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5 j4 l1 x& k9 w* Z9 t, H◎译 名 真实的谎言/真实谎言/魔鬼大帝:真实的谎言! m# I" J) y% f" H, o# s5 j, T
◎片 名 True Lies
m# k( o4 f1 q3 P: R: L◎年 代 19944 N5 z, \7 ]" a/ A* Y
◎产 地 美国; e; w* O% Q' z/ @% I: ~/ \. x
◎类 别 喜剧/动作/惊悚
, d0 v( n0 N- P! e7 J! l◎语 言 英语/德语/阿拉伯语/法语 @- j! n! [/ E6 m3 e
◎上映日期 1995-04-20(中国大陆)/1994-07-15(美国)/1994-08-12(英国) ! ^' b3 R3 k8 z. @
◎IMDb评分 7.2/10 from 231,481 users, |& r4 k. x# Y ~# c/ s: r
◎IMDb链接 https://www.imdb.com/title/tt0111503/! Y5 k' Y; n7 L$ ~2 {# V2 o: H! r
◎豆瓣评分 8.2/10 from 130,247 users2 Q, v0 z& G* d* [$ t4 b! I e
◎豆瓣链接 https://movie.douban.com/subject/1292553/' a4 W% m6 P% k0 t+ l( m4 @/ L
◎片 长 2 h 20 min
4 o' q5 K( x1 C- [4 j2 O◎导 演 詹姆斯·卡梅隆 James Cameron* H! u0 E; K+ H' c7 W3 O
◎编 剧 詹姆斯·卡梅隆 James Cameron1 ^3 q7 ^6 i3 k: V! C
◎主 演 阿诺·施瓦辛格 Arnold Schwarzenegger, G* C! ~- S0 h
杰米·李·柯蒂斯 Jamie Lee Curtis
! ]3 j1 P# n2 D O3 r* @+ s" S0 n 汤姆·阿诺德 Tom Arnold
7 V9 j0 R4 {2 i1 ^! K5 \$ Z6 I 比尔·帕克斯顿 Bill Paxton) i' w! b9 c; _/ G: E" d% M8 R
蒂亚·卡雷尔 Tia Carrere
( H2 K4 K& P+ ^& A 阿特·马里克 Art Malik
0 R Q# L. t. x2 M# {' o+ d 艾丽莎·杜什库 Eliza Dushku3 M# L: Y, y4 j8 {, W# M1 d: Y5 N* n
格兰特·赫斯洛夫 Grant Heslov P- y* U; r4 S# C2 l$ S" S4 B* D
查尔登·海斯顿 Charlton Heston, }& j( N" ^% n) k
马绍尔·曼尼什 Marshall Manesh
) A, q# m- K" o- S4 w 詹姆斯·艾伦 James Allen- ?9 A* _+ f! ~8 w" Q
迪特尔·劳特尔 Dieter Rauter9 C& R) t: s- K
简·莫里斯 Jane Morris% P" K3 A3 Q) b& y
卡齐·查普尔 Katsy Chappell
6 X# E. w% [8 v0 @8 \ 克丽丝蒂娜·怀勒 Crystina Wyler9 x( h/ s6 N* ]8 v4 x% e! B$ H
奥弗·萨姆拉 Ofer Samra) x5 v) F/ U3 V( m+ W/ i
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◎标 签 动作 | 美国 | 经典 | 特工 | 喜剧 | 1994 | 阿诺·施瓦辛格 | 电影
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# K Y2 ?. d) M* H2 O. K◎简 介
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9 z6 {& d. d( r3 H5 M4 V 哈里(阿诺·施瓦辛格 Arnold Schwarzenegger 饰)是美国FBI的高级特工,他正在奉命调查一起跨国核武器走私案件。出于安全考虑,哈里连结婚15年的妻子海伦(杰米·李·柯蒂斯 Jamie Lee Curtis 饰)都没有告诉他的真实身份。
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) z8 d6 O7 U t9 R 海伦是一名普通白领,平凡的生活已令她心生厌倦。一次,汽车商西蒙假扮FBI特工,溜到海伦家谎称自己被人追杀。紧张刺激的经历很快令海伦着迷。
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这一切都没有逃过真正的FBI特工哈里眼睛。哈里利用间谍侦查手段令到西蒙洋相百出,并化妆成法国人正欲调戏海伦时,被恐怖分子突然袭击,两人被挟持到一个热带小岛。哈里和海伦最终能否逃出生天,挫败恐怖分子阴谋?
