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◎译 名 加勒比海盗4:惊涛怪浪/加勒比海盗:魔盗狂潮(港)/加勒比海盗 神鬼奇航:幽灵海(台)/加勒比海盗4:陌生的潮汐
/ o- I @3 p1 Q# p◎片 名 Pirates of the Caribbean: On Stranger Tides9 B( W" A& {3 B. V- u5 `
◎年 代 2011' M* V, y; p8 p2 e8 v( c
◎产 地 美国( c# n4 X+ S- u) D; x
◎类 别 动作/奇幻/冒险7 D* t; e- N8 J) [$ j1 O5 O" w
◎语 言 英语
! e6 x( D* Q, Z1 A9 T: k8 I◎上映日期 2011-05-20(美国)/2011-05-20(中国大陆)/ k3 q9 [, u: @# _4 A7 x
◎IMDb评分 6.7/10 from 396,982 users
) P5 R7 }, m; }& o* `* N! t2 X, D◎IMDb链接 https://www.imdb.com/title/tt1298650/0 S5 X) z4 M" T& P
◎豆瓣评分 7.5/10 from 192,695 users
) @3 u: O$ _# x. e }* R: o◎豆瓣链接 https://movie.douban.com/subject/3227410/
1 }, l, ^. P8 c2 j$ t◎文件格式 x264 + DTS6 {" z1 ]$ q2 |+ D9 {: d# O- @
◎视频尺寸 1920 x 1080$ }# h( l0 I- t2 L, h- l$ p* f
◎文件大小 1DVD 43.05 GiB , h1 j E7 z. |/ q: `8 ~
◎片 长 2:16:23.842 (h:m:s.ms)( j; A& G& \+ c: V( f: b
◎导 演 罗伯·马歇尔 Rob Marshall
* H7 L4 f$ L. R i) O5 r; o% N& p◎主 演 约翰尼·德普 Johnny Depp% G6 g4 ? u E7 V, f
佩妮洛普·克鲁兹 Penélope Cruz) N1 g7 c3 e6 K3 L
杰弗里·拉什 Geoffrey Rush7 d" Y4 r7 F. K& r+ v. `4 I3 U
伊恩·麦柯肖恩 Ian McShane
' V. V# r! l( L" p 山姆·克拉弗林 Sam Claflin
: k2 f: A7 L/ _; u 阿斯特丽德·伯格斯-弗瑞斯贝 Astrid Berges-Frisbey: {& F" S5 I: G* i `; J: P
凯文·麦克纳利 Kevin McNally
2 z# j [4 n9 s 斯蒂芬·格拉汉姆 Stephen Graham: h7 Q. Z' |- w% Y' r! z
凯斯·理查德兹 Keith Richards
. L: l) w, ~2 c( H3 V 理查德·格雷弗斯 Richard Griffiths& T( q* K3 V2 ~$ L% j% P7 v$ J5 W
嘉玛·沃德 Gemma Ward
& {0 ]: r4 d" b3 |" L9 T! b2 D 朱迪·丹奇 Judi Dench3 ~' s# m9 ~2 p6 s. H$ [
8 u: u4 Y5 n5 m5 V' ?2 ^ S◎简 介4 p( L& p' g2 }5 y( \
' H$ ?9 f+ |. Y9 v9 c 迪士尼《加勒比海盗4》
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8 n. x5 _/ y t 因故在伦敦盘桓期间,杰克·斯派罗船长(约翰尼·德普 Johnny Depp 饰)被英国国王的士兵抓住。原来传说中的“不老泉”重现世间,为了赶在西班牙之前得手。英国国王乔治二世(Richard Griffiths 饰)希望杰克和巴波萨船长(杰弗里·拉什 Geoffrey Rush 饰)联手出海寻找。倔强傲慢的杰克断然拒绝,阴差阳错进入了假杰克船长的巢穴,更由此邂逅了旧老情人安吉莉卡(佩妮洛普·克鲁兹 Penélope Cruz 饰)。各种因素促使迫使他加入了安吉莉卡的船队,更和她的父亲——臭名昭著海盗“黑胡子”(伊恩·麦柯肖恩 Ian McShane 饰)搅在了一起。新的冒险就在这纷乱中展开,无数的危险和诱惑等在大海的另一边……, e2 }/ N. d8 K! Q; x
' L% f& _- B+ y* ]; p3 e8 C◎获奖情况
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1 x; V q! M! }$ d( X. f6 V9 R; e 第39届动画安妮奖 (2012)- x( N0 m, E/ L! C, K/ _; j6 U
最佳真人电影动画效果(提名) Branko Grujcic: J3 Q' C+ ~: U/ k# f6 t* W
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第13届美国青少年选择奖 (2011)
/ H Q! W3 f) b& Q# Y" j 最佳科幻/奇幻电影(提名). R, l5 ~+ t0 S# X$ y9 R6 i: k
最佳科幻/奇幻电影男演员(提名) 约翰尼·德普
j6 x7 T: L, v; M. r. n$ y9 d3 f 最佳科幻/奇幻电影女演员(提名) 佩内洛普·克鲁兹
9 S1 E2 e* ?6 J9 C& h/ t4 j 最佳电影反派(提名) 伊恩·麦柯肖恩.
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9 C) ]7 _3 I0 K+ p) q! v. y0 L- DISC INFO:1 k6 j/ u" G& Y& W9 n
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- Disc Title: Pirates.of.the.Caribbean.On.Stranger.Tides.2011.1080p.BluRayCD.AVC.DTS-HD.MA.7.1-FGT8 W* f& w/ q: u/ o+ P# u+ C' Y
- Disc Size: 46,228,515,081 bytes/ l: }9 O' [% d, d4 J- u
- Protection: AACS4 j0 W$ n) R% _# C. N1 I
- BD-Java: Yes
% \! Y7 l. n, R - BDInfo: 0.5.8
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- PLAYLIST REPORT:
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- Name: 00051.MPLS& F- { ^% H o3 |4 G
- Length: 2:16:23.842 (h:m:s.ms)
