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Two young Americans with special abilities must race to find a girl in Hong Kong before a shadowy government organization called Division does. Z. O& T, Q! Z. k* w1 q" i; ]
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; x' b2 w7 O! W◎译 名 异能/超能英雄/移动城市(台)' Y5 p; e7 q: t% g# T
◎片 名 Push0 d9 b1 e6 B! m* f$ ^3 B$ q
◎年 代 2009" w& }+ N& Z2 m5 m
◎产 地 加拿大/英国/美国
4 J8 J# @) |3 D9 @◎类 别 动作/科幻/惊悚9 `/ ^: y# k+ x1 c3 X
◎语 言 英语( ?: o3 V! }' I7 n4 y
◎上映日期 2009-02-06(加拿大)
8 Q4 Q. B- g1 Z* ]: W* r/ R1 B! ~) H◎IMDb评分 6.1/10 from 94,712 users: r- _/ F( ]' ~6 q
◎IMDb链接 https://www.imdb.com/title/tt0465580/
0 I1 K- `+ a6 a! c◎豆瓣评分 5.9/10 from 23,242 users
% z4 O) _6 r. b ?/ n* d◎豆瓣链接 https://movie.douban.com/subject/1946776/
' ^+ H/ z, J9 C1 l4 e5 o7 e◎文件格式 x265 + TrueHD " C3 w- Y( p9 m" w' [8 u/ X' a
◎视频尺寸 3840 x 2160
- u- W5 }. L2 B- q; l! D◎文件大小 1DVD 57.59 GiB* o$ X$ P+ }8 p. Q. E) K
◎片 长 1:51:27.180 (h:m:s.ms): d) [$ y: t" h: a9 t
◎导 演 保罗·麦奎根 Paul McGuigan0 y; \/ z: F: b. |# O8 v
◎编 剧 David Bourla/ s) j0 V! M! r* T7 ?
◎演 员 克里斯·埃文斯 Chris Evans
4 M/ A) x4 m3 m& G6 d$ X 达科塔·范宁 Dakota Fanning6 J/ d4 Y, Q' u8 Q! D6 ~' G
卡米拉·贝勒 Camilla Belle# B9 B9 p. C+ A. ?, s" x$ \
克利夫·柯蒂斯 Cliff Curtis
$ a# |: G, I. N% p7 a, m 杰曼·翰苏 Djimon Hounsou
: z- s8 r6 `1 F7 X 乔·格拉什 Joel Gretsch3 v7 f, ~ w# f c0 \, R( u1 r
内特·莫尼 Nate Mooney5 i9 j, i( [( n2 [9 y! |
李小璐 Xiaolu Li3 h, M, M1 Z- K! E
玛姬·丝弗 Maggie Siff
2 p0 m$ G6 V" L) d& E O 寇瑞·斯托尔 Corey Stoll9 a1 U0 d2 T+ E0 D* ]" A
斯科特·迈克尔·坎贝尔 Scott Michael Campbell
5 R! g! i% k J! w4 W+ r* x9 v 科林·福特 Colin Ford
5 v6 c- ?2 ]5 _; L- Z' x 布兰登·雷亚 Brandon Rhea
+ t. \, X# ?9 ^$ W# ?5 {+ g" Z 尼尔·杰克逊 Neil Jackson 3 a6 e: {: k0 j
梁继璋 Kai Cheung Leung Z" t/ y+ C/ L
洪新南 Hsin Nan Hung
0 c$ q8 s# ^. Q0 G* o2 a 谭伟民 Wai-Man Tam9 ?, M& B2 ]0 h( L% ]; f2 m2 R1 s, ?" A
山内春彦 Hal Yamanouchi
; e4 C) H3 I1 Q( i 向佐 Jacky Heung4 v* k# }; n8 J( ~% h
车保罗 Paul Che % E8 ^1 j0 _! D8 T! R- n7 @
林盛斌 Shing-Ban Lam9 V8 r+ D, q; M
刘乔方 Rain Lau5 G- D' `* Y! g+ a4 B9 [; M
余世腾 Yu Sai-Tang& x9 d5 j: x* a' R
温明娜 Ming-Na Wen
9 q4 i b" {& g; C+ V 陈佩思 Pancy Chan
0 {) l8 [5 N8 F 侯焕玲 Woon Ling Hau
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◎简 介
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【剧情1】二战后,美国政府到处搜寻特异功能人士,并成立特别“部门”对其进行人体实验,试图将异能植入士兵体内作为战争武器。在一次药物试验中心灵感应“推手”姬拉(卡米拉·贝勒 Camilla Belle 饰)携药品逃至香港,“部门”派出特工亨利•卡佛(杰曼·韩苏 Djimon Hounsou 饰)负责追捕。香港某区,一直逃避“部门”的意念移物“灵动人”尼克(克里斯•埃文斯 Chris Evans 饰)帮助可预见未来的“透视人”少女卡西(达科塔·范宁 Dakota Fanning 饰)逃出音爆人兄弟及其 “透视人” 妹妹“棒棒糖女孩”(李小璐饰)的追杀。在当地灵异人士的帮助下,尼克与卡西找到姬拉,却发现在药物的影响下,姬拉已然命在旦夕……* K& v, P* S& x% x* h9 I2 R
$ Q' H; o, \$ @% H' q4 M 【剧情2】1945年,纳粹科学家不断进行超能转移的试验,渴望将超乎寻常的异能通过注射移入普通士兵的身体。虽然战争结束,但这项试验仍在继续。战后,各国政府成立名为“隔离区”的秘密基地,他们四处搜罗拥有卓越天赋的孩子进行试验,成果和死亡如影随形。异能者尼克(克里斯·埃文斯 Chris Evans 饰)的父亲(Joel Gretsch 饰)曾是某政府培养的超能杀人者。随着年龄的增长,他的父亲渴望过回正常人的生活,结果却遭杀害。十年后,隐居香港的尼克遇到13岁的小女孩凯希(达科塔·范宁 Dakota Fanning 饰)。凯希是一名观察者,她具有准确预知未来的能力。她从隔离区逃跑引起轩然大波,而和尼克的相逢也让事情变得愈加复杂和危险……" v8 w) y7 w9 V0 x
2 H& C% u. c, ?2 ?7 i4 ?" u The Division, a shadowy government agency, is genetically transforming citizens into an army of psychic warriors--and brutally disposing of those unwilling to participate. Nick Gant, a second-generation telekinetic or "mover," has been in hiding since the Division murdered his father more than a decade earlier. He has found sanctuary in densely populated Hong Kong--the last safe place on earth for fugitive psychics like him--but only if he can keep his gift a secret. Nick is forced out of hiding when Cassie Holmes, a 13-year-old clairvoyant or "watcher," seeks his help in finding Kira, an escaped "pusher" who may hold the key to ending the Division's program. Pushers possess the most dangerous of all psychic powers: the ability to influence others' actions by implanting thoughts in their minds. But Cassie's presence soon attracts the attention of the Division's human bloodhounds, forcing Nick and Cassie to flee for their lives. But they find themselves square in the crosshairs of Division Agent Henry Carver, a pusher who will stop at nothing to keep them from achieving their goal.
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- Disc Title: Push.2009.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-COASTER
5 C1 W2 e4 m- F% K2 r - Disc Size: 61,835,472,844 bytes& E1 G- b' W( I( [2 H: ?' e
- Protection: AACS21 Z; H4 X) \) K Y" A: L6 v
- BD-Java: Yes( B+ L5 E# G, k; F: T
- Extras: Ultra HD% J* ?: n% e; l: L8 X7 y6 T0 v( Z
- BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.8.4)
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- Name: 00802.MPLS
* g a) d% l( {2 m; X. b - Length: 1:51:27.180 (h:m:s.ms)
+ z; v% D1 L- R0 q- l0 O, e - Size: 56,903,645,184 bytes1 t7 o1 j% x- h0 N6 ]4 K
- Total Bitrate: 68.07 Mbps8 K! ^9 K/ B }$ v$ N
8 ]9 E! V8 l) F/ |1 p) U# N, ^* }% G- (*) Indicates included stream hidden by this playlist.
