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Return to Middle Earth where the dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug.
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◎译 名 霍比特人2:史矛革之战/霍比特人2:史矛革荒漠/哈比人:荒谷魔龙(港)/哈比人:荒谷恶龙(台)/霍比特人2:斯毛戈荒漠/指环王前传:霍比特人(中)
! K5 x( a8 k& i3 p8 O! l9 W◎片 名 The Hobbit: The Desolation of Smaug / The Hobbit: Part 2
; a* b' @7 M4 K" H◎年 代 2013
4 U k! ]- m- I; X$ F" d' j: ^◎产 地 美国/新西兰$ c; T u- G, b% ]0 Y0 ~; y
◎类 别 动作/奇幻/冒险
9 T2 |$ k6 A1 P) @◎语 言 英语
: {# k1 [& N: B+ V% C S- S◎上映日期 2014-02-21(中国大陆)/2013-12-13(美国)
: G4 o& t `1 A6 I( `% N◎IMDb评分 7.8/10 from 596,326 users
! m% v6 ^- i& R. G* j3 R. y" b7 r◎IMDb链接 https://www.imdb.com/title/tt1170358/
0 G! G7 K8 F3 Y4 C' T( L, s& y◎豆瓣评分 8.4/10 from 300,946 users) S' q6 P, \1 g5 Q& `! x% v
◎豆瓣链接 https://movie.douban.com/subject/11606328/
5 T5 x: \& H6 p9 Z8 z◎文件格式 x264 + DTS
* C" W5 Y* B& V# z4 O8 |◎视频尺寸 1920 x 10802 U- e+ Q: |% w4 J1 U3 |
◎文件大小 1DVD 34.25 GiB & 30.55 GiB( L8 U' j. Z) S8 h" m
◎片 长 1:36:05.676 (h:m:s.ms) & 1:30:36.180 (h:m:s.ms)9 |' v3 B- N8 B; O
◎导 演 彼得·杰克逊 Peter Jackson
5 m, n& A4 b) o/ S1 g% c◎编 剧 J·R·R·托尔金 J.R.R. Tolkien1 k2 m; \1 n. M7 }/ D1 Q/ m* R
弗兰·威尔士 Fran Walsh: y- R+ h2 D6 ^! Q& a* A
菲利帕·鲍恩斯 Philippa Boyens
" ]# \" m) D; _ 彼得·杰克逊 Peter Jackson* g! [, w- }. B" f; R8 F$ S1 Z5 c
吉尔莫·德尔·托罗 Guillermo del Toro
+ v+ u* K! B. Z5 t% C/ A# ]◎主 演 伊恩·麦克莱恩 Ian McKellen1 u/ A, ^4 y2 x) \" y9 m: A& |: E
马丁·弗瑞曼 Martin Freeman2 h R) V: N$ M! k! K4 ?
理查德·阿米蒂奇 Richard Armitage5 v9 j+ Y5 t8 N
本尼迪克特·康伯巴奇 Benedict Cumberbatch$ L: z+ Q# ~% J% V/ v& A& j8 R
奥兰多·布鲁姆 Orlando Bloom
* Y9 f1 p5 q2 h/ U9 D6 | 伊万杰琳·莉莉 Evangeline Lilly- v4 X, K. Q/ r( E5 L
李·佩斯 Lee Pace
" [: u& }, k' f, k( U 卢克·伊万斯 Luke Evans$ T: v; N5 i5 p! [* t/ w0 K. c6 ~% y" h
斯蒂芬·弗雷 Stephen Fry/ B0 \" ^4 Z- I8 ~- ?# T9 M
肯·斯托特 Ken Stott- v4 B+ T6 N; W9 _6 k8 M g
詹姆斯·内斯比特 James Nesbitt
- X# Z1 q" `2 V( f0 c 约翰·贝尔 John Bell2 Y2 K* y5 {1 i- m( L
马努·贝内特 Manu Bennett) ?& C6 b+ B: v4 y
杰德·布罗菲 Jed Brophy
1 f! h9 K" D" w6 a- | 亚当·布朗 Adam Brown
- ~+ X5 Y! m9 W e3 w 约翰·凯伦 John Callen, Z" H6 h! g0 r+ {2 [
瑞安·盖奇 Ryan Gage
5 ^5 b9 N* \+ q/ T 马克·哈德洛 Mark Hadlow* X0 A' _" i3 X6 J5 Y5 S
彼得·汉布尔顿 Peter Hambleton( C/ ~ [$ n$ s$ p6 [0 X
斯蒂芬·亨特 Stephen Hunter
7 m: @0 T9 {& B! r+ Z& [+ a3 V 威廉·基尔舍 William Kircher
& v# U2 ^/ a& c( c, v2 n 西尔维斯特·迈可伊 Sylvester McCoy- `6 }6 @7 m- k
格拉汉姆·麦克泰维什 Graham McTavish
- G) ~! }+ h% s5 A. K0 a 迪恩·奥戈曼 Dean O'Gorman
0 O" `" Z8 T" O! c4 ?% g- F 米卡埃尔·佩斯布兰特 Mikael Persbrandt5 Y x, t9 p1 U% H, Z# N3 u
艾丹·特纳 Aidan Turner
* M9 S+ H3 f4 a& q# J9 Z( x 劳伦斯·马克奥雷 Lawrence Makoare1 p5 l, G& r2 J! E0 Q! U5 |
克里格·霍尔 Craig Hall$ }5 s# b8 g2 @. w
达拉斯·巴内特 Dallas Barnett
# e/ z5 O1 P0 K 格雷格·埃利斯 Greg Ellis) v3 V& u& O2 G& A+ K# B* h0 y `
史蒂芬·寇贝尔 Stephen Colbert% U K% O) q; Q8 U. G7 z5 h7 I: F) o
彼得·杰克逊 Peter Jackson' t' B* N* U0 t9 v. R. v7 _
姜广涛 Guangtao Jiang f5 b! T1 [$ G+ W1 m
泰瑞·诺塔里 Terry Notary
" p. Y8 J# G5 }1 v6 e- i5 e, E 佩吉·内斯比特 Peggy Nesbitt
8 i y9 O# @7 H$ T8 D+ F9 d) V 玛丽·内斯比特 Mary Nesbitt4 T' S# ?. E, b$ u4 R( K
伊利亚·伍德 Elijah Wood" `+ L! Z( ~' `: m- e
雨果·维文 Hugo Weaving6 \: `, `) i( r; z; u2 w. d# y, {/ i
凯特·布兰切特 Cate Blanchett, Q7 a; B/ M2 z: A7 q u8 Z
Robin Kerr; k; y, \, R; W. E) P8 N6 `. ~
克里斯托弗·李 Christopher Lee; y" S+ m' V3 o8 Y& F
! l& b. l5 ]7 M1 v4 j$ Z◎标 签 魔幻 | 魔戒 | 史诗 | 美国 | 奇幻 | 美国电影 | 2013 | 冒险
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" x) a7 h3 Q5 P3 ?- S4 b6 Q9 M◎简 介 $ L% _* f: j# _! A
/ h6 H, Y) W1 l i: ] 距离孤山越来越近,矮人远征军的道路却变得异常艰险。他们躲过了苍白半兽人的不懈追杀,在幽暗密林前和甘道夫(伊恩·麦凯伦 Ian McKellen 饰)兵分两路,后者前往多尔哥多探寻索伦的动向,而霍比特人比尔博·巴金斯(马丁·弗里曼 Martin John C. Freeman 饰)和矮人们先是遭到巨大蜘蛛的袭击,随后又被精灵王子莱戈拉斯(奥兰多·布鲁姆 Orlando Bloom 饰)及其木精灵同伴捕获。比尔博急中生智,利用魔戒救出伙伴,继而引发了木精灵、半兽人和矮人远征军之间精彩纷呈的三方会战。借助巴德(卢克·伊万斯 Luke Evans 饰)的帮助,疲惫的矮人们暂时落脚长湖镇。近在咫尺的孤山城堡,沉睡在财宝中的巨龙即将醒来……
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本片根据J.R.R·托尔金的同名原著改编。$ ^5 M% @# ]( X5 t1 d8 f9 ~" Y
5 d, l6 J% l8 u' P9 ?8 a" M The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. Bilbo Baggins is in possession of a mysterious and magical ring.: m- @$ ?6 M/ \# B4 L
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◎获奖情况
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0 D* D$ K: Q1 w5 ^3 \. o0 K0 ~ 第86届奥斯卡金像奖(2014)" K; |+ H4 c4 i
最佳视觉效果(提名) 大卫·克莱顿 / 埃里克·赛恩登 / 乔·莱特瑞 / 埃里克·雷诺兹
) G! r9 ~+ |% {9 N3 V1 ?# }" N) E% K 最佳混音(提名) 迈克·亨吉斯 / 托尼·约翰逊 / 克里斯托弗·博伊斯 / 迈克尔·斯曼内科
8 X+ \5 Z6 @( d( f5 R! s$ A1 S4 O G 最佳音效剪辑(提名) 布伦特·布鲁格3 ~3 y$ W* F6 i$ u" \
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第42届动画安妮奖(2015)
& y; U" r+ E! q 最佳真人电影动画效果(提名) 阿雷托·埃切瓦里亚
& T( d6 I. Q* G+ }7 n! @" @; y 最佳真人电影动画角色(提名) 大卫·克莱顿 / 埃里克·雷诺兹' d. R7 Y# b9 O
: ~- r" U1 n5 I" O, ~ 第23届MTV电影奖(2014)
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) s e: V H. u/ N/ F+ ~$ D: z# q* \ MTV电影奖 最佳打斗(提名)
% n' n5 n( c6 U MTV电影奖 最佳银幕形象转变(提名) 奥兰多·布鲁姆
6 Z9 Y: q& s$ i/ ?8 D MTV电影奖 最佳英雄形象(提名) 马丁·弗瑞曼
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$ g0 V) y9 ~ y8 d5 r6 G 科幻/奇幻题材电影最佳服装设计(提名) 鲍勃·巴克 / 安·马斯克里 / 理查德·泰勒0 [ ~$ U0 d8 w7 ]3 v! g
0 a* z6 A k/ @- C" ? 第61届美国音效剪辑协会奖(2014)
* @. L9 j2 G; G5 V; x( X* P4 | 金卷轴奖 最佳电影音效剪辑(提名) 大卫·法默 / 克里斯·瓦尔德 / 海顿·科娄 / 克雷格·汤姆林森 / 贾斯汀·维布斯特 / 戴夫·怀特海德 / 梅兰妮·格拉汉姆 / 约翰·辛普森9 W6 N7 S4 S+ f( J7 v
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+ o# Q+ j ~& Z2 F: J 第12届美国视觉效果协会奖(2014)8 }! T5 z+ i5 ~$ r+ g
最佳特效电影视觉效果(提名) 大卫·克莱顿 / 埃里克·赛恩登 / 乔·莱特瑞* v) y/ z" @8 `9 V1 C
最佳真人电影CG动画角色 大卫·克莱顿 / 埃里克·雷诺兹
W9 v: Q9 c" w( s 最佳电影虚拟摄影(提名) 克里斯蒂安·瑞沃斯 / 塞尔温·卡贝扎斯
9 Y) l. \# z+ I# D 最佳真人电影模拟动画效果(提名) 阿雷托·埃切瓦里亚* ~9 Y8 ?: H* Z! r" d2 i
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动作片最佳女主角(提名) 伊万杰琳·莉莉
0 W; X' W0 U0 y. F* ~ 最佳美术指导(提名) 丹·汉纳 / 拉·文森特
% b& \: F. q1 ] 最佳服装设计(提名) 鲍勃·巴克 / Lesley Burkes-Harding / 安·马斯克里 / 理查德·泰勒
! F' V* z5 z- z0 O5 a, }2 f 最佳发型化妆(提名)
( `& p& k7 {7 Y% L* N4 p5 k 最佳视觉效果(提名)4 R* ?0 i! k; Z; N2 `
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$ L$ c" [& N$ X) y, ]9 w0 j 最佳原创配乐(提名) 霍华德·肖% }! x0 I: D6 \7 f
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% I$ F* i" G- d4 G- DISC INFO:
8 @: P$ w5 ]' G, {+ y4 d8 g5 S" q, _ - Disc Title: The.Hobbit.The.Desolation.of.Smaug.2013.DISC1.EXTENDED.3D.1080p.BluRayCD.AVC.DTS-HD.MA.7.1-RARBG