( D" V# x7 n d' w8 X - Size: 39,917,269,632 bytes; c9 D: ~, Q% E- W' W- l& D3 h3 B0 E
- Total Bitrate: 39.02 Mbps
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- Codec Bitrate Description
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- MPEG-4 AVC Video 25955 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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- DTS-HD Master Audio English 5479 kbps 7.1 / 48 kHz / 5479 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)/ C( j9 o( H0 V+ Q1 y1 w
- Dolby Digital Audio English 320 kbps 2.0 / 48 kHz / 320 kbps / DN -4dB / Dolby Surround1 c7 r5 I z, w# p# \1 N# w
- Dolby Digital Audio English 320 kbps 2.0 / 48 kHz / 320 kbps / Dolby Surround! i. x e2 v5 d% C
- DTS-HD High-Res Audio French 2046 kbps 7.1 / 48 kHz / 2046 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
. z9 f. Q c% P - DTS-HD High-Res Audio Spanish 2046 kbps 7.1 / 48 kHz / 2046 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
, P1 W. x- E8 b% Z: o. o9 A0 X; F - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -2dB
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( `" k- H5 i# G2 \3 } - Presentation Graphics English 31.724 kbps
: I% v7 s/ I- Y) V6 [/ O+ E) I - Presentation Graphics French 22.360 kbps
3 d' t6 y+ [- N! Y" y4 U" r2 A - Presentation Graphics Spanish 25.125 kbps , |- \ L8 x0 V! }( f# }
- Presentation Graphics English 71.322 kbps 2 d' ?- {- g# W4 e& L/ _
- Presentation Graphics French 58.949 kbps
. R" ]* J4 L3 S: r - Presentation Graphics Spanish 57.560 kbps 2 X4 x' F2 M6 i$ ^! @. |& G1 H6 c
- Presentation Graphics French 0.099 kbps
! S8 y' S, V9 e/ N$ U - Presentation Graphics Spanish 0.144 kbps
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. O/ {9 f) ]' iFirst things first: while On Stranger Tides was filmed in native 3D, not every scene in Disney's 1080p/MVC-encoded transfer has that patented 3D pop we've all come to know and love. (And pay for.) Dismal London cityscapes, dank underworld haunts, foggy ships' decks, shadowy harbors, ominous caves... not exactly playgrounds of 3D depth and dimensionality. Still, even the film's darkest scenes aren't as flat and poorly defined as similar scenes in Clash of the Titans 3D, Green Lantern 3D and other misadventures in post-conversion. Swords jut through the shadows, mermaids rise out of the water, masts loom overhead, and Ian McShane towers over his crew, all reasonably well. Yes, at night. Yes, in the haze. Yes, deep underground. But when the sun rises? Wow. Sun-beat jungles and white sand beaches extend believably into the distance, pirates trail off into three-dimensional expanses, and leaves, foliage, branches, blades, flintlock pistols, venomous snakes, mystical compasses, sneering zombies and silver chalices push out of the screen. Actually, the difference is quite staggering; a fact that will no doubt lead some to criticize some of the more problematic 3D sequences. The only shots worth criticizing, though, are those that suffer from ghosting, a problem that appears every few minutes, albeit in the backgrounds and only in brief bursts. Fortunately, each instance is fairly minor, meaning 3D videophiles have little to worry about.