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A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used-car salesman while terrorists smuggle nuclear war heads into the United States.6 v d; W8 o: U( x V) ?
6 _, T; z& l% M% {/ b: N' k8 r: e$ c- x◎获奖情况 / t/ F2 p' J6 I0 P& }9 d9 @" G
" W. W4 ] ~' c& a 第67届奥斯卡金像奖(1995)
; a5 G) V! t a# m, X 最佳视觉效果(提名) 约翰·布鲁诺 / 托马斯·L·费希尔 / 雅克·斯特罗维斯 / Pat McClung* U3 K/ D1 D) H' p" R
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第48届英国电影学院奖(1995)0 Z7 l% v% t4 h& \
电影奖 最佳特殊视觉效果(提名) 雅克·斯特罗维斯 / 托马斯·L·费希尔 / 约翰·布鲁诺 / Pat McClung / Jamie Dixon
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第18届日本电影学院奖(1995)
, M% b' q7 `3 g& Y! b 最佳外语片(提名)
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8 x4 V5 s0 G4 O* p00:01:11.774 : en:Lake Chapeau
. O4 |" ^; J( |7 L. z00:09:01.877 : en:Tango
+ ^' ]1 X6 {# V0 ~00:11:23.085 : en:Here\'s My Invitation( S: W* ~' a9 \7 L4 y6 w; z
00:14:28.904 : en:That\'s It for Mr. Renquist+ B' E+ |, M* J/ E
00:16:16.645 : en:The Tasker Family
( w+ ?' c0 f" c/ V00:18:59.007 : en:Not Just a River in Egypt! n7 a7 y# [' ~( S5 [+ o& R6 ?1 }
00:20:26.161 : en:Omega Sector/You Know Harry
& O) e1 J/ h4 F9 A1 x00:23:29.344 : en:The Renquist Front6 L* ?1 |1 l. M
00:27:09.697 : en:The Problem with Terrorists
2 j" v( ]4 C' T" `2 M00:29:34.642 : en:Bathroom Fight" g- K) W. B) [( M, @ ]
00:32:01.422 : en:My Horse Is Getting Tired; z3 Z2 _- T: `* g4 l- j8 P
00:40:47.047 : en:A Great Birthday- \1 t2 F/ C" ^% k
00:42:37.624 : en:Welcom to the Club6 F: { M4 s5 |
00:45:51.084 : en:A Little Excitement* W o2 F6 {( Y1 y" M0 ?2 b4 p
00:50:06.406 : en:Simon\'s \"Op\"4 J9 h- W y" @$ k9 ?# {( M7 }# e0 V9 H
00:52:38.091 : en:One Born Every Minute
' G" v! [! I1 l; J+ U' }; z00:56:43.436 : en:Seek Help, Harry
1 I6 w6 O% B# {' ~00:58:50.563 : en:A Misappropriation of Sector Resources
" I" a, i# j& H01:00:19.886 : en:Safe House6 |' y: f1 R( t
01:05:00.866 : en:Helen Looking in the Glass
@/ @) q+ S% `0 D m- Z01:13:13.925 : en:The End of Carlos the Jackal
9 ~$ W3 Z; G3 X) C) @ O01:15:08.540 : en:An Envelope Marked Doris
! T/ ^2 O- W' H9 Y" n* i7 h01:19:10.181 : en:The Suite at the Marquis: f, x, h6 i6 T9 o+ l
01:27:10.261 : en:Tasker, Not Renquist
* u6 I* f, Z% y @$ N01:28:59.403 : en:The Four Horsemen j3 }" I- L. b" @& S
