|
|
黑洞频率/隔世救未来/生死频率/生死调频 [蓝光原盘 DIY简繁中字]
1 x. G; e# x: s" F- j! P
3 ~6 g' ^+ r' } `) z( K+ E; c) ]A tale of time travel in which a father and a son reach out to one another across a thirty-year gap to prevent a terrible crime.
: u0 V4 m& T5 S( V. K( p& f
6 F L& o5 s: \6 [5 ~' O
8 x# E! ]/ K& H9 v
' o" X+ h( w+ z0 c
◎译 名 黑洞频率/隔世救未来/生死频率/生死调频8 q" |8 \3 {- P. y4 Y1 {( {8 G
◎片 名 Frequency3 ~( }8 I; u' l
◎年 代 20005 u! }. S* |' R0 U: m7 R
◎国 家 美国
0 G. t6 Z$ S! w* G7 C) y% _; O◎类 别 犯罪/剧情/科幻/惊悚( U/ L% H- k# w M$ ~9 s, a2 ~
◎语 言 英语 c0 g' c0 n: u
◎字 幕 简体中文/繁体中文! t9 z) v7 f. m$ _# n& {; ]( ~
◎IMDB评分 7.3/10 (42,249 votes) 4 ^" s9 {& y6 Z Q5 ]9 W- U
◎IMDB链接 https://www.imdb.com/title/tt0186151/8 r0 @4 r& K/ u: ]" G2 M
◎文件格式 X264 + DTS
3 F1 w* M. P6 v' J, i2 m) ~◎视频尺寸 1920 x 10803 l* ^5 t' ~9 _& s4 I3 @: |8 i
◎文件大小 1DVD 31.78 GB
8 K7 R1 ] l ?' u- X; V- B; [◎片 长 119 Min2 v5 l3 Y" m# x* Q
◎导 演 格里高利·霍布里特 Gregory Hoblit
2 B& ]% }# g" W" Y/ z! Z9 q◎主 演 丹尼斯·奎德 Dennis Quaid ....Frank Sullivan
2 X2 S/ C: d9 L. x l4 d4 f5 C 詹姆斯·卡维泽 James Caviezel ....John Sullivan (as Jim Caviezel). x, [ x- \8 }+ t1 ]7 E4 h& J
伊丽莎白·米切尔 Elizabeth Mitchell ....Julia 'Jules' Sullivan1 k" x0 l6 G- Z3 M1 b$ O( E
诺亚·艾默里奇 Noah Emmerich ....Gordo Hersch! c: t$ S' o, j% B9 V/ Q* v
迈克尔·塞拉 Michael Cera ....Gordy Jr. (10 Years)# J. d8 U1 d: r
玛琳·辛科 Marin Hinkle ....Sissy Clark) w- s! B& o) h4 a
迪克·卡维特 Dick Cavett ....Himself
. T l& k. {* {' ^5 m 理查德·尼克松 Richard Nixon ....Himself (archive footage) (uncredited)8 g2 D( ?- I& G: C/ c$ D9 r" J
Shawn Doyle ....Jack Shepard
% l8 }. j# o8 n, x' b- v 安德鲁·布劳尔 Andre Braugher ....Satch DeLeon
1 L- V* L) P% j0 A6 m! L Melissa Errico ....Samantha Thomas
' H2 P, t0 [" k Daniel Henson ....Johnny Sullivan (6 Years)
2 p9 i% w4 o0 C9 K, W' D Jordan Bridges ....Graham 'Gib' Gibson
' V" T+ s/ o3 g0 ?* v f2 x% P Stephen Joffe ....Gordo Hersch (8 Years)
6 g9 l0 a- o4 A: N/ }' i Jack McCormack ....Commander Butch O'Connell/ `" s- ~- f, ]% \
Peter MacNeill ....Butch Foster
; P7 c% {" f8 c b3 f- n2 k2 I F Richard Sali ....Chuck Hayes
5 ~' L/ |( h* ~9 M a Nesbitt Blaisdell ....Fred Shepard
) S0 s1 ^$ N9 k6 N, v7 S( w Joan Heney ....Laura Shepard! p! _2 B( p8 t+ o
Jessica Meyer ....Teenage Runaway
( X3 z( U" B6 _. p# ?6 U* p- Y! V Kirsten Bishop ....Carrie Reynolds (as Kirsten Bishopric)
+ R% k/ f2 U V1 _! { Rocco Sisto ....Daryl Simpson D5 h" k5 ]4 n! O) X
Rosemary De Angelis ....Mrs. Finelli) g9 ^2 j4 B% J) q( F
