源代码/启动原始码 [4K UHD蓝光原盘] Source Code 2011 2160p BluRaycd HEVC TrueHD 7.1 Atmos-WhiteRhino 52.24GB

An action thriller centered on a soldier who wakes up in the body of an unknown man and discovers he's part of a mission to find the bomber of a Chicago commuter train.



◎译　　名　源代码/启动原始码(台)/危机解密(港)
/ s- l9 Q3 F* D' b! ]2 a◎片　　名　Source Code
◎年　　代　2011
◎国　　家　美国/加拿大
◎类　　别　科幻/悬疑/惊悚
◎语　　言　英语
◎上映日期　2011-08-30(中国大陆)/2011-03-11(西南偏南电影节)/2011-04-01(美国)
  \! R9 K3 Q& n, g5 g◎IMDb评分  7.5/10 from 429,335 users
◎IMDb链接  https://www.imdb.com/title/tt0945513/
6 ~* `8 F* N# `5 n7 W◎豆瓣评分　8.3/10 from 425,792 users
0 x. R7 w4 N. |% Q0 J- p◎豆瓣链接　https://movie.douban.com/subject/3075287/
◎文件格式　x265 + TrueHD
0 \, m' [# {( L& Y' h& A◎视频尺寸　3840 x 2160
7 i5 |7 ]$ W- O/ A' t6 K0 r  [3 ^◎文件大小　1DVD 52.24 GiB
◎片　　长　1:33:12.962 (h:m:s.ms)
' b/ d0 f9 c) \" Q) v  J3 l6 ]◎导　　演　邓肯·琼斯 Duncan Jones
◎编　　剧　本·雷普利 Ben Ripley
- M! C' N& O5 U◎主　　演　杰克·吉伦哈尔 Jake Gyllenhaal
　　　　  　维拉·法米加 Vera Farmiga
　　　　  　米歇尔·莫纳汉 Michelle Monaghan
　　　　  　杰弗里·怀特 Jeffrey Wright
, e( v3 a% x4 }! i; n/ E- z3 p7 I　　　　  　拉塞尔·皮特斯 Russell Peters
4 N; }* m5 J5 V! O  u( S　　　　  　詹姆斯·A·伍兹 James A. Woods
( M" m' L# v# R2 n5 W4 {　　　　  　迈克尔·阿登 Michael Arden
$ F% k4 v- Q4 V* J; j　　　　  　乔·柯布登 Joe Cobden
% X0 W  r" d' a! {　　　　  　卡斯·安瓦尔 Cas Anvar
0 S, f: N0 @3 ~! _) z　　　　  　贾森·芬尼 Jasson Finney
7 O- J) [6 F1 k1 ^4 D　　　　  　波拉琴希克森 Paula Jean Hixson
　　　　  　克雷格·汤姆斯 Craig Thomas
" S  r' F; j% [, h' b: D4 Z　　　　  　斯科特·巴库拉 Scott Bakula
　　　　  　凯尔·盖特豪斯 Kyle Gatehouse
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1 J8 M6 E7 S5 S& l5 Z! @◎简　　介   

　　在阿富汗执行任务的美国空军飞行员科特史蒂文斯上尉（杰克·吉伦哈尔 Jake Gyllenhaal 饰）突然惊醒，发现自己在一辆高速行驶的列车上，而他的身边坐着一个素不相识的女子克里斯蒂安（米歇尔·莫娜汉 Michelle Monaghan 饰）正在与自己讲话。科尔不知自己为什么会在这辆车上，而且他发现自己居然是以另一个人的身份存在，正当他迷惑不解的时候，列车上忽然发生爆炸……

