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% D; |( r, D; K! I q. g( K◎译 名 一切尽失/失去一切/一无所有8 u8 H* Y6 w' k, Y. L5 h4 |- c9 Z
◎片 名 All Is Lost/Cuando todo está perdido
2 U3 X: k/ M0 t# }% L: E- _% j }◎年 代 2013
, D: k; F; v4 k9 s* r◎国 家 美国8 \3 H2 D! E+ T) S; p& b
◎类 别 动作/冒险/剧情 8 {( j& ^; V2 l1 Q4 W
◎语 言 英语
2 ~8 q5 j# P A0 z. p◎字 幕 N/A
- h/ b$ B, L' g0 s/ M1 m5 y' T◎IMDB评分 7.2/10 from 7,513 users
5 V- z7 A( S) H. W+ n3 z7 \◎IMDB链接 https://imdb.com/title/tt2017038
* v) l9 Y7 Y. [% j6 e8 f. i◎文件格式 X264 + DTS3 Z) @4 o# _; R; q5 u. r9 t
◎视频尺寸 1920 x 1080' m8 B9 m2 t4 W; [# X
◎文件大小 1CD 14.37 GB
# O& Q; V' e! t, |. ~+ |◎片 长 1hr 45m
u7 f( E+ \8 ]$ P0 _- ]4 p- k7 [◎导 演 J·C·陈多尔 J.C. Chandor
) F2 q( V H* A$ n- g+ ]◎主 演 罗伯特·雷德福 Robert Redford ....Our Man
D. m$ y" O# W" ?7 h◎简 介+ t& N, b0 @" C" K9 G( s
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罗伯特·雷德福饰演的男主角在睡梦中遭遇了轮船撞击集装箱的厄运,他的船舱进水修复无能,导航和无线电报废,最后只能弃船而去在皮筏上漂流生死未卜。与少年派一样,老雷德福也要面对惊涛骇浪,倾盆暴雨,以及在皮筏四周逡巡觅食的鲨鱼们。与此同时,他也弹尽粮绝,饥饿比自然风浪更紧迫,在这真正的“一切尽失”面前,这位原本足智多谋的老水手发现死亡正在不断向自己逼近。 * M- g# y1 s" f% Y2 N
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Deep into a solo voyage in the Indian Ocean, an unnamed man wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached hull, his mariner's intuition and a strength that belies his age, the man barely survives the tempest. Using only a sextant and nautical maps to chart his progress, he is forced to rely on ocean currents to carry him into a shipping lane in hopes of hailing a passing vessel. But with the sun unrelenting, sharks circling and his meager supplies dwindling, the ever-resourceful sailor soon finds himself staring his mortality in the face.
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·本片是导演J·C·陈多尔的第二部电影。在第二部电影中,他就请来了罗伯特·雷德福做影片唯一的演员。其机缘是,J·C·陈多尔的第一部电影,在雷德福创办的圣丹斯电影节上放映,在那里,这两个电影人见了面,商定了出演这部电影的事宜。
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·罗伯特·雷德福是这部电影唯一的主演,整部电影没有对话,只有几句自言自语的呓语。拍摄这部电影,让雷德福吃尽了苦头。首先是体力的消耗,其次是这个独角戏电影的难度。而且还有海上镜头的拍摄。
( }9 K" V4 b, ^. z, y·影片于2012年年中开拍,摄制的低点是墨西哥的罗萨里托海滩的巴哈摄影棚。这个摄影棚大名鼎鼎,是拍摄海洋题材影片的绝佳场所。建造这个摄影棚,就是为了一部电影的拍摄的--那部电影是1997年的《泰坦尼克号》。
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& i, u* v9 T; ]' b·虽然剧组为雷德福准备了好几个替身和特技演员。但是雷德福还是自己完成了大部分的危险镜头的拍摄--只有一个水下的镜头是例外。0 D- q6 L4 z( K* R. m+ a2 S
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·虽说一切都在摄影棚内拍摄而成,但是雷德福还是在拍摄的时候受了伤。据悉,他的耳朵在拍摄一些海啸镜头的时候,受到了损坏。不过,为了让处在拍摄期间的陈多尔不要过多地担心自己的身体健康问题,雷德福一直到影片在戛纳参展的时候才透露了这个事情。
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2 S% }& D0 M. [; b% s- All.is.Lost.2013.BluRayCD.1080p.DTS-HD.x264-Grym
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" l; R" [5 @5 k' g- After a collision with a shipping container at sea, a resourceful sailor finds himself, despite all efforts to the contrary, staring his mortality in the face. T& o" E9 N) z5 i' p% o, x3 _# t7 l
, V5 l. y/ _6 T" F& U2 o- Director..........: J.C. Chandor
! p) h4 T( |3 h' S0 m8 _' R. q - Writer............: J.C. Chandor' a8 F* G5 P3 I# g0 v0 e1 ^' i: S
- Starring..........: Robert Redford6 {4 q% x& F6 d5 B% O* V* ?