Brian Greene ....Himself+ N* H7 G/ S& s/ Z5 ]
Melissa Fitzgerald ....Linda Hersch9 L- {* N) j! F2 ~$ F1 w
John Di Benedetto ....Con Ed Supervisor
" A: \2 c" K) E+ s! p6 ~' \ Terry Serpico ....Con Ed Worker #1/ r; a9 `/ d5 v. \
Brian Smyj ....Con Ed Worker #2( A% R7 v0 _$ \8 v
Nicole Brier ....Stoned Teenage Girl
8 P* T! O2 Y" ]* ]3 L Brantley Bush ....Young Intern% d- [, T: A* {6 K' M" |
David Huband ....Lounge Bartender
( w! y1 |) h. f Timothy Brown ....Roof Man Billy, g8 H6 [7 t' J7 g' J: ^( W/ O
Chuck Margiotta ....Pedestal Man Gino
! T* Z9 ?3 q, z( n0 \! K Karen Glave ....Lanni DeLeon
- s( w1 O' S1 K' i! m Frank McAnulty ....Desk Sergeant
/ _: f* C& ?' X5 Y7 } Derek Aasland ....Stoned Man #1
2 O& o w0 ~9 _, T! o- x Jim McAleese ....Cozy Bartender
4 ?+ p$ L9 C/ l5 J2 x# U4 B Catherine Burdon ....Young Woman #1
' X; K) Q( I/ V1 n. I Jennifer Baxter ....Young Woman #25 R5 ^8 s0 B( ~! i; r; @
Desmond Campbell ....Forensic Tech Hector( o4 m6 f7 G- f- z
Danny Johnson ....Uniformed Cop #1( n" C9 B! {, u4 V+ C2 z8 S
Colm Magner ....Uniformed Cop #25 C5 E3 q7 D0 @3 m
布里吉特·金斯利 Brigitte Kingsley ....Bar Waitress" }# F# f' A4 h @+ i3 f& f& j
Tucker Robin ....Frank Jr.
( W9 ]: a5 D6 g8 X) v- _ Barney Cheng ....Barney the food delivery man (uncredited)
+ X$ o& w1 B5 B7 |0 j Curt Gowdy ....1969 World Series announcer (voice) (archive sound) (uncredited)
2 c' z* `9 b) G' ]+ B Cleon Jones ....Himself (archive footage) (uncredited)6 |/ d1 ~/ l/ g6 b0 A& J
Al Weis ....Himself / 1969 New York Met (archive footage) (uncredited)1 z' Z8 ?$ ^* L5 K
Nancy E.L. Ward ....Nosey Neighbour (uncredited)8 O# f7 }, y: m' I7 w- Q6 p1 j# d
◎简 介
+ T2 ~$ y8 ]4 d8 q) p
9 s) t. J$ k9 l1 A( N8 i6 b1 _4 z 剧情3 u1 F6 A9 f% m* k3 C7 h7 \
$ J4 j6 }; @1 Q* V; e* R
约翰发现了一个老式无线电台，与三十年前的父亲取得了联系，于是约翰决定回到过去拯救父亲，然而这却改变了他母亲的命运……
% q- D% t( H+ R( `6 y, l. g* D; y6 K" Z
一句话评论9 q+ b$ v: [1 K2 I& Z4 k5 s
+ w% X/ r h! b
本片堪称为最优秀的时间旅行电影之一。
8 P; R' x8 }8 L( f% z& A; H: A- m7 M X$ d V( {* z: f
——Filmcritic.com) @1 }2 z# F1 O
" A/ N- B6 ]1 C0 `. l# E$ I
丹尼斯·奎德与詹姆斯·卡维泽之间的情感碰撞成就了《黑洞频率》。5 B1 Q% B2 X7 ]% H3 O
9 `' `3 s( z2 R3 _$ \7 F# O
——《票房》杂志$ s' O) m5 C2 v7 X2 d5 Y( Z& w) P
0 d6 Y1 q5 V2 \0 y) b1 m- f, j ] 幕后制作 N8 n6 P( I4 j. ~
1 a) h% y/ S5 c" c' c% J 穿越时空父子情
% ?) s1 O( ~5 d! D 凭借这部《黑洞频率》，曾执导过《一级恐惧》的格里高利·霍布里特终于得以尝试新锐的科幻题材，用时间悖论讲述出一个感人至深而又惊心动魄的惊悚故事，从而探索过去、现在和未来如何交互作用于一个人的生活。本片剧本出自时任新线电影公司音乐部主管的托比·艾默里奇之手，艾默里奇一直酷爱H·G·威尔斯和儒勒·凡尔纳的时间旅行小说，不过他希望赋予古老故事以美国家庭的精髓，他说：“虽然这些故事让我心驰神往，但我经常会突发奇想，如果穿越时空的只是信息而不是人会怎样？”$ H# ~# H a, x; s$ J( u