01:35:01.565 : en:Truth Agent
* J! [9 R# P5 e+ f [01:40:22.052 : en:I Married Rambo
8 U' H& W1 E3 ]) t$ _% [7 {01:42:16.299 : en:Uh-Oh
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/ O1 o5 H. y ~4 J01:50:20.917 : en:I Thought This Looked Like Your Work
, V0 ]7 _% y) h) j9 v01:51:26.249 : en:Bright Boy Alert
0 A s) j0 ~" |* G01:53:51.627 : en:Time to Kick Ass
, b8 i ^0 B5 g" [, u8 i01:55:14.544 : en:Limo Rescue8 D# z! {* \' {: D! ~' z
01:59:41.844 : en:Nuclear Kiss
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02:03:25.534 : en:Dana the Hostage/a Man Inside' D7 J9 V* R( `$ s0 S+ k$ u9 V
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02:11:17.372 : en:Fired
% X; ] o" N8 C6 a* B02:14:03.204 : en:Boris and Doris( f) A* ?( g5 d# L- A
02:16:44.599 : en:End Titles    Video. h) L- U/ p6 M$ p/ g4 Z
ID : 16 e& g. o; e. b3 V! T
Format : AVC* [* E$ O$ H% \4 |
Format/Info : Advanced Video Codec
( l+ h( X, T% q/ m3 U$ C. s! y( J jFormat profile : High@L4.1
+ |- V# |2 b* S. m+ O) ~Format settings : CABAC / 4 Ref Frames4 x& Y- @2 Q9 g6 \' C! A* a
Format settings, CABAC : Yes
/ [9 [, G* L( G* N3 zFormat settings, Reference frames : 4 frames; h H9 P/ ^- o7 F4 Y& X) b
Codec ID : V_MPEG4/ISO/AVC( ~0 o' _6 r5 U0 `3 u$ N9 M# w
Duration : 2 h 20 min2 \5 x0 \) w+ y( j- c- R
Bit rate : 11.5 Mb/s5 F' x+ c. y! `, W
Width : 1 920 pixels2 a6 q; H) h5 M( ?- c
Height : 804 pixels
4 R+ L, G3 ^ S3 t6 b5 kDisplay aspect ratio : 2.40:1( p2 B4 Q; [9 u
Frame rate mode : Constant8 u1 i7 Y" g' J% E
Frame rate : 23.976 (24000/1001/37687) FPS2 ~+ q/ C7 r+ w( ~! B. v) E0 _0 j; Y/ @
Color space : YUV0 P9 e9 U, @9 Q. p
Chroma subsampling : 4:2:0" x ~9 z7 u* y% y2 G
Bit depth : 8 bits
" E }, R. M1 a1 I' kScan type : Progressive
# @$ d' C5 B( Y0 r1 O0 ~ r' [! E" U- V( |Bits/(Pixel*Frame) : 0.311
9 }7 q$ N' h# W3 XStream size : 11.3 GiB (91%)
; H5 u1 u2 ~; G8 {! s8 _- Q: F; ETitle : True.Lies.1994.1080p.BluRaycd.x264.DTS-FGT) `) f6 Z* k3 q0 K8 Q6 h
Writing library : x264 core 148 r2748 97eaef2
