泰山归来：险战丛林 [3D蓝光原盘 内封中字] The Legend of Tarzan 2016 1080p 3D BluRaycd AVC TrueHD 7.1 Atmos-FGT 35.60GB

Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.


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$ x, y' p( H/ v! @* c1 p$ F0 o1 }◎译　　名　泰山归来：险战丛林/新人猿泰山/泰山归来：人猿大战/泰山传奇：森林争霸(港)/泰山传奇(台)
◎片　　名　The Legend of Tarzan / Tarzan
◎年　　代　2016
◎产　　地　英国/加拿大/美国/澳大利亚
◎类　　别　动作/冒险
3 `+ k2 {+ o; M, U% e9 g9 |◎语　　言　英语/林加拉语/法语
◎上映日期　2016-07-19(中国大陆)/2016-07-01(美国)
( U* W! H6 J( ]& ]2 ]◎IMDb评分  6.2/10 from 171,960 users
5 q1 q" r$ |0 q$ ?' {◎IMDb链接  https://www.imdb.com/title/tt0918940/
◎豆瓣评分　6.1/10 from 41,100 users
◎豆瓣链接　https://movie.douban.com/subject/2131669/
◎文件格式　x264 + TrueHD  
  b8 @/ }  u- `( @◎视频尺寸　1920 x 1080
◎文件大小　1DVD 35.60 GiB
. U8 {/ }" i& P2 ]◎片　　长　1:49:58.842 (h:m:s.ms)
% P. C& p( L  z0 T3 s◎导　　演　大卫·叶茨 David Yates
; G7 G5 O+ d0 `8 H1 A◎编　　剧　埃德加·赖斯·巴勒斯 Edgar Rice Burroughs
　　　　  　斯图尔特·贝亚蒂耶 Stuart Beattie
/ a+ s( s( O% h　　　　  　克雷格·布鲁尔 Craig Brewer
　　　　  　约翰·科里 John Collee
　　　　  　亚当·科扎德 Adam Cozad
◎主　　演　亚历山大·斯卡斯加德 Alexander Skarsgård
/ y5 j& U6 x) H  v6 ]6 ^　　　　  　玛格特·罗比 Margot Robbie
　　　　  　塞缪尔·杰克逊 Samuel L. Jackson
　　　　  　克里斯托弗·沃尔兹 Christoph Waltz
　　　　  　杰曼·翰苏 Djimon Hounsou
　　　　  　约翰·赫特 John Hurt
　　　　  　艾拉·珀内尔 Ella Purnell
8 }6 ~3 |. H- z2 @　　　　  　西蒙·拉塞尔·比尔 Simon Russell Beale
7 `7 w' E# W9 h! L. x　　　　  　宾利·卡鲁 Bentley Kalu
* Z* C" X" P) D+ W' f; r　　　　  　特蕾莎·邱吉尔 Teresa Churcher
　　　　  　卡利·内勒 Cali Nelle

; L) F  j& H! E◎简　　介   
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6 E' K$ G! w3 z% r5 X　　故事发生在十九世纪八十年代，自小生长在丛林之中的泰山（亚历山大·斯卡斯加德 Alexander Skarsgård 饰）早已经离开了刚果，回归了人类社会。他同心爱的珍（玛歌特·罗比 Margot Robbie 饰）结婚成家，在英国伦敦过着幸福美满的生活。
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& J7 g! i: F7 m6 e. f% Q( V　　某日，被委任为商务密使的泰山回到了他的老家——刚果丛林，然而，此时的他并不知道，自己在一开始，就落入了邪恶而又狡猾的比利时军官罗姆（克里斯托弗·瓦尔兹 Christoph Waltz 饰）一手策划的阴谋之中。如此一来，不仅仅是泰山，就连珍和他的朋友们亦身处危险之中，泰山能否找回曾经矫健的身手和肆意的野性，将企图伤害他至爱之人的敌人们消灭殆尽呢？
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3 x; |. B/ ^: }1 g　　Years after the man once known as Tarzan left behind the jungles of Africa for a gentrified life in London as Lord Greystoke with his beloved wife, Jane Porter, he has been invited back to the Congo to serve as a trade emissary of Parliament, unaware that he is a pawn in a deadly convergence of greed and revenge, masterminded by the corrupt Belgian Captain Léon Rom.
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1. DISC INFO:
   
