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) M1 j, X3 r! i$ }; _6 w& q◎译 名 真实的谎言/真实谎言/魔鬼大帝：真实的谎言
. R X# u8 M0 p( s7 j◎片 名 True Lies
+ b* Z: c N6 c" B◎年 代 1994/ C$ \7 |$ Y" a) W* m/ m! q
◎产 地 美国
4 j- _% y7 \/ ?6 C n+ B◎类 别 喜剧/动作/惊悚& t/ k5 @- e1 A2 p, T2 j
◎语 言 英语/德语/阿拉伯语/法语! d: S4 P) y1 B4 {9 H$ [
◎上映日期 1995-04-20(中国大陆)/1994-07-15(美国)/1994-08-12(英国) ! G8 P# ^' Y5 l0 ]& o' \, b
◎IMDb评分 7.2/10 from 231,481 users- k" X8 D3 \0 X" I1 i' g
◎IMDb链接 https://www.imdb.com/title/tt0111503/
3 R8 [' f# t3 D- r# R) b◎豆瓣评分 8.2/10 from 130,247 users! _& S' G6 w* |2 F
◎豆瓣链接 https://movie.douban.com/subject/1292553/
, X3 X' q5 P* O0 l! P◎片 长 2 h 20 min
9 ^8 ~$ N% \' c* \, x◎导 演 詹姆斯·卡梅隆 James Cameron" s' H6 H* S3 N. c
◎编 剧 詹姆斯·卡梅隆 James Cameron: X) i6 T% }+ V
◎主 演 阿诺·施瓦辛格 Arnold Schwarzenegger: {3 m, R+ M9 ]" p
杰米·李·柯蒂斯 Jamie Lee Curtis7 S# N e5 @/ h5 Y
汤姆·阿诺德 Tom Arnold
* _; o0 O1 N2 |) R. @0 k, } 比尔·帕克斯顿 Bill Paxton
9 m/ K$ N& ]6 ] B( T8 S7 Y; ` 蒂亚·卡雷尔 Tia Carrere; K5 g+ L7 S8 o# S* k5 W9 f
阿特·马里克 Art Malik
0 P j9 w6 O6 b& h0 O. |% m5 w& s 艾丽莎·杜什库 Eliza Dushku
, \* Z. o; }: g# S. h. R# ~ 格兰特·赫斯洛夫 Grant Heslov
* l. V7 I/ ~: r. u+ A 查尔登·海斯顿 Charlton Heston6 I0 T R; {% X5 [+ v% b
马绍尔·曼尼什 Marshall Manesh
$ f. u% M( ]/ k( h) h0 D/ Z+ Y 詹姆斯·艾伦 James Allen) @! e. e$ H" K0 X( x
迪特尔·劳特尔 Dieter Rauter! z1 e$ O) P6 C
简·莫里斯 Jane Morris
* M# N3 N' _& W6 n! r' g 卡齐·查普尔 Katsy Chappell
/ i" J- o, R* q0 f% d, @* D 克丽丝蒂娜·怀勒 Crystina Wyler7 d0 m- v5 c& |% j4 M* J5 I
奥弗·萨姆拉 Ofer Samra$ {7 u6 ]. H4 L Y+ D* ^
4 C5 ]# x: H1 E i7 S) P& f◎标 签 动作 | 美国 | 经典 | 特工 | 喜剧 | 1994 | 阿诺·施瓦辛格 | 电影0 @& B$ S8 }5 B
3 m8 W. w [1 p9 a2 ^9 k. i5 ~◎简 介 6 D/ c# l8 n( ]0 k, w8 Z
+ ]5 r O& h5 b# E7 l 哈里（阿诺·施瓦辛格 Arnold Schwarzenegger 饰）是美国FBI的高级特工，他正在奉命调查一起跨国核武器走私案件。出于安全考虑，哈里连结婚15年的妻子海伦（杰米·李·柯蒂斯 Jamie Lee Curtis 饰）都没有告诉他的真实身份。/ `0 k* l7 n8 M" j
7 U' B+ J! Q8 b$ i3 F3 q* }4 R
海伦是一名普通白领，平凡的生活已令她心生厌倦。一次，汽车商西蒙假扮FBI特工，溜到海伦家谎称自己被人追杀。紧张刺激的经历很快令海伦着迷。
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这一切都没有逃过真正的FBI特工哈里眼睛。哈里利用间谍侦查手段令到西蒙洋相百出，并化妆成法国人正欲调戏海伦时，被恐怖分子突然袭击，两人被挟持到一个热带小岛。哈里和海伦最终能否逃出生天，挫败恐怖分子阴谋？3 X# S% d! _2 {
' K" {* _ C+ D4 t A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used-car salesman while terrorists smuggle nuclear war heads into the United States.! s' v+ w6 v; d( b
; ^* P+ [$ [" r* o◎获奖情况 3 Q" u8 d" g. [; V0 ~# g- [* t
9 W3 n& `7 b9 ^" ^/ R0 q( W 第67届奥斯卡金像奖(1995)
1 ~7 K# P5 j0 W& u5 z 最佳视觉效果(提名) 约翰·布鲁诺 / 托马斯·L·费希尔 / 雅克·斯特罗维斯 / Pat McClung
) l, A' U& W& X+ t2 M! h9 c7 ^% H: q& L" H
第48届英国电影学院奖(1995): q$ u6 p3 r# e% R4 B
电影奖 最佳特殊视觉效果(提名) 雅克·斯特罗维斯 / 托马斯·L·费希尔 / 约翰·布鲁诺 / Pat McClung / Jamie Dixon
+ }8 A" v, Q: h+ a
