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$ Z4 {4 A/ |& Z◎译 名 真实的谎言/真实谎言/魔鬼大帝：真实的谎言
5 b. e1 f+ I0 A/ S◎片 名 True Lies. i( @7 ^% l4 u" B
◎年 代 19945 [& F0 ^& y. X* P) P
◎产 地 美国
4 k* R2 N! ?* }( I◎类 别 喜剧/动作/惊悚2 ?$ c1 H3 Y3 r3 X
◎语 言 英语/德语/阿拉伯语/法语
- ^: Z" ]; m0 A- H, H◎上映日期 1995-04-20(中国大陆)/1994-07-15(美国)/1994-08-12(英国) # R# v V' k3 }2 l
◎IMDb评分 7.2/10 from 231,481 users+ h: A2 h% W) N2 O3 k) \) x5 H! q
◎IMDb链接 https://www.imdb.com/title/tt0111503/& ^8 p; @: N1 v! i. R. o
◎豆瓣评分 8.2/10 from 130,247 users/ b7 A2 ]& O- ^; L( V0 R4 q
◎豆瓣链接 https://movie.douban.com/subject/1292553/5 K l) K. D9 Z* V% l
◎片 长 2 h 20 min
6 P- y2 \1 ~, r2 L. p* {; X" ]◎导 演 詹姆斯·卡梅隆 James Cameron
S. K0 u5 b. u J◎编 剧 詹姆斯·卡梅隆 James Cameron
* O- d6 X2 Z% L- u7 }: @◎主 演 阿诺·施瓦辛格 Arnold Schwarzenegger
& E0 i& l& |: ^6 \: ] 杰米·李·柯蒂斯 Jamie Lee Curtis
) H+ n5 v* m( Q: K 汤姆·阿诺德 Tom Arnold
% ?4 Y9 e0 N" p/ k7 n2 f' w/ g$ c 比尔·帕克斯顿 Bill Paxton
# D. g, r0 Y# q 蒂亚·卡雷尔 Tia Carrere
. i2 ?" M# J4 @) b1 ] 阿特·马里克 Art Malik. d- E( U# v+ d5 }" M; t6 ]2 ~, {
艾丽莎·杜什库 Eliza Dushku
: c6 M5 W' V3 l 格兰特·赫斯洛夫 Grant Heslov
& \# _. f) N. a( O 查尔登·海斯顿 Charlton Heston7 [ Q! t2 f }( \2 ]$ ]" k3 g
马绍尔·曼尼什 Marshall Manesh
8 {) G+ |7 ~5 q% s# S5 R. z* P 詹姆斯·艾伦 James Allen9 \3 R& L" l% Y7 S# V4 w2 R0 ^/ e
迪特尔·劳特尔 Dieter Rauter
! n- b, K3 }1 Y' i+ B7 | 简·莫里斯 Jane Morris0 x8 R% ~6 w3 n& l' ^1 K4 G
卡齐·查普尔 Katsy Chappell9 q0 P1 I' ^6 D: L2 Q5 ]' H; y# R7 W
克丽丝蒂娜·怀勒 Crystina Wyler0 C4 H" b$ l2 X! y
奥弗·萨姆拉 Ofer Samra" V8 F2 K% P6 Z7 n& I6 d
, x) w1 Z1 A1 x+ x: U% v◎标 签 动作 | 美国 | 经典 | 特工 | 喜剧 | 1994 | 阿诺·施瓦辛格 | 电影! T% Q8 i. b/ @3 t, g8 D" S
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◎简 介
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哈里（阿诺·施瓦辛格 Arnold Schwarzenegger 饰）是美国FBI的高级特工，他正在奉命调查一起跨国核武器走私案件。出于安全考虑，哈里连结婚15年的妻子海伦（杰米·李·柯蒂斯 Jamie Lee Curtis 饰）都没有告诉他的真实身份。6 m7 a. y8 X5 h4 m
: r; b, h6 w0 P6 L4 @( T& x 海伦是一名普通白领，平凡的生活已令她心生厌倦。一次，汽车商西蒙假扮FBI特工，溜到海伦家谎称自己被人追杀。紧张刺激的经历很快令海伦着迷。: [! N6 R7 Q. E0 J U) A" n
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这一切都没有逃过真正的FBI特工哈里眼睛。哈里利用间谍侦查手段令到西蒙洋相百出，并化妆成法国人正欲调戏海伦时，被恐怖分子突然袭击，两人被挟持到一个热带小岛。哈里和海伦最终能否逃出生天，挫败恐怖分子阴谋？
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3 C8 X" o! [4 Z. W+ W7 i A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used-car salesman while terrorists smuggle nuclear war heads into the United States.: C' y# d5 G. ?- U' W {
9 I7 v& ^0 J- B! e. `' \; |# H◎获奖情况 1 u0 k7 u, I# s# T4 k" H0 a* n
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第67届奥斯卡金像奖(1995)