- iMDB URL..........: https://www.imdb.com/title/tt2017038
; Y$ w" R! i o8 t - SOURCE TYPE.......: Retail Blu-Ray 25,8 GB Movie @ 28576 kbps / 35,8 GB Full
' W/ h, W+ _3 ]8 A) n- R9 z - Video SPECS.......: x264 2PASS @ 14000+ Kbps (High@L4.1) - 23.976 fps
h% T# E: O* J& z' e. ` - AUDiO SPECS 1.....: English DTS-HD Master 5.1 3990 kbps 24 bit (Core: 1509 kbps)
7 U5 a4 D- D3 e" v( L9 P6 j - AUDiO SPECS 2.....: Commentary Director J.C. Chandor & Producers Neal Dodson &
* G# `; c! K% h - Anna Gerb + D! A! P- p' Y3 p2 t4 l1 J
- RUNTiME...........: 1h 45 min
: x1 l3 C9 m5 v2 Y" L - MOViE CROPPED.....: No
5 r6 I6 m2 c3 B4 p# ?4 c - FiLM ASPECT RATiO.: 2.35:1 Anamorphic Widescreen / Scope (Anamorphic Lens)
- ~& i) o( c1 I: U4 @ - RESOLUTiON........: 1920 X 1080% c) n& A6 x; k* H; q
- EXTRAS............: Yes - 1,0 GB
( h6 I" U- y% _7 H9 f! F - SUBTiTLES.........: English, Spanish, }0 L6 C* W6 ]* P
- SUBTiTLES EXTRAS..: Sorry no Subtitles on Disc
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1) How do I Bitstream TrueHD & DTS-HD Master audio From my PC to My surround Receiver?
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Part 1 - Setting up Sound / Bitstreaming in Windows (Only read and Use first Part about Windows):6 z a m6 H: l+ M2 g" E! Z) Z+ Z5 g; Y& A
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https://www.mediasmartserver.net/2010/02/02/guide-setting-up-bitstreaming-with-your-windows-7-htpc-part-i/
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' c8 A$ ~5 ~8 v$ Q. k3 U Part 2 - Setting up Software & Software Player:4 ~/ f5 _3 @3 g' d( q1 X K) k3 |
0 [4 W! a6 t' W& O8 ] ~% |( z" i https://www.mediasmartserver.net/2011/06/30/guide-setting-up-lav-filters-mpc-hc-for-all-your-splitter-and-audio-needs
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2) How can I watch your so-called non cropped rip in your so-called 2.35:1 Anamorphic Widescreen image, mate?
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First, Yes I know that a Blu-Ray player cannot playback anamorphic material, but: G% q) N" a8 L& }8 g0 w! ^
the anamorphic scope is still in the transfer/encode, so for this to work you
# C4 p& y# ~0 [! E have to rip the blu-ray disc to PC, and play it back anamorphic from there!
) C& J; j! Z* h! I* ~5 Y# I Or just grab one of Grym's uncropped rips and use that for anamorphic playback
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! U$ K% F" D. [7 }6 X: W! b You can watch the movie in original 2.35:1 Anamorphic Widescreen / Scope (Anamorphic Lens),9 D3 ?& K8 i8 y
like you do in the theater, by setting the aspect ratio in your software player to 2.35:1.
, L7 a& u6 g: s' p) z Aka Panavision, Cinemascope, Metrovision ect.
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' R3 ~$ U' u+ O' d, G' ?& d Turn off any automatic or manual 16:9 cropping on your TV - if any and if used.
; h- d3 j/ I% R9 Z8 V: B Display setting on your flat screen you set to 1:1 pixel mapping or whatever the" n% Z" f$ F" b' T5 t
name is on your telly. On my own Pioneer Kuro LX5090H flat tv it's called 'Dot by Dot') w2 w4 g4 A2 L4 l6 I
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If set correct then the image on your 16:9 flat screen should look something like the screen croppings on these links:
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https://someimage.com/Q2le and this https://www.youtube.com/watch?v=IkJkCJSH0c4
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You got image like in the links?
& v' |& B5 }4 m7 T, U# T8 a( Z Now please search 'Anamorphic Widescreen' in Youtube for more reference.
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. r/ C6 T, ?2 P* \% \( T Ok, now try do same playback procedure with a so-called "2.35:1" 1920x800 rip.; g* M$ k8 e$ l7 C9 |# l! }! n: j* e
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If you want to watch 1.85:1 aspect ratio movies in the correct aspect ratio7 y# F; n& ~6 V9 s$ j$ a
you then set the aspect ratio to 2.35:1, as well, and the image will have the
: w F ]. Q$ G0 X. r$ N7 e7 y l "small" black bars.9 x0 m) l2 d& Z% ]
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# j7 N+ U! q, K0 @) f) ] Aspect ratios on 16:9 flat tv (Display setting on tv set to 1:1 pixel mapping):3 s' T$ H+ k3 k* p' t1 P
+ k4 r4 ]# |$ K 1.33:1 - Black bars at sides of image (4:3) - Aka 1.37:1 Academy Standard
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5 B- V! h2 | ]) ^' ~5 k9 k& Y 1.78:1 - Full screen. Image fills whole of screen (16:9) - HDTV & Home Video, {' P+ \# t- K, Q& | M/ c5 y
! x3 r: E {2 l6 ~. r, E2 Z3 U 1.85:1 - Black bars Top & Bottom of image (Small) - Movies, HDTV & Home Video
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% S+ }* ^ f0 v0 z& O8 i# C6 Z 2.35:1 - Black bars Top & Bottom of image (Big) - Aka 2.40:1 & Anamorphic Scope0 F. H U% _1 u% u& a, x4 D1 C
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3) Why don't You crop 2.35:1 Film Aspect Ratio Movies?7 }7 n* S1 E* Z: f, r
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Read Here:6 k B/ ~6 i9 W: c) v+ W( Z
( g8 y7 {) s- c, [- M7 ~: R, Y. U https://en.wikipedia.org/wiki/Letterboxing_(filming)2 C% s: M6 G w3 M7 K: a
1 k h) E# \2 Z. w# S! v: w- B- magnet:?xt=urn:btih:SSVOQNS3FHMQ5VU3U7MJWOQHFUWWVLN4&dn=All.is.Lost.2013.Bluraycd.1080p.DTS-HD.x264-Grym&tr=udp://bluraycd.wicp.net/announce&tr=udp://tracker.blucd.org:2710/announce&tr=https://bluraycd.wicp.net/announce
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