0 Z# E8 @7 j$ D1 B' f, l4 J% t0 D3 [ 第18届日本电影学院奖(1995)
+ m F+ B& ~8 m5 @! z/ [6 v 最佳外语片(提名); D) y5 c; X e0 W. v
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7 C- B; t. R8 ?6 e T* D: F7 e4 F00:00:00.000 : en:Main Titles9 Y) x+ I7 L# t/ y3 B
00:01:11.774 : en:Lake Chapeau% l: l' O; U; f$ x4 u
00:09:01.877 : en:Tango- {3 K# X! L$ a3 q4 _& N) I9 }
00:11:23.085 : en:Here\'s My Invitation5 Z$ D; x v" [4 F: f
00:14:28.904 : en:That\'s It for Mr. Renquist
' h: S3 c. I \% H! U8 p. |8 x00:16:16.645 : en:The Tasker Family
6 `5 w% ~8 N8 U00:18:59.007 : en:Not Just a River in Egypt
( v v1 j& L j) G$ A: p00:20:26.161 : en:Omega Sector/You Know Harry1 G z" ^6 b8 ~: W7 l2 y, u @
00:23:29.344 : en:The Renquist Front( I( j& y x9 T& b+ a( O
00:27:09.697 : en:The Problem with Terrorists
5 O* q1 I7 f% V8 D( w8 ]00:29:34.642 : en:Bathroom Fight$ f# T- H9 e: y; n+ I; K! S ]
00:32:01.422 : en:My Horse Is Getting Tired
& A% a- N; k: I! c% U& M& V; s8 K* I" c00:40:47.047 : en:A Great Birthday! ^7 B1 T( K7 D
00:42:37.624 : en:Welcom to the Club4 X% d# }. P, } x! R) r
00:45:51.084 : en:A Little Excitement' W- ^. J; L: L$ S9 X: q, F* t
00:50:06.406 : en:Simon\'s \"Op\"2 d8 Y' d Y5 D
00:52:38.091 : en:One Born Every Minute& h% a7 @5 k9 }" p: `( W* |) i
00:56:43.436 : en:Seek Help, Harry
( p1 _( M& g, x1 j j% u1 E00:58:50.563 : en:A Misappropriation of Sector Resources7 }$ W; R" I; o# U9 a) W7 \
01:00:19.886 : en:Safe House
: c! K7 K) ^' `. ^' n ?; T01:05:00.866 : en:Helen Looking in the Glass
% V# P4 r+ @% w R01:13:13.925 : en:The End of Carlos the Jackal
) r" M5 Y5 @2 Y. ]9 }1 J& h3 ]& ^01:15:08.540 : en:An Envelope Marked Doris3 { v6 A/ V% W/ J, X q2 p4 a
01:19:10.181 : en:The Suite at the Marquis' Y( y' a1 b+ T5 V! _
01:27:10.261 : en:Tasker, Not Renquist
4 K8 e, q& c) ~01:28:59.403 : en:The Four Horsemen
1 R. x( v, h5 k' x( d M/ \01:35:01.565 : en:Truth Agent+ v; T# A1 Y" S( q/ K9 l
01:40:22.052 : en:I Married Rambo
8 N; r7 o5 r) S- K _7 V0 ?01:42:16.299 : en:Uh-Oh8 n7 q9 e: \1 H1 m
01:44:21.925 : en:Just Us, S# ]2 T5 \1 M- L0 b
01:50:20.917 : en:I Thought This Looked Like Your Work& h/ p$ b. k+ b& p- r5 z
01:51:26.249 : en:Bright Boy Alert
: y5 A' F+ v" a5 r/ t+ F$ j01:53:51.627 : en:Time to Kick Ass4 P$ y' \6 ^5 C. v" F; G3 y
01:55:14.544 : en:Limo Rescue! A0 \6 T Y/ T& W2 \1 {# U" w3 L
01:59:41.844 : en:Nuclear Kiss* V. ~ M7 l) H
02:01:01.824 : en:Borrowing a Harrier
" r; y/ w, [$ z) W; ^02:03:25.534 : en:Dana the Hostage/a Man Inside
. T% Z) r4 b0 b9 S' e' }02:04:40.709 : en:Who\'s Taken the Key?6 f* x; |) G! P: }
02:06:33.155 : en:On the Crane0 G$ d; R& A) J. C
02:07:26.775 : en:A Crimson Jihad