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3. Disc Title:     The.Legend.of.Tarzan.2016.1080p.3D.BluRayCD.AVC.TrueHD.7.1.Atmos-FGT
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4. Disc Size:      38,223,904,924 bytes
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5. Protection:     AACS
   
6. BD-Java:        No
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7. Extras:         Blu-ray 3D
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12. Name:                   00098.MPLS
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13. Length:                 1:49:58.842 (h:m:s.ms)
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14. Size:                   36,988,200,960 bytes
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30. Dolby Digital Audio             French          448 kbps        5.1 / 48 kHz / 448 kbps / DN -4dB
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3 H; e/ S$ n& B$ \1 w7 B$ M2 ^: j& v5 cThe Legend of Tarzan 3D Blu-ray, Video Quality   
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Screenshots have been sourced from the included 2D Blu-ray.

. F& Z3 Y- }0 X% q9 q, D0 @The Legend of Tarzan was shot by British cinematographer Henry Braham (The Golden Compass). According to IMDb, the film was shot digitally with the Red Epic Dragon and finished on a 2K digital intermediate. Warner's 1080p, MVC-encoded Blu-ray displays the kind of bright and shiny image that Blu-ray fans have come to accept as routine in 2016, with copious detail, good contrast and an absence of noise, interference or artifacts. With so much of the film dependent on post-production manipulation to expand landscapes and insert CG wildlife, TLOT can't entirely avoid an occasionally synthetic appearance, e.g., in shots where Alexander Skarsgård is replaced with a digitally created double. The film's colors have also been heavily manipulated in post-production, with a palette that alternates between richly saturated vistas of green jungle and desaturated expanses of barren rock. Braham and director Yates have chosen to tint entire sequences with washes of sepia, yellow, grayish blue or purplish gray, and the pattern of these choices isn't always obvious. Both flashbacks and present-day sequences appear in similar hues at different points in the film, and the only apparent guiding principle is to keep the color changing. As far as I can tell, the Blu-ray accurately replicates the intended effect; whether that effect is effective or aesthetically pleasing is something I leave to the viewer's judgment.

TLOT's 3D presentation may have been created by post-production conversion, but the tech wizards are getting really good at it, and significant portions of the film seem to have been designed with 3D in mind. The opening sequence in which Rom stares up at an elaborately carved rock face gives a vertiginous sense of the height. An ostrich in the flock that runs alongside Clayton and Williams sticks its beak out of the frame. A delicate blue butterfly flutters in and out of the two-dimensional plane before landing gently on Jane's shoulder. During the final assault on the port town of Boma, debris from collapsing structures flies wildly in multiple directions. These and numerous other 3D effects have been achieved with a complete absence of crosstalk or other distortion. TLOT's 3D presentation cannot overcome the film's shortcomings in narrative progress and character presentation, but it effectively expands the story's canvas, adding further visual interest to a project that has to rely heavily on its eye candy to hold the viewer's attention.
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) d; f' t4 O9 X; p* i3 e  NThe Legend of Tarzan 3D Blu-ray, Audio Quality   


$ d2 m! g/ C9 N" r0 JTLOT arrives with a vigorous Dolby Atmos track that provides all the energy and action one would expect from a film conceived as a summer tentpole adventure. The jungle is alive with the sounds of its inhabitants, and when the apes approach, they're heard even when they're not seen, with grunts and roars from all directions (including overhead). Clayton's battle with the troop's alpha male is a thunderous affair, as is his ultimate encounter with Chief Mbonga. A daring escape from a riverboat through a herd of aggressive hippos combines machinery, water and animal noises. When rain falls, its presence is everywhere and its impact tumultuous. The climactic assault on Boma involves stampeding jungle animals bursting into and through wooden structures, massive gunfire and an explosive finale. In all of these sequences (and elsewhere), the ability of Dolby Atmos to position sound effects throughout the listening space is displayed to full advantage. The dialogue is clearly rendered and properly localized. The romantic orchestral score with its occasional Lion King-style vocals is by Rupert Gregson-Williams (Hotel Rwanda).
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