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Meanwhile, color accuracy and skintone saturation are excellent throughout, primaries have tremendous power (when given the opportunity), black levels are rich and satisfying, and contrast ranges from delightfully dreary to suitably savory to downright stunning. Fine detail rises and sets with the sun, sure, but there isn't any smearing or unintended softness on display. (The rare exception being a series of closeups of Syrena in the jungle. A bit of DNR has been applied, albeit by Marshall and his crew in post. The anomaly was visible in the film's digital theatrical presentation as well.) Textures are refined and exceptionally well-resolved (even when darkness presses in), edge definition is crisp and clean (without any significant ringing) and delineation is as revealing (or secretive) as Wolski intended. Shadows are heavy but hardly ever blot out the production design, night falls fast without completely consuming the environments, and the light fades without leaving the backgrounds to languish in its absence. Naturally, the result is an uneven presentation -- one scene will wallow in shadow while the very next scene will leap off the screen -- but only in the sense that the film's photography is purposefully uneven. Serious artifacting, banding, aliasing and crush are held at bay, and there really isn't any technical issues to speak of. Needless to say, On Stranger Tides looks great in 2D and 3D. Any Pirates fan worth their sea salt will be pleased, especially when Jack, Angelica and Blackbeard set out through the jungle in search of Ponce de León's ship.
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No ship to ship battles, no canon fire, no grand supernatural spectacles. What's left for an able-bodied DTS-HD Master Audio 7.1 surround track to do? Plenty apparently. Disney's lossless beastie belches fire, reigns destruction and brings On Stranger Tides roaring to sea-splitting life without so much as a single mishap or issue. It's flawless, me mateys, and every bit as powerful and immersive as its Pirates predecessors. Dialogue is brisk, lively and perfectly intelligible for start to finish, even admist all the tower explosions, mermaid attacks and surging seas. Sword clashes clang beautifully and ring true, wood splinters and stone cracks with weighty ease, and low-end elements make their presence known. (And then some.) LFE output is explosive and nuanced, rear speaker activity is aggressive and subtle, directional effects are head-turning and convincing, dynamics are startling and entrancing. Disney's lossless mix does it all, soaring to every height and diving to every depth the film's sound design requires. And Hans Zimmer's score? It belts out each dun dun dun dah dah! with a hearty laugh of multi-channel glee and sings an alluring mermaid song with soft, almost fragile effortlessness. It all comes together in one amazing 7.1 channel lossless track that stands proudly alongside its franchise brethren.6 E7 G$ K( y, t5 \6 H' B# ?, c6 @+ Y2 O
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