慕尼黑惨案 [蓝光原盘] Munich 2005 1080p BluRaycd AVC DTS-HD MA 5.1-PCH 42.58GB

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◎译　　名　慕尼黑/慕尼黑惨案/复仇
◎片　　名　Munich
) g7 _! B# X7 Q3 m) D◎年　　代　2005
( m) G. u6 |  n0 I◎产　　地　美国/加拿大/法国
8 K3 X: a; E6 M( k◎类　　别　剧情/历史/惊悚
◎语　　言　英语/德语/法语/希伯来语/阿拉伯语
6 D3 h# u$ Q0 X" k◎字　　幕　英文
◎上映日期　2005-12-23(美国)
3 d' u) x5 y- ~% a: v7 ~◎IMDb评分  7.6/10 from 184,099 users
◎IMDb链接  https://www.imdb.com/title/tt0408306/
8 S9 D% ^% s0 b# B+ Y" {◎豆瓣评分　7.8/10 from 18,908 users
" m( ~% n5 k7 X' b2 ?◎豆瓣链接　https://movie.douban.com/subject/1438338/
1 S* @( _) F; ]! C4 J8 O& G4 v◎文件格式　x264 + DTS
3 B& B& N4 N) q5 R2 i9 Q. @◎视频尺寸　1920 x 1080
6 D7 N" S; Y$ }, d8 I+ w◎文件大小　1CD 42.58 GiB
. J6 U/ c9 `( J) M◎片　　长　2h 43 min
◎导　　演　史蒂文·斯皮尔伯格 Steven Spielberg
◎主　　演　艾瑞克·巴纳 Eric Bana
# ~; g" h' D3 w5 m) C　　　　　　丹尼尔·克雷格 Daniel Craig
1 a  n" K  a; M0 |$ b/ K! h- J　　　　　　塞伦·希德 Ciarán Hinds
　　　　　　马修·卡索维茨 Mathieu Kassovitz
　　　　　　汉斯·齐施勒 Hanns Zischler
　　　　　　阿耶莱特·祖里尔 Ayelet Zurer
　　　　　　杰弗里·拉什 Geoffrey Rush
　　　　　　吉拉·阿尔玛戈 Gila Almagor
  o% W8 k( G. n　　　　　　迈克尔·朗斯代尔 Michael Lonsdale
　　　　　　马修·阿马立克 Mathieu Amalric
! p& p9 S& S+ Z2 W3 M# H# S　　　　　　莫里兹·布雷多 Moritz Bleibtreu
8 H$ ]+ g% J6 g9 r6 m3 K- X0 c" x　　　　　　瓦莱丽亚·布诺妮-泰特琪 Valeria Bruni Tedeschi
　　　　　　梅雷特·贝克尔 Meret Becker
# P8 ^, a4 E! u3 M* J　　　　　　玛丽-乔西·克罗兹 Marie-Josée Croze
  O  u. D! u6 O" [0 n3 b　　　　　　伊万·阿达勒 Yvan Attal

+ G1 e; F' ^  I9 O) T◎简　　介
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; Z& O$ p4 ?( ?　　Inspired by real events, MUNICH reveals the intense story of the secret Israeli squad assigned to track down and assassinate the 11 Palestinians believed to have planned the 1972 Munich massacre of 11 Israel athletes - and personal toil this mission of revenge takes on the team and the man who led it.

　　这是一部关于政治、复仇的真实的电影。1972年在联邦德国举办的第20届奥运会上，巴勒斯坦的极端恐怖组织“黑色九月”闯进了奥运村绑架了11名以色列运动员，以此要挟以色列释放被关押的该组织成员。
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　　联邦德国的警察草率对待了这次绑架事件，他们直接冲进了恐怖组织的巢穴企图武装营救 人质，孰料导致了11名以色列运动员全部遇难!
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　　事件发生之后，以色列“摩萨德”高层迅速训练了一批特工，展开了对“黑色九月”组织以及相关的巴勒斯坦人长达一个世纪的血腥报复……

　　After Black September's assassination of Israeli athletes at the Munich Olympics in 1972 Prime Minister Golda Meir okays a black-box operation to hunt down and kill all involved. A team of five gathers in Switzerland led by Avner a low-level Mossad techie whose father was a war hero and whose wife is pregnant. It's an expendable team but relying on paid informants they track and kill several in Europe and Lebanon. They must constantly look over their shoulders for the CIA| KGB PLO| and their own sources. As the body count mounts -- with retribution following retribution -- so do questions doubts and sleepless nights. Loyalties blur. What does it mean to be a Jew?
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◎拍摄花絮

