失心病狂/疯·魔/疯人院 [4K UHD蓝光原盘] Unsane 2018 2160p BluRaycd HEVC DTS-HD MA5.1-TERMiNAL 56.70GB

◎译　　名　失心病狂/疯·魔(港)/疯人院(台)/荒诞/表演者
◎片　　名　Unsane
" H# Y& |0 a3 ~4 n8 }9 a8 f. P◎年　　代　2018
* }4 B4 B, V. A  V◎产　　地　美国
◎类　　别　剧情/惊悚/恐怖
, U8 S( i5 j, A◎语　　言　英语
◎上映日期　2018-02-21(柏林电影节)/2018-03-23(美国)
1 y1 [* N) U/ a, g◎IMDb评分  6.6/10 from 10,643 users
  H* Q" m9 H- E- l, m" w◎IMDb链接  https://www.imdb.com/title/tt7153766/
◎豆瓣评分　6.5/10 from 1,429 users
3 p0 y$ G* }6 f& ]1 p2 b◎豆瓣链接　https://movie.douban.com/subject/27092551/
3 V- j/ b+ d/ j◎文件格式　x265 + DTS
& z5 |6 z% c4 ?+ V" \5 F◎视频尺寸　3840 x 2160
◎文件大小　56.71 GiB
/ x0 p. E' q' ~# a3 \% s◎片　　长　1:38:11.510 (h:m:s.ms)
/ E: H2 O$ D9 d4 D; a2 K# p◎导　　演　史蒂文·索德伯格 Steven Soderbergh
& c5 G- D4 p" N5 R( J◎编　　剧　乔纳森·伯恩斯坦 Jonathan Bernstein
- U% b3 R: s; i& H　　　　　  詹姆斯·格里尔 James Greer
9 ^3 U1 _$ ]! h$ b9 E6 Y◎‭主　　演　乔舒华·莱纳德 Joshua Leonard
& Z3 h% W2 x! m) d2 Y, }# r& e　　　　　  克莱尔·芙伊 Claire Foy
  x4 y, Q0 @) f: [5 s　　　　　  莎拉·斯蒂尔斯 Sarah Stiles
　　　　　  马克·库迪奇 Marc Kudisch
1 O: s; u& V  v. o# V- d  s8 G‭　　　　　  艾米·欧文 Amy Irving
8 N/ \: u; a  i) _) z　　　　　  科林·伍德尔 Colin Woodell
　　　　　  迈拉·卢克利希亚·泰勒 Myra Lucretia Taylor
　　　　　  琳达·茂泽 Lynda Mauze
1 j- `$ U1 {7 G* D( Y& O1 d　　　　　  扎克·切利 Zach Cherry
! r( l1 d3 l9 z( r/ g7 j. V　　　　　  波莉·麦基 Polly McKie
4 B' x  p1 ~& m5 K5 H. C　　　　　  ·费罗尔 Jay Pharoah
　　　　　  劳尔·卡斯提洛 Raúl Castillo
　　　　　  朱诺·坦普尔 Juno Temple
　　　　　  迈克尔·米姆 Michael Mihm
3 m# A5 z' w* ]9 F( g　　　　　  罗伯特·凯利 Robert Kelly
　　　　　  吉普森·弗雷泽 Gibson Frazier
　　　　　  埃林·维赫米 Erin Wilhelmi
　　　　　  艾米·穆林斯 Aimee Mullins
, G* A) h/ w0 \　　　　　  约瑟夫·莱迪 Joseph P. Reidy
. P& u! i. h) y4 `  c+ y0 b4 E◎简　　介  

" C& G4 W- c! P# n$ D, _- B3 h 　　A young woman is involuntarily committed to a mental institution where she is confronted by her greatest fear--but is it real or is it a product of her delusion?

　  讲述了一个年轻女孩，一个年轻女人为了摆脱混乱的过去离开了家乡，无意中被送进了精神病院。在面对如何“逃出去”的自我命题之下，对她而言，似乎还潜藏着更大的恐惧 — 她似乎正在失去判断这一切到底是真实的存在还是自己的臆想的能力……影片以一种扭曲的视角和惊人的故事向我们问出了关于我们对于现实的认知，我们的生存本能以及本该保护我们的系统的问题。

4 ]) V/ P( z. i+ u 　  Unsane unleashes Steven Soderbergh's inner B-movie maestro, wading into timeless psychological thriller territory and giving it a high-tech filmmaking spin.
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1. DISC INFO:
   
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3. Disc Title:     Unsane.2018.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-TERMiNAL
   
4. Disc Size:      60,897,082,901 bytes
   
5. Protection:     AACS2
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6. BD-Java:        Yes
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7. Extras:         Ultra HD
   