7 T5 ^" ~+ [( Z1 A2 l 最佳视觉效果(提名) 约翰·布鲁诺 / 托马斯·L·费希尔 / 雅克·斯特罗维斯 / Pat McClung9 u, i1 B- }$ q; j6 q! j
8 ]# O" ~0 l. F2 R: n- c z 第48届英国电影学院奖(1995)
" W ]& j9 e+ o r6 s 电影奖 最佳特殊视觉效果(提名) 雅克·斯特罗维斯 / 托马斯·L·费希尔 / 约翰·布鲁诺 / Pat McClung / Jamie Dixon
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第18届日本电影学院奖(1995)2 @# s2 A2 n. o
最佳外语片(提名)
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1 v( [& V5 f: B& n00:01:11.774 : en:Lake Chapeau
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00:14:28.904 : en:That\'s It for Mr. Renquist4 x4 s& \) {# }) }
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/ ~8 K) @% R: m) ]! u0 V! l: q; s00:18:59.007 : en:Not Just a River in Egypt- q- j% T5 B- M0 Y0 O3 i( D, @
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8 k M* r, {, `6 O1 f# ?& }0 J00:23:29.344 : en:The Renquist Front- R7 J2 B3 I5 {3 ]7 L8 y
00:27:09.697 : en:The Problem with Terrorists% Y) S7 h, b% \9 E
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00:32:01.422 : en:My Horse Is Getting Tired
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00:58:50.563 : en:A Misappropriation of Sector Resources, @& v! K, ~0 F1 _3 j: C; p
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# n1 q# k3 G4 F3 q9 n* i) p01:15:08.540 : en:An Envelope Marked Doris
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Color space : YUV' F% B9 ?( W- M
Chroma subsampling : 4:2:0
1 ?( v/ @; E/ R/ SBit depth : 8 bits
! f; x1 j0 A1 j, P2 }) \2 l% RScan type : Progressive3 \2 b# h3 M9 n' B
Bits/(Pixel*Frame) : 0.311* E/ ^2 ?! H: P# J8 y) q
Stream size : 11.3 GiB (91%)
+ M9 F1 X) g$ u; y5 lTitle : True.Lies.1994.1080p.BluRaycd.x264.DTS-FGT
( F# X& R5 c; l& ~( q6 z3 n# |4 oWriting library : x264 core 148 r2748 97eaef20 ?+ ?& c2 E; R' @+ \8 h
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Language : English
& |- P( y/ |- ]% ]0 Y$ `, UDefault : Yes
- o0 o, s4 O$ `Forced : No
! I" Y0 }5 f$ y. T* R9 r& `) W6 l" Y# j! k/ ~ [4 q. `% x
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2 o8 @. P0 i3 a- w/ gFormat/Info : Digital Theater Systems$ e \' j7 Z M* ~, a1 Y% [
Codec ID : A_DTS( M3 ^% f2 ^' S2 H! R
Duration : 2 h 20 min% a9 G" ?9 F( f5 c `( C% T
Bit rate mode : Constant, _6 Z* }, z! @/ h
Bit rate : 1 152 kb/s
) I6 ^0 q0 O# K2 ?Channel(s) : 6 channels
1 \; f( J# e! q* {1 y" Y5 wChannel layout : C L R Ls Rs LFE g) I! l5 _% C9 {% E6 k0 V
Sampling rate : 48.0 kHz
' M- u% D# q! l6 f/ d2 JFrame rate : 93.750 FPS (512 SPF)
