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◎译 名 超级八/S8惊世档案(港)/超级8(台)/超8
: g$ b, o5 u) L8 H◎片 名 Super 8
r. r" s+ Y, o$ }# z◎年 代 2011; ]9 i) q7 k/ R6 ]) F6 K
◎产 地 美国- T1 ]8 O3 t& V8 x+ ~# \
◎类 别 科幻/悬疑/惊悚/儿童- }7 a" [/ ?2 X, W! C& m
◎语 言 英语: [1 h H" C& @8 Y8 n& `* ? R
◎上映日期 2011-06-10(美国), e. Q2 J; v) I
◎IMDb评分 7.1/10 from 299,161 users
$ d8 |! D& W: C9 h0 A+ ^◎IMDb链接 https://www.imdb.com/title/tt1650062/' g; Z/ j& [* `5 y& u4 F# e
◎豆瓣评分 6.4/10 from 28,374 users
3 u) ^3 f% a2 a( x" [" ^: T+ n8 V◎豆瓣链接 https://movie.douban.com/subject/5503303/: o6 r% u, I2 U2 A8 |+ O
◎文件格式 x264 + TrueHD7.1
* |6 f- g4 ?6 x) z: P+ ]◎视频尺寸 1920 x 10806 k" Z1 Z4 F9 Y0 \. ~* B' r
◎文件大小 1DVD 45.97 GiB% \8 H' Q. B0 b/ |1 J( A3 R6 t
◎片 长 1:51:48.743 (h:m:s.ms)% H* Z0 f: U7 {5 ?
◎导 演 J·J·艾布拉姆斯 J.J. Abrams
2 F1 p: Z0 i/ N5 h" W◎主 演 乔尔·考特尼 Joel Courtney
6 w8 P% N) j* v( H! v" y6 k' H 艾丽·范宁 Elle Fanning
( \/ ~% D$ G5 }) v' t4 V 凯尔·钱德勒 Kyle Chandler
6 q) C R. d- k& _0 n 朗·埃达德 Ron Eldard7 F, p8 l& @$ E3 r
诺亚·艾默里奇 Noah Emmerich
9 F/ x3 J3 h6 P- X7 V Benny Claessens
. J- U2 ~( P4 F3 h; N+ D% E4 T; S$ a 博·纳普 Beau Knapp P. c3 {' L X) E
格雷戈·格伦伯格 Greg Grunberg3 X8 |+ {; u" s v
理查德·琼斯 Richard T. Jones
* J* G3 o8 w* b6 l 安德烈·米勒 Andrew Miller r/ {( f6 Y6 ?; k* J9 p, P
雅各布·米勒 Jakob Miller
# e8 m+ R" }7 x" {0 a4 L3 P 瑞恩·李 Ryan Lee
) R% E2 G0 e3 |& r 亚历克斯·内维尔 Alex Nevil
3 Y- Z$ O- Q! ?4 {- g( x 苏珊妮·拉切塞斯 Suzanne LaChasse
% C1 r) s4 g9 m# C 布雷特·赖斯 Brett Rice
+ m- R. d+ M, Y! l& h 凯特瑞娜·巴尔夫 Caitriona Balfe
, O* x, a7 J4 \% A$ u' K- f; x 安德鲁·康斯坦丁尼 Andrew Constantini
; h# a% I8 B9 u# V. T 加布里埃尔·巴索 Gabriel Basso$ L4 @+ ~# g( s5 ]
杰西卡·塔克 Jessica Tuck& v4 W, @$ W6 m; _* r' A% Z
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◎简 介
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时间是1979年,美国俄亥俄州一个平凡小镇。少年乔·兰布(乔尔·科特尼 Joel Courtney 饰)痛失母亲,生死悲痛让他久久地沉默。数月后,他应好朋友查尔斯(雷利·格里芬斯 Riley Griffiths 饰)的邀请,决定约上几个朋友一起用超8摄像机(8 mm)拍摄一部恐怖电影。当然令他下定决心的,是那个令她心仪的美丽女孩爱丽丝(艾丽·范宁 Elle Fanning 饰)也参与其中。在某个夜晚,爱丽丝驾驶父亲的汽车载着伙伴们来到火车站拍戏,谁知却目睹了一场极其惨烈的火车事故。
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( y$ z' \4 W. ^2 _ 这起事故还只是一系列不寻常事件的开始,小镇上的人们相继离奇失踪,各种奇怪的事件也接连发生。少年们的摄像机记录关于这一切的秘密……
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/ u1 s- Q' K7 k& ? In the summer of 1979, a group of friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to uncover the truth - something more terrifying than any of them could have imagined.
