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◎译 名 马柔本宅秘事/髓骨4 W; I+ `7 G+ ]: M, W0 {. O
◎片 名 Marrowbone / ElsecretodeMarrowbone: _ F* U+ ~% V
◎年 代 2017
. Q1 G5 M7 r7 g7 W1 D" U◎产 地 西班牙
8 r1 g2 s# L$ t) b, F1 \. l◎类 别 剧情/惊悚/恐怖0 H" l6 i3 q! K; g: s" g; L1 O
◎语 言 英语. Y/ n4 Z5 f3 k# U
◎上映日期 2017-10-27(西班牙)/ E1 ]5 i# f* d! g1 U
◎IMDb评分 6.7/10 from 25,810 users
3 }4 X4 n) {6 V+ X# M3 Q◎IMDb链接 https://www.imdb.com/title/tt5886440/
% h; k* D0 x) m: P% H◎豆瓣评分 7.5/10 from 21,330 users8 |2 K$ x$ v. V5 ]
◎豆瓣链接 https://movie.douban.com/subject/26961821/
& }! V% W, n3 d% `( u. R) N◎文件格式 x264 + DTS
0 M4 z4 T Z( ~' o% N◎视频尺寸 1920 x 1080
6 p1 X2 h+ z* W2 x. h. m9 W◎文件大小 1DVD 29.22 GiB
! ~4 e$ V! f8 o* Y; f0 ^( m Q◎片 长 1 h 50 min
4 |, r1 A6 v) o◎导 演 塞吉奥·G·桑切兹 Sergio G. Sánchez
6 E" m' i3 B: V/ o P5 s◎主 演 安雅·泰勒-乔伊 Anya Taylor-Joy, i, g% Y9 Z2 @. v. |
查理·希顿 Charlie Heaton3 ]. H' C7 F4 ]& M# s
乔治·麦凯 George MacKay% F% j# m% t2 _# j9 X [ V
米娅·高斯 Mia Goth7 d- p/ G" [" }0 r% W! `
凯尔·索列尔 Kyle Soller
# k6 ?$ r6 G1 W5 t# L# g 罗伯特·奈尔恩 Robert Nairne
5 g$ q9 { j2 ^1 Q7 h! l% ]% F- a Laura Brook1 U. L* D2 I' P, _5 l' G D
Matthew Stagg6 p. e. n0 [ W' R, E' h
Nicola Harrison
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◎简 介' x7 g: _1 \6 L7 p5 T4 h U8 r
/ O- }) x S1 e! z- g 兄弟姐妹四人在母亲去世后,去到一座老房子寻求庇护,逐渐发现房子背后隐藏的险恶秘密。
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A young man and his three younger siblings who have kept secret the death of their beloved mother in order to remain together are plagued by a sinister presence in the sprawling manor in which they live.
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1 U6 Q7 d q9 U* [0 P* ?Maximum bit rate : 33.0 Mb/s/ b, e: m" ]. }% H! U6 u6 }$ ?
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, u' C) @! [, B% {4 w( RHeight : 1 080 pixels
8 K- M G9 E1 |6 jDisplay aspect ratio : 16:9
! {2 Y3 Q/ D |9 k. m2 [Frame rate mode : Constant% B& \/ U2 v3 N" @0 \9 b
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* W: k q$ l% qDuration : 1 h 50 min
4 F( ?/ O+ p8 yBit rate mode : Variable / Constant
1 h f' f- i, l1 |9 I. i- |Bit rate : 2 370 kb/s / 1 509 kb/s+ ]+ Y' Z' s# p
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' S( R9 F' _4 ~- vFrame rate : 93.750 FPS (512 SPF)! A# D0 ]( _8 }( v- ~, Y
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3 u3 a' C/ U. L' g* o3 {% t1 zCompression mode : Lossless / Lossy4 {# e4 }6 f B1 Q% q; B) X0 j
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1 Q" ^4 B" K& N" [! r9 A& zChannel(s) : 6 channels( T9 Y$ o6 d' }; b2 m
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/ m9 v4 j. [; A$ i7 C8 `3 vFrame rate : 93.750 FPS (512 SPF)7 G& b8 T6 |& ?. |7 [4 r
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Title : Marrowbone.2017.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
& p0 Z" V2 x/ o4 P+ J- eLanguage : English0 w2 f; D! C, l8 b
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: h/ X: t% u& TCodec ID : A_DTS' e/ ?( a3 n% Y. ~. d4 b7 o& H R
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5 Z7 T! K' Y, D3 g' J2 v3 kBit rate mode : Variable / Constant+ Q J+ F! n6 p% _: s$ a2 x
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" `9 {4 v7 Y' ?9 n9 Q/ cChannel positions : Front: L C R, Side: L R, LFE
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6 c, @8 x& s. RFrame rate : 93.750 FPS (512 SPF)6 B" }2 a( t2 @ f0 l
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Title : Marrowbone.2017.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
$ k _4 F! B- |) C5 NLanguage : Spanish+ r5 q/ ~% x9 P0 z4 ]
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0 V) b$ k5 P7 f, JChannel(s) : 6 channels$ M w& [5 v0 ]* A
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6 m, n; `* y6 ?9 J. dFrame rate : 93.750 FPS (512 SPF)
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) s! Z2 e6 L! c3 h0 WStream size : 1.17 GiB (4%)/ |' |) Z- z5 S3 q% m- R3 O
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' E, a3 q5 g* n) S; OStream size : 152 MiB (1%)
& i6 B# [+ P/ f0 n# i" fTitle : Marrowbone.2017.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT7 p: i( z+ o6 c8 ^ U2 C
Language : Spanish
, o! ]( `# [, F4 FService kind : Complete Main
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Menu
5 D1 |8 J! e' b% n# r& `5 y00:00:00.000 : es:Chapter 01) {) w, N8 f9 p4 y- x! P2 }" K
00:10:45.936 : es:Chapter 02
2 t. A$ T3 u' M9 U/ ^9 }& O) r00:16:40.666 : es:Chapter 03
