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A girl's "sweet" sixteenth birthday becomes anything but special, as she suffers from every embarrassment possible.- z2 I) b( G- ~ V0 a3 N
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1 @' c9 w3 ^7 }" n! R◎译 名 十六支蜡烛/少女十五十六时0 L6 f9 B& |4 U6 R2 t1 m. l E; d- b3 |
◎片 名 Sixteen Candles
( L" \0 v7 j/ ~: Q. P◎年 代 19843 v) T* L% t3 J
◎产 地 美国+ w% G! g* @! v3 |4 M8 {! l
◎类 别 喜剧/爱情) t5 q7 ]* c# t6 q: u( d/ s' r
◎语 言 英语0 G4 G9 _; H! H
◎上映日期 1984-05-04(美国). s1 r! y7 q# g
◎IMDb评分 7.1/10 from 106,297 users) N) p" P* B7 ~
◎IMDb链接 https://www.imdb.com/title/tt0088128/
' `$ e; S7 H1 t: k8 a$ o◎豆瓣评分 6.9/10 from 1,606 users& V5 s5 ]! |0 }6 E% \% m& y
◎豆瓣链接 https://movie.douban.com/subject/1300813/
. [6 a2 L. P6 ]: c4 O◎文件格式 x264 + DTS
8 c; f& [) T" V! b◎视频尺寸 1920 x 1080
8 T p' u7 Y- y- G0 \% `◎文件大小 1DVD 25.51 GiB
* T( s' A: q2 W* L4 w' ^5 X◎片 长 1 h 34 min
/ M7 P* R9 O& g$ S# x% ?◎导 演 约翰·休斯 John Hughes
$ x: m1 [8 v6 l7 y- d◎编 剧 约翰·休斯 John Hughes
, ~( P/ \; D! F3 f! v5 Y◎主 演 莫利·林沃德 Molly Ringwald j6 l- A. j5 T L- ]% |' _
安东尼·迈克尔·豪尔 Anthony Michael Hall) F7 d1 I$ L$ X+ S, x
迈克尔·舍夫林 Michael Schoeffling' y5 C/ W0 b5 ~ O- X
约翰·库萨克 John Cusack
" Q/ ]2 R1 B. X( _ 琼·库萨克 Joan Cusack# O) t0 w8 o, z1 r
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◎标 签 青春 | 美国 | 喜剧 | 爱情 | 美国电影 | 1980s | JohnHughes | 1984
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( M& q ^ J; v0 H◎简 介
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1 e4 O3 e/ F7 u$ m 由美国著名导演约翰·休斯 (John Hughes)于1984年执导拍摄的青春喜剧片。影片讲述了一个十五岁的女孩Samantha的生活,因为姐姐的结婚,兴奋的家人忘记了她的生日,暗恋的男孩是学校最受欢迎的,但自己却被一个令人讨厌的男孩喜欢,她的生活似乎正在走下坡路。
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It's Samantha Baker's sweet sixteen birthday and no one in her family remembers the occasion. She's a typical teen, enduring creepy freshman, spoiled siblings, confused parents and the Big Blonde on campus who stands between her and the boy of her dreams.
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& L8 ^% F# V( ]6 F% T: s! V4 A; h$ }* f hVideo
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Format settings, CABAC : Yes# [5 t9 `3 d7 b. d; D2 w) G
Format settings, Reference frames : 3 frames. o$ q0 g6 y0 _" |
Codec ID : V_MPEG4/ISO/AVC1 @7 e) J1 j \% S- m) F! D+ C: a
Duration : 1 h 34 min
7 Q) S$ J+ F+ e0 v# v% JBit rate mode : Variable
: v* ?" d A8 E1 Z% j& mBit rate : 33.7 Mb/s0 Q7 T8 j, D8 E5 V+ m
Maximum bit rate : 35.0 Mb/s. q6 e! S* V v! t8 {
Width : 1 920 pixels: U9 o- _5 ]# x7 V! D) N" z0 l2 d. z$ T
Height : 1 080 pixels7 R+ r: r" Z, | T0 }
Display aspect ratio : 16:9# q5 e5 S& Z7 f1 B7 s( N; [
Frame rate mode : Constant
* v: i) t0 O, t5 q0 G1 a: `3 o1 ?! D& IFrame rate : 23.976 (24000/1001) FPS
6 ^) Z; B2 T' M4 Q7 C1 mColor space : YUV; d* I* `( m2 E+ P( l
Chroma subsampling : 4:2:0- J' u& C# E- k7 V% j+ ?