. f; l# U f+ U+ N6 b02:08:10.819 : en:Dad?!1 c) u. G$ L* z1 t4 q) ]5 ^) w
02:11:17.372 : en:Fired
+ }- k0 S( e! X: V9 i6 r1 H02:14:03.204 : en:Boris and Doris6 @1 U" X5 B {; Z' f8 y7 G' U
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* s" g( Z+ _8 G4 }. |+ VFrame rate mode : Constant
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$ p5 y! w9 Z! K" l: ZColor space : YUV
3 h# E H9 J yChroma subsampling : 4:2:07 ]5 }% C4 N' R4 @7 G" d
Bit depth : 8 bits
6 x, ]( b2 a* c1 Z/ I* pScan type : Progressive
" l* [* x) `& [5 P! y QBits/(Pixel*Frame) : 0.311
2 {# W4 L# [ X1 hStream size : 11.3 GiB (91%)
1 m$ E3 g; X* x) I J9 j4 L8 R/ lTitle : True.Lies.1994.1080p.BluRaycd.x264.DTS-FGT9 H5 }2 K3 p! e+ K0 ~7 [9 T
Writing library : x264 core 148 r2748 97eaef28 C; |8 T3 _1 g. p( f `
Encoding settings : cabac=1 / ref=4 / deblock=1:-2:-2 / analyse=0x3:0x113 / me=umh / subme=9 / psy=1 / psy_rd=1.00:0.15 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-3 / threads=72 / lookahead_threads=3 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=1 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=25 / scenecut=40 / intra_refresh=0 / rc_lookahead=50 / rc=2pass / mbtree=1 / bitrate=11500 / ratetol=1.0 / qcomp=0.60 / qpmin=0 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=31250 / vbv_bufsize=31250 / nal_hrd=none / filler=0 / ip_ratio=1.40 / aq=1:1.00
( E6 W" g( k& x* Y3 m0 J* @Language : English
9 T0 ]- ~) S W5 e4 s! w/ XDefault : Yes
# }2 s a/ G& G# l4 u8 dForced : No* V: `! h' M6 U7 }& {3 w
; o$ Y# u) m# f \6 ?2 BAudio* M! z$ o+ l2 s Q3 ^! l
ID : 2
6 v+ o- p0 H7 yFormat : DTS
/ y1 O! C" i Y6 jFormat/Info : Digital Theater Systems7 h/ w6 `5 B+ P8 \3 E
Codec ID : A_DTS
6 K& |7 g, O3 B3 @Duration : 2 h 20 min
* H0 }& b* W% mBit rate mode : Constant
3 M% r8 \9 l% |, ABit rate : 1 152 kb/s }+ H1 m' N* a- m( b! X @
Channel(s) : 6 channels" \( F% x& X( m8 n$ {
Channel layout : C L R Ls Rs LFE P+ t& Q5 _) \6 d. X; y" N
Sampling rate : 48.0 kHz. G: ]9 L8 P* s% Q9 B4 r# @& H
Frame rate : 93.750 FPS (512 SPF)
0 l7 \; @9 H7 P% ?, V4 mBit depth : 16 bits
( S. S0 }7 p8 Z: R" P* q1 jCompression mode : Lossy- e& P& P% V8 ^' L5 | x
Stream size : 1.13 GiB (9%)# n# E. L4 L0 C% r
Title : True.Lies.1994.1080p.BluRaycd.x264.DTS-FGT0 t Q: C7 P+ p- k' W
Language : English; J* ^1 w) T0 x& d9 X" w+ W. j
Default : Yes
v% V7 o# A# M3 |4 h& qForced : No3 O" m( j9 H [, M
0 z! C, F, c# z7 g/ R- K6 UText
4 b& U7 @0 f& z/ H( G: H) e% mID : 3
& q ^# U4 T2 ]# Z% JFormat : UTF-8% v0 K! N2 l3 ^. r1 @% T' k- u
Codec ID : S_TEXT/UTF8
- ]5 L: u: \* VCodec ID/Info : UTF-8 Plain Text
! ^/ L& f3 Y! C6 c, lDuration : 2 h 14 min
