漉的街道上，周围是高大的水泥墙……，光色抑郁，影片人物愤世或觉醒，气质忧郁，有宿命感和悲观主义，但又往往具有独来独往不受约束，什么都不在乎的无政府主义，如果是女性角色则大多具有独立精神，甚至邪恶，放荡如通过性来操纵男人达到目的，但无论影片的主人翁是英雄还是匪徒，其结局往往是失败（因为影片总体是从批评与讽刺的角度来描写的），表现出秩序与反秩序的冲突，并抨击追求物欲产生的堕落与残暴。
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　　这部片子还有一个译名：连环杀手的画像」听起来不是很吸引吗？

( S: e$ d2 h( A+ f　　Henry is a soft-spoken loner with a cool exterior masking an inner rage that boils at blast furnace intensity. When fellow ex-con Otis invites Henry to move into his Chicago apartment, he becomes a willing participant in Henry's senseless, random killing sprees. Meanwhile, Otis' unsuspecting sister, Becky, is smitten with Henry, whose broken childhood mirrors her own.

, Z. K' A/ v2 {Henry: Portrait of a Serial Killer BluRayCD, Video Quality   


' w% ~" ]* o  ^  m: hLet's not sugarcoat this. Henry: Portrait of a Serial Killer is an ugly film. No matter how much you bump the resolution or tweak with the color timing, it will always be an ugly film. In a sense, though, it's perfectly ugly, with form and function, medium and message serving the same gritty, grime-covered ends. Here on Blu-ray, the film receives a 1080p/VC-1 encoded transfer that shows a slight but appreciable upgrade from prior DVD releases. Colors certainly seem stronger, warmer, and more stable, particularly reds, like Henry's coat and the film's ample blood. As Henry was shot on 16mm, an occasionally heavy grain field buzzes over the image and, by extension, the film isn't exactly sharp by modern standards. Close-ups obviously show more detail than the film's DVD counterpart, but some of the medium and longer shots have a softer, unresolved appearance. Black levels prove to be the film's repeat offender, frequently crushing detail during darker scenes. The daylight segments in downtown Chicago tend to look best, but I was also momentarily impressed by the hood-mounted shot of Henry and Otis driving in the rain, a shot that shows a surprising amount of depth. Still, much of the film has a dull, dingy, depressive look that is an inalienable effect of the low-budget source material. Even dressed up in a high definition transfer, Henry is still a grim and dirty affair, but I can't imagine it being any other way.
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Henry: Portrait of a Serial Killer Blu-ray, Audio Quality   

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Henry's Linear PCM 2.0 stereo track likewise represents the film well, even if the lo-fi audio capture is less than impressive today. As director John McNaughton reveals in his deleted scenes commentary, only two lines of dialogue were dubbed in post-production. All other lines were captured on-set or on-location, and the result is a somewhat uneven vocal mix. For example, you'll notice some discrepancies in ambient volume as the camera cuts back and forth between two actors. The sound quality during the scene in the underpass sounds flat-out horrible—muffled and indistinct—and I also noticed two instances of slight clipping. Still, the rest of the dialogue is intelligible and mostly clean. The dated score sounds as good as it can—with digital drums and buzzing synth lines—and for a 2.0 mix there's a decent amount of bass. I won't hesitate to say that this is the best that Henry has ever sounded, but it is noticeably inferior to other catalog titles from the mid-1980s.

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