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FBI agents track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money.
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◎译 名 惊天魔盗团/非常盗(港)/出神入化(台)/瞒天过海/看到我了吧& q9 q- [. V( l( v' P$ g* l
◎片 名 Now You See Me; g% @8 N6 a/ f6 \
◎年 代 2013" n% u6 M: ^9 O) E: ?, l
◎产 地 美国/法国
% s- D) x- F: o7 h9 z7 `, \. e◎类 别 犯罪/悬疑/奇幻/犯罪! y7 c" z6 d9 P; K
◎语 言 英语/西班牙语
. `7 ? G) K) u8 h; j: R) Z◎上映日期 2013-10-10(中国大陆) / 2013-05-21(纽约首映) / 2013-05-31(美国)
! z5 n- n( N% u9 Z8 Y$ G◎IMDb评分 7.3/10 from 523,603 users( Q& B& j; {3 v2 \
◎IMDb链接 https://www.imdb.com/title/tt1670345/+ F; x/ T. e" u# x
◎豆瓣评分 7.5/10 from 271,322 users" `0 e& b/ m+ S2 S! F* q# i
◎豆瓣链接 https://movie.douban.com/subject/6517421/2 J6 ~7 J. |* c4 e0 [
◎文件格式 x265 + TrueHD 7.1
! S7 _$ h( n. t( _◎视频尺寸 3840 x 2160) Y B% W- N% {4 F4 [
◎文件大小 1DVD 56.98 GiB1 T- b+ `, o( N; d% }
◎片 长 1:55:21.956 (h:m:s.ms)
2 e( v: o. W. L4 R$ T, \5 P7 p# W◎导 演 路易斯·莱特里尔 Louis Leterrier
; k; r) g6 O1 `2 u% p7 |◎主 演 杰西·艾森伯格 Jesse Eisenberg
5 N& I) q( d$ N K3 I& r 艾拉·菲舍尔 Isla Fisher2 H2 r+ A5 Z) T
伍迪·哈里森 Woody Harrelson
1 m* f' Q4 F) n- ]) j% ] 戴夫·弗兰科 Dave Franco6 m; L, n! @5 F' h$ Y, L2 E8 C6 ]
马克·鲁弗洛 Mark Ruffalo
" _$ r% \! U; \3 m7 ?' I G1 H5 c 梅拉尼·罗兰 Mélanie Laurent
1 Z4 Y' n& _3 Q7 M& _ ]- [; a. H 摩根·弗里曼 Morgan Freeman
9 [4 e) p$ a# r; M o* I 迈克尔·凯恩 Michael Caine
9 O# M9 d9 P! W" k4 q9 x5 } 迈克尔·凯利 Michael Kelly- k- @ p$ ^, q! j7 S6 P- r
2 K3 d) a8 ?/ @/ g7 r' ?( z◎简 介) M: F ~$ {% r
; i$ g7 | j, v- w6 U* t 不夜赌城拉斯维加斯,豪华的表演大厅内正在进行一场前所未有的魔术表演,由丹尼尔·阿特拉斯、亨莉·里维斯、杰克·怀尔德和梅里特·麦克金尼四位魔术师组成的“四骑士”配合天衣无缝,在众目睽睽之下偷来了某法国银行金库内350万欧元纸币,此举在现场至全世界引起轰动。FBI探员罗德和国际刑警埃尔玛·德雷奉命对四人展开调查,却一无所获。无奈之下,他们只得求助于极具名气的揭露魔术师布莱德利。4 ~& Q3 @0 m9 `; G2 }' z2 |; o) k
; i# O5 }9 L) O# |0 D \( N; } 魔术师、盗贼、FBI探员,光影交错下最精彩的较量,连番上演……1 m2 l0 p$ W E, G$ Q2 } J4 {
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Four magicians each answer a mysterious summons to an obscure address with secrets inside. A year later they are the Four Horsemen big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. This puts agents Dylan Rhodes of the FBI and Alma Dray of Interpol on the case to find out how they did it. However this mystery proves difficult to solve even with the insights of the professional illusion exposer Thaddeus Bradley. What follows is a bizarre investigation where nothing is what it seems with illusions dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look the less you see.; h" L6 G' t1 p1 x$ T
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◎获奖情况. s/ h! C% f$ m
% R4 ?* B1 g% k 第4届豆瓣电影鑫像奖 (2014)
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豆渣单元 最渣导演(外语)(提名) 路易斯·莱特里尔& f( C: F. Q1 Y' ?# q
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$ m# l; `0 k# z, p- W% ?6 E- Disc Title: Now.You.See.Me.2013.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-COASTER3 P$ h2 _5 f/ i; O9 w
- Disc Size: 62,068,453,908 bytes. z& S/ t3 G- Y4 d
- Protection: AACS2
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- Extras: Ultra HD
% `% ]4 K$ m. r* M) Y4 F4 h - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.7)2 t" p4 T& n/ F8 v* g( l4 a8 g
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- {2 K0 o8 q) u; }4 C1 Y- Name: 00000.MPLS 0 F% \/ G W% `
- Length: 1:55:21.956 (h:m:s.ms)
- X4 y! H2 R( [ - Size: 60,314,916,864 bytes
- T; D' R4 j) }5 P: p0 N' D( N - Total Bitrate: 69.71 Mbps
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* M. w z/ h& L+ ~ - MPEG-H HEVC Video 58997 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
