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8 v7 N, r, G) ^◎译 名 环太平洋2:雷霆再起/环太平洋2:起义时刻(台)/悍战太平洋2:起义时空(港)# m8 q# E3 }# w" J- ?3 i
◎片 名 Pacific Rim: Uprising / Pacific Rim: Maelstrom / Pacific Rim 2* P! S- N! a/ Z+ \# m0 D
◎年 代 2018
6 ^& d$ }4 ~; f7 G7 c; j◎产 地 美国/中国大陆
: i% O. y, y6 `) t; ]+ ]' X◎类 别 动作/科幻/冒险
6 i% k) [" D6 ^* O6 b; z◎语 言 英语/汉语普通话
0 a2 T# ]/ N( E) d9 _' _◎上映日期 2018-03-23(美国/中国大陆) `* n; `7 E" _% s% a0 I/ c0 G
◎IMDb评分 5.7/10 from 47,216 users
8 P2 z# v3 X+ G◎IMDb链接 https://www.imdb.com/title/tt2557478/: m2 X4 w; ?6 u9 D( E. ]/ e$ I
◎豆瓣评分 5.7/10 from 107,604 users! w; i& @ J& H/ l* a( u5 K$ t# W
◎豆瓣链接 https://movie.douban.com/subject/20435622/
u; F3 h! A9 h' ^, }" \) C◎文件格式 x264 + TrueHD
- R& K- s5 h6 D5 i# h& t* J! A◎视频尺寸 1920 x 1080
* s5 K8 `: q/ c0 W◎文件大小 1DVD 45.74 GiB
" C0 F1 b3 i1 C( G◎片 长 1:50:41.926 (h:m:s.ms); R8 u* X+ X6 ^6 G$ W% m, u9 {
◎导 演 斯蒂文·S·迪奈特 Steven S. DeKnight8 o3 S: k( z% k! X a
◎编 剧 斯蒂文·S·迪奈特 Steven S. DeKnight
) ]$ z" x& |1 Z- x 艾米丽·卡迈克尔 Emily Carmichael
: t5 {5 z, ?/ N9 i6 g$ D 吉拉·斯奈德 Kira Snyder
1 b: |# Y0 T4 g+ A T·S·诺林 T.S. Nowlin& t& g" U5 t0 Z
特拉维斯·比彻姆 Travis Beacham
, y: G" @ Z4 [1 W6 E◎主 演 约翰·博耶加 John Boyega
# q- E' }6 w7 U) x 斯科特·伊斯特伍德 Scott Eastwood
; p5 y: l* Z1 e2 A& f' c. k9 | 卡莉·史派妮 Cailee Spaeny
% g* U, B% k: u {- r 景甜 Tian Jing
6 b$ d9 x2 h- ]8 l0 }) \# m 查理·戴 Charlie Day
' k* I# x1 ?+ C' d: | 伯恩·戈曼 Burn Gorman
& m# A3 b* E7 t+ m3 b2 d: h 张晋 Max Zhang# F# f0 K' f$ r `
亚德里亚·霍纳 Adria Arjona
8 x8 J# U. D$ |" p; ^% [0 h 菊地凛子 Rinko Kikuchi
7 [; ^7 [: e8 q3 K# [: `, y 卡兰·布拉尔 Karan Brar
+ F/ l6 v0 `5 {9 `7 G& ~ P& R0 r 黄恺杰 Wesley Wong. q/ ]9 o; G5 K2 G
伊万娜·萨赫诺 Ivanna Sakhno
m0 C; d( b! L7 j 新田真剑佑 Mackenyu
0 ^1 l _6 Y+ |/ a 吉丽 Lily Ji
$ G' T- o2 b6 ` Q 雪莉·罗德里格斯 Shyrley Rodriguez6 @* ^( E$ h3 M" H' T
拉哈特·亚当斯 Rahart Adams7 F0 R$ X3 v- k( v( U) ^. {+ T9 c ]
列维·米登 Levi Meaden- \6 h* s( j, S* Y0 ]1 a% p
达斯汀·克莱尔 Dustin Clare
/ y5 b, H3 W9 e ?5 S) \ 陈梓童 Queen T
; u2 ~8 b; ?" s3 U8 {( s 于小伟 Xiaowei Yu4 o: s8 S# s4 n9 U
钱泳辰 Yongchen Qian
6 {$ g, ^/ l. y. p2 q. P1 }+ @ 郭家铭 Jiaming Guo" S: q, L, K2 O5 {! o9 o m, h1 [
蓝盈莹 Lyric Lan
0 Z4 L7 g; ?! _$ n& c# _ 金桢勋 Jeong-Hoon Kim
' w# c# M; s0 w/ h 菊池润美 Rumi Kikuchi) `$ n' @% N! v: R5 \: o
丹尼尔·弗雷里格尔 Daniel Feuerriegel( V' @6 f' ?" b
齐柏林·汉密尔顿 Zeppelin Hamilton0 [# h. h) }7 L! f3 D6 C( z
尼克·塔拉贝 Nick E. Tarabay1 t2 G# R) m, U" y& _- N
布里德基·萨蒂纳 Bridger Zadina
6 [4 _. W) A) o" L. C8 \( { 小蒂姆·约翰逊 Tim Johnson Jr.2 b0 ^0 Q# K. b K1 r
玛德琳·麦格劳 Madeleine McGraw+ g1 V/ j0 h4 ^" W% g- j5 w
乔什·斯坦伯 Josh Stamberg5 W5 P' z1 a: i) m! i( p
斯蒂芬妮·阿琳 Stephanie Allynne
; \8 _. I; a1 K9 ~. U! f( w3 I8 B 卢克·朱迪 Luke Judy7 d8 \0 p' W! g+ Y
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◎简 介
