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As a faithful young houseboy fully devotes himself to his spiritual duty, his teacher plans turning over his grandfather's mountain property to realtors for profit.9 E/ n5 F: [9 R
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◎译 名 哥
+ n( | }1 c7 a: j; G2 f◎片 名 うた / Uta / Poem; J) }& I. Z2 m( S2 D6 L
◎年 代 2021# |( j6 ~; ~5 v" S
◎产 地 日本, l5 z6 R! L) Y
◎类 别 剧情/情色7 M" |! c4 L! F/ {7 |' M
◎语 言 日语; k. _( Q. B" K
◎上映日期 1972-06-17(日本)$ z3 B( I+ a7 F1 i. y% s8 j
◎IMDb评分 7.0/10 from 255 users
& t3 ]" O: u5 M" X' w◎IMDb链接 https://www.imdb.com/title/tt1033501/
' F3 o6 }/ X: J& W t$ w4 Y( T9 m◎豆瓣评分 7.2/10 from 135 users3 @' C: K1 H. N( B
◎豆瓣链接 https://movie.douban.com/subject/1771045/: P. U) H! c9 A9 U5 m/ P8 I
◎文件格式 x264 + LPCM& L2 B% b0 ?5 d& M
◎视频尺寸 1920 x 1080
( X, f% r1 I$ F◎文件大小 1DVD 21.27 GiB7 F+ _& ^: {" e0 D
◎片 长 2 h 16 min
! v9 a1 X. _" F) O& d# H- _◎导 演 实相寺昭雄 Akio Jissoji
n# x. N5 w! f1 |7 G7 b! B◎编 剧 石堂淑朗 Toshirô Ishidô
3 F/ Q* p2 i4 L x4 {2 X* J: b- V3 a◎主 演 田村亮 Ryo Tamura
# F8 c4 t3 r$ W 原保美 Yasumi Hara+ o2 ^5 T( E* D0 E! _) D
筱田三郎 Saburo Shinoda. f$ g! ?2 ^% F5 N* z
樱井浩子 Hiroko Sakurai" ]+ L5 o7 Q; x- d( M' }9 N
岸田森 Shin Kishida' v- ?$ x' a- I. h1 {) v' L
条田三郎7 M, G$ e3 I% W0 c
八并映子
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2 A f/ K9 z: z+ }' G: ]◎标 签 惊悚 | 恐怖 | 美国 | 惊恐 | 科幻 | 2021 | 悬疑 | 超自然
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) _! T$ k7 @9 E◎简 介 $ w, w' }0 U2 p$ ~0 v+ T
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当一个忠诚的年轻男仆全身心地投入到他的精神责任中时,他的老师计划把他祖父的山上财产交给房地产经纪人谋利。
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As a faithful young houseboy fully devotes himself to his spiritual duty, his teacher plans turning over his grandfather's mountain property to realtors for profit., Q( h2 n& w' f! r
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Video
1 E9 r$ e1 y0 z! B3 {ID : 1
7 R9 V- z0 b" K6 Q; Z- n* U9 l8 TFormat : AVC: F: @* D4 X2 s1 } R6 R
Format/Info : Advanced Video Codec$ |, Y" {9 `+ `) Z8 R7 g
Format profile : [email protected]
: p+ M6 C4 K/ u( ?2 P! [& d" W2 g( HFormat settings : CABAC / 3 Ref Frames
/ Y5 k2 s2 u! T* K- UFormat settings, CABAC : Yes
) K- X& `( m3 l/ C7 q$ f. VFormat settings, Reference frames : 3 frames
: Q( s7 q H) I! B; J" LCodec ID : V_MPEG4/ISO/AVC
$ e3 {& [* J+ L6 ADuration : 2 h 16 min
2 `1 r# l/ f p5 i9 d* ~Bit rate mode : Variable/ u# Y$ L7 H) {* P& t" l
Bit rate : 20.0 Mb/s, U$ Z0 U; X3 ^# L S; _- c
Maximum bit rate : 36.0 Mb/s4 y6 r& }2 X/ d( b4 z7 J
Width : 1 920 pixels) _# m5 S1 I/ b2 c3 H. j6 o
Height : 1 080 pixels: p* q3 o! x8 v. I( c z& s* I
Display aspect ratio : 16:9
( p4 ?5 ~ X' \8 J3 G' W( s5 AFrame rate mode : Constant
1 ^! M$ G0 U8 @3 ~* P5 r& v" H' u/ TFrame rate : 23.976 (24000/1001) FPS# f! [- o3 U; T5 L1 T6 T z: q
Color space : YUV' S5 s$ q# M' n: H! N: p
Chroma subsampling : 4:2:0! D7 A& t) ?2 L, K( x- N
Bit depth : 8 bits i) w+ N! R* ?( z" m0 L. L- f
Scan type : Progressive