& q2 }& [5 l5 l& m( C) S! dEncoding settings : cabac=1 / ref=4 / deblock=1:-2:-2 / analyse=0x3:0x113 / me=umh / subme=9 / psy=1 / psy_rd=1.00:0.15 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-3 / threads=72 / lookahead_threads=3 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=1 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=25 / scenecut=40 / intra_refresh=0 / rc_lookahead=50 / rc=2pass / mbtree=1 / bitrate=11500 / ratetol=1.0 / qcomp=0.60 / qpmin=0 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=31250 / vbv_bufsize=31250 / nal_hrd=none / filler=0 / ip_ratio=1.40 / aq=1:1.00# Y& U; H) O4 A. W5 P- i) f( ^
Language : English
6 b Q5 ?/ @. k5 e; t3 N1 s: @1 ^Default : Yes
. G4 B7 u2 x4 a6 M: J- D4 B4 y, g4 pForced : No
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Audio
& ?" K) k$ ~- n$ o. hID : 2
[0 }1 _ O3 \' o, O) X% y+ n5 xFormat : DTS
$ E7 J f. H) e* B* \" M7 H5 [+ aFormat/Info : Digital Theater Systems
- G. J! ?+ z; o% _) ^Codec ID : A_DTS3 H7 V* [6 S! C G$ w' `! U
Duration : 2 h 20 min
- y3 k# a) d/ u; mBit rate mode : Constant) m* Q. M+ X) D& F9 D4 h0 h
Bit rate : 1 152 kb/s% i# e0 ? P! T- B
Channel(s) : 6 channels; I: g9 A2 @: J: y
Channel layout : C L R Ls Rs LFE9 t7 X8 S7 J3 Z" G5 S5 s
Sampling rate : 48.0 kHz' @8 D" h! R: P! T2 K7 c% O
Frame rate : 93.750 FPS (512 SPF)& C) {+ b# x7 M9 ^( t
Bit depth : 16 bits
7 E! G# O2 A( J& W v8 o3 x& [Compression mode : Lossy6 Z, M4 C1 u, C- s: B R
Stream size : 1.13 GiB (9%)
' a: `& m4 K9 u) q1 X$ n- X" K XTitle : True.Lies.1994.1080p.BluRaycd.x264.DTS-FGT
: }* h, i. d1 rLanguage : English) Y+ Q2 k% y& R( {+ t' ?6 f! h
Default : Yes; b7 s1 h$ R2 U2 ?6 y* r
Forced : No
# b$ ] j/ v5 Q/ r$ q' d8 t$ ?! { {$ ?- g$ _2 d( M
Text# A8 z( a( A. ^7 B
ID : 3
- B0 O' q. [% m' RFormat : UTF-8* f$ ]; \9 A) i' w( G% Q* v
Codec ID : S_TEXT/UTF8
$ n2 a+ f4 J2 YCodec ID/Info : UTF-8 Plain Text
) I! Z1 B# n0 `Duration : 2 h 14 min; H9 H$ t2 l3 ^( p
Bit rate : 44 b/s {0 q( S* O$ F& M8 M
Count of elements : 1259
8 k9 Z0 H- K' c+ }! r. `& m0 rStream size : 44.0 KiB (0%)5 w# i7 m* _7 V( d8 @6 W0 I3 {5 U
Language : English$ O9 j. X9 _& R( p
Default : Yes
% ]! Q* o# w, `: L5 O! k6 t- [Forced : No; \, R8 d, w6 Q2 I2 {$ y- L
% {6 `- Q- y7 I8 J7 `' @
Menu7 q% ]6 @& ?" S# s9 _. ?, o, h
00:00:00.000 : en:Main Titles
% c4 U$ L* {+ r0 S* ?; u00:01:11.774 : en:Lake Chapeau1 W, i% x& H/ P$ ^4 n, l& y
00:09:01.877 : en:Tango8 v+ o) P% c+ }. z2 W9 ]
00:11:23.085 : en:Here\'s My Invitation