Bit depth : 8 bits7 P; q* \+ g0 r; [1 z
Scan type : Progressive
' ?" e; O6 E5 D8 V( sBits/(Pixel*Frame) : 0.6792 y1 E+ G; K' C+ c0 P
Stream size : 22.2 GiB (87%)3 Y/ c3 s% C& n3 G( D, Y* N: _- x4 u
Title : Sixteen.Candles.1984.EXTENDED.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT% a* h) U- v5 K. V
Language : English
# u4 S- ?9 x+ {$ @9 O I$ YDefault : No9 ?# D/ A7 G' M% \' s
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- q+ u+ u% ]; ^Color primaries : BT.7095 A+ f: c; G0 ]
Transfer characteristics : BT.709! O* `" t( h! P* B
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* c5 o" }* f" U% N) Q mAudio #1
_/ J3 `" H# F( p9 XID : 2; D3 N O/ }- g+ ^ S
Format : DTS XLL
& | S K. Q% K |2 LFormat/Info : Digital Theater Systems
; i; ]6 Z6 v* o7 g, a1 X" |Commercial name : DTS-HD Master Audio3 r6 o u# j1 u. [. v5 r
Codec ID : A_DTS j5 F4 K: M* f2 u) A: z1 G
Duration : 1 h 34 min ?, p* W* y; C# }
Bit rate mode : Variable# K- D0 B* T7 f j9 s, S I
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Channel(s) : 6 channels
5 P9 H6 q' s' ], \/ M+ K( aChannel layout : C L R Ls Rs LFE
: y& N2 n) O2 ?9 ^, uSampling rate : 48.0 kHz
& b8 ]9 @/ x2 Z7 c4 VFrame rate : 93.750 FPS (512 SPF)
' V) ?8 W- U1 d+ `0 G" y* pBit depth : 24 bits6 S7 r5 a# E2 \% P% j
Compression mode : Lossless+ ]2 L% Z& F1 d# N0 H# g5 o! V
Stream size : 1.94 GiB (8%)6 t" u: M3 a2 [: Q6 k! m, F4 F0 S
Title : Sixteen.Candles.1984.EXTENDED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
- ]' {7 l P) q; A& _Language : English
1 P4 `% E# D% _# ^8 m+ t6 B: q3 ADefault : Yes8 C' ~+ ^! f1 T# b
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! A6 V* n0 L3 `; Q! B) pFormat/Info : Digital Theater Systems8 ?3 U- K* W% q. e$ g2 B7 s
Commercial name : DTS-HD Master Audio
! w2 m' ]2 e; O8 U$ t2 KCodec ID : A_DTS
1 X5 H' K& M- @" f B% R. iDuration : 1 h 34 min: B1 R @3 _2 H2 i u
Bit rate mode : Variable& y+ {, t8 E4 H' V2 K
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8 H2 \: F( }3 G( ]$ {3 m8 }* fChannel(s) : 1 channel
. }- G# e& g" uChannel layout : C" C; z) F( w0 }5 s% F0 o; U
Sampling rate : 48.0 kHz
! o# b8 p2 M5 Y% CFrame rate : 93.750 FPS (512 SPF)
5 ] H4 O8 _' s, [. i1 ZBit depth : 24 bits1 o$ n. m' o9 R, [
Compression mode : Lossless
3 z$ h2 s; \# G5 p# NStream size : 725 MiB (3%)( K. {3 ^- q) `. j" F7 ]
Title : Sixteen.Candles.1984.EXTENDED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
7 k K" h4 f, a2 c# x! i2 }Language : English
5 g) k \/ k0 M( ^Default : No
+ P4 g) \+ K7 C' @; w" V2 tForced : No9 T! y( }4 e. b" i' s8 l! d
+ w, r# N7 B/ X2 vAudio #3
4 ^7 t7 P: ?- U0 k% x4 V TID : 4. D( c3 q1 L: K$ v
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9 E0 m I- y$ U2 q- @Format/Info : Digital Theater Systems
) ~# B# O4 U+ e* u2 h$ _1 ICommercial name : DTS-HD Master Audio5 @1 Q: r& q5 \ Z2 a |$ P$ m
Codec ID : A_DTS# C9 X# y7 F. |1 t
Duration : 1 h 34 min
$ M2 g) K M% C3 U0 b* P! a; g4 RBit rate mode : Variable- C0 _( n- F; A
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# o, k) ~3 d6 J- m! tChannel(s) : 1 channel
6 H" D' y3 ~+ p4 m0 y0 EChannel layout : C( W. ]6 E. `% Q0 |' x
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5 {1 A6 d3 ~; Z% l" w6 mFrame rate : 93.750 FPS (512 SPF)# v/ S% @; ?$ r/ I; w- ~% E
Bit depth : 24 bits1 R& d( U! H; m' _. Y. e
Compression mode : Lossless
4 n1 B9 F$ l+ M, w% {4 d/ b* S2 DStream size : 708 MiB (3%)
& w) T. F! r+ \3 ?Title : Sixteen.Candles.1984.EXTENDED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT" p E2 r* x2 W' B( k k
Language : English
9 p- M8 z: l2 T6 z/ dDefault : No. Z5 P, p) e% [) N
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3 |4 r3 C8 h; T1 O' Z6 I& Z) L z' `/ _, k2 `; d+ _
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4 I" l# G$ b2 L1 [. R( _Format : PGS: n7 r2 t& k: A
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' H( p5 U6 {) \+ Z; b$ ?Codec ID : S_HDMV/PGS
& m, r% a" X+ y0 }8 [Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
' y' V, r. w; d7 Q9 S( d5 D3 NDuration : 1 h 33 min' E F0 O" {( g" _1 Y. ~
Bit rate : 42.9 kb/s. {" J [( ]1 d6 l% z
Count of elements : 2714
8 {$ E6 C' ~$ I* Z0 XStream size : 28.8 MiB (0%)% E* v( B) F4 c* }! U d% ]! ~
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1 B5 U7 ?) e+ tLanguage : English! w3 H m- L; }% a, g
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6 u1 @' o5 m' J: dForced : No
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' J t& N. `; J( X- WMenu
( E! |0 V9 t# j5 B) [00:00:00.000 : en:Chapter 014 S5 K) b+ V# [! y: h8 n
00:10:10.943 : en:Chapter 02% L- \1 C% V$ f3 a9 I
00:16:38.288 : en:Chapter 03- a& y( {2 B- m9 ]5 F% m/ u& P4 E
00:24:20.375 : en:Chapter 04
9 F& P% N. s- |; E( l C00:31:43.401 : en:Chapter 05" O3 X1 d1 g) