新机器战警/新版铁甲威龙 [欧版原盘 自带中字] RoboCop 2014 1080p CEE BluRaycd AVC DTS-HD MA 5.1-FGT 37.86GB

A grievously wounded cop becomes the test subject for an experimental program designed to help Omnicorp sell America on the idea of using robots to replace the police force.


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1 I9 ]( o" A( A* {◎译　　名　机械战警/铁甲威龙(港)/机器战警(台)/新版铁甲威龙/新版机器战警
; ]7 w% E3 m! B: r" L◎片　　名　RoboCop
◎年　　代　2014
◎国　　家　美国
◎类　　别　动作/科幻/犯罪/惊悚
- e# ^: V5 C- F8 G0 @◎语　　言　英语
◎上映日期　2014-02-12(美国)/2014-02-28(中国大陆)
5 y2 p% n. i/ G◎IMDb评分  6.1/10 from 213,729 users
; F9 g3 M/ j# \( {( O◎IMDb链接  https://www.imdb.com/title/tt1234721/
$ y6 {& u' J" c7 e◎豆瓣评分　6.4/10 from 76,148 users
' }( l2 E- P, s8 L' w# k◎豆瓣链接　http://movie.douban.com/subject/3077742/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 37.86 GiB
5 T& ^, v: d6 D◎片　　长　1:57:29.208 (h:m:s.ms)
4 t( K; |4 ?% i◎导　　演　何塞·帕蒂尔哈 José Padilha
◎编　　剧　约书亚·祖特曼 Joshua Zetumer
6 u, n! i1 q. ]0 a/ c　　　　　  爱德华·诺麦尔 Edward Neumeier
" H5 Z" n7 M( ^* z- g, Z2 @8 I　　　　　  迈克尔·迈纳 Michael Miner
◎主　　演　乔尔·金纳曼 Joel Kinnaman
/ M% n- {# ?( W　　　　　  加里·奥德曼 Gary Oldman
　　　　　  迈克尔·基顿 Michael Keaton
　　　　　  艾比·考尼什 Abbie Cornish
　　　　　  杰基·厄尔·哈利 Jackie Earle Haley
　　　　　  迈克尔·威廉姆斯 Michael K. Williams
　　　　　  詹妮弗·艾莉 Jennifer Ehle
　　　　　  杰伊·巴鲁切尔 Jay Baruchel
0 ?) U* \, f1 L; G9 e. i　　　　　  玛丽安娜·琼-巴普蒂斯特 Marianne Jean-Baptiste
　　　　　  塞缪尔·杰克逊 Samuel L. Jackson
　　　　　  扎克·格雷尼尔 Zach Grenier
　　　　　  埃美·加西亚 Aimee Garcia
% Y& K$ o$ U- p5 v* C! U　　　　　  米盖尔·弗尔 Miguel Ferrer
　　　　　  梅兰妮·斯科洛凡诺 Melanie Scrofano
　　　　　  马尔詹·奈沙特 Marjan Neshat
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7 |% b3 o: e, d' W: m& C◎简　　介   
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　　2028年，专事军火开发的机器人公司Omni Corp.生产了大量装备精良的机械战警，他们被投入到维和和惩治犯罪等行动中，取得显著的效果。罪犯横行的底特律市，嫉恶如仇、正义感十足的警察亚历克斯·墨菲（乔尔·金纳曼 Joel Kinnaman 饰）遭到仇家暗算，身体受到毁灭性破坏。借助于Omni公司天才博士丹尼特·诺顿（加里·奥德曼 Gary Oldman 饰）最前沿的技术，墨菲以机械战警的形态复活。数轮严格的测试表明，墨菲足以承担起维护社会治安的重任，他的口碑在民众中直线飙升，而墨菲的妻子克拉拉（艾比·考尼什 Abbie Cornish 饰）和儿子大卫却再难从他身上感觉亲人的温暖。
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5 t# o. C3 Q  n& M- L' p　　感知到妻儿的痛苦，墨菲决心向策划杀害自己的犯罪头子展开反击……
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* L- ^: g5 {% n  v/ N# g　　In 2028 Detroit, when Alex Murphy, a loving husband, father and good cop, is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.

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3. Disc Title:     RoboCop.2014.1080p.CEE.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
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RoboCop Blu-ray, Video Quality   


0 h: F: I5 a. ?4 T3 T# X2 jAccording to the best information I could find, RoboCop was shot with a combination of Red Epic and Arri Alexa digital cameras. The cinematographer was Pedilha's frequent collaborator, Lula Carvalho. Integrated with an array of digital effects, the final image was color-corrected on a digital intermediate, from which Fox/MGM's 1080p, AVC-encoded Blu-ray was presumably sourced. The image is pristine, crisp, detailed and generally spectacular. RoboCop's black suit is both solid black and, where appropriate, shinily reflective. The bright colors of some of the more festive scenes (e.g., the formal introduction of RoboCop to the public at police headquarters) are deep and saturated, while darker, dingier scenes like the training exercise overseen by Rick Mattox are appropriately dull and muted, but with good shadow detail. A scene set outside Dr. Norton's facility in China and the opening sequence in Tehran provide variations in the color palette, and all the lab sequences gleam with the brightness of panels and instruments. The city of Detroit itself (really, Toronto and Hamilton, Ontario) looks shiny and modern. (In a deleted scene, Omnicorp CEO Sellars indicates that the company "cleaned up" the city.)

Video noise, aliasing and other artifacts are wholly absent. The average bitrate of 26.29 Mbps is not the highest we've seen for an action-packed film of this nature, but it's certainly adequate, especially given the film's digital origination.
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' F* v1 X8 p9 S7 U7 I# [9 J* i. v+ qRoboCop Blu-ray, Audio Quality   
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RoboCop's 5.1 sound mix, presented on Blu-ray in lossless DTS-HD MA, is a thunderously satisfying affair with plenty of gunfire and several major battle scenes to rattle unsecured items off the shelves of any viewer with a powerful sound system. When the new sheriff in town first takes to the streets, director Padilha doesn't waste time with petty crime; his RoboCop attacks a drug lab single-handedly, where machine gun fire and hand grenades are all in a day's work. A massive shootout with kingpin Antoine Vallon and his gang involves heavy artillery and rapid fire. In a game of one-upsmanship with the first film, this RoboCop fights not just one ED-209 unit, but several, all of which fire their cannons repeatedly. Gears turn, metal screeches and chunks of metal crash to the ground.
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' v* k& l8 [7 J" |' F6 y2 A: FStill, some of the most impressive sonic moments in RoboCop are subtler. In the first Novak Element broadcast, the film gracefully transitions from the viewing screen in Novak's studio to the streets of Tehran where the reporters are on the ground; as they step into the street, the humming and clanking of the robot army fills the surround array and immediately puts the viewer into the scene. When Mattox arranges a "grudge match" test for RoboCop against dozens of EM-208 units, the camera races through the giant warehouse in which the robots are taking their positions to attack, and the sound of each one cocking its weapons zips through the surrounds. The whispers, whirs and hums of the mechanisms in Dr. Norton's labs are eerie in their soft efficiency. RoboCop's sound mix is often most effective at its quietest.
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Dialogue is always clear, and the score by Pedro Bromfman (another regular member of Padilha's team) is appropriately energetic. A brief quotation from Basil Poledouris' score for the 1987 film can be heard during the opening credits.

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