. L% B% M7 J9 L, k3 C3 ~- J00:14:28.904 : en:That\'s It for Mr. Renquist7 [1 Y' g4 k1 `$ [
00:16:16.645 : en:The Tasker Family9 {" ~4 I4 D/ f6 A
00:18:59.007 : en:Not Just a River in Egypt
# G1 }* y! L! N% g# u/ p6 N00:20:26.161 : en:Omega Sector/You Know Harry
% U" F y4 D- F00:23:29.344 : en:The Renquist Front
8 Q: W. W8 `8 g9 ?; M3 c/ Y00:27:09.697 : en:The Problem with Terrorists: K, d& C& D( z& T
00:29:34.642 : en:Bathroom Fight& D) L. r# @+ o7 H: I7 _
00:32:01.422 : en:My Horse Is Getting Tired" g* j, U% D. G0 A* i* h: S$ @ V
00:40:47.047 : en:A Great Birthday
* t0 e! M+ p7 e00:42:37.624 : en:Welcom to the Club
% |" g" ?, f) `) R1 h6 R. Y: H00:45:51.084 : en:A Little Excitement' U. b5 Z. G% d+ f
00:50:06.406 : en:Simon\'s \"Op\"
9 d0 t' V3 h# g00:52:38.091 : en:One Born Every Minute
7 X4 v2 @8 z7 U; V( x00:56:43.436 : en:Seek Help, Harry
' H: y) O1 P, ^- }% `, n! E0 I" `00:58:50.563 : en:A Misappropriation of Sector Resources
0 S; c, h# p; C% w) |3 \1 I01:00:19.886 : en:Safe House
; P' p i5 \# J. b) U01:05:00.866 : en:Helen Looking in the Glass
! ]6 k% y! s4 X; K y# D2 M01:13:13.925 : en:The End of Carlos the Jackal9 C2 K2 T$ t2 p- E w* {$ _2 z
01:15:08.540 : en:An Envelope Marked Doris
% H" p7 G9 L! f7 w. B8 p7 \- y5 N01:19:10.181 : en:The Suite at the Marquis
- f7 H o- ?1 N' S9 S& s* T. r4 B3 @01:27:10.261 : en:Tasker, Not Renquist
( G/ g* B4 K( M( }: T; L% r! N01:28:59.403 : en:The Four Horsemen& S6 `1 t2 c% M: ]( `
01:35:01.565 : en:Truth Agent- J8 ?4 a0 i1 K/ s
01:40:22.052 : en:I Married Rambo! d: Q( _$ T, z
01:42:16.299 : en:Uh-Oh
/ L6 l" e8 o% x: y; r01:44:21.925 : en:Just Us* D" C T7 m: v. D
01:50:20.917 : en:I Thought This Looked Like Your Work4 g: X! Q' }, H9 m& F9 S
01:51:26.249 : en:Bright Boy Alert8 q4 G* u. k+ q6 z& B
01:53:51.627 : en:Time to Kick Ass3 M7 F4 n/ x! F, B; J
01:55:14.544 : en:Limo Rescue" [) D; ^2 V8 ]/ L
01:59:41.844 : en:Nuclear Kiss
1 z5 j, X; c$ a( v% R% v02:01:01.824 : en:Borrowing a Harrier
; A: S& F1 o- j/ ?& n" g+ ?2 L/ j02:03:25.534 : en:Dana the Hostage/a Man Inside& L, |% W& z! X( }
02:04:40.709 : en:Who\'s Taken the Key?- r. R; D A- M* F" U! M% }" Z" Z
02:06:33.155 : en:On the Crane
% f6 T! {! J! ^02:07:26.775 : en:A Crimson Jihad* O9 G! |9 o. h! @" `' n
02:08:10.819 : en:Dad?!