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" a* K$ A2 ]7 s3 ?, X◎获奖情况$ k! B" g6 k3 ]- j% p- m
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第21届MTV电影奖 (2012)
$ u) d X5 y5 z F% `% e: K& g MTV电影奖 突破表演奖(提名) 艾丽·范宁
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第17届美国评论家选择电影奖 (2012)
r% Z- u% n& g- [1 E7 b$ r- Q 最佳青年演员(提名) 艾丽·范宁
! d# @7 r- N, M& J5 S, x; Q, x 最佳音效(提名)
) H* n6 _' ^; R( J+ ` C4 H# w 最佳视觉效果(提名)3 F, _4 G9 g$ C$ R v
最佳动作片(提名)' w7 M2 ?' e; N: D/ V
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第11届凤凰城影评人协会奖 (2011)
y! m: L8 |8 ~# y. R8 i 最佳原创配乐(提名) 迈克·吉亚奇诺
2 e l) z2 N! m3 z9 n# R: }2 i: q 最佳剪辑(提名) 玛丽安·布兰登 / 玛丽·乔·马基- F) _: W/ m0 B; l* S9 U* f
最具突破表演 艾丽·范宁9 A5 S0 M4 \+ h9 S5 H: b: ^3 d" E' p
最佳青年男演员(提名) 乔尔·考特尼$ _/ a, b6 X% b# J
最佳青年女演员(提名) 艾丽·范宁
4 x/ ?1 ?: ]; D F 最佳群像表演
7 ?5 n2 c9 w* U6 [7 T 十佳影片
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& i( n7 e" T+ |- O5 P& m 第13届美国青少年选择奖 (2011)
2 ^( l# n+ k4 D& V* Y 最佳科幻/奇幻电影(提名)4 L( @) Z" K2 Y
最佳科幻/奇幻电影女演员(提名) 艾丽·范宁$ \2 J! `, r! p. P( [
最抢戏电影男星(提名) Riley Griffiths5 G8 x4 a3 B1 B' B# E2 j+ k) v
Choice Movie Breakout: Male(提名) 乔尔·考特尼/ [4 e7 z) _0 ^" w- @
最佳银幕拍档(提名) 扎奇·米尔斯 / 乔尔·考特尼 / 艾丽·范宁 / 瑞恩·李 / Riley Griffiths / 加布里埃尔·巴索.4 X% W- S, M/ r) E# f$ _
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- DISC INFO:
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% C3 D/ T. g2 B( w. ~* \- Disc Title: Super.8.2011.1080p.BluRayCD.AVC.TrueHD.7.1-FGT0 O- `* L# L: Y8 B. K
- Disc Size: 49,364,037,741 bytes
2 d2 W' W9 _8 [( d( x) y& y& O - Protection: AACS
: j0 `( A( M& K8 J9 c - BD-Java: Yes& b$ m, O" G8 R' O+ j
- BDInfo: 0.5.8' M/ l# _9 A6 V7 L
4 T8 r7 r' j# L- |8 D: @: @- PLAYLIST REPORT:
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- Name: 00800.MPLS$ H' ?0 z; n9 _" d* o, V4 c
- Length: 1:51:48.743 (h:m:s.ms)
& Y1 Y7 D9 L( n; i$ { - Size: 29,853,456,384 bytes
% z; K4 t. H7 ?; a+ H5 ^- X - Total Bitrate: 35.60 Mbps3 ^6 p; A) L+ }6 [
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- Dolby Digital Audio Turkish 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB! L* f! o' _/ j/ l
- Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
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Super 8's 1080p Blu-ray transfer is typical of Paramount new releases. It's gorgeous. This is a beautifully filmic transfer that retains a very light and balanced layer of grain that accentuates all the positives and gives it that fresh-from-theaters veneer. Colors are many, vibrant, and balanced. The palette is extremely well balanced, even if the movie favors a very slight warmth, which carries over to what are sometimes slightly rosy or bronze flesh tones. Black levels are exceptional, appearing deep and accurate but never crushing out fine foreground details. Clarity is superb, which in turn aids in the transfer's ability to yield balanced details and textures throughout. Clothing and faces take on natural, almost tactile textures, while general objects around the frame -- brick façades, weathered wear and tear on painted surfaces, clumps of trees and other outdoor vegetation -- are all wonderfully complex and realistic. The image also yields fine natural depth, which is evident even in the film's many dark, nighttime segments. It's a rather basic image, but that doesn't take away from the sheer beauty of it. This is one of those transfers that so wonderfully captures the essence of the theatrical presentation for home viewing, which is part of what Blu-ray is all about and everything a modern release should be.