《黑洞频率》中的假设并非无稽之谈，科学研究表明，时间与信息确实有可能交错在一起。除了与过去的交流之外，艾默里奇还想探究这种现象会如何影响亲子关系的建立、体育比赛的悬念、股票市场的操作和严重犯罪的后果。他解释说：“时间交叉的概念是影片故事的指导原则，在此基础上，我又添加了同等重要的其他层面，如有关父子、警察、消防员、棒球和纽约的故事。”在《黑洞频率》的故事构思初具雏形之后，艾默里奇做出一个大胆决定，那就是告假数周，每天花费12小时致力于他的剧本处女作，而当时他的同僚们都在全力备战戛纳电影节。5 O3 H, w3 r; D5 s1 ^
《黑洞频率》紧凑的剧本很快吸引了资深制作人霍克·科奇的关注，在他看来，影片故事其实聚焦于第二次机会，他说：“人与人之间存在太多从未得以表白的问题和情感，父子之间就更是如此，我之所以会被剧本打动，是因为故事中的父子得到了彼此相知相爱的第二次机会。”身为《一级恐惧》的制作人，科奇认为霍布里特是执导本片的最佳人选，因为他不但注重人物，还深知人物的行为动力。对影片剧本感触颇深的霍布里特说：“我的父亲刚刚去世不久，这故事让我想起很多有关如果的假设：如果我有第二次机会拿出更多时间去陪伴他会怎样？如果我能再次和他讲话，我会说什么？如果他就在这，我会说多少遍我爱他？”1 \3 u7 C2 M, K7 s& b" c5 N- Z
霍布里特惊喜的发现，艾默里奇在剧本中小心的避开了时间旅行的常见逻辑错误，“影片剧本运用了平行宇宙的物理概念，指出信息、知识、时间和空间会互相交汇，”霍布里特说，“更令人兴奋的是，剧本将时间旅行的科幻概念与引人入胜的剧情惊悚片成功融合在一起，影片由此超越了类型片的界限。”为深入了解时间和空间，霍布里特决定向哥伦比亚大学的布莱恩·格林（Brian Greene）教授讨教。作为畅销书《优雅的宇宙》（The Elegant Universe）的作者，格林后来被聘为影片顾问，以确保剧本、演员和导演不违背任何已知的物理定律。+ _6 K( O- u5 S
真情实景0 m5 {( {# @" {7 h+ h6 A: U
在拍摄苏利文父子通过无线电对话的场景时，导演霍布里特一改先分别拍摄再进行剪接的惯用手法，而是像多机位直播的电视节目一样，让两位演员各就各位，同时开动4台摄影机取景。他说：“因为影片中的父子对话非比寻常，所以拍摄手法也该与众不同。随之而来的拍摄效果是惊人的，丹尼斯·奎德和詹姆斯·卡维泽就像在表演舞台剧，两人彼此感染，所有的怒气、柔情和惊奇源源不断，那段场景完全超出了我的预期。”
1 O1 }4 V& d- m3 [+ b, q% a 为打造出逼真的救火场景，制片方请来曼哈顿消防署的消防员托马斯·瑞安（Thomas Ryan）任技术顾问。瑞安针对片中火场进行了详细的技术分析，他解释说：“1969年的消防技术与现在完全不同，为了确保救火场景的真实可信，我们必须研究当时的服装、设备和机械装置。此外，我还要帮助演员深入了解消防员的品质和行为，以及他们奋不顾身拯救世界的心态。”在瑞安的建议下，制片方决定启用真正的消防员参与拍摄。瑞安还设计出不同类型的火场，从而用消防云梯和消防斧等破拆工具全面展示消防技术。9 Z3 I0 ` V2 W/ f- @/ J
) o, p! v9 s- n 花絮& s* b0 Y2 _8 ?* I8 A6 K) E7 l
0 Y% }" r1 {1 n/ G: m" I·为随心所欲的控制片中火势，剧组使用了25000加仑的丙烷罐和大量管线。1 B1 |/ ~) n3 B0 b" |+ X" D
·在拍摄仓库火灾时，丹尼斯·奎德因从通风井滑落而受伤，头部被缝16针。
: o0 h# {1 r0 o+ `/ j% e# u·在片中扮演詹姆斯·卡维泽母亲的伊丽莎白·米切尔比卡维泽还年轻。2 O3 i P3 k+ _6 V4 e
·1997年，雷尼·哈林和西尔维斯特·史泰龙曾是本片导演和主演的最初人选，后来由于史泰龙索要片酬过高，两人最终无缘本片。# j, P# o9 }5 q
9 {8 U, m# c4 E& n1 h
 # b, x0 L0 {, W- h/ e# v
* m3 I9 @, K9 X# [, \The Canadian cinematographer Alar Kivilo (The Blind Side, The Lookout) was the DP on Frequency, and the film is notable for the subtle intensity of its imagery, which Kivilo achieved through a combination of deep blacks and blues, sharp focus and subtle shifts between the color palettes of 1969 and 1999, and then again within 1999 as the activities of Frank and John Sullivan reshape history and the present. (Hoblit says on the commentary that, if he had it to do over again, he would make the shifts less subtle, but personally I'm glad he's