2 L( E* w/ ^& P1 i8 z4 b8 {0 {Bit rate : 44 b/s
4 i, _8 ?" o+ ?. bCount of elements : 1259
2 h m9 L2 B: WStream size : 44.0 KiB (0%)7 P u; ?) Y1 T% s- t9 C. v) A
Language : English" a0 C9 R, `/ R% i( B) K
Default : Yes
- K7 d, X: R O9 |' ?Forced : No
- [1 Z' k' }- a) k% U5 N
) d5 M" n, l- K$ K% TMenu; z. q2 T- v- l* J
00:00:00.000 : en:Main Titles2 a( K5 t# s8 c& E( r$ K/ `- S
00:01:11.774 : en:Lake Chapeau
/ M4 o, ?$ b0 Z# _4 b' T5 U00:09:01.877 : en:Tango
+ H# ^6 Y2 ?- h2 H' `00:11:23.085 : en:Here\'s My Invitation' ]8 ]9 o$ s( w( S' c1 [
00:14:28.904 : en:That\'s It for Mr. Renquist8 t& \/ b. z' v& t& a
00:16:16.645 : en:The Tasker Family* p) Y! T) s$ Y1 I a
00:18:59.007 : en:Not Just a River in Egypt
; S3 M* o, Q* o# [2 E! U4 L00:20:26.161 : en:Omega Sector/You Know Harry
# D2 Z; C1 e+ ~+ p2 X% p- j00:23:29.344 : en:The Renquist Front
8 d" ~+ T3 n+ M; F; z$ l& J6 |00:27:09.697 : en:The Problem with Terrorists
, T0 P8 I6 i9 u9 g6 L8 t00:29:34.642 : en:Bathroom Fight
3 S1 P0 l y' }' x: m0 L+ `00:32:01.422 : en:My Horse Is Getting Tired
+ j- u3 K% _' w7 p' G, s00:40:47.047 : en:A Great Birthday
' s' | Z9 d5 Z5 a7 Y+ y$ }00:42:37.624 : en:Welcom to the Club; L/ n- E% o7 \8 ^& O! {+ C) ]
00:45:51.084 : en:A Little Excitement
! i$ k4 S+ ]) o00:50:06.406 : en:Simon\'s \"Op\"
3 r% M9 g2 n+ G- @00:52:38.091 : en:One Born Every Minute( I* e* v8 C d8 R2 ]4 f
00:56:43.436 : en:Seek Help, Harry
% X4 e! g; M: N8 \- e4 q2 }- J" U00:58:50.563 : en:A Misappropriation of Sector Resources
$ u8 j' X; R7 e: k8 U01:00:19.886 : en:Safe House
& R/ n, f7 e* Z01:05:00.866 : en:Helen Looking in the Glass
/ D: C! Z# O, g' z2 q2 f01:13:13.925 : en:The End of Carlos the Jackal$ A- l' | |6 U; W6 n
01:15:08.540 : en:An Envelope Marked Doris
' i0 `5 G# Z# h# F01:19:10.181 : en:The Suite at the Marquis
3 J4 x6 _) M: p1 z% p01:27:10.261 : en:Tasker, Not Renquist
, S' H' x3 f8 r) d01:28:59.403 : en:The Four Horsemen5 T8 e) ]$ h9 \
01:35:01.565 : en:Truth Agent
) w# F0 v$ D4 J# n. Q01:40:22.052 : en:I Married Rambo
1 j" C5 `% c" K0 I! g$ ]# ~01:42:16.299 : en:Uh-Oh1 P3 d) B0 \" M& M( ?) P, G
01:44:21.925 : en:Just Us/ d6 u- f k- Q) \
01:50:20.917 : en:I Thought This Looked Like Your Work
7 W( n9 N: S/ m y. ~* b01:51:26.249 : en:Bright Boy Alert
! Y" l8 `; m4 [2 \1 d4 j6 O4 A01:53:51.627 : en:Time to Kick Ass
, N* v: r6 D! a) `01:55:14.544 : en:Limo Rescue
n4 `8 A1 l4 x) x( Z c% x: d2 d01:59:41.844 : en:Nuclear Kiss
- i* G( Y9 r1 B02:01:01.824 : en:Borrowing a Harrier
% Q/ w( S" \+ ~' ?! _0 \$ W/ i4 \02:03:25.534 : en:Dana the Hostage/a Man Inside
! U ?. E1 W2 r02:04:40.709 : en:Who\'s Taken the Key?