　　科特又一次惊醒，发现自己身处一个密闭的太空仓里，有一位女军官古德温（维拉·法米加 Vera Farmiga 饰）正在通过视频和自己对话，并要求自己报告列车上发生的事情。一头雾水的科特还没搞明白是怎么回事时，他又一次被送上那辆列车。这次之后，科特终于明白自己在执行一件任务，负责调察芝加哥火车爆炸案找到恐怖份子并查出他的下一个目标。科特被一次又一次的送上那辆高速列车，每次只有八分钟的时间调察，调察过程中，科特发现自己已在一周前去世，原来他正在参与是一项“脑波原代码”的秘密任务，这项任务通过已经死亡的科特尚未完全死亡的脑细胞影像来还原事件，调查事情的真相。最终，科特顺利完成了任务，但是他却决定再一次返回列车，拯救列车上那些无辜的生命……
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　　Army Captain Colter Stevens finds himself working on a special program where his consciousness can be inserted into another human being. The only catch is can only be there for 8 minutes at any given time. That morning a bomb exploded on a commuter train just outside Chicago. He occupies the body of teacher going to work on that train and is confused as to what he is doing or why he is there as his last memory is of flying his helicopter on a combat mission in Afghanistan. Those in charge of the program explain to him that there is a bomb on the train and that he must locate it. More importantly he must identify the bomber as another bombing is expected later that day. He is also told however that he cannot change the past and can only gather information. As he develops a liking for his traveling companion Christina he sets out to test that theory.

0 I7 |- a, r3 {7 z+ O◎获奖情况

　　第2届豆瓣电影鑫像奖 (2012)
- O% a7 L3 }$ S　　鑫豆单元 最佳影片(外语)(提名)
& Z( B) h7 w- M  t2 {0 x7 W4 h2 C　　鑫豆单元 最佳导演(外语)(提名) 邓肯·琼斯

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5. Protection:     AACS2
   
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31. Dolby Digital Audio             Spanish         448 kbps        5.1 / 48 kHz / 448 kbps
    
32. Dolby Digital Audio             French          448 kbps        5.1 / 48 kHz / 448 kbps
    
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复制代码

Source Code 4K Blu-ray, Video Quality   


# z4 H$ W8 _0 K0 MNote: Screenshots are sourced off the 1080p Blu-ray, which is framed in 1.78:1.

2 |, z9 \7 j0 r) A$ {Source Code is presented on 4K UHD courtesy of Lionsgate Films and Summit Entertainment with a 2160p transfer in 1.85:1. This is an interesting production from a technical standpoint, with two different film stocks credited (Kodak and Fuji) and (according to the IMDb) other digital capture incorporated courtesy of Red Cameras. There's therefore a fairly heterogeneous look here, and I'm once again not totally "convinced" (for want of a better word) with the look of the grain field in some of the footage. I'm assuming that at least some of the differences in grain structure and resolution seen in Source Code are due to the different films utilized, but one way or the other there are selected sequences that look fairly noisy, at least when compared to other moments in the film. Keep your eyes peeled on the kind of yellow/tan window wells in the train during the opening sequence (and later return visits), and grain tends to swarm there a bit. It's even thicker and more swarmlike in later moments like one of the closing scenes where Captain Goodwin (Vera Farmiga) walks into the office of Dr. Rutledge (Jeffrey Wright). But even in the grainier moments, fine detail has the typical uptick that we often see in 4K UHD versions of 2K DI material. Some of the other sequences, like the many dark cockpit scenes, feature at least marginally improved shadow detail. Dolby Vision has added some interesting new highlights, with a lot of the blues and grays in the train sequences nicely suffused, and some really creamy looking teals in the almost watercolor-esque look of scenery through fogged up train windows. The cockpit scenes look a bit more desaturated in this version, and there's an almost stunning difference in warmth between Captain Goodwin on Colter's cockpit monitor and cutaways to her in "real life".

# P! S8 ~# Z% rSource Code 4K Blu-ray, Audio Quality   
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' }* l5 L3 g& \( s! \4 s7 o; h) qSource Code's 4K UHD presentation receives a notable sonic upgrade with a very forceful and immersive Dolby Atmos track. The first thing I personally noticed was the kind of stabbing pulses of Chris P. Bacon's effective score offering nice surround placement, but there was also the memorable shot of the goose (I think) connecting with a lake right as the train passes by (a shot that's returned to frequently) that featured on the first excellent discrete channelization placements, something that occurs regularly throughout the rest of the presentation. There's good engagement of the Atmos channels in everything from the devastating explosions that erupt at the end of a lot of the film's vignettes to more mundane things like the background noises on the train. Some of this mix tends to be on the subtle side, especially when Colter and Christina are talking, but even here there are snippets of surround activity as stuff happens in the background on the train. Fidelity is excellent throughout, supporting clean and clear delivery of dialogue.
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