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2 V( q7 v8 P* c( l◎译 名 一切尽失/失去一切/一无所有
_( J. B* S: ^# G" h) U. r2 m+ N◎片 名 All Is Lost/Cuando todo está perdido 2 V$ h: B/ l3 N% w3 R/ @
◎年 代 2013
! ~# t, s, L( i; W, b◎国 家 美国
/ q$ c& k) Y! o7 e7 N; ]◎类 别 动作/冒险/剧情
) q+ G4 U* ~0 y) `◎语 言 英语6 Z$ L/ j9 \& E
◎字 幕 N/A+ \3 c0 P9 {+ ~4 i- d* F9 h [
◎IMDB评分 7.2/10 from 7,513 users3 x& f6 Z6 D! I; L7 m5 B9 C+ \
◎IMDB链接 https://imdb.com/title/tt2017038' B6 p+ [0 j' Q% k s5 }0 _# A
◎文件格式 X264 + DTS/ G# e+ X- t7 e% j3 L
◎视频尺寸 1920 x 1080" i# T2 Q4 J0 d+ k$ v
◎文件大小 1CD 14.37 GB% P, n$ n$ C3 R9 g. }
◎片 长 1hr 45m ?9 T) n( D/ q( ~6 n( R0 p# }
◎导 演 J·C·陈多尔 J.C. Chandor& w4 t! f) ]3 j4 t# _" T
◎主 演 罗伯特·雷德福 Robert Redford ....Our Man& W* l( S) {5 D+ s9 n
◎简 介& x4 b' E+ l, V
m8 _2 _+ B0 e 罗伯特·雷德福饰演的男主角在睡梦中遭遇了轮船撞击集装箱的厄运,他的船舱进水修复无能,导航和无线电报废,最后只能弃船而去在皮筏上漂流生死未卜。与少年派一样,老雷德福也要面对惊涛骇浪,倾盆暴雨,以及在皮筏四周逡巡觅食的鲨鱼们。与此同时,他也弹尽粮绝,饥饿比自然风浪更紧迫,在这真正的“一切尽失”面前,这位原本足智多谋的老水手发现死亡正在不断向自己逼近。
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' E$ T( Z/ a4 ^Deep into a solo voyage in the Indian Ocean, an unnamed man wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached hull, his mariner's intuition and a strength that belies his age, the man barely survives the tempest. Using only a sextant and nautical maps to chart his progress, he is forced to rely on ocean currents to carry him into a shipping lane in hopes of hailing a passing vessel. But with the sun unrelenting, sharks circling and his meager supplies dwindling, the ever-resourceful sailor soon finds himself staring his mortality in the face.
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/ I8 J( l, ]4 ~* x& f·本片是导演J·C·陈多尔的第二部电影。在第二部电影中,他就请来了罗伯特·雷德福做影片唯一的演员。其机缘是,J·C·陈多尔的第一部电影,在雷德福创办的圣丹斯电影节上放映,在那里,这两个电影人见了面,商定了出演这部电影的事宜。
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- @4 M; W$ G* X& ~·罗伯特·雷德福是这部电影唯一的主演,整部电影没有对话,只有几句自言自语的呓语。拍摄这部电影,让雷德福吃尽了苦头。首先是体力的消耗,其次是这个独角戏电影的难度。而且还有海上镜头的拍摄。; a1 \. n, t+ {5 Y, ?
·影片于2012年年中开拍,摄制的低点是墨西哥的罗萨里托海滩的巴哈摄影棚。这个摄影棚大名鼎鼎,是拍摄海洋题材影片的绝佳场所。建造这个摄影棚,就是为了一部电影的拍摄的--那部电影是1997年的《泰坦尼克号》。
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4 G0 B3 R! [3 u& g6 V: y·虽然剧组为雷德福准备了好几个替身和特技演员。但是雷德福还是自己完成了大部分的危险镜头的拍摄--只有一个水下的镜头是例外。9 o" F0 j0 w; }" \" _1 z2 l
) O$ |/ H: ]5 l·虽说一切都在摄影棚内拍摄而成,但是雷德福还是在拍摄的时候受了伤。据悉,他的耳朵在拍摄一些海啸镜头的时候,受到了损坏。不过,为了让处在拍摄期间的陈多尔不要过多地担心自己的身体健康问题,雷德福一直到影片在戛纳参展的时候才透露了这个事情。7 I9 ^& [4 \7 K$ M6 o6 i' `5 R' r
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$ \: O) k" x7 T0 Z! l" k2 o" K- All.is.Lost.2013.BluRayCD.1080p.DTS-HD.x264-Grym
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9 R7 ^) ?. u6 p" I- r1 x- After a collision with a shipping container at sea, a resourceful sailor finds himself, despite all efforts to the contrary, staring his mortality in the face." z9 ?% v* u4 N% D
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- Director..........: J.C. Chandor! K6 J; T3 P' W9 h e6 a
- Writer............: J.C. Chandor, c" W6 O) q' m. ?1 F X
- Starring..........: Robert Redford" [3 t, u j, w
- iMDB URL..........: https://www.imdb.com/title/tt2017038
$ Z j9 p% _9 p$ J6 Y9 _! S - SOURCE TYPE.......: Retail Blu-Ray 25,8 GB Movie @ 28576 kbps / 35,8 GB Full) Q" H* X4 r, W; M) ]0 Y1 O8 p
- Video SPECS.......: x264 2PASS @ 14000+ Kbps (High@L4.1) - 23.976 fps) F5 F& L8 j, y5 B$ A; b
- AUDiO SPECS 1.....: English DTS-HD Master 5.1 3990 kbps 24 bit (Core: 1509 kbps), j/ s c' F7 L6 B3 l6 D
- AUDiO SPECS 2.....: Commentary Director J.C. Chandor & Producers Neal Dodson &
/ {9 v: a- S4 J$ l) E! r. T$ K - Anna Gerb
, w6 W( P& ]! k* i; r# x+ P; D - RUNTiME...........: 1h 45 min
! W, a2 l; k% Q! a- d% h1 D - MOViE CROPPED.....: No
0 c6 ^$ D( A4 @; ]5 o/ t - FiLM ASPECT RATiO.: 2.35:1 Anamorphic Widescreen / Scope (Anamorphic Lens); w/ B! }+ M7 `
- RESOLUTiON........: 1920 X 10807 | Y! x6 s9 K3 n* z+ R$ ]/ J
- EXTRAS............: Yes - 1,0 GB
4 ~! g; b% f1 G9 q - SUBTiTLES.........: English, Spanish
) }7 i" N8 V2 s - SUBTiTLES EXTRAS..: Sorry no Subtitles on Disc
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1) How do I Bitstream TrueHD & DTS-HD Master audio From my PC to My surround Receiver?