　　《慕尼黑》的开拍日，正好是《世界大战》的首映日。
　　在片场，虽然斯皮尔伯格才是“老板”，但演员们却更愿意听取托尼·库什纳的建议。
　　在马耳他实地拍摄时，剧组中的一辆德国进口的货车突然起火，每一个人都惊恐地以为这是一场恐怖袭击……后来才知道是由于马耳他的夏天太热了，导致发动机超负荷，才会引起火灾，好在没人受伤。
　　杰弗里·拉什的角色本来属于本·金斯利，怎奈金斯利另有一部片约在身，实在分身乏术。
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1. DISC INFO:
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3. Disc Title:     Munich.2005.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-PCH
   
4. Disc Size:      45,713,157,807 bytes
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5. Protection:     AACS
   
6. BD-Java:        Yes
   
7. BDInfo:         0.0.2
   
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11. Name:                   00800.MPLS
    
12. Length:                 2:43:49.778 (h:m:s.ms)
    
13. Size:                   41,478,512,640 bytes
    
14. Total Bitrate:          33.76 Mbps
    
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20. MPEG-4 AVC Video        27155 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
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27. DTS Audio                       French          768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
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33. Presentation Graphics           English         33.114 kbps                     
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34. Presentation Graphics           Spanish         28.385 kbps                     
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35. Presentation Graphics           French          31.609 kbps                     
    
36. Presentation Graphics           French          0.937 kbps

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& j* k7 B" O" I6 DSpielberg's long-time collaborator, Janusz Kaminski, shot Munich, which, unlike most filmsfrom this period, was finished photochemically rather than digitally. In the "Portrait of an Era"featurette, Kaminski and Spielberg discuss the visual design, which involved a different colorpalette for each city, achieved with a combination of filters and developing techniques. UniversalHome Video has created a new transfer for this 1080p, AVC-encoded Blu-ray release, which,with a minor quibble or two, is stunning. The image is exceptionally sharp, detailed and realistic,with the slightly gritty, documentary quality that Spielberg wanted for a "you are there" sense ofimmediacy. The palettes for the various locales are readily identifiable, if one chooses to look forthem (they are meant to register subliminally), from the deep greens of Papa's farm to the sun-bleached outdoors of Israel, the blue tint of Beirut or the slight desaturation of Paris. Therecreation of the events of the Olympic massacre blend so seamlessly with the historical TVcoverage that it is hard to tell where one ends and the other begins. Black levels and densitieslook about as good as one can imagine they could be.

3 h  ~5 f0 Y. CThe only negative is some occasional slight aliasing. One can see it, for example, on the steps inthe opening when the PLO terrorists are trying to scale the fence into the Olympic compound. Itis possible (note that I say "possible") that this results from the application of some lightsharpening in some scenes, a practice for which Universal is well known, but the instances aresufficiently fleeting that it is hard to be sure of the cause. If not for this minor issue, the imagewould rate a perfect score.

The average bitrate is 27.16 Mbps, which is very good, especially given the letterbox bars andmany scenes of stillness and conversations. (Other scenes peak well into the thirties.)
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7 f% F7 l$ f. E2 e* m0 FAs discussed by sound designer Ben Burtt in the extras, Munich's 5.1 soundtrack, encoded onBlu-ray in lossless DTS-HD MA, strives to be both realistic (in the authenticity of its sounds) andexpressive (in the way those sound are layered, emphasized, modified or sometimes isolated bydropping out the environment). The various European cities where Avner and his team hunttheir targets have distinctive and active environments that come alive in the surround channels,then sometimes go quiet as key moments occur. Period automobiles, airplanes, even telephonedials make distinctive sounds. Gunfire and several powerful explosions rock the room. Even thearrival of an elevator makes a distinctive impression (Burtt discusses this particular effect indetail). As with every Spielberg film since at least Jurassic Park, there is hardly a momentwithout some interesting sonic detail happening somewhere, and the Blu-ray's lossless trackreproduces it all.

% Y% \7 b$ ^8 T/ JNone of this comes at the expense of the dialogue, which is cleanly reproduced with its multipleaccents and several subtitled languages. John Williams' beautifully elegiac score, whichincorporates the national anthem of Israel, underpins and sometimes soars above the aural mixwith a quiet authority.

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