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擒凶记/知道太多事情的人/知情太多的人 [希区柯克蓝光收藏 原盘中字] The Man Who Knew Too Much 1956 1080p GER Blu-ray AVC DTS-HD MA 2.0 37.47GB
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/ y0 A" C( l! f% I; j: ~+ g! ]International spies kidnap a doctor's son when he stumbles on their assassination plot. Filmed in VistaVision.3 g$ T4 p/ J* {. ^* i( `7 W7 D
) w* t/ @9 f: T1 D本片是导演希区柯克将其三十年代的成名作加以重拍的影片，故事情节基本上与旧作相似，但整体映像要比其前作更流畅自然，压轴的一场音乐厅谋杀高潮戏更具有高度刺激性。詹姆斯．史都华、多丽斯．戴等在片中的表现非常出色，其中多丽斯．戴在片中演唱的插曲“QUE SERA SERA"更是传唱甚广，流行一时，曾获最佳电影插曲金像奖。
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. t: _* v# K' k0 R( q9 Y◎译 名 擒凶记/知道太多事情的人/知情太多的人
- o9 T v: O; d& h$ r3 g! N1 D4 G◎片 名 The Man Who Knew Too Much
& C; p8 f# L, o3 G1 q0 {◎年 代 1956
. M( P! R- U; z1 a9 H) l+ m7 w; |◎国 家 美国' y6 m) |2 V8 u+ ^8 J
◎类 别 惊悚
9 v+ q$ i# m' D' b◎语 言 英语3 S" Y% e7 I6 [$ Q! N6 F) @0 \
◎IMDB评分 7.5/10 (25,354 votes)
/ y2 l' N( @7 Y' U8 s◎IMDB链接 https://www.imdb.com/title/tt0049470/3 J' O4 y9 s. s! b a5 T4 M" B6 m
◎片 长 120 Mins; c# A" P" @5 g: V/ R4 u! u/ p
◎导 演 阿尔弗雷德·希区柯克 Alfred Hitchcock9 `$ i* a2 ?1 s7 t4 {& {; h; O
◎主 演 詹姆斯·斯图尔特 James Stewart .... Dr. Benjamin McKenna% S& \* a& i9 X4 b: S- U7 A; N: Z& c
Doris Day .... Josephine Conway McKenna4 V# C0 z. D! u1 R8 y
Brenda de Banzie .... Lucy Drayton0 K" J7 o# o! q7 v+ J
Bernard Miles .... Edward Drayton ~* \4 o4 d- u2 N$ j
Ralph Truman .... Inspector Buchanan, h6 Y$ P5 ]7 Q
丹尼尔·盖林 Daniel Gélin .... Louis Bernard (as Daniel Gelin)/ i0 u- k" k/ N M5 u
Mogens Wieth .... Ambassador9 F$ E1 z, L, r% P4 I* y$ }
Alan Mowbray .... Val Parnell. L+ w9 Z* ^) c) b0 K# `
Hillary Brooke .... Jan Peterson
1 [+ r* e1 g j( K4 d Christopher Olsen .... Hank McKenna" [ {2 W/ R% q
◎简 介' |( A# y b) W# B
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美国人麦肯纳夫妇和小儿子汉克一家三口来到摩洛哥度假，一个小小的意外让他们结识了热心的路易·伯纳德。在集市上伯纳德被刺身亡，临终前告诉麦肯纳在伦敦有件政治谋杀行动正要进行，还说了一个名字：安伯斯·查培。为了让这对夫妇守口如瓶，暗杀者绑架了他们的儿子汉克作为人质，然而他俩还是去了伦敦。调查到安伯斯·查培是一座教堂的名字，在音乐厅里，麦肯纳夫人关键时候的一声尖叫，挽救了首相的性命。汉克被带进一个大使馆，得到消息的麦肯纳夫妇借首相的力量进入大使馆。作为前歌唱明星的麦肯纳夫人当众表演的时候唱起了汉克熟悉的歌谣，麦肯纳则趁机找到了汉克，在关键时刻救出了汉克。
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◎幕后制作8 p D& d, W2 X
% C e$ m$ O+ v' M 希区柯克对本片原著小说颇表赞赏，认为值得再度采用，重现于萤光幕。同时，他也认为其中有许多细节可以加以改进，一切尚停留在评估及思考的阶段。后来，为了顾及保存原著的风貌与精髓，剧本仅做局部的修改，整个故事内容因而更见完善，制作风格也比其一九三五年的作品更上一层楼。
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全片在史都华（Stewart）和饰演女歌手的戴（Day）两人通力合作、精彩的演出下，可谓高潮叠起、引人入胜。两人在片中饰演一对恩爱逾恒的夫妻，在一次前往法属摩洛哥度假旅游途中，原本快快乐乐的行程，一夕之间在毫无预警、全然不知的情况下，变成一场恶梦。6 _7 Z9 R0 D! w2 i
' M1 ~4 H: H# S4 h( D 一首「我心属于你」更是为她赢得奥斯卡最佳电影主题曲奖，销售量突破记录。剧本根据原著改编，除了度假地点由瑞士改为摩洛哥及贯穿全片的配乐外，均保持原著的完整风貌。全片在摩洛哥的马拉喀什（Marrakesh）、英国、荷兰、好莱坞等地拍摄。+ e% x+ B3 W6 h: T
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·阿尔弗雷德·希区柯克在电影中短暂的客串，出现在摩洛哥市场中，在情报人员被谋杀的前一刻，他正背对着镜头在看特技表演。
) X3 o2 t$ d. w1 B1 l; I·《擒凶记》是上映该年份最卖座的电影之一，至今仍是希区柯克最著名的作品之一。此片得到1956年奥斯卡金像奖的最佳原创歌曲奖。电影主题曲《Que Sera, Sera (Whatever Will Be, Will Be)》是英语歌曲中，流传后世的经典。
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: F) V: K% T2 X9 V7 w+ P' DIt's not digital manipulation and edge enhancement that bring The Man Who Knew Too Much down, although each is in play to some degree. No, the chief culprit in the murder of The Man's 1080p/AVC-encoded Video presentation is color. Color balance, color saturation, color consistency, unsightly color fluctuations et al. Primaries plummet from decent to dull, skintones are typically washed out, muddy or uneven, and pulsing is a problem, one that should have been corrected in full before any transfer was minted. Other issues become apparent as well as the film unravels -- crushed blacks, mild to severe ringing, and prevailing print damage -- and the distractions only seem to increase. It's not a complete loss, mind you. Detail certainly doesn't disappoint, and there are plenty of shots that hint at what could have been. I've seen worse, I'll admit, but the first five films in the Masterpiece Collection raised my hopes for everything that was to follow. Sadly, The Man Who Knew Too Much doesn't hold up to scrutiny, strict or casual.
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The Man Who Knew Too Much rights a few presentation wrongs with a tactical two-channel DTS-HD Master Audio Mono track. Dialogue is clean and clear, without any lost lines or muffled voices. Effects, though unsurprisingly stagy, are neatly nestled in the soundscape. And Bernard Herrmann's climactic orchestration of Arthur Benjamin's Storm Clouds Cantata builds beautifully without overpowering or overwhelming the on-screen suspense, and Doris Day's Academy Award-winning Best Song, "Que Sera, Sera," sounds lovely. All things considered, it isn't a catalog marvel, but it is precise and proficient, and I couldn't ask for much more.
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/ `% ]' n9 p9 d& x2 B: X9 Y Disc Title: TMWKTM_G51
. C' G1 \2 ?" z: T- Y: G, D Disc Size: 40.235.452.990 bytes
! k. b2 ]6 I* H& O: h& s4 i Protection: AACS
8 N3 _6 }- G8 p8 _ BD-Java: Yes
c# U3 q) y4 y2 R' G- g BDInfo: 0.5.6
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PLAYLIST REPORT:
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8 b' |) ~) ?2 ?2 L' c$ q/ W5 s- R Name: 00800.MPLS
^; Y' A8 {0 N) d1 \: g( N, _( | Length: 2:00:18 (h:m:s)
1 q5 g1 n8 a- k6 K( Z8 [ Size: 35.171.076.096 bytes
- ?6 l! b: b- z/ d+ `8 N9 F, B Total Bitrate: 38,98 Mbps
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( Q3 F- [$ i5 c1 K4 [" d Codec Language Bitrate Description . A) x8 F+ \$ D. @! V2 ]& I
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$ S$ W: O2 U4 ]* }/ Y/ g( P DTS Audio French 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit
" \0 i9 t, R0 Y% {/ I; U DTS Audio German 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit$ p& @' g3 O2 l, B0 K n
DTS Audio Italian 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit z: a3 l* O! y% N& S
DTS Audio Japanese 448 kbps 2.0 / 48 kHz / 448 kbps / 24-bit
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