星际迷航2：暗黑无界 [4K UHD蓝光原盘] Star Trek Into Darkness 2013 2160p BluRaycd HEVC TrueHD 7.1 Atmos-TASTED 60.77GB

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◎译　　名　星际迷航2：暗黑无界/星际迷航12：驶入黑暗/星际旅行12：进入黑暗/星空奇遇记12：黑域时空(港)/星际争霸战12：暗黑无界(台)/星舰奇航记12/星舰迷航记12
" t$ \" p* P7 u1 {4 A& P) Q" e◎片　　名　Star Trek Into Darkness / Star Trek: Into Darkness / Star Trek XII / Star Trek 12
◎年　　代　2013
3 O) `3 @, R6 k3 c1 Y: f. r/ i◎产　　地　美国
◎类　　别　动作/科幻/冒险
$ J  G/ V+ P3 z6 R( n' K  R. k◎语　　言　英语/克林贡语
◎上映日期　2013-05-28(中国大陆)/2013-05-16(美国)
5 \3 x! a; k5 z0 K- W◎IMDb评分  7.7/10 from 439,660 users
◎IMDb链接  https://www.imdb.com/title/tt1408101/
◎豆瓣评分　7.9/10 from 162,414 users
9 p7 B1 [! f: E; T! ?' O2 j◎豆瓣链接　https://movie.douban.com/subject/3642843/
◎文件格式　x265 + TrueHD7
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 60.77 GiB
& ~: Q( S8 @; E3 ]# h1 p% w◎片　　长　2:12:05.959 (h:m:s.ms)
◎导　　演　J·J·艾布拉姆斯 J.J. Abrams
◎编　　剧　艾里克斯·库兹曼 Alex Kurtzman
　　　　　  达蒙·林德洛夫 Damon Lindelof
; G6 I+ v9 u! x% P" W9 D　　　　　  罗伯托·奥奇 Roberto Orci
◎主　　演　克里斯·派恩 Chris Pine
" a/ C' I- @6 H2 f# ]" l　　　　　  扎克瑞·昆图 Zachary Quinto
　　　　　  佐伊·索尔达娜 Zoe Saldana
　　　　　  本尼迪克特·康伯巴奇 Benedict Cumberbatch
　　　　　  西蒙·佩吉 Simon Pegg
　　　　　  安东·尤金 Anton Yelchin
　　　　　  卡尔·厄本 Karl Urban
0 ^- c8 R8 O1 A, M1 h) }7 `　　　　　  约翰·赵 John Cho
　　　　　  布鲁斯·格林伍德 Bruce Greenwood
　　　　　  布兰登·诺曼 Brendan Norman
　　　　　  爱丽丝·伊芙 Alice Eve
: Y- o, a+ T2 v; @' `　　　　　  克里斯·海姆斯沃斯 Chris Hemsworth

1 C1 d; F6 Q! Y: K◎简　　介      
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　　After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
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　　在尼比鲁星球探查期间，企业号舰长柯克（克里斯·派恩Chris Pine 饰）为营救史波克（扎克瑞·昆图 Zachary Quinto 饰）采取了胆大妄为的举动，几乎危及全舰队员的生命，他也为此付出代价。不久，柯克官复原职，而伦敦发生一起死亡超过四十人的恐怖袭击事件。该事件的始作俑者约翰·哈里森（本尼迪克特·康伯巴奇 Benedict Cumberbatch 饰）正来自联盟内部。此后他驾驶飞机袭击了高层会议，柯克最为敬重的派克将军不幸遇难。为了阻止哈里森的外逃阴谋，柯克重新率领企业号启程追击。危机重重的旅途，他和舰员、朋友之间的信任也受到巨大考验。
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　　当他们最终找到哈里森，才终于知晓他的真实身份，以及伦敦袭击事件背后的阴谋和黑幕……
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6 n. H2 F* a, M$ ?' B" d　　When the USS Enterprise crew is called back home they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for leaving our world in a state of crisis. With a personal score to settle Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction. As our space heroes are propelled into an epic chess game of life and death love will be challenged friendships will be torn apart and sacrifices must be made for the only family Kirk has left: his crew.