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- AUDIO:
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- ----- -------- ------- ----------- 6 B- A! b1 S1 h" O; Z; V0 ~! y: }
- Dolby Atmos/TrueHD Audio English 5692 kbps 7.1-Atmos / 48 kHz / 5692 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
% H2 g3 H2 V8 m2 P0 U - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
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- Presentation Graphics English 43.677 kbps ( }1 s5 w4 A' R" F9 N0 O s: b
- Presentation Graphics English 47.624 kbps 9 v4 T( _% l3 M5 Z: t0 @
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- * Presentation Graphics Spanish 40.337 kbps
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- * Presentation Graphics English 47.624 kbps
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Now You See Me is presented on 4K UHD courtesy of Lionsgate Films with an HEVC / H.265 encoded 2160p transfer in 2.40:1. Kind of like its very plot, Now You See Me's provenance chain is a bit convoluted. This was shot on good, old fashioned film with Arriflex 235s, then finished at a 2K DI, which I am assuming was then uprezzed for this new 4K UHD release. This new presentation certainly still boasts the typically flawless levels of clarity with regard to issues like skin pores or textures of fabrics. There's a more nuanced accounting of intermediary tones now, especially in some of the almost burnt umber interior colorings, and contrast is improved in some of the darkest scenes, including a couple of sequences in Las Vegas, though black levels are often anemic at best and therefore tend to work against even improved contrast. The manic camera moves accompanied by some soft looking CGI tends to make a few isolated scenes look relatively gauzy in comparison to the bulk of the presentation. One element which I found just slightly odd looking was the grain resolution. This certainly does not approach some of the issues mentioned in my Wild 4K Blu-ray review, but I occasionally thought the grain "traveled" a bit weirdly, especially in some extreme close-ups where the frame is filled with virtually nothing other than a face. This may be an after effect of the uprez from a 2K DI, though in fairness there was a lot of the presentation where the grain field looked natural, or at least didn't distract as much.: s1 @- J8 A% v& G1 y3 q s
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Now You See Me ups the audio ante on 4K UHD by including a Dolby Atmos track (with a Dolby TrueHD 7.1 core which is for all intents and purposes identical to the DTS-HD Master Audio 7.1 track on the original Blu-ray). I scored the original Blu-ray release a 5.0 for audio, and that excellence is only improved here, with some great object placement courtesy of the Atmos speakers. Listen, for example, to the subtle but pronounced "flutter" of the deck of cards in an early scene (right before the "reveal" of the skyscraper providing the missing card), or, later, in some of the Las Vegas show sequences, where pinpoint placement of discrete effects is wonderfully immersive. That said, I found some of the crowd noise in the Las Vegas show scenes just a trifle "processed" sounding on occasion. LFE gets a work out not just due to some traditional effects work, but to an often thumping score, one which also spills through the surrounds quite winningly. Dialogue is always foremost in the mix and is rendered cleanly and clearly on this very enjoyable and problem free track.9 ~! W- O0 }% x
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