forced to leave things as they are.) Warner/New Line's 1080p, AVC-encoded Blu-ray presents Kivilo's imagery to fine advantage, with solid black levels, exceptional detail in both dark and brightly lit portions of the frame, and colors that accurately contrast the warmer hues of Frank's convivial home in 1969 with the chillier tones of John's sad surroundings in 1999. A fine (very fine) pattern ofnatural grain is evident in the image, and it does not appear to have been reduced or stripped by digital processing, nor has sharpness been created artificially by digital means that would leave traces such as "ringing". This is a film-like image like the one audiences saw in theaters, and I did not detect any compression errors to interfere with the viewer's enjoyment.$ u: f3 ?6 n' R! ?- p- F* W
9 L N6 t n# E" @; `3 w* G" U6 x 0 ? B8 x2 ~- R9 _: s
- Z( O& Q, }; g# J8 ]
Frequency's DTS-HD MA 7.1 track has an expansive and involving presence, whose power is immediately evident during the early sequence when Frank Sullivan rescues Con Ed workers trapped in an underground steam tunnel by an overturned gasoline tanker. The viewing roomcomes alive with the details of dripping water, boots on ladder rungs, halogen tools againstmetal, sparking cables and a hundred other details that add urgency and immediacy to the action on screen. The same kind of attention to sonic minutia is evident in the later scenes of the warehouse fire that is supposed to claim Frank's life but doesn't, and indeed in every other environment where the story takes its two protagonists, in both 1969 and 1999. Bass extension is deep and powerful but never overstated or bombastic.! J2 k) [! @ J- S. s: W8 Z9 V: w
. M7 Q0 d7 R* _+ [0 E3 c% Q- jThe dialogue is always clear, unless your ear happens to have trouble with the Queens accentcarefully learned by the cast and vouched for as accurate on the commentary track by composerMichael Kamen, a native. Kamen's score, with its varied moods and quicksilver shifts in tone,sounds terrific and has been expertly blended with the film's sound mix so that it underlines the story's emotions without overwhelming them. The pop songs sprinkled throughout the soundtrack, including Carly Simon's special rendition of "Take Me Out to the Ballgame" andGarth Brooks's original composition (with Jenny Yates), "When You Come Back to Me", whichplays over the closing titles, sound equally good.
