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[蓝光原盘] 陌生人2/只杀陌生人 [蓝光原盘] The Strangers Prey at Night 2018 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 28.36GB

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迅雷电影 发表于 2018-6-11 08:16:09 | 显示全部楼层 |阅读模式
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◎译  名 陌生人2/只杀陌生人(港/台)  Q6 j; `" F7 r' G
◎片  名 Strangers: Prey at Night / The Strangers 22 G- r" E/ P" }" i4 m
◎年  代 2018
( L" F0 w& P- N' d4 \6 v. m◎产  地 美国1 W+ Y# N0 w& E. y1 t( J
◎类  型 恐怖
$ q. P& h/ T: A3 y1 E' Q. G" e- S◎语  言 英语
9 C2 |* }# w; T: A◎上映日期 2018-03-09(美国)
7 e+ F& n4 |  n6 H$ N! P/ G0 e, n◎IMDb评分 5.4/10 from 9,216 users; n4 e- Y* f5 B. t( |, e7 T6 M
◎IMDb链接 https://www.imdb.com/title/tt1285009/+ l/ }; _0 _# i8 b$ P
◎豆瓣评分 4.0/10 from 350 users) v+ B6 J# ^7 n2 C
◎豆瓣链接 https://movie.douban.com/subject/3212733/0 F( Z# p+ [% p# [
◎文件格式 x264 + DTS
  X) n% x/ O/ `" U) j◎视频尺寸 1920 x 1080
4 V& e2 f' P1 \◎文件大小 1DVD 28.36 GiB8 v2 t8 q' E1 F2 v! A
◎片  长 1:25:37.882 (h:m:s.ms)
$ g$ g  I  r' o4 h* v* o◎导  演 约翰内斯·罗伯茨 Johannes Roberts, }2 \% d% y& k) O% z
◎编  剧 布莱恩·伯蒂诺 Bryan Bertino
2 u/ U! e4 i- a, B       本·科泰 Ben Ketai- K* Y0 j, @: L# p- G
◎主  演 克里斯蒂娜·亨德里克斯 Christina Hendricks
! D0 [5 v; W4 J2 Q* ^# n: T      拜莉·麦迪逊 Bailee Madison
! y- W" h, Y& L8 U; ~      马丁·亨德森 Martin Henderson
* P9 a& [( k: s; m9 p$ ?      艾玛·贝洛米 Emma Bellomy7 w% u5 B+ O2 t3 P& J* j
      刘易斯·普尔曼 Lewis Pullman
6 }* l) `' n9 r0 k      莉·恩斯林 Lea Enslin
. v( c) D! @# n, h      达米安·马菲 Damian Maffei
( g/ ^  J$ T( k# Y5 K: i. [      丽雅·罗伯茨 Leah Roberts3 {5 [% |, @4 b6 V, x. T( z6 G% _! _! c
      普雷斯顿·萨德莱 Preston Sadleir
2 `' G/ [4 v5 A; z+ F      加布里埃尔·A·拜恩 Gabriel A. Byrne
) h5 r$ {" ?4 k+ o      桑尼·迪克西特 Sunny Dixit
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◎简  介 1 Y3 g; C- @. r/ z. m
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  A vacation turns macabre when three masked strangers return to menace a family visiting a trailer park in this sequel to the disquieting horror shocker.
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' L* `9 |* X2 ~" D; L& |" e  克里斯蒂娜·亨德里克斯、拜莉·麦迪逊、路易斯·普尔曼加盟新片[陌生人2]。片中三位演员饰演的一家人因在旅行中迷路,误入一处荒凉的公园,不幸被戴着面具的神秘人劫持。约翰内斯·罗伯茨([深海逃生])将执导本片,而2008年本片前作[陌生人]的导演布莱恩·伯蒂诺将担任这部续集的编剧。
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: |/ ]6 x. j8 c3 W, V  A family's road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness three masked psychopaths pay them a visit to test the family's every limit as they struggle to survive. ) U. l0 Z5 h( G% I6 u. H0 |
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  1. DISC INFO:
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  2.   J/ E* O$ o7 C0 J; ^
  3. Disc Title:     The.Strangers.Prey.at.Night.2018.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
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  4. Disc Size:      30,455,469,296 bytes
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  5. Protection:     AACS" F4 [- r9 N, I( E
  6. BD-Java:        Yes
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  7. BDInfo:         0.5.8.7 (compatible layout created by DVDFab 10.0.9.2)  u) u! G5 |/ U+ N7 ]