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复制代码- DISC INFO:# d" |* @/ ?9 Q
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复制代码 The Hobbit: The Desolation of Smaug 3D Blu-ray, Video Quality
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5 J- I M* I8 U5 _, z3 j+ \. TSimilar to the palette shift that occurs when moving from The Fellowship of the Ring to The Two Towers, The Desolation of Smaug is a much darker, bleaker film than An Unexpected Journey. The same goes for Warner's 1080p/AVC-encoded 2D and MVC-encoded 3D video presentations. Shadows are greedier, the cloak of night more oppressive, delineation less forgiving, and crush a bit more of a nuisance than before. Even so, the two transfers remain excellent examples of what high definition affords; each one rich in detail, lovely to behold, and utterly faithful to Jackson and cinematographer Andrew Lesnie's dramatic digital color grading. Skintones are perfectly saturated (or desaturated, as is typically the case here), black levels are satisfying (albeit a touch muted in Mirkwood and Erebor), and contrast is spot on, with very little in the way of distractions. (The few that do arise trace back to the filmmakers and/or the FX.) Clarity is also remarkable in both 2D and 3D, with crisp edges free from aliasing and ringing, refined textures that capture every last subtlety of the film's production design and costumes, and a pleasing veneer of grain that doesn't hinder the image in any way.* |5 X5 D. M+ A1 G0 j
$ C. N) o# Z) `5 E5 kIn 3D, the experience is perhaps even more stunning, with a level of depth and dimensionality reserved only for the best of the best 3D releases. The aforementioned bleakness and darkness doesn't take a toll on the MVC-encoded 3D presentation, nor does it muddle Jackson's imagery in any way. Orc swords pierce the screen. Forests extend into the distance. Mountains spill back to the horizon. Rivers rage as barrels race to safety. Elves leap overhead. Spiders lunge at the viewer. Drawn bows point arrows beyond the bounds of the film. The streets of Laketown snake into the city. Dwarven monoliths tower above Bilbo and the Company. And Smaug looms larger and more menacingly above the fray. Then there are the veils of cobwebs, sea of trees, canopy of leaves and butterflies, crowds of onlookers, sheets of dragon scales, oceans of gold, and columns that allow one to sense the vastness of Erebor's halls. All of it is convincing and oh so immersive, with wide vistas boasting as much 3D oomph as the most intimate close-ups. Add to that a lack of significant aliasing, shimmering, ghosting or other issues associated with 3D and you easily have what's already one of the finest 3D releases of the year.