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: L5 @" O3 D/ x) |# |% R- V5 O2 h Part 1 - Setting up Sound / Bitstreaming in Windows (Only read and Use first Part about Windows):
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https://www.mediasmartserver.net/2010/02/02/guide-setting-up-bitstreaming-with-your-windows-7-htpc-part-i/* e5 l7 o( H- [ [4 ~4 ?
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Part 2 - Setting up Software & Software Player:
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https://www.mediasmartserver.net/2011/06/30/guide-setting-up-lav-filters-mpc-hc-for-all-your-splitter-and-audio-needs( N4 { V9 n5 a
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2) How can I watch your so-called non cropped rip in your so-called 2.35:1 Anamorphic Widescreen image, mate?
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First, Yes I know that a Blu-Ray player cannot playback anamorphic material, but$ p- P6 N" w+ Z
the anamorphic scope is still in the transfer/encode, so for this to work you, _7 t% ?0 \; f1 e. `6 E
have to rip the blu-ray disc to PC, and play it back anamorphic from there!( W0 A5 f# [; u2 D
Or just grab one of Grym's uncropped rips and use that for anamorphic playback
' j' p. N, N J3 W. G, |8 ?4 y3 [ K from PC!! a; m# e5 C3 i# z# \; n5 m
2 P, E5 e: M. f: l. j You can watch the movie in original 2.35:1 Anamorphic Widescreen / Scope (Anamorphic Lens),; _& \* j+ @8 N( j, y
like you do in the theater, by setting the aspect ratio in your software player to 2.35:1./ x8 o1 s& ]" M" E. \4 |
Aka Panavision, Cinemascope, Metrovision ect.
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Turn off any automatic or manual 16:9 cropping on your TV - if any and if used.+ q/ b2 e& }& z- T0 } c
Display setting on your flat screen you set to 1:1 pixel mapping or whatever the
; ?, @) R4 j1 I name is on your telly. On my own Pioneer Kuro LX5090H flat tv it's called 'Dot by Dot'9 w+ W" k- o( g3 V1 {$ v
, [8 J9 D% V) }& k% |. I; c1 U If set correct then the image on your 16:9 flat screen should look something like the screen croppings on these links:
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https://someimage.com/Q2le and this https://www.youtube.com/watch?v=IkJkCJSH0c4. R' U. u" \6 U1 C D
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You got image like in the links?" T2 o% I5 C }
Now please search 'Anamorphic Widescreen' in Youtube for more reference., U6 P/ Q) ?3 F* U
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Ok, now try do same playback procedure with a so-called "2.35:1" 1920x800 rip.9 W |8 ]" ]3 f/ }! X
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If you want to watch 1.85:1 aspect ratio movies in the correct aspect ratio
% u- k$ W; E8 O- l8 } you then set the aspect ratio to 2.35:1, as well, and the image will have the
$ M8 d3 p. b0 C) V* s: j "small" black bars.: Q3 W, J( Y) r o/ f& |
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Aspect ratios on 16:9 flat tv (Display setting on tv set to 1:1 pixel mapping):
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0 }- }) t4 t4 N" f# K- _1 d! i3 Q 1.33:1 - Black bars at sides of image (4:3) - Aka 1.37:1 Academy Standard
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8 H. m; F, A \) o. p( F, E1 J1 c 1.78:1 - Full screen. Image fills whole of screen (16:9) - HDTV & Home Video
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1.85:1 - Black bars Top & Bottom of image (Small) - Movies, HDTV & Home Video4 o: R6 q" ?8 d5 t- A
9 M2 I" g+ X& S& K( o4 q2 m 2.35:1 - Black bars Top & Bottom of image (Big) - Aka 2.40:1 & Anamorphic Scope# i: z3 u$ ?* W1 }+ b8 o
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3) Why don't You crop 2.35:1 Film Aspect Ratio Movies?# {% P& A# x4 {
; Q! ?2 ^+ {4 H# U+ a, w& o Read Here:
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+ V# [; O* M# r+ V& U [ https://en.wikipedia.org/wiki/Letterboxing_(filming)1 \8 s R6 L; g! o' w3 y, H
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- magnet:?xt=urn:btih:SSVOQNS3FHMQ5VU3U7MJWOQHFUWWVLN4&dn=All.is.Lost.2013.Bluraycd.1080p.DTS-HD.x264-Grym&tr=udp://bluraycd.wicp.net/announce&tr=udp://tracker.blucd.org:2710/announce&tr=https://bluraycd.wicp.net/announce
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