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◎译 名 着魔/魔鬼狂爱(台)/迷恋
; F6 l, n3 }, y! W◎片 名 Possession% S/ G3 S/ y' ^5 N: N6 L' n
◎年 代 1981
( H4 ]' H4 m. F◎产 地 法国/西德
0 q: ]5 i( R7 Y( _◎类 别 剧情/恐怖" L- w, s, a0 S X
◎语 言 英语1 b9 [/ Q7 F$ T0 y. @
◎上映日期 1981-05-25(戛纳电影节)# u# W4 x* B3 w4 d: N
◎IMDb评分 7.4/10 from 25,572 users
. j- }* [$ ~- |4 k◎IMDb链接 https://www.imdb.com/title/tt0082933/6 S' E& p) y6 Y* _
◎豆瓣评分 7.8/10 from 23,813 users
% p8 N; l& [5 H; }0 h. f+ x◎豆瓣链接 https://movie.douban.com/subject/1297203/3 w# l7 l. j3 z/ B' i
◎文件格式 x264 + DTS f" C p; G! j! R, \7 s
◎视频尺寸 1920 x 1080, `4 B. D, D6 Z I8 U
◎文件大小 1DVD 44.80 GiB
; [& G" I% y1 ~9 `$ b◎片 长 2:03:39.412 (h:m:s.ms)1 C8 @! h* Y" v
◎导 演 安德烈·祖拉斯基 Andrzej Zulawski
: H0 e/ x, [9 L$ p$ l9 \◎编 剧 安德烈·祖拉斯基 Andrzej Zulawski0 L) Y. {+ |- e4 `+ e7 E* s. J
弗雷德里克·塔滕 Frederic Tuten
* R# d H! [ v3 l" K; o◎主 演 伊莎贝尔·阿佳妮 Isabelle Adjani
/ z% }2 X. q5 [, ~* J4 J- J 山姆·尼尔 Sam Neill
8 H6 e7 b3 q& [2 v/ O 玛吉特·卡斯滕森 Margit Carstensen
! d4 }. `7 b0 d/ Y3 E: x9 l 莱斯利·马尔顿 Leslie Malton
3 V' \; N9 Z* j/ ?5 p& u( H 海因茨·贝能特 Heinz Bennent
$ l3 K7 q2 s" n4 l/ v 约翰娜·霍费尔 Johanna Hofer
4 `* m0 V) N0 g& R6 i) o 卡罗尔·杜瑞 Carl Duering
- A4 |7 j3 Z* o& p% ? P 肖恩·劳顿 Shaun Lawton. m, P5 k( g2 ~% a$ k6 w
马克西米利安·露丝莱恩 Maximilian Rüthlein( X# d0 l8 U' Z$ l* D: t% k* |
托马斯·弗雷 Thomas Frey
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/ n) P4 w: y, N: f+ T◎简 介 7 j( z8 Z' @$ a8 a. Z( W0 ]
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马克(Sam Neill 饰)的妻子安娜(Isabelle Adjani 伊莎贝尔·阿佳妮 饰)未留下任何原因离家出走,他一度认为安娜与一个名叫海恩里克(Heinz Bennent 饰)的男人有染,却发现海恩里克也在寻找许久未见的安娜。马克于是雇佣私家侦探调查。但随着线索的逐一呈现,事实的真相反倒令马克等人难以置信。安娜所耽恋的对象竟然是……+ E# U+ r8 \8 |# D* k
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本片分别荣获1982年戛纳国际电影节和法国凯撒电影节最佳女演员奖、1983年葡萄牙奇幻电影节观众大奖和最佳女主角奖、1981年西班牙圣保罗国际电影节评论奖。3 z/ W% L4 q& Z
6 B/ }0 L! D" q+ y7 A/ W- v9 ]2 s% z A woman starts exhibiting increasingly disturbing behavior after asking her husband for a divorce. Suspicions of infidelity soon give way to something much more sinister.