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在对抗外星人的入侵并成功封住虫洞的十年后,人类从废墟中站起来。他们忘记了恐惧,纵情狂欢,其中便包括斯特克·潘特考斯特将军的儿子杰克(约翰·博耶加 John Boyega 饰)。在一次偷到废弃机甲零件的过程中,他偶然遭遇以一己之力组装迷你机甲的少女阿玛拉(卡莉·史派妮 Cailee Spaeny 饰)。此后,在姐姐森麻子(菊地凛子 饰)的安排下,杰克和阿玛拉莫玉兰基地接受机甲驾驶员的培训工作。与此同时,总部位于上海的邵氏集团,在总裁邵丽雯(景甜 饰)的主持下,正致力于以无人机甲取代传统机甲。就在这关键时刻,一个与复仇流浪者极其相似的黑色机甲突然出现,并向人类展开了无情杀戮。9 p. d- x5 d" ?" c6 {4 r) I% |
) G( t8 K# C5 d! n& j) k) t 人们发现,遥远的外星“先驱”仍在蠢蠢欲动,时刻等待着消灭地球人的时机……3 M2 z8 J4 K$ {% A+ u
: i% t' |( g( U1 n- F" t Jake Pentecost, son of Stacker Pentecost, reunites with Mako Mori to lead a new generation of Jaeger pilots, including rival Lambert and 15-year-old hacker Amara, against a new Kaiju threat.
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; ~" O* R7 P% Z" C◎获奖情况% `( G" r8 x* p. ]3 F/ T
5 O9 K* N3 u0 B7 a* o' H) J 第4届豆瓣电影年度榜单 (2017)
% a7 a! v8 z3 C- p7 U* Q 最值得期待的外语电影(提名)
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- DISC INFO:
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7 k E: A' N. Z7 n3 u: H- Disc Title: Pacific.Rim.Uprising.2018.1080p.3D.BluRayCD.AVC.TrueHD.7.1.Atmos-FGT
( Y: E) G G; a. k5 k - Disc Size: 49,117,460,480 bytes
! K3 z) I, v, g$ j$ {% U0 q - Protection: AACS
1 x- O% d; J, \( f1 O1 J: c! j. ]0 B - BD-Java: Yes ^" ?% d* X' k* [. Y* ~1 D8 j! y
- Extras: Blu-ray 3D' P" P" ^# M2 B1 K- p
- BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.9.2)' `8 \) i& u; R, \( d: \& y
0 A. @9 y! M( q( G- PLAYLIST REPORT:: P/ R& c9 {3 J6 v; v$ X
i! X; J) |( `0 ~% n3 W- Name: 00800.MPLS $ Z; N8 K: F) G% z8 g( |& S
- Length: 1:50:41.926 (h:m:s.ms)" p" s- P4 `$ f1 X
- Size: 40,360,034,304 bytes
7 e% @: z& k$ y - Total Bitrate: 48.61 Mbps% ~6 A: \7 @7 c& r9 o( j' m) V7 D+ C
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- Video: H7 g& h/ I" i. @* S4 y
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- ----- ------- ----------- / J# l8 y5 t1 S( n' ~- `( k$ d3 M
- MPEG-4 AVC Video 26374 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1 /
1 P* P% I. H6 ^6 v5 B/ U/ p - MPEG-4 MVC Video 12062 kbps 1080p / 23.976 fps / Multiview Profile 4.1 /
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- AUDIO:
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- Codec Language Bitrate Description
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- Dolby Atmos/TrueHD Audio English 4449 kbps 7.1-Atmos / 48 kHz / 4449 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 448 kbps)- `. A r7 m1 C# M: M
- Dolby Digital Plus Audio Spanish 768 kbps 7.1 / 48 kHz / 768 kbps (AC3 Core: 5.1 / 48 kHz / 448 kbps ( Core: 5.1 / 48 kHz / 448 kbps))
1 v0 L2 `) ^; x& T& k% m |: m - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps5 D! P6 y7 h, N" \
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround" a# S! w8 c4 ]+ `/ p1 L7 u
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround* C* p7 `' v1 ?