; U( y" p$ w& b" i5 Y0 @9 D, a* o2 aBit depth : 16 bits2 M4 y* @- ^. F' s9 j" h) r' o6 K
Compression mode : Lossy( K; K4 b3 A0 ~. T( P# ~' X
Stream size : 1.13 GiB (9%): E7 p- z% B% H8 A
Title : True.Lies.1994.1080p.BluRaycd.x264.DTS-FGT- u; c3 P. _3 D
Language : English# L) G g4 X$ ]0 i) ]
Default : Yes
\. N8 p4 `& N" S! q. @) x$ t; WForced : No
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5 Z# ~, D! o) w; x8 W uText
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& N2 X* | A9 \: V2 H, }Codec ID : S_TEXT/UTF83 e2 T7 d* r, ]
Codec ID/Info : UTF-8 Plain Text/ K! D% s6 h4 D* p6 v' R$ g: P% l
Duration : 2 h 14 min
. G- [- ?) C! e8 bBit rate : 44 b/s; ?. \7 H9 D4 w# P! x' C+ L2 A$ N& Z2 X
Count of elements : 1259) t* E& H+ i3 M1 \3 y, k' Y
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u( ^! Q% w4 D: rDefault : Yes
8 c. ~6 {) j: _ vForced : No
+ S3 D' B: T/ n- Q2 [
( h }- G) f, [- n) JMenu2 P5 h; M! \3 }
00:00:00.000 : en:Main Titles6 R9 N* F9 ]2 X0 C. A7 ?+ B b2 D
00:01:11.774 : en:Lake Chapeau
5 M0 w" K& ~' s& n' o& G* \2 p' f00:09:01.877 : en:Tango
& C; q a! a/ o+ a" A5 X* T: R, S00:11:23.085 : en:Here\'s My Invitation' C! G% d" @( r5 ^: t, g# r$ u* Y! Y1 O
00:14:28.904 : en:That\'s It for Mr. Renquist
. z: y x5 z6 S00:16:16.645 : en:The Tasker Family
! i7 _" ?' o0 ?, [00:18:59.007 : en:Not Just a River in Egypt8 Z2 I& A' L, K. x6 v
00:20:26.161 : en:Omega Sector/You Know Harry
* g5 M) A5 b9 J% b' G! m* r00:23:29.344 : en:The Renquist Front+ l7 [" h1 k, y
00:27:09.697 : en:The Problem with Terrorists# w: v" v+ W) O6 ^9 E5 D, B
00:29:34.642 : en:Bathroom Fight) h/ L* z% I5 z8 J" u% K
00:32:01.422 : en:My Horse Is Getting Tired+ }1 d' R l/ @# [! _
00:40:47.047 : en:A Great Birthday+ h7 R v3 V& M
00:42:37.624 : en:Welcom to the Club
) ^$ p5 R2 T+ H/ c4 F, F00:45:51.084 : en:A Little Excitement/ p. V# J# m9 P( ~7 O
00:50:06.406 : en:Simon\'s \"Op\"
2 U0 O/ P3 O1 k4 M00:52:38.091 : en:One Born Every Minute
2 W$ ]" V% c6 i; B0 o' P00:56:43.436 : en:Seek Help, Harry' J3 _0 e! U/ _5 v/ o
00:58:50.563 : en:A Misappropriation of Sector Resources. B* G, @3 B% @
01:00:19.886 : en:Safe House* E( u- |4 N" Q1 o5 S4 d
01:05:00.866 : en:Helen Looking in the Glass
/ r6 i. r! c8 X7 B: V2 ^01:13:13.925 : en:The End of Carlos the Jackal
; c! }, v: H# e7 k. K01:15:08.540 : en:An Envelope Marked Doris
, A( k2 {0 E; ], s, @. L8 Y+ [01:19:10.181 : en:The Suite at the Marquis8 K# Q$ ?5 t- E# B6 I" `9 e
01:27:10.261 : en:Tasker, Not Renquist: {. K0 b8 e2 c. H8 t" f9 ?
