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When the creator of a virtual reality world called the OASIS dies, he releases a Video in which he challenges all OASIS users to find his Easter Egg, which will give the finder his fortune. Wade Watts finds the first clue and starts a race for the Egg.9 G$ R5 f# T4 W# i) I2 `
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◎译 名 头号玩家/挑战者1号(港)/一级玩家(台)/玩家一号/一号玩家2 U5 n$ N! v5 e3 S' N- i3 l# x1 i
◎片 名 Ready Player One
. b! [+ K$ m/ O1 c* p◎年 代 2018& g/ M& a1 H* M4 k* O
◎产 地 美国3 `" J- ^% t$ J9 z* r
◎类 型 动作/科幻/冒险+ b8 T6 G2 }$ R) h9 T
◎语 言 英语/日语/汉语普通话3 p( Z5 u+ B6 ?2 M
◎上映日期 2018-03-30(中国大陆)/2018-03-11(西南偏南电影节)/2018-03-29(美国)# O2 t" l N, v( w' R
◎IMDb评分 7.7/10 from 159,438 users/ V: r, T \8 u- E
◎IMDb链接 https://www.imdb.com/title/tt1677720/
) R& h3 d, |/ b8 d" @( R; @◎豆瓣评分 8.7/10 from 467,394 users
# C1 Q6 o6 C/ Q B◎豆瓣链接 https://movie.douban.com/subject/4920389/
# I: @0 b8 U2 A. {1 c# g( e2 P◎文件格式 x265 + TrueHD
0 X2 L4 P, ~) O! b, b◎视频尺寸 3840 x 2160
" J5 H3 }2 T; {0 m/ A6 P◎文件大小 1DVD 81.74 GiB
U1 q5 Q, n4 y5 L◎片 长 2:19:57.597 (h:m:s.ms)
4 [4 G4 L/ h1 k1 d: B0 M$ V5 e◎导 演 史蒂文·斯皮尔伯格 Steven Spielberg4 i! H' m( |5 L2 P# C' _, o
◎编 剧 扎克·佩恩 Zak Penn
, }5 P5 D* q1 d/ s/ t/ f 恩斯特·克莱恩 Ernest Cline
; p$ [9 T/ V. c. Y: k/ V◎主 演 泰伊·谢里丹 Tye Sheridan/ r1 V3 S- [: K E1 d9 a0 e6 _
奥利维亚·库克 Olivia Cooke/ }. a6 _# n. s9 w4 b6 {" P
本·门德尔森 Ben Mendelsohn2 A; w. P; \8 M3 W
马克·里朗斯 Mark Rylance
5 q& {) q7 E4 ~ g0 D 丽娜·维特 Lena Waithe
/ @( g" X u( g$ F+ X( S! h: ?4 F1 \$ q 森崎温 Win Morisaki; j& D8 c7 m8 D" U! m. K# y/ ^
菲利普·赵 Philip Zhao7 h7 Y2 y I4 |( T2 i; S, i
西蒙·佩吉 Simon Pegg
$ W5 R3 @& \: c+ M T·J·米勒 T.J. Miller, F4 ]' C+ y9 K+ _# \
汉娜·乔恩-卡门 Hannah John-Kamen- F, Z0 C. y, d: [6 |' \
拉尔夫·尹爱森 Ralph Ineson3 r: m, T: L, X v& B
苏珊·林奇 Susan Lynch
: Y* n. F0 b& M; c* F9 G" `: }, y 克莱尔·希金斯 Clare Higgins3 o# n$ X9 P$ m0 N
劳伦斯·斯佩尔曼 Laurence Spellman0 B; z* m6 {% s- m& a1 R
佩蒂塔·维克斯 Perdita Weeks8 ^7 O& W: k$ c1 \+ j Q
艾萨克·安德鲁斯 Isaac Andrews, `$ s, x, B3 l
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◎简 介 8 p; R3 ~" E, G% j8 R- m0 o5 P
# w, x. o, ? }2 m! K% | 故事发生在2045年,虚拟现实技术已经渗透到了人类生活的每一个角落。詹姆斯哈利迪(马克·里朗斯 Mark Rylance 饰)一手建造了名为“绿洲”的虚拟现实游戏世界,临终前,他宣布自己在游戏中设置了一个彩蛋,找到这枚彩蛋的人即可成为绿洲的继承人。要找到这枚彩蛋,必须先获得三把钥匙,而寻找钥匙的线索就隐藏在詹姆斯的过往之中。
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6 v, R' _& @# P7 t 韦德(泰尔·谢里丹 Tye Sheridan 饰)、艾奇(丽娜·维特 Lena Waithe 饰)、大东(森崎温 饰)和修(赵家正 饰)是游戏中的好友,和之后遇见的阿尔忒弥斯(奥利维亚·库克 Olivia Cooke 饰)一起,五人踏上了寻找彩蛋的征程。他们所要对抗的,是名为诺兰索伦托(本·门德尔森 Ben Mendelsohn 饰)的大资本家。. j7 l8 x8 H- N
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In the year 2045 the real world is a harsh place. The only time Wade Watts (Tye Sheridan) truly feels alive is when he escapes to the OASIS an immersive virtual universe where most of humanity spends their days. In the OASIS you can go anywhere do anything be anyone-the only limits are your own imagination. The OASIS was created by the brilliant and eccentric James Halliday (Mark Rylance) who left his immense fortune and total control of the Oasis to the winner of a three-part contest he designed to find a worthy heir. When Wade conquers the first challenge of the reality-bending treasure hunt he and his friends-aka the High Five-are hurled into a fantastical universe of discovery and danger to save the OASIS.
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◎获奖情况7 ]' b- V/ O; X- [" \
1 M& }1 P. g E 第4届豆瓣电影年度榜单 (2017)$ }' M7 x/ U, P
最值得期待的外语电影(提名)" p; [: `- S! D$ C
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复制代码 Ready Player One 4K Blu-ray, Video Quality
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! O! h o5 z0 }! }8 XThe included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.; A8 D0 r6 W# G
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Ready Player One's 4K UHD/Dolby Vision-enhanced presentation delivers a modest, but at times critical and intimate, improvement over a very visually rewarding and top-end Blu-ray release. The film was reportedly shot digitally at 2.8K with its live-action scenes captured on film, but it appears the entire film was finished at 2K. The UHD's improvements are just as often more subtle than they are striking, with special attention paid to the overall clarity of more intimate close-ups both in the real and digital worlds and the upgrade to coloring throughout. The live action segments reveal a gorgeous, often breathtaking grain structure. It's more pronounced on the UHD, not significantly, but noticeably. The presentation is very refined and the UHD brings an even greater cinematic flavor to the live action segments over the Blu-ray, which is itself very effective in that regard but not quite to the level of cinema screen excellence as seen here. Most film-based shots, scenes, and sequences find more accessible intimacy, a more stable, true-to-source clarity that allows for modest textural gains both in the form of up-close shots as well as environmental essentials, such as some of the more run-down areas of Columbus, and the trailer park in particular, both interiors and exteriors alike. The digital world enjoys an increase in clarity, textural tightness, and sheen. Take a look at a Parzival close-up at the 26-minute mark as he prepares to test a new theory to win the race and earn the first key. The grid-like pattern on his face takes on a more tangible and substantial clarity and texturing, appearing more raised and prominent on the UHD. Viewers will note similar enhancements to clarity of presentation and visibility of complex elements throughout the OASIS segments.! }: u9 _3 d4 O5 G. u% W% J% [! Q
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The previously referenced shot is also a good example of the 12-bit Dolby Vision coloring's improvements to the SDR Blu-ray. The skin is brighter but more naturally refined, the blue eyes are more intense, and shadow details through the edges are greatly improved. The Dolby Vision coloring does not alter the movie's appearance but it does add a distinguishing stability and vitality that even the impressive Blu-ray cannot match, finding a new gear for color intensity and saturation in most every scene, whether presenting intense OASIS colors with more brilliance or refining the gray, downtrodden hues in the real world. Sorrento's avatar holds an intensely illuminated globe at the 32:33 mark, for example, which appears much brighter and more blinding on the UHD but without washing out the scene or overpowering even near-source details, like a pair of digital character faces. Look at a streaky lens flare at the 34:43 mark. The color intensity is higher; the pinks and purples leap off the screen but, again, don't interfere with the shot's focal point, a good, basic, head-and-shoulders shot of Wade which is also a good example of the UHD's improved, but not drastically so, textural integrity over the Blu-ray. Blacks are more intense but never approach crush, white levels are refined and bright, and skin tones are spot-on in the real world, at least as they reflect the often dour lighting conditions. Technical flaws are essentially nonexistent. Eagle-eyed viewers may spot the rare flub, such as aliasing on a far-distant building in the film's opening shot, but such are very few and far between. This is a top-class UHD that may not offer a massive improvement over the Blu-ray but that does present the film with appreciable refinement. This is easily the best way to watch the movie for home consumption.
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2 L+ x: _7 `( w! D2 eReady Player One 4K Blu-ray, Audio Quality
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Ready Player One features a mostly rousing Dolby Atmos soundtrack. The chaotic action intricacies and nuanced environmental details come to life with precision presentation. The track opens significantly, taking full advantage of the prodigious number of channels at its disposal, overhead included, in its numerous action scenes where distinctive, familiar sounds and those newly created for the film alike compete within the listening area but always present with top-flight distinction, even through chaos. Certainly some are more pronounced than others as focal points shift about but even in din there's a healthy clarity to most every sound a prominent and balance to the most intensive, stage-saturating activity. The one drawback is bass that is sometimes more muted than one would expect. An explosion in a key moment in chapter six, for example, lacks the sort of punch and intensity the scene deserves to really punctuate the devastation, while a significant battle sequence in chapter ten features a fair bit off oomph but still falls short of the sort of aggressive posturing the chaos should command. However, a major wave through the listening area in chapter 11, about 110 minutes into the movie, does find substantial depth, so the effect is not entirely widespread. Chaos reigns as the vehicle race to find the keys begins, as cars and trucks blow over and through and into one another, as motorcycles zip and zoom and weave, and choreographed sonic chaos reigns through the entire stage. Surround and top-layer activity flow generously in most every scene, whether drones buzzing about, gunfire ripping around, or supportive ambience drawing the listener into the film. Music is likewise sturdy and enjoyable, particularly as various 80s tunes dance into the listening area with impressive clarity and stage saturation. Dialogue is well pronounced, clear, and effectively prioritized and positioned in the front-center and occasional examples of reverberation are balanced and true.
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