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A former Imperial Russian general and cousin of the Czar ends up in Hollywood as an extra in a movie directed by a former revolutionary.; P) C& n* b2 P: Z* R( ~) w
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2 Z8 K: S2 W& k* E5 f◎译 名 最后命令- B9 `. V6 i7 l% {3 Y- K) ~
◎片 名 The Last Command h. j5 n4 ?% T0 J9 r9 M
◎年 代 1928
* B3 l( ]3 _: M# v◎国 家 美国
3 M: T8 W) k# j {* c◎类 别 剧情/冒险' c. C8 R9 N! w
◎语 言 英语/ S* ^ c7 q' `/ [9 g* X7 l! ^
◎上映日期 1928-01-22(美国)/1928-09-24(芬兰)
: e: _0 u. U' f; i; E◎IMDb评分 8.0/10 from 2,837 users
7 w. x0 B7 `/ C# O3 J0 I◎IMDb链接 http://www.imdb.com/title/tt0019071/
7 H: F9 m/ z8 d. s6 b* l◎豆瓣评分 8.2/10 from 531 users- H7 d- x/ h/ ~6 l5 G4 H& t
◎豆瓣链接 https://movie.douban.com/subject/1292539/. {3 c8 W# t- t9 W- @- @
◎文件格式 x264 + LPCM
" ]+ Z7 q$ r# o7 b◎视频尺寸 1920 x 10800 y" n P# O* Y4 N
◎文件大小 1DVD 37.40 GiB- e3 b) R( K9 e9 t8 M
◎片 长 1:28:19.627 (h:m:s.ms)
6 C7 S! ^& [6 }! S" l; ^◎导 演 约瑟夫·冯·斯登堡 Josef von Sternberg& C7 \8 u! z+ k
◎编 剧 约翰·F·古德里奇 John F. Goodrich
# E7 d& ^- O* j; c) u; s4 g 赫尔曼·J·曼凯维奇 Herman J. Mankiewicz- P7 [$ T2 K6 V/ a) K
拉约什·比罗 Lajos Biró
- P( `% J: S2 w* o0 \3 {◎主 演 埃米尔·雅宁斯 Emil Jannings
' U, k+ y1 O: B 艾弗琳·布伦特 Evelyn Brent
. g4 e& P# `# H) g) ?; X0 n 威廉·鲍威尔 William Powell. h( \) x, P, L3 a" k
杰克·雷蒙德 Jack Raymond4 T' t! Z6 Y+ K' I# s/ \2 Z
弗里兹·费尔德 Fritz Feld- s! B, q. C8 p0 W2 C
, `9 l" P& w- p8 z7 O# B; k. M$ C◎简 介
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一个临时演员被召去在一部关于俄国革命的电影中扮演一名将军,然而,他并不是一位普通的临时演员,他就是谢尔盖·亚历山大,尼古拉斯沙皇时期的一位前将军。他在1917年共产主义革命后从俄国军队里逃到了好莱坞。现在,为了使电影的导演,一个也曾参加过俄国革命的人满意,他被迫要去重新 经历那一段曾带给他无穷苦痛的生活。这一次,这个倒霉的将军有机会去“赢得”那曾经一败涂地的战役。电影闪回到亚历山大在俄战中的艰难生活。他感到无论他怎样努力,似乎都无法阻止历史的车轮滚滚向前。但是有一个女孩理解他,因为他的强烈的爱国精神和正派的行为,这个女孩爱上了他…… b( f$ F; G" P M( c
/ h3 ?7 @+ n9 z+ f6 T& Z A former Imperial Russian general and cousin of the Czar ends up in Hollywood as an extra in a movie directed by a former revolutionary.* r1 u$ z7 w8 x
( g) q, \: w) S4 Q◎获奖情况
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第1届奥斯卡金像奖 (1929)4 K! D- x% P6 ^5 r3 x4 b
最佳男主角 埃米尔·雅宁斯
: {/ Y% q2 a* _# H 最佳原创故事(提名) 拉约什·比罗
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- DISC INFO:
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- Disc Title: The.Last.Command.1928.1080p.BluRayCD.AVC.LPCM.2.0-FGT
" k4 c, P- D+ r( b - Disc Size: 40,155,369,361 bytes2 H1 J" I r* `$ ^- z$ D$ r
- Protection: AACS3 n. a, ]$ A. @/ D) p
- BD-Java: No
; ~# J# I2 z1 I: F - BDInfo: 0.5.8
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: F) i6 R4 o$ F9 ?7 E i- PLAYLIST REPORT:
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- Name: 00005.MPLS
" T; ~/ v) Y' a( g* b - Length: 1:28:19.627 (h:m:s.ms)% p I3 m3 k+ G T
- Size: 25,996,235,904 bytes/ W+ |4 E6 w! N- n* Q! R9 M; U
- Total Bitrate: 39.24 Mbps
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- Video:
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- Codec Bitrate Description . n' M- ~* |* O0 M: b& E
- ----- ------- ----------- 6 R( i0 U; t& s% M* G
- MPEG-4 AVC Video 35182 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1! b2 m) C' S1 ^% c2 a
; t4 u" n- Z- S8 r/ ^% M' q- AUDIO:
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% j4 O, S/ R0 W+ Q/ ^+ h# J- Codec Language Bitrate Description & h0 L( y' Y; O1 N% ?! l8 O$ _
- ----- -------- ------- ----------- ! j2 V; b1 v4 S, |( b& u. O3 `) {
- LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
复制代码 The Last Command Blu-ray, Video Quality
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All of the presentations included in 3 Silent Classics by Josef von Sternberg are presented on Blu-ray courtesy of The Criterion Collection with AVC encoded 1080p transfers in 1.33:1. The expansive insert booklet included in this set lumps all three together in their informational page devoted to the transfers, with the following verbiage:All three films are presented in their original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. These high definition digital transfers were created on a Spirit HD DataCine, with density correction done on a da Vinci 2K. Underworld's transfer was created from a 35 mm fine grain positive, The Last Command's from a 35 mm duplicate negative, and The Docks of New York's from a 35 mm fine grain master positive. Thousands of instances of dirt, debris, scratches, splices and warps were manually removed using MTI Film's DRS, while Digital Vision's Phoenix was used for flicker and small dirt. Though The Last Command shows the same levels of pretty ubiquitous damage and age related wear and tear as the other two films in this set, perhaps because it was sourced from a dupe negative rather than a fine grain positive this is probably the grainiest and fuzziest looking presentation in the set. Scratches, nicks and other prevalent signs of damage are virtually nonstop, but the film also features a very heavy grain field which can contribute to the masking of fine detail at times. Contrast isn't quite as convincing as in the other two presentations, and some of the intertitles, which I assume were originally against black backgrounds, can look a bit on the milky side. There are a few abrupt changes in clarity and brightness. My score is 3.25.
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4 x# n( y+ M& e0 O+ w( J: I% p- ^" bThe Last Command Blu-ray, Audio Quality
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# e5 _/ K& y" Q) p! ZAll three films included in this set feature two different musical soundtracks delivered via LPCM 2.0 tracks. All three films feature scores by the reliable Robert Israel, with two of the three, Underworld and The Last Command , also featuring a score by the Alloy Orchestra, and the third, The Docks of New York, also featuring a score by Donald Sosin. As mentioned in the Supplements section of the overarching 3 Silent Classics by Josef von Sternberg Blu-ray review, there are some interesting comments by the composers included in the insert booklet which may be of some interest to fans. The Israel scores are inventive orchestral pieces, often quite boisterous. The Alloy Orchestra scores are a bit more experimental in nature, but are often surprisingly similar to Israel's in terms of orchestration and even general musical ideas presented. The Sosin score is more of a piano based work and also features a vocal by Joanna Seaton. Fidelity is fine and problem free throughout all scores, with a nicely burnished tone in the orchestral offerings and a slightly bright but never really brittle ambience to the piano based score. I noticed no issues whatsoever with regard to distortion, dropouts or other damage.9 R2 _' S- O2 A. m8 o: U
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