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  9. PLAYLIST REPORT:
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  11. Name:                   00800.MPLS  : F4 U- l, t5 Q$ F1 V" N
  12. Length:                 1:25:37.882 (h:m:s.ms)2 D- Q( W* ]1 p/ Y# @
  13. Size:                   26,241,398,784 bytes, ]' F3 T/ U/ J: f6 I8 [. `
  14. Total Bitrate:          40.86 Mbps
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  16. Video:
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  18. Codec                   Bitrate             Description     - ?  K" A: H' E/ e6 y: q
  19. -----                   -------             -----------     . E! V& I1 N( g- T) y1 k
  20. MPEG-4 AVC Video        35171 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1 /
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  22. AUDIO:0 F: k2 l4 t/ i- Y  u

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  24. Codec                           Language        Bitrate         Description     1 l! @# f0 V, e) h7 w- f: M
  25. -----                           --------        -------         -----------     + |: c) f* h6 M! y3 H+ b
  26. DTS-HD Master Audio             English         3419 kbps       5.1 / 48 kHz / 3419 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)' K5 E' Q( h. h, O  d
  27. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / Dolby Surround' L& s9 E% k* ^

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  29. SUBTITLES:
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  31. Codec                           Language        Bitrate         Description     ( U' e3 I2 l. {# A
  32. -----                           --------        -------         -----------     2 V/ y1 [; j' D7 \& w* H, U
  33. Presentation Graphics           English         20.981 kbps                     % J' r1 c* V+ J0 b% o: s, q
  34. Presentation Graphics           Spanish         12.95 kbps
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While screenshots should not be used as the end-all, be-all tool used to judge a Blu-ray's video quality, the ones included with this review do at least give an idea of how very dark The Strangers: Prey at Night appears in almost every scene. As the title suggests, the film takes place at night, with the opening minutes the only real reprieve from low light venues offset only by the warm glow of dim lamps, splashes of neon, or vehicle headlights. The good news is that black levels often reach the point of intensive depth, managing to often find that goldilocks level of perfection where shadows are dense and purely dark but details are not lost when they shouldn't be. The image is rather noisy, intensely so in a few places, unsurprising given the film's near relentless low light structure. Colors don't have much of a chance to shine. They're more complimentary than anything in most instances, with even the Dollface and Pin-Up Girl masks are not able to reveal their finer colors with regularity. Cindy's red hair and blue shirt are color highlights when given the lighting opportunity and a poolside scene lit by intense neon lights represents the most agreeable, varied, and vibrant color in the film. Resultantly, details are never able to sing. The transfer largely, by its nature, devours the finer textural qualities that would otherwise be on display, but one of the killer's burlap sack hood finds a good amount of textural intimacy when light allows, while general clothing, facial, and environmental details are capably revealing as the situation permits. The movie is not a visual powerhouse, favoring atmosphere over visual dazzle, but it compliments the movie and the Blu-ray handles it about as well as can be expected, particularly considering the movie's midlevel digital production.
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8 w$ H% F: q" HThe Strangers: Prey at Night features a DTS-HD Master Audio 5.1 lossless soundtrack. The opening music presents with some interesting discrete effects and total stage engagement, making the 5.1 channels at its disposal sound like more. Just as soon as the listener gets into the beat, though, the track goes effectively dead silent.  Music is never shy about expressing itself through multiple channels, whether 80s-inspired score or popular songs from the decade that portend and support various kill scenes. The track offers some good discrete effects beyond music. A heavy-handed beating on the front door in chapter six plays firmly off to the right hand side, for instance. Some throaty engine revs, an explosion, a few gunshots, and various gory sounds are present with top-tier clarity and aggression in well balanced support of the grisly story and scenes. Dialogue never falters in any area of concern.
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