0 r3 q# F/ T* b' Z G& S, r1 z: g" ^; p
ISC INFO:
: v9 _1 V# S9 A. ~
# m1 S4 l/ d! \ N" sDisc Title: Frequency.2000.1080p.Blu-ray.US.AVC.DTS-HDMA7.1-DIY-HDChina5 a6 V( x& T. C' w/ A* D
Disc Size: 34,128,708,057 bytes9 D2 i+ R! j% k
Protection: AACS$ Z# k6 n# z$ g! U
BD-Java: Yes) n% L* ~! T! v( d: p, V+ r
BDInfo: 0.5.63 z0 o2 h9 P) j# b
3 Q J; w8 d- x; \) _PLAYLIST REPORT:
. R" _7 T* q# R/ K+ r$ y: }3 W, G( x8 r2 G
Name: 00100.MPLS; H; n: Y1 V3 {* y, Y! w
Length: 1:58:40 (h:m:s)
* Z2 Z% I* ?7 f. T1 P5 RSize: 13,464,143,808 bytes
* ^5 ` |! M1 m- ?Total Bitrate: 15.13 Mbps
$ c$ b+ t; {/ L% i# |
2 [# i; o0 t3 Z! ~( T/ JVideo:7 K6 u2 i9 l1 ^
- ]8 f1 S8 u5 L% A
Codec Bitrate Description & \. D) {' v' D+ h0 t# y' o
----- ------- ----------- 8 y" y# l. e& M4 A
MPEG-4 AVC Video 25950 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
- \! C% a: Z3 ]8 e* L3 p, ~8 ~
AUDIO:
* V' Z% Z& U) A* |2 c
$ m/ Y6 e3 i# `# fCodec Language Bitrate Description 2 a5 S! a6 y7 B: g0 z
----- -------- ------- ----------- 2 m8 L2 z! n2 h2 q! Q. @1 E
DTS-HD Master Audio English 4878 kbps 7.1 / 48 kHz / 4878 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
( W5 ~# }9 {; q, `Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
3 J: ]6 S+ O) a) h! U; oDolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
) y U: z0 L, H: L! h7 ~; G% GDolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround0 c& ^ ]4 ^, ]7 j$ O M
Dolby Digital Audio Czech 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround% o) ?( B5 W1 o7 `6 H
Dolby Digital Audio Portuguese 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
4 ~; @% c; {7 d' _" E+ J/ ]6 EDolby Digital Audio Spanish 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
) ?* B- u ~# j) D" Y/ P5 v/ R. \6 G
SUBTITLES:
6 `6 |/ X% R ?
3 f6 `$ S: C; P$ v, C; c S0 GCodec Language Bitrate Description
7 {$ T+ ?2 r/ V$ N7 n! E# {5 T----- -------- ------- -----------
. Q; b- d8 f, H2 mPresentation Graphics English 39.292 kbps , W1 ]7 l! x, x0 D5 y* W" {, P
Presentation Graphics Chinese 27.725 kbps 4 W6 o4 M" ?, i+ k/ F) b
Presentation Graphics Chinese 28.911 kbps ' F: b/ W9 k0 _1 B
Presentation Graphics Czech 27.132 kbps 2 v% W6 u$ m$ O: S4 s
Presentation Graphics Portuguese 32.359 kbps 2 F" J+ d+ C3 d. V. A8 [* [
Presentation Graphics Spanish 34.474 kbps
- v2 i8 J+ B- p 5 R7 v3 |" ^+ K' \* L
e# g- N5 I' ^' [ |
|
狗仔卡
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
千斤顶
显身卡