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. W4 J7 _8 G7 X* U) USuper 8's Dolby TrueHD 7.1 lossless soundtrack is the stuff of Blu-ray legend. This is one stout, enveloping, energized, satisfying, and dare say perfect listen. The track handles both extremes and everything in between with equal flair, vigor, and authenticity. The track yields phenomenal ambience throughout. The light background clatter and chatter at the funeral home as heard at film's start practically transports the listener to the somber locale. Light background music in a diner plays with a realistic authenticity that might have listeners believing the jukebox is in the house, not on the disc. Outdoor ambience is wonderful, too, whether the din of a small town floating on by in the background or the most delicate trace of a chilly wind blowing through the soundstage. On the other end, the track delivers a wonderfully robust low end that will test the limits of the subwoofer, wake the neighbors, and plaster a smile across the faces of every listener. Whether heavy footsteps on an old rickety wooden platform at the train station or the sounds of destruction and chaos that define the film's climactic action scene, there's no shortage of crisp, accurate, and deep bass. The surround channels are extensively used in support of the film's action, ambience, and satisfyingly spacious and crisp music, both score and popular alike. Indeed, sounds maneuver through the listening area with such ease and natural flow that the listener will be pulled into every scene, whether in Charles' bustling and loud house or in the streets of Lillian that have transformed into a war zone. The track amazingly excels no matter the scene, even when it goes practically silent save for the ever-so-slight buzzing of an electric sign outside of a gas station in chapter six.
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But for all the wonderful moments in Paramount's champion lossless soundtrack, there's one that stands above the rest: the train derailment sequence. It's not only the highlight of this track, it's a sonic marvel and a perfectly engineered moment that's frighteningly authentic, devastatingly potent, and chillingly enveloping, all of which make it, arguably, the finest demo-worthy scene ever. The scene yields incredibly tight and heavy bass. It offers a terrifyingly immersive structure that takes full advantage of all seven speakers, sending everything from debris to complete train cars, from whooshing fire to screaming children, all over the listening area. Both the bass and the seamless directional effects come together in perfect harmony to create a sonic marvel, a naturally high-energy, eardrum-devastating, and infinitely enjoyable moment, a powerhouse scene that should be the reference audio clip for some time. But what's perhaps best about this track is that, for as wonderful a moment as this is, it doesn't feel detached from the rest of the presentation. The track is so well-engineered and the movie so well-constructed that the entire thing just works together seamlessly, from this moment all the way down to that flickering sign in an otherwise silent environment. Supported by perfect center-focused dialogue that's never garbled or lost under the heavy effects, Paramount's track is an unequivocal winner and is well on its way to being the year's finest.
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