8. BDInfo:         0.5.8.7 (compatible layout created by DVDFab 10.0.9.7)
   
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10. PLAYLIST REPORT:
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12. Name:                   00800.MPLS  
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13. Length:                 1:38:11.510 (h:m:s.ms)
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14. Size:                   58,561,136,640 bytes
    
15. Total Bitrate:          79.52 Mbps
    
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21. MPEG-H HEVC Video       72669 kbps          2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
    
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27. DTS-HD Master Audio             English         3122 kbps       5.1 / 48 kHz / 3122 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
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33. Presentation Graphics           English         42.233 kbps                     
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34. Presentation Graphics           Spanish         33.438 kbps                     
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35. Presentation Graphics           French          33.815 kbps

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Unsane 4K Blu-ray, Video Quality


" C3 C& n3 o  Y- @  eThe included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.

If the moral of the story is "know what you're signing," the moral of Unsane's technical presentation is "you too can make a movie!" (or not). The always experimental, cutting-edge Steven Soderbergh shot the film -- entirely -- on an iPhone 7 Plus, reportedly only with the aid of a Moment Lens. Obviously it wasn't captured entirely handheld and the footage underwent some level of post-production software tweaking, but it's essentially just a camera phone movie at its center. And watching the movie, it makes sense. With so many tight perspective shots and cockeyed angles where a bulkier camera might not fit, the comparatively diminutive iPhone can essentially be positioned just about anywhere to capture anything. With proper lighting and Soderbergh's keen eye for complimentary visual perspective, it works, and rather seamlessly at that.
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" f. c: Z0 `" o& i8 s+ bAnd that would not seem to be an ideal candidate for a UHD release, even if the movie was, again reportedly, shot and finished at 4K. But it's immediately obvious, without comparing to the Blu-ray, that the film does benefit -- substantially in some ways -- from the UHD resolution and HDR-10 coloring. The HDR color grading makes the biggest, most immediately obvious impact. Take a look at an early movie scene in which Sawyer sits on a bench, eating her lunch while video chatting with her mother. The intensity of the blue sky and her blue business suit and the leafy greens behind her command the screen with a significant increase in saturation and vitality over the Blu-ray. The scene is absolutely transformed on the UHD format. And it's not just a one-off bit of visual trickery with a particularly well composed scene and opportunity for large swaths of color dynamics to pop. The entire film finds a new gear with the HDR grading, which includes black level depth, which is more refined and absorbing on the UHD, and without killing any shadow detail (though certainly some darker scenes are still limited by the iPhone's ability to handle some more challenging conditions, but look at the very beginning of chapter 11 for an example of the black level's upward trend).

There is a noticeable add to clarity and sharpness as well, though it's not quite as dramatic as the HDR grading. Skin textures are a bit more firm with increased depth. Clothes are more finely revealing and environments throughout the facility, whether the sleeping room, chairs and walls in the cafeteria, or the padded cell, all enjoy a firm uptick in clarity and textural efficiency. The grain structure, which was probably added in post, appears complimentary and nicely resolved.  Macroblocking is still a pronounced artifact and is plainly visible in some scenes. Banding and aliasing are also minor concerns.
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6 n- A: K/ k# G5 K2 wUnsane 4K Blu-ray, Audio Quality

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Unsane features a DTS-HD Master Audio 5.1 lossless soundtrack (which is also the sole track included with the companion, day-and-date Blu-ray release as well).  The film's sonic needs are met with this configuration, and it's doubtful that a more expanded -- rearward (7.1) and/or upward (Atmos, DTS:X) -- track would have made any discernible difference. The opening shot offers a satisfyingly wide dispersal of natural ambient activity, followed by the film's title sequence which delivers firm piano keystrokes, quickly intermixing some positive low end bass effects and additional musical cues. End credits music is also well versed in stage saturation and clarity, too. The track plays with bursts of intensity breaking up the more naturally cadenced dialogue scenes, such as when Claire is drugged on her first night in the asylum, the scene defined by screaming, piercing elements harmoniously poking and protruding all over the stage. Later in chapter 10, a more disorienting, scratchy, unkempt, but effectively wild burst of intensity accompanies another scene in which she is drugged. Light ambient effects, such as buzzing fluorescent lights, help various scenes to more casually, but critically, absorb the listener into the location by delivering balanced, effective, immersive little bits. There appears to be a very slight lip sync issue, at times, though with the movie's structure it's hard to say if it's intentional or accidental. Dialogue is otherwise fine. It's a little tinny during a key conversation inside a padded room in chapter 15 but it's otherwise well positioned and prioritized, clear with no other distortions of note.
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7 ]. D; p- a( `, ]Note that the DVS track found on the Blu-ray is not included on the UHD.
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