01:28:59.403 : en:The Four Horsemen* ^4 Z+ Y" L; `6 d+ |5 k
01:35:01.565 : en:Truth Agent' |' g: i% y, N
01:40:22.052 : en:I Married Rambo
. [7 H L1 j- Y% c01:42:16.299 : en:Uh-Oh
8 y! F% Q% e! \7 f01:44:21.925 : en:Just Us7 K) U) _* j; ^2 D- X, R; ^
01:50:20.917 : en:I Thought This Looked Like Your Work. S( E9 w0 X2 K
01:51:26.249 : en:Bright Boy Alert" {8 L7 }& U- c! A7 q
01:53:51.627 : en:Time to Kick Ass
5 C/ ]8 \4 F% t) ~0 B: z' r' A% n1 a9 b01:55:14.544 : en:Limo Rescue
: w4 E g& r3 p) t& ]01:59:41.844 : en:Nuclear Kiss/ A% \" ~" C+ r4 B! L
02:01:01.824 : en:Borrowing a Harrier% i, |1 C8 H, ]$ N
02:03:25.534 : en:Dana the Hostage/a Man Inside
4 F# f+ ^: H' C02:04:40.709 : en:Who\'s Taken the Key?
5 F1 _# r- _/ k+ L7 T l$ w7 o02:06:33.155 : en:On the Crane
9 v" E, _* E* v$ _' l4 j7 c02:07:26.775 : en:A Crimson Jihad4 Y* s3 L7 I2 B' Y
02:08:10.819 : en:Dad?!* v. |- H1 {9 v* b( \( D" ~
02:11:17.372 : en:Fired5 D7 n% c! g9 l# n( i4 X
02:14:03.204 : en:Boris and Doris
' s; z2 T$ Z6 E6 X5 J02:16:44.599 : en:End Titles    Video. D$ T, E- F5 h8 P- X N
ID : 1
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/ ]% ]& e0 i6 N0 WFormat settings, ReFrames : 4 frames
y" H; R8 ]: cCodec ID : V_MPEG4/ISO/AVC
& q$ }, V. e/ J: J% G6 dDuration : 2h 20mn
a8 S, ^ N4 HBit rate mode : Variable- T1 Z) y, l; x) w, V) b' S
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& E: c$ j. a9 z# P- _# uMaximum bit rate : 15.0 Mbps: q9 a- ]" V' K% E; F/ k0 H) ^
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) s& t1 m0 H1 n9 M; a! p: \- LHeight : 1 080 pixels
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' V: q: m) ~5 Y$ y8 E0 y& x# ]" _Color space : YUV
$ `% a5 f* h3 p) g* jChroma subsampling : 4:2:0" ]3 H: G1 T% T. j4 c
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1 r7 P' r- J G+ ]8 X7 YScan type : Progressive
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& L L5 Z2 G) k' QWriting library : x264 core 148 r2623 d5b2374
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, @) v+ z8 Z$ U0 x6 KColor primaries : BT.709
- D# H. ?& Z* z/ G, U. s( h# v' qTransfer characteristics : BT.7096 a% p3 h, {7 n3 I0 Q
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7 Z' C }' R' Q; ~' f! h* B, {Audio
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( x& G+ o1 `/ q, H9 }. XFormat settings, Endianness : Big/ }$ q \ V9 i. E; k! k; V
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5 I- ~" I& F, ?4 A) [# [/ p" Q9 SDuration : 2h 20mn. b) w, S4 Q, {, M
Bit rate mode : Constant
: S. A- ]1 i; V7 k3 MBit rate : 640 Kbps' }, s$ y2 c2 |' D
Channel(s) : 6 channels
+ u: c8 p( S3 j0 `, W R5 YChannel positions : Front: L C R, Side: L R, LFE
8 S+ A3 K0 Q, y8 sSampling rate : 48.0 KHz
& X/ L2 N- W+ vFrame rate : 187.500 fps (256 spf)/ j! w& `0 w3 g/ h
Compression mode : Lossy
* G4 I) u4 @6 Z$ p. o+ _ CStream size : 645 MiB (5%)9 x+ [' r; V7 m; t. I: ^
Language : English
! w X/ V/ b1 _" k. C0 i& y% UDefault : Yes
6 O5 X: x+ P) @8 \4 C( zForced : No q' l% q) }7 N2 ~8 ^- D3 P" Q5 }
6 }9 j2 b8 c) V8 o* ~( Y
Text! N2 u4 r$ [$ B9 P# f
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Language : English
7 {+ r, K6 V" u* j5 E {1 SDefault : No
2 \; K* t+ {. R1 u% g$ cForced : No       9 X% _5 |2 P3 a4 w5 D
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