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- ----- ------- -----------
: E$ {* Q# _7 T1 M" l* K - MPEG-H HEVC Video 49719 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
! [" ~% f7 {6 ^% I - * MPEG-H HEVC Video 7836 kbps 1080p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / Dolby Vision / BT.2020 /
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- AUDIO:
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- h; @: e. `; W' F* \ - Dolby Atmos/TrueHD Audio English 5847 kbps 7.1-Atmos / 48 kHz / 5847 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 448 kbps)
9 }) e$ b' V, t2 c% O - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround" n( d @5 M% n# k
- Dolby Digital Audio Spanish 448 kbps 5.1 / 48 kHz / 448 kbps
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+ M' n- B1 q1 o: e - Presentation Graphics English 27.089 kbps
, C* ]9 Y( \* W2 r9 G- v- K8 P - Presentation Graphics Spanish 22.159 kbps
复制代码 Push 4K Blu-ray, Video Quality 6 M9 |) D; h* h/ e8 n) A8 i1 A
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/ }+ ^* i! @! X, W3 w) f6 ]Note: Screenshots were sourced from the 1080p Blu-ray.9 t8 o3 w [3 J& R5 g8 L, ?
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Push is presented on 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.35:1. Push is kind of an odd duck to attempt to analyze in its 4K iteration, since it was so seriously tweaked in a variety of ways in post, including intentionally distressing various imagery and offering almost lo-fi looking moments that are riddled with noise, macroblocking and other things that we typically frown upon in our reviews. But, here's the thing — this is another 4K UHD release from Lionsgate that was shot on film (both 16mm and 35mm) where I personally just don't quite think the grain resolves naturally, even in scenes (relatively) free of any tweaking. Grain tends to swarm unnaturally at times, clumping here and there and even occasionally looking fairly noisy itself, and not (as might reasonably be expected) dependent solely on whether any given moment is culled from a 16mm or 35mm source. It's something I've noticed in other Lionsgate 4K releases, but here it may admittedly be somewhat ameliorated by the fact that so much of this film has been deliberately skewed to look almost hallucinatory. Fine detail levels rise expectedly as they often do from 2K DI sources, but again often fairly subtly, as in the pores on Djimon Honsou's face or even the stubble on Chris Evans' face. Like Knowing on 4K, some of the most remarkable change actually comes courtesy of Dolby Vision. The palette is, as mentioned above, almost lurid at times, with a kind of neon fluorescent quality that pops with some extremely distinctive hues in 4K UHD. Reds and yellows especially caught my eye in this presentation, and even within these general tonal areas there are some really interesting new gradations, as in a largely red bathed club/casino scene, where Dolby Vision adds a slightly orangish cast.6 B6 ~% l: h w9 f f
* V! j( J: O9 U2 |Push 4K Blu-ray, Audio Quality 6 M1 _* T7 r" }4 y
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Marty gave top marks to Push's DTS-HD Master Audio 5.1 mix on the original Blu-ray release, so there's no way for me to indicate via a score that the Dolby Atmos track takes an already excellent and quite viscerally exciting sonic experience and ups the ante considerably. There are a number of standout elements in the Atmos mix, including the pulsing, throbbing score by Neil Davidge, which acquires a new spaciousness in this outing, as well as what to my ears sounds like increased emphasis on the low range, something that really adds some momentum to some underscored sequences. Sound effects associated with the various "mutants", including a kind of whip pan effect when "pushers" activate, or a more wafting effect when "sniffers" start, well, sniffing, have increased overhead presence now and add quite a bit of fun to the proceedings. A chaotic urban environment helps to support good use of the side and rear channels as well, with a glut of effects like traffic and crowd noises. Dialogue is always rendered cleanly and clearly on this very enjoyable track.9 C7 {) t& w, L Y1 U8 c/ P3 ?
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