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3. Disc Title:     Star.Trek.Into.Darkness.2013.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-TASTED
   
4. Disc Size:      65,246,193,268 bytes
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5. Protection:     AACS2
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6. BD-Java:        Yes
   
7. Extras:         Ultra HD
   
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13. Length:                 2:12:06.418 (h:m:s.ms)
    
14. Size:                   64,209,911,808 bytes
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15. Total Bitrate:          64.81 Mbps
    
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27. Dolby Atmos/TrueHD Audio        English         5451 kbps       7.1-Atmos / 48 kHz / 5451 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
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28. Dolby Digital Audio             English         640 kbps        5.1 / 48 kHz / 640 kbps
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29. Dolby TrueHD Audio              German          5113 kbps       7.1 / 48 kHz / 5113 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)
    
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37. Presentation Graphics           English         41.89 kbps

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. ]$ ?* N5 m+ Y6 h3 O6 J% \% kStar Trek Into Darkness receives the UHD/HDR treatment for a genetically superior high definition presentation.  Paramount's second of its first two 4K titles is everything fans could want from it.  The transfer refines an already superior 1080p presentation that's taken from the "large format" IMAX scan that was first seen on the compendium release from 2014.  This version of the film adjusts a number of scenes away from the basic ~2.39:1 aspect ratio and blows them up to a screen-filling 1.78:1.  The film's original Blu-ray release offered only the standard wide ratio transfer.  
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& [2 P, h9 S, Y1 B/ t( n- y( `The UHD presentation dazzles.  Much like the 2009 film's 4K transfer, this one leaves no detail behind.  The organically filmic transfer preserves a very light and accentuating grain layer that helps reproduce an endlessly attractive film-style veneer. Facial details are superb. Intricate pores and stubble are commonplace in close-ups, with even medium-distant shots capturing fine skin details, even in nonhuman characters. Of note are the Nibiru aliens seen early in the film; the heavily textured face paint is practically three dimensional. Surface details are excellent, whether the slick bridge control consoles on the Enterprise, contrasting with the less seen but no less complex Vengeance bridge. Scuffs on shuttles, the heavy wear on the red vehicles Spock and Khan fight atop in the climax, or little touches on Kronos never fail to capture and present a fine tooth world essence. Colors are likewise terrific.  The HDR color scheme never pushes them too far or unnaturally beyond what was seen in previous releases.  If anything, they're more naturally refined, never too punchy or misrepresentative of accurate, even the bright red vegetation seen in the film's chase sequence open. Black levels hold up very well, and digital effects continue to mesh seamlessly with the filmed elements. Direct comparisons reveal a difference in contrast.  The UHD disc is less punchy and more refined in its color palette.  Details are clearly improved, particularly evident on close-up shots (look at the aliens in the movie's opening chase sequence, a close-up of a portable transporter device at the 30:46 mark, and any character close-ups). The transfer does the movie right; fans will be ecstatic with what is an honest upgrade over the already reference worthy 1080p presentation.

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That's more like it.  Into Darkness arrives on UHD alongside 2009's Star Trek, and both have been upgraded to Dolby Atmos sound.  Unlike the 2009 film, which never used the height channels to full effect, Into Darkness offers a fairly wide range of opportunity to enjoy the added layer.  While certainly not a priority, the height channels seem more like primaries and less like nice-to-have enhancers.  The movie opens with several good examples of the height channel effect, including a spear that whooshes from front to back with a noticeable overhead zip and the Enterprise's ascent from the ocean, an effect that fills the room and literally has the sensation of the massive weight rising and the water falling back down. Strong dialogue reverberation in a scene in which Marcus, Pike, Kirk, Spock, and others discuss the London bombing is aided by the height channels, featuring a nice little bit of extra bounce and movement to the words. Various action scenes find strong overhead support, nothing quite so discrete and prominent as the early movie moments but with enough tangible help up top to make the investment well worth while.
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( {: s5 K: J5 E) {/ [. t5 L0 i  h, dIn more generalized terms, the track dazzles.  Music is smooth and detailed, with tight and deep low end support, effortless integration from all corners of the stage, and perfect clarity to every note. Action scenes come to life with remarkable zip, weight, and detail, whether a firefight on Kronos or heavy combat between spaceships.  Explosions are plentiful and potent.  Support atmospherics never relent.  Even if it's just the bleeps and bloops that emanate from all over the Enterprise bridge, there's absolutely no shortage of immersive detail to enjoy.  Dialogue is clear and detailed with natural center placement and prioritization.

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