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- DISC INFO:7 f! K3 r% p2 I) }3 k; q& p9 x
% R2 d2 _1 z6 n+ _; L9 w) V/ V6 y- Disc Title: Possession.1981.1080p.BluRayCD.AVC.DTS-HD.MA.1.0-FGT
+ n# R( U$ |* n3 U# k) ]& I# V" s - Disc Size: 48,202,817,910 bytes0 b8 `* q# L; Z
- Protection: AACS! j) U' W( V' f& U _
- BD-Java: No$ c8 j5 u/ ?4 e" ]% y$ d4 o
- BDInfo: 0.5.89 L$ \( U/ X+ {) e+ J4 w/ z7 {
4 k) t% S8 v2 ^/ l5 D! V- PLAYLIST REPORT:0 T9 h# g; a/ ~2 M/ U: [
+ k1 S5 J8 b6 m4 q. N2 n- Name: 00003.MPLS
" C; h% ?- T$ ]+ ~1 }) U, o - Length: 2:03:39.412 (h:m:s.ms)
$ A( t% f$ S, v; L# v& c u - Size: 38,541,205,056 bytes
* @3 t# f* f. L4 b* @ - Total Bitrate: 41.56 Mbps! i# E4 T3 p1 I4 i: z
6 i# ?0 Z: J: S. s7 a2 L2 J- Video:* Z p, R) n! N$ H: a) L B
/ v+ s# F8 N' k/ C4 n" H, P2 q- Codec Bitrate Description - I3 s; m8 N9 j& G. E/ G, f5 s
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# B: N8 W/ J8 P& k2 p: x) g/ \ - MPEG-4 AVC Video 37917 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.18 W c/ u" Q" F) z V' ?$ D
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- AUDIO:
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) M/ o% b$ c4 G4 e. N0 j9 \$ q- Codec Language Bitrate Description * m& M4 j9 {2 c
- ----- -------- ------- -----------
# P7 H3 l- l9 A$ { - DTS-HD Master Audio English 1104 kbps 1.0 / 48 kHz / 1104 kbps / 24-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 24-bit)
5 B7 H/ J- r7 F7 M7 M; _ - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
; D9 R& d0 A7 B# C& s9 p - Dolby Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps/ z, V* j+ V4 G
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- SUBTITLES:9 X7 U" O8 |' ^: }
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- Codec Language Bitrate Description
, \9 V. }# S% N8 l. @% D - ----- -------- ------- -----------
' C) b! \, w8 X7 r# {8 f - Presentation Graphics English 21.436 kbps . F! W% g- _. I5 p6 z7 x
- Presentation Graphics English 20.400 kbps
" I s) R0 }* T0 ~$ f9 P1 X X - Presentation Graphics French 22.195 kbps # V( @$ U% f3 R! X$ d' \
- Presentation Graphics French 22.202 kbps % y# j' F( W1 y4 n5 [
- Presentation Graphics Spanish 19.264 kbps
: |# `/ j& s2 |) ] - Presentation Graphics Spanish 19.269 kbps
复制代码 Possession Blu-ray, Video Quality
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Presented in an aspect ratio of 1.67:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Andrzej Zulawski's Possession arrives on Blu-ray courtesy of British distributors Second Sight Films.
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; O8 F) U$ U, ~- Z7 SExcluding some light banding that I spotted (the most obvious example being early into the film, in the sequence where Sam Neill and Isabelle Adjani's characters meet in front of the apartment complex) as well as some low noise that occasionally pops up, the technical presentation of this once quite controversial film is indeed very impressive. It is also quite the revelation. There is an entirely new color scheme that apparently reinstates the type of look Andrzej Zulawski desired and all visual effects, most notably solarization enhancements, that were added to the U.S. re-cut version of the film are now completely removed. Needless to say, if you are familiar only with the U.S. re-cut version of Possession, more than likely you are going to be quite surprised by the look of this new Director's Cut of the film.
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Image depth and clarity are very good. The outdoor footage, in particular, looks quite impressive. The heavy and rather depressing dark grays, blues, browns, and blacks of West Berlin are very effectively reproduced (see screencaptures # 2 and 5). Contrast levels fluctuate, especially during the indoor footage, but the rapid balance shifts are clearly intended. (Compare screencaptures #3 and 4 to see what some of these contrast fluctuations look like). There are no traces of excessive degraining corrections. Also, there are no traces of problematic sharpening adjustments. Unsurprisingly, Possession has a strong organic look. Lastly, there are no large damage marks, cuts, debris, warps, or stains to report in this review. All in all, while I think that there is some room for minor improvements, the current presentation of Possession is indeed enormously satisfying. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free PS3 or SA in order to access its content).2 z3 S9 j& I$ X* x
" F( r" l; U4 E3 U4 zPossession Blu-ray, Audio Quality
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There is only one standard audio track on this Blu-ray release: English LPCM 1.0. For the record, Second Sight Films have provided optional English SDH subtitles for the main feature.1 F+ [7 Q8 H) S& v
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I was very much looking forward to experiencing this film with a lossless track as there are a number of very intense scenes in it which I knew would be a lot more powerful on Blu-ray. I was definitely not disappointed. The famous miscarriage subway scene, in particular, cannot possibly be described with simple words. There are some minor fluctuations in terms of dynamics and intensity, but they have everything to do with the film's original sound design. The dialog is clean, stable, and easy to follow. There are no audio dropouts or distortions to report in this review.
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