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Better still, artifacting, banding and other significant enemies of the crown are held at bay; again, both in the 2D and 3D presentations of the film. (A half-dozen unsightly, lower definition GoPro Camera shots unfortunately pepper the barrel escape sequence, but each one only appears for a split second and, again, is attributable to Jackson and Lesnie, not Warner's encoding efforts.) All told, The Desolation of Smaug is gorgeous regardless of which version you choose to watch. Jackson's rabid fans will be rewarded for their allegiance.
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) a; Q' Y1 l4 ^% qNote: The 3D presentation of the film is spread across two BD-50 discs while the 2D presentation is housed on a single BD-50. As far as the eye can discern, there are no notable differences in quality between the two, even with the bitrate trending a bit higher in the 2-disc 3D presentation.# \; Q& O9 M" X& Z6 P
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The Hobbit: The Desolation of Smaug 3D Blu-ray, Audio Quality ) i9 L- h" U5 e
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There was a small but vocal minority of audiophiles who expressed concern over An Unexpected Journey's lossless audio mix because its low-end output wasn't all it could be. I admittedly didn't notice anything amiss at the time of my review, and still find it difficult to discern any shortcoming when revisiting the first film's Blu-ray release. Did I encounter any such issue with Desolation of Smaug? No, although those who pore over specs and bitrates may find the same problem here. So why even bring it up? I too want the best that a studio can deliver, so bravo to those who uncover these sorts of things. It's important to know. I just wonder how much of the offending issue is actually perceptible to the human ear and how much is driven by the power of tech-spec suggestion.
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But I digress. Having listened to Warner's DTS-HD Master Audio 7.1 surround track multiple times, I have yet to find a single fault. It excels in every area. Dialogue is intelligible, believably grounded in Jackson's Middle-earth, and meticulously prioritized. It doesn't have to compete with the many, many action scenes that threaten to overwhelm it at any given moment, nor does it suffer or struggle when rivers rage, dragons roar or castles crumble. Dynamics are terrific too, and the LFE channel bolsters each element that requires its aid, granting everything from Beorn's rampages to the windstorm of Smaug's leathery wings tremendous weight and presence. The rear speakers are just as prepared for any challenge Jackson presents. The skittering of Mirkwood spiders. A fluttering sea of butterflies atop a deadly forest canopy. The lapping of water in Laketown. The angry tendrils that hiss and screech at Gandalf's light shield. The shower of gold coins that rain down whenever Smaug explodes from his nest. The flames that fill the halls of Erebor when the beast attacks. Directionality is exceptionally precise, pans are wonderfully transparent, and the soundfield is as immersive as I could have hoped for. I'm more than satisfied with the results.! b# t# E1 {0 w6 N8 s B. I3 T
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