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- SUBTITLES:9 X/ \4 a$ V* W# g/ ^
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9 p6 L5 T' P( J% |9 h - Presentation Graphics Spanish 30.537 kbps 9 x, e7 q: k( w6 B( ?2 z, m& n! r
- Presentation Graphics French 31.86 kbps
+ C* u& A* |4 j& H4 R9 c9 B; O' y - Presentation Graphics Spanish 1.671 kbps
" |+ _% W- B: Z2 }; T - Presentation Graphics French 2.235 kbps
复制代码 Pacific Rim: Uprising 3D Blu-ray, Video Quality
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L# D2 B5 T% a' n2 r9 `0 l4 g4 F* dPacific Rim: Uprising's 3D presentation is sourced form a 3D conversion. While it's not a reference 3D picture, it's an enjoyable one, finding a nice blend of general depth and spacing while offering the occasional burst of extra-screen activity to compliment and punctuate various moments, mostly in battle. There are a number of enjoyable effects inside the Jaeger cockpits in which the extra volume 3D allows aids in transporting the viewer inside the mech to experience not just the shape and volume of the holographic displays but also holographic weapons and debris -- essentially on-the-fly digital recreations of what's within the Jaeger's external field of view -- that give the pilots a sense of what's actually happening around them. Missiles and other projectiles zoom through the screen with a positive feel of movement from one end to the other. Debris often flies around with positive deep and extra-screen presence, and at one point in chapter seven Gipsy Avenger tosses a collection of cars and other objects at an enemy to fine, audience-flinching result. Snow appears to float out beyond the front off the screen in chapter 10, and during an action sequence in that same chapter, a barrage of missiles shoot outwards and upwards from ice with a very impressive extra-screen push until they reach their aerial zenith before falling back down to earth. The final battle offers a nice array of one-off 3D moments, including an enemy tentacle that punctures a Jaeger cockpit within the 90 minute mark and does so with a fast, dangerous, and aggressive poke that seems to push right out of the screen.% ?, ?9 ^' e4 s4 O$ Q
% i. r- l9 S4 ^/ lGeneral depth and spacing are enjoyable. A couple of very long perspective shots -- one exterior facing downward, one immediately following of an interior facing upward -- at the 58 minute mark offer some of the most impressive vertical real estate stretch in the movie. Horizontal depth is enjoyable, whether in small confine rooms or much more expansive vistas, whether empty snowy locales or battle-worn city streets. Most scenes offer some sense of general perspective, though there are a few that fall relatively flat, as characters don't necessarily stand apart from their backgrounds or viewers just don't experience the same sense of expansion as experienced in other scenes. But such are more an exception rather than a rule. Character volume -- human, Jaeger, or Kaiju -- is decent as well, but not always exacting.7 s: c$ T1 E8 u) d$ Y& f
' U$ z6 ^, |) `1 C% F2 [/ \: eThe image appears to lose little, if any, textural nuance or color stability and saturation under the 3D process. The film is very colorful, notably holographic displays and various weapons (particularly orange-outlined swords) which reveal impressive color punch. Skin tones and black levels hold up well, too. For a conversion 3D presentation, this one's not bad. It's far from perfect, a handful of disappointingly flat moments are scattered throughout, but overall there's a good general screen depth, environmental and character volume, and some nifty extra-screen goodies on tap. 3D fans should be satisfied, but probably won't be completely thrilled.8 h8 m3 U: ~2 E2 @7 J
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Pacific Rim: Uprising 3D Blu-ray, Audio Quality - S1 L/ k$ V+ G8 F" K, K
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Pacific Rim: Uprising's Dolby Atmos soundtrack: not bad. The track struts its stuff right form the beginning. Impressively large, buoyant music, easy-come surround integration, and superbly authentic tinny reverberation inside the dense, metallic, abandoned jaeger facility all converge into a gloriously detailed presentation that takes full advantage of every square inch off speaker real estate offered to it. There's a remarkable precision to every sound effect in the movie, each one perfectly engineered for precise volume, placement, and careful attention to dynamics as they relate to any given location, situation, or circumstance. Action scenes deliver a steady stream of surround-intensive and booming effects. While bass does not reach the pinnacle of potent, there's no denying the track hits hard, spreads wide, and absolutely saturates the entirety of the stage with a precision of positioning that's essentially second to none. Perhaps more so than any single uni-position sound, it's the track's ability to handle movement that is its highlight point. Projectiles rush through the stage with both speed and depth, and the top end is used effectively; a tumbling Jaeger at the 62 minute mark seems to actually fall into the stage from the top down. Flying craft move through the top layer in chapter 14. The final, extended action scene is never shy about sending objects, large and small, slow or fast, through every speaker with uncanny precision that perfectly aligns with the on-screen action. Light ambient effects are pleasantly complimentary of the movie, and dialogue remains always true with clarity, positioning, and prioritization all in perfect working order.
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