5 J2 I" y! ?4 o, U0 ?; l6 ~Bits/(Pixel*Frame) : 0.402
& d4 K: o. | y& P; E& ~0 tStream size : 19.1 GiB (90%)
; B( m1 \# i. j/ k7 { J2 dTitle : Poem.1972.DC.JAPANESE.1080p.BluRayCD.REMUX.AVC.LPCM.1.0-FGT: }1 W( [; v" ?5 d P% s* J. @ }+ l
Writing library : x264 core 157 r2935 545de2f
1 E" J4 D" i0 xEncoding settings : cabac=1 / ref=4 / deblock=1:0:0 / analyse=0x3:0x133 / me=umh / subme=10 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=24 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-2 / threads=12 / lookahead_threads=1 / sliced_threads=0 / slices=4 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=1 / constrained_intra=0 / bframes=3 / b_pyramid=1 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=1 / weightp=1 / keyint=24 / keyint_min=1 / scenecut=40 / intra_refresh=0 / rc_lookahead=24 / rc=2pass / mbtree=1 / bitrate=20000 / ratetol=0.1 / qcomp=0.90 / qpmin=1 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=36000 / vbv_bufsize=30000 / nal_hrd=vbr / filler=0 / ip_ratio=1.40 / aq=1:1.007 e4 Z' d' _ w/ K$ ]' d
Language : English
\3 Q# m2 w' i! Q( f+ MDefault : No2 C4 W0 F& ~5 E+ h
Forced : No
7 }4 M8 C& e! c, u& E8 z* S) ?$ p/ X% RColor range : Limited- s$ {1 \6 N, \7 |# R& ^
Color primaries : BT.709
7 Q% A9 {. L6 A& ~$ e% QTransfer characteristics : BT.709
9 t) I6 w% h! K4 R$ I6 ^6 r; RMatrix coefficients : BT.709, t t( K7 p J' K# f0 R
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Audio #1# d* x* Y' w* [, ]' a
ID : 2( Y6 v1 o7 R) Q) g" u
Format : PCM0 D1 t2 x/ h# b" y I6 t7 j9 y
Format settings : Little / Signed0 H9 S9 I) Z5 ^; D. I" K
Codec ID : A_PCM/INT/LIT5 F# E, g8 z& }% I& V4 J
Duration : 2 h 16 min& e$ S8 w1 K( z. C: l k7 m# k
Bit rate mode : Constant
8 M% Q% `/ W" `# f/ CBit rate : 1 152 kb/s
+ P5 F: V- J3 S% C0 Y7 G4 bSampling rate : 48.0 kHz& j; I) v2 j9 s1 I% _) u
Frame rate : 30.000 FPS (1600 SPF)
5 z; M5 h; U+ g& L8 W4 e' P: ZBit depth : 24 bits
+ Z: u _7 D+ R8 p0 KStream size : 1.10 GiB (5%)5 g8 ^5 } \& }, d% Y/ Y
Title : Poem.1972.DC.JAPANESE.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT( k a) F" B- m+ v$ w
Language : Japanese9 v: |5 q0 {6 _$ ]0 u
Default : Yes
+ q7 [2 N3 I& b( u+ B2 H8 Y. EForced : No2 `) g1 R$ p5 V- c# R0 {% F" M
% @: B& w' N# TAudio #20 h: u9 L) W& ^ C4 H# j( z
ID : 3. A; ^' A6 ?! M( a$ ^ x3 n
Format : PCM$ F' ?/ F a) a: Z B* Z' Q5 C
Format settings : Little / Signed1 J8 d7 @5 E$ H8 I z9 V9 e$ s
Codec ID : A_PCM/INT/LIT( ~4 r q0 J7 J( B& a
Duration : 2 h 16 min
- i' }% q/ l, c* S$ L9 nBit rate mode : Constant
( u# o) ? D# d( N) r& UBit rate : 1 152 kb/s; G! d6 q5 U( \
Sampling rate : 48.0 kHz
3 A/ i8 k' `0 o3 Z# n% f6 kFrame rate : 30.000 FPS (1600 SPF)
5 \( Q. a6 ]0 l) TBit depth : 24 bits
- V' O2 K! Q- E$ a! IStream size : 1.10 GiB (5%)
- _3 `2 U. N2 J+ ]Title : Poem.1972.DC.JAPANESE.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT
& z2 x x& `, N1 F B* g1 yLanguage : English' i' m2 N3 q( a' h& y, \
Default : No
% k3 P7 U$ @ `! H/ LForced : No8 ?5 S8 m h" `
# F( _1 }% l5 AText9 f$ P6 q. ]& Y" W
ID : 4