5 [/ q$ T4 n/ a$ F2 W; j02:11:17.372 : en:Fired
, ~ `, z$ m5 a; F/ r( @9 F; V02:14:03.204 : en:Boris and Doris
4 X" c/ \' ~9 D! K" g02:16:44.599 : en:End Titles    Video# U# P2 g6 B5 f
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Format : AVC
& Z q; j* g7 j; [) l8 {& sFormat/Info : Advanced Video Codec+ l2 O$ z6 h4 f! M
Format profile : High@L47 J# g. E/ M2 y- O e. R' ]
Format settings, CABAC : Yes
9 w# o& R' ~3 l5 d- p( E2 M3 DFormat settings, ReFrames : 4 frames8 h2 v5 z. o( ]* j. i
Codec ID : V_MPEG4/ISO/AVC- J& j( g" y. v
Duration : 2h 20mn5 F! x1 X0 e5 C$ d" P) {" e* O& V
Bit rate mode : Variable
/ }( R7 i( S+ `# f' E% y# uBit rate : 11.5 Mbps6 M6 ]& a' o. w$ u" z" l9 ~5 i
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* a* P7 K E0 F9 r+ j3 wWidth : 1 920 pixels1 h0 M" p( s1 K8 s9 X1 ?
Height : 1 080 pixels U( V m' K; a" t D& g
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% I5 ^7 v& X; {7 o0 Y. N2 zFrame rate mode : Constant
$ u+ Y/ c4 Z; V2 ^Frame rate : 23.976 (24000/1001) fps
2 ^0 F: }$ G5 T) d, C5 R0 B# X( h$ iColor space : YUV
2 m0 K: i/ R. c" F1 _Chroma subsampling : 4:2:0, y T9 ^" O: l& e9 a5 u8 h
Bit depth : 8 bits
- ^, G' f' i5 L1 A/ {; SScan type : Progressive u! T* D3 K; b g
Bits/(Pixel*Frame) : 0.230
4 f; r# B( \1 t. n" {Stream size : 11.3 GiB (93%)' N) z3 K' G8 L6 m" j% H
Writing library : x264 core 148 r2623 d5b2374& G6 U. X0 \6 @; q- |: t
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Default : Yes
/ k" M" Q7 T2 a7 P: j0 TForced : No% c! S* F/ s ?% u4 D
Color range : Limited8 z. B2 N# f3 B! a; K" H
Color primaries : BT.7095 w9 ]/ }* U4 E; L
Transfer characteristics : BT.709: O' V: m1 l0 z7 w' l% E7 ~" p# ]
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6 Y$ {. ]% H) _4 z. s; I2 G% J- h% s: _% N1 {# K
Audio
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; [3 r% x* h3 d; J' m( ~6 oFormat/Info : Audio Coding 3* ?' N6 g9 v$ A9 ^# Q
Format settings, Endianness : Big$ _4 i8 Q8 k5 p" q$ b$ V' t
Codec ID : A_EAC3( j7 M) y- C0 x; F5 i1 ?* |' @
Duration : 2h 20mn
4 q% {7 a, K$ _4 I3 t6 hBit rate mode : Constant$ w: n* O* u' i9 ?# {+ B
Bit rate : 640 Kbps
5 ^: z$ |8 L% q; X4 e% F+ sChannel(s) : 6 channels+ D- g. O$ y6 z: D+ C' G
Channel positions : Front: L C R, Side: L R, LFE' X5 h" _1 l) V+ v2 ~; _
Sampling rate : 48.0 KHz
" l+ y3 o% }& c2 j6 G9 UFrame rate : 187.500 fps (256 spf)
! I) \2 A/ G1 E% X$ o2 aCompression mode : Lossy
2 P& ]: L$ b' z; n& RStream size : 645 MiB (5%)
4 E) G' ?: Q" ?7 U$ U6 wLanguage : English' u; S: ~* d' t& y1 {3 R1 }
Default : Yes
& F3 B5 l; y; xForced : No
, W4 `0 x3 i/ n2 G
( _4 \/ X! }- ]" WText7 d$ {1 w. w' d7 p4 i# w
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; R. V1 N% E0 a, O% ~0 E. ZCodec ID/Info : UTF-8 Plain Text
7 i0 Z2 E. ~2 B. NLanguage : English
+ h* T, h/ Q7 C9 Q4 J6 u/ c7 hDefault : No0 B% R4 l9 L- w1 b/ o" t9 J
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