- ?# g2 o/ v: t F- q: u02:06:33.155 : en:On the Crane
& e0 ~/ e, N; r02:07:26.775 : en:A Crimson Jihad
) e+ I1 i# a2 B! B; }02:08:10.819 : en:Dad?!: ^" }2 T* U% u" [! ^
02:11:17.372 : en:Fired* G, N# [' M9 N: D: d+ |' }
02:14:03.204 : en:Boris and Doris# {, n6 Q1 @( K- s
02:16:44.599 : en:End Titles    Video* ~" Q) X: |, |3 l1 V4 n- p
ID : 1; N" c: U; f5 Z" z
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Format/Info : Advanced Video Codec
! h3 {7 O {. p5 d* CFormat profile : High@L4- Q# ]% y. k( L' M# A
Format settings, CABAC : Yes
( x8 ?; p2 K6 T! M9 qFormat settings, ReFrames : 4 frames
' t# J' k( r, dCodec ID : V_MPEG4/ISO/AVC
; f7 X* G8 j0 C& N* s( cDuration : 2h 20mn1 ]+ V4 O9 z* e. J, u" d
Bit rate mode : Variable, h( L5 t9 a' ]1 i! P
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. ]& l1 c0 f; Q" hDisplay aspect ratio : 16:94 P: T( X* [' b
Frame rate mode : Constant% v. R7 Y" z: r( x
Frame rate : 23.976 (24000/1001) fps
9 I& N0 h+ d4 ~" OColor space : YUV
# t9 u1 B1 u* ~/ S0 I* ^Chroma subsampling : 4:2:0& Q' O7 c3 x5 q
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* ~/ \: e* Y; Q: n. F, z/ {Stream size : 11.3 GiB (93%)1 T |+ r* L& c5 P( ^
Writing library : x264 core 148 r2623 d5b23741 g- N: x1 @6 D
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2 R. k: k% X* o' l/ T) ]/ g9 X: s kDefault : Yes+ T/ K6 N+ N) l
Forced : No
9 [' _$ |# v- L7 ~# d' IColor range : Limited
- z" Z: t& r/ u! p( zColor primaries : BT.709
& V# k. {+ E0 I/ @5 d+ S1 b5 mTransfer characteristics : BT.709/ K* _+ T: U- r( S# t# s% v. @' x
Matrix coefficients : BT.709
; H6 [; g4 J3 t f- n4 t: [' l- a* ?( @2 C) a
Audio3 ]! R$ {' }0 u" ^7 A
ID : 2
c' W, u& D7 ~% [4 `Format : E-AC-3
/ x6 `9 o; _& z1 D. Q( XFormat/Info : Audio Coding 3
2 k$ U6 f/ z. A2 S2 H5 `/ RFormat settings, Endianness : Big# b7 n- a4 x! {- x0 o, T
Codec ID : A_EAC3: Q T2 R* w5 Y7 @# Y+ h7 d, J
Duration : 2h 20mn2 C- A1 n4 t. d; T( d' j4 D9 L1 O4 I
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' a6 I& L+ W: G' EBit rate : 640 Kbps! J: M+ \" r) F
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# x- u( D3 O+ y: kChannel positions : Front: L C R, Side: L R, LFE
" ~ p+ K, }4 t3 n1 w% k5 }Sampling rate : 48.0 KHz
6 Q. v8 P# f. ~5 Y: fFrame rate : 187.500 fps (256 spf)0 V& }' v+ j( V& q3 g) o4 O
Compression mode : Lossy
: P( o0 \+ a) {2 P5 ?+ fStream size : 645 MiB (5%)
9 \$ ~$ i v+ v% F9 R! Z: x uLanguage : English8 a6 X7 j- C, m! X2 `/ p4 w
Default : Yes N9 r4 m Q( K( }# Y' h6 G
Forced : No
7 F- E$ C! ^8 a3 Y" F' {, k) e2 u+ j# X
Text3 s2 ^ m# m! v+ B* J
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" i! {* ]1 I8 p% p# p; WFormat : UTF-8/ T8 Z7 ~8 [9 V: ~* q3 z
Codec ID : S_TEXT/UTF84 r6 S& @2 F- ^) m0 ?5 C
Codec ID/Info : UTF-8 Plain Text
# l: D4 `4 ~5 ^ Q2 ?5 m! @1 WLanguage : English1 `' I5 L8 A+ E4 I: E" T
Default : No
V2 E6 z. l! N% E8 V8 C! q* J* NForced : No       2 P% Y8 I# Z+ i$ t$ s
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