4 T. ~% Q2 _1 ?! H" ~7 p5 t00:24:52.032 : es:Chapter 04
( `, d2 ~4 X8 _, B& ]. X$ @6 z00:28:48.768 : es:Chapter 05
2 W! N8 W( Y9 C+ h/ W" t9 h00:38:55.041 : es:Chapter 06# ^% z% H$ `* s8 d
00:46:34.875 : es:Chapter 07
( k) E, y. W) v! n3 M& E00:56:27.926 : es:Chapter 08
: `. Z7 ]: P$ f6 m5 b9 [1 B8 z01:07:02.435 : es:Chapter 09
# ]+ E) I d1 B% I7 J/ b01:13:54.638 : es:Chapter 10
5 H8 ^7 w8 ?, e, h* o01:22:24.981 : es:Chapter 11$ m; ]7 g* X2 J. C' ^* D
01:40:27.980 : es:Chapter 12 Marrowbone Blu-ray, Video Quality
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Marrowbone was shot digitally by Spanish cinematographer Xavi Giménez, who has extensiveexperience with offbeat films, having photographed The Machinist and Intacto. In the extras,Giménez speaks of his desire to emulate the style of the late Nestor Almendros (Days ofHeaven), who preferred to shoot in natural light and without filters. As a result, Marrowboneoften seems to be darker than it really is, because Giménez avoids what is commonly called "keylight" and simply allows the actors to move in and out of shadow without highlighting theirpresence, and he doesn't intensify daylight, as is common in Hollywood films. Marrowbone hasits share of dark scenes, especially in the film's final half hour, and in memory they cast ashadow over the entire film (which is no doubt the desired effect).
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' m9 W* c: ]: u0 jThe image on Magnolia's 1080p, AVC-encoded Blu-ray reflects the usual virtues of digitalcapture, with superior sharpness and detail and an absence of noise, interference or artifacts.Blacks are deep and solid, and the colors are mostly natural, without pumped-up intensity oroversaturation. I say "mostly natural", because key sequences have been color-graded in post-production, sometimes for additional warmth and sometimes for a sickly greenish cast thataccentuates a sense of foreboding. The alterations are subtle enough to register subliminally, atleast on a first viewing (and maybe on every viewing by someone who isn't taking or studying screencaptures, which tend to focus the eye on such things).
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Some of Magnolia's recent encodes have reflected bitrates on the stingy side, but Marrowbonehas been authored with a more generous average of 29.98 Mbps.
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Marrowbone Blu-ray, Audio Quality2 b$ X+ s7 o; i* y* x
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+ U7 l. _: w C# C$ KMarrowbone is, as far as I know, the second Magnolia disc to arrive with a Dolby Atmossoundtrack (the first was the Norwegian disaster film, The Wave, in 2016). It's an interestingchoice for an Atmos mix, because, at first listening, the effects aren't showy and the eventsonscreen don't really appear to lend themselves to elaborate sound editing. But if you listenclosely, Marrowbone presents an effective demonstration of Atmos' ability to do quiet. Boththe titular house and the surrounding forest, beaches and town are filled with tiny environmentalsounds—grass rustling here, distant surf over there, the ominous rustle of a sheet slowlydetaching itself from the mirror it's covering—and these subtle effects are clearly articulated andprecisely placed. More pronounced effects like the scuttling and pounding from the bricked-upattic overhead are given similar treatment. Voices are clearly individualized and occasionallymove off-camera, and the dialogue is always clear.% E, w! V# ^& O+ Q, W$ R
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The soundtrack's real glory is the symphonic score composed by Fernando Velázquez, who alsoscored The Orphanage and The Impossible, as well as Guillermo del Toro's Crimson Peak.Velázquez describes in the extras how he worked with the Asturias Symphony Orchestra, whichhad never before played on a movie soundtrack, and his instrumentals rely heavily on thatensemble's massive string section to enhance moods ranging from terror to joy to deep sadness.It's a rich experience, gorgeously reproduced and spread throughout the listening space by theAtmos track. The track also features an occasional period tune—The Beach Boys' "Wouldn't ItBe Nice" plays a key role—often played as source music on a tape recorder, radio or phonograph., o, c; M- [5 J% k: }; K
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