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When a rescue crew investigates a spaceship that disappeared into a black hole and has now returned, things start to take an increasingly horrific turn.
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◎译 名 黑洞表面/撕裂地平线/异煞/地平线事件/黑洞吸入线号飞船
! x l7 f; B8 w: s' L◎片 名 Event Horizon) u0 e$ ^% E5 G) g/ R
◎年 代 1997/ i( M2 z) G* \+ R& [$ @, y
◎国 家 英国/美国
7 _) j; d ~/ K4 c6 A8 \◎类 别 科幻/悬疑/恐怖, f7 ~1 r$ c$ F$ L; ^& U
◎语 言 英语/拉丁语
; k0 f1 C& L8 [; Y$ t◎上映日期 1997-08-15(美国)
# j5 z9 m: K6 E: @◎IMDb评分 6.7/10 from 135,906 users
. E$ y& O o9 b+ z8 z- \' p5 @ S◎IMDb链接 https://www.imdb.com/title/tt0119081/5 z. h- K$ Q0 {1 ?+ D
◎豆瓣评分 6.7/10 from 10,063 users
, _8 r1 }) G: T* L. E◎豆瓣链接 https://movie.douban.com/subject/1298041/ T1 R' T6 y# R Q
◎文件格式 x264 + DTS + TrueHD
6 V: k" C. g5 q6 W! m: c, D◎视频尺寸 1920 x 10802 S) S/ m) R! l
◎文件大小 1DVD 39.26 GiB & 38.87 GiB
( Z5 d& }7 ]0 W. b" A3 w◎片 长 1:35:54.331 (h:m:s.ms) & 1:35:57 (h:m:s)/ w/ G' ]2 e4 t: ^: v
◎导 演 保罗·安德森 Paul W.S. Anderson
2 r) `3 d2 ?% d+ ^◎编 剧 菲利普·艾斯纳 Philip Eisner
R* m7 Y# p+ s- N0 k+ u◎主 演 劳伦斯·菲什伯恩 Laurence Fishburne; l( C) n4 j0 n5 x" Z: g4 W
山姆·尼尔 Sam Neill/ W' H; l& m- ^
凯瑟琳·奎南 Kathleen Quinlan
7 q5 J2 l4 U' N$ f 埃米莉·布思 Emily Booth
$ L9 M" n" M5 x% M4 K 杰克·诺斯沃迪 Jack Noseworthy
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◎简 介 8 S g$ i1 w# h8 s& v0 I
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未来几十年内,人类探索利用太空的程度不断加深。2040年,利用空间扭曲技术深入宇宙的“新领域号”消失于海王星附近。' T9 Z2 y4 [4 h8 I
8 U$ }# d0 K: n. q 2047年,新领域号突然在海王星发回讯号,内容似乎为求救,于是当年设计新领域号的威尔博士(Sam Neill 饰)受命乘坐营救船“路易与克拉克”号前去施救。船长米勒(Laurence Fishburnes 饰)不甚友好,所幸路易与克拉克号很快按计划与新领域号对接。虽然生命扫描显示新领域号充满生命迹象,但搜寻之后营救队发现所有船员均死亡或消失,新领域号内制造黑洞的核心动力部分产生的震荡破坏了路易与克拉克号的外壳,营救队被迫暂时停留。
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, P+ b' j* m# g9 x/ | 新领域号残留的影像记录将当时血腥的一幕呈现给所有人,同时营救队员们被幻象所困——他们分别看到了自己心中无法释怀的伤痛。队员们陷入了崩溃的边缘。然而更令人惊异的是,新领域号似乎具有了生命。威尔博士相信新领域号的变化是由于它进入过地狱,米勒船长为了拯救队员们和威尔展开了生死对决……# R. h+ x* A( Q* `5 T2 R7 } b9 M
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In the year 2047 a group of astronauts are sent to investigate and salvage the long lost starship "Event Horizon". The ship disappeared mysteriously 7 years before on its maiden voyage and with its return comes even more mystery as the crew of the "Lewis and Clark" discover the real truth behind its disappearance and something even more terrifying.