- E1 l- S7 Q* ~# ~$ WFormat : PGS
1 t n2 t4 Q: h/ LMuxing mode : zlib+ ]1 s4 O: K7 S; q4 \! _+ @8 E$ H
Codec ID : S_HDMV/PGS
3 F3 t# l. m- r. [/ d& `Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
0 P4 B) d v# C- L/ ]9 yDuration : 2 h 16 min
& O P7 Z7 l, [$ X/ ^+ s& iBit rate : 13.8 kb/s+ G2 Q: G8 V3 s' f
Count of elements : 15065 d1 a4 `1 i3 F0 E4 P
Stream size : 13.5 MiB (0%)' z/ n- H; g4 G A$ U( o% w
Title : English-PGS
! m; L1 ~: c; y' yLanguage : English) r% Y) g1 K3 y z
Default : Yes
$ [/ Z. i" q; Q9 \& r7 Y9 WForced : No
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Menu; F1 \) ?3 Q m6 F
00:00:00.000 : en:Chapter 00+ X) e" e0 a( |+ u( E
00:11:09.168 : en:Chapter 01
5 f4 Q! ?* @3 ]00:22:49.242 : en:Chapter 02
) }+ }$ `- T$ Y! U& L00:33:45.732 : en:Chapter 03; M! i, z3 N# J# ^: X" }# t8 G
00:42:53.153 : en:Chapter 04& p" O4 j5 h$ z, d5 N0 V- r
00:57:34.117 : en:Chapter 05* R! p1 e2 }# Y/ x7 |
01:09:11.188 : en:Chapter 06
5 p& m/ H+ H/ H% H5 e% J01:20:58.436 : en:Chapter 07
& _0 L1 q3 L4 m01:31:39.869 : en:Chapter 08
$ x6 y6 }0 }3 L01:46:35.722 : en:Chapter 09+ c1 I S8 A( ]) @7 @8 }" ?
01:55:40.683 : en:Chapter 10
& ]+ a8 q, X# l+ M6 J02:07:54.458 : en:Chapter 11 Poem Blu-ray, Video Quality
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" L0 c7 p! O1 ~; ]6 |% C7 hPoem is presented on Blu-ray courtesy of Arrow Academy with an AVC encoded 1080p transfer in 2.35:1. Arrow really hasn't provided my technical information on the transfer, other than some generic verbiage that masters were provided by Toho and that addtional grading work was done by R3Store. Like its black and white counterpart This Transient Life in this set, Poem looked slightly dark to me at times, though the grain field doesn't really have the gritty look it does with regard to the other film. The overall dark look of the film tends to result in some significant crush in many dimly lit scenes, and there's one sequence that is set almost entirely in the dark where very little can be made out within the frame. When close-ups are employed, which they are with great regularity, detail levels are often very impressive. As with the other offerings in this set, there is some minor damage in the form of nicks and white specks, the latter of which are probably more noticeable because so much of the film is so dark.
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- \) @0 H1 j: A2 A8 d5 {6 F! i8 y, WPoem Blu-ray, Audio Quality
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Poem features an LPCM Mono track in the original Japanese, and was to my ears the strongest overall audio presentation in The Buddhist Trilogy set. The film makes copious if unexpected use of Vivaldi's Four Seasons , and the cues sound full bodied, without some of the brashness in the upper registers that can be heard in This Transient Life in particular. Dialogue is rendered cleanly and clearly throughout the presentation.4 n) R$ z2 }$ `3 G# E# i( Z
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