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- DISC INFO:
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- Disc Title: Event.Horizon.1997.SHOUT.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT( N1 T" o2 U1 [5 i; ^% v( d& Y8 }
- Disc Size: 42,157,163,513 bytes
. N0 Z5 Q. e% [- [8 o1 A, I8 w - Protection: AACS/ x* C8 G; T; e
- Extras: BD-Java" U# r0 a# G* L7 k" u
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.2.6)
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- PLAYLIST REPORT:
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- Length: 1:35:54.331 (h:m:s.ms)' H( z; c0 N& A" z& s. X$ |8 Y
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) I6 ?2 u3 n9 x/ N5 ~ - Total Bitrate: 36.89 Mbps6 |- ~% B+ u G
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- MPEG-4 AVC Video 29996 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.14 v9 A- V9 l E: V$ B w
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- DTS-HD Master Audio English 2803 kbps 5.1 / 48 kHz / 2803 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)8 r& ~) W: R5 J
- DTS-HD Master Audio English 1757 kbps 2.0 / 48 kHz / 1757 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
7 @2 T4 P* ^/ w2 S s D - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps: I* J, t! D. b
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. _: h+ n' Z. \ - Presentation Graphics English 31.859 kbps
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- Information:, C* Z% H( ~! y/ l: i. q* Y- w
- NEW 4K scan of the original camera negative
; y& C' a/ Q- b1 d) V4 S - NEW Reflecting on Hell – an interview with director Paul W.S. Anderson. |2 F" G" S5 M U
- NEW Ghost Galleon – an interview with writer Philip Eisner" s4 s; f- ]1 o' Z+ r& J+ P1 H
- NEW Organized Chaos – an interview with actress Kathleen Quinlan0 ^; w1 b4 A: ~* }. S( j* m# u
- NEW Compassion in Space – an interview with actor Jack Noseworthy2 K' V6 ]! T5 V1 v. m- a" d
- NEW The Doomed Captain – an interview with actor Peter Marinker, {# c9 X7 B2 b
- NEW Space Cathedral – an interview with production designer Joseph Bennett
7 h: u2 g$ ~6 j& H9 r/ N& z - NEW Something New – an interview with set decorator Crispian Sallis2 \9 W9 N" F, D( }% e. q
- NEW Taking Care of It – an interview with production manager Dusty Symonds
& V1 O- `% N( u+ S, T. d - NEW Reinforcements – an interview with second unit director Robin Vidgeon
1 Q$ M$ E, ]& k2 T$ J - NEW Almost Real – an interview with location manager Derek Harrington' `9 o* B z, U# i
- NEW Screams from the Cosmos – an interview with sound designer Campbell Askew6 M+ m' [- X- [$ j& d% Y
- Audio Commentary with director Paul W.S. Anderson and producer Jeremy Bolt
; ]' [& _2 N9 A( s8 P' i- [ - The Making of EVENT HORIZON – a 5-part documentary
+ ~1 V3 a& ?; c: V - The Point of No Return – a 4-part look at the filming of EVENT HORIZON with narration by Paul W.S. Anderson, `8 l& R# s5 n! A
- Secrets – deleted and extended scenes with director’s commentary
5 h) ?# `: Z, r; s( r5 B: c4 m2 P - The Unseen EVENT HORIZON – The un-filmed rescue scene and conceptual art with director’s commentary/ V% n# v/ Q9 u" t9 q$ Y' V+ n
- Theatrical Trailer" e% B7 p6 I2 @8 w# N+ l
- Video Trailer
复制代码- DISC INFO:
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$ S J; F3 ?+ [/ ]$ G- Disc Title: Event.Horizon.1997.1080p.BluRaycd.AVC.TrueHD.5.1-FGT
/ A* ?. E. I5 T1 }- w3 o - Disc Size: 41,731,621,091 bytes
0 G v( T1 B. ]. x9 y# v( t - Protection: AACS. b1 ]* j' z* x
- BD-Java: Yes3 E- w1 u3 i \# @
- BDInfo: 0.5.6
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( o) T& g9 g! m% q - Length: 1:35:57 (h:m:s)
: E# {4 P' ^5 t - Size: 33,823,690,752 bytes
" K! i% r8 t% C1 `* V/ L! s - Total Bitrate: 47.00 Mbps- I' u+ g7 C: ?5 G
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- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
{$ Z0 L3 u/ G* W5 K - Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
3 _7 I T/ g s: P6 }! q - Dolby Digital Audio Russian 640 kbps 5.1 / 48 kHz / 640 kbps
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, h. D" C; L1 N( q - Presentation Graphics English 30.855 kbps8 Y0 E1 v; K" W ]6 T6 U
- Presentation Graphics Chinese 21.036 kbps ~- u E- a' B% y- y% P
- Presentation Graphics Chinese 21.795 kbps
" L; _. s6 ?$ { - Presentation Graphics Danish 29.544 kbps& L" y. N* Z% t- U
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- Presentation Graphics Italian 45.251 kbps$ F, ~: J+ t8 K' K# ?6 S
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- Presentation Graphics Russian 34.115 kbps
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复制代码 Event Horizon Blu-ray, Video Quality3 Y7 O- i9 R% \. L6 v
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# j# J8 Z/ g; ~( ^) x; WEvent Horizon folds onto Blu-ray with a quality 1080p, 2.35:1-framed transfer. Though this transfer doesn't necessarily jump off the screen with a barrage of realistic, deep, and clear imagery, there is nevertheless a solid level of visible detail, ranging from drops of water on Sam Neill's body after coming out of extended stasis to the caked-on grime seen on the various surfaces of the Clark and Horizon. The image exhibits some spots over the print that are noticeable but never overly distracting. Some of the dark, hazy, interior shots of the Horizon hold up very well, with no immediate visual anomalies. There are a few very minor instances of banding in a few places, but it is never obvious or much of a distraction. The film is rather dark in general, and blacks play an integral role in the look and feel of the film. They could be a bit deeper in some shots, but they hold up rather well throughout. Grain is present but never too heavy, and it is only most apparent over darker backgrounds. Flesh tones always look natural and rich under each lighting condition thrown at them, from the bright, fluorescent lights aboard the Clark early in the film to the deepest, darkest, poorly-lit innards of the Event Horizon. Paramount has delivered a solid transfer that will please this film's fan base.
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: j2 Q. y' O+ k- x. SEvent Horizon Blu-ray, Audio Quality
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Event Horizon enters the lossless dimension via a Dolby TrueHD 5.1 soundtrack. The soundstage feels a bit cramped and limited in range during the pulsating opening theme that plays over the credits. The track picks up during the film; the opening shot of the ship is accompanied by a hefty amount of bass, and various sounds pan around the listening area with ease. Inside the Clark, there is little in the way of ambience. The hum of the engine is heard, but there is never much of a sense of actually being on board. The Clark's bumpy arrival into Neptune orbit in chapter five features plenty of visual rattling and rolling, but the accompanying audio is only moderately aggressive. A series of explosions in chapter seven features a good amount of bass and fine surround presence, both of which support the visuals well. Dialogue sometimes sounds a bit tiny and muffled. A discussion amongst the crew as to the events of the film in chapter 10 seems to show a discernible loss in volume. Later in the chapter, bass pounds away at an appreciably high level. The soundtrack is generally hit-or-miss; the hits are great, and fortunately the misses are only near misses. The track is never a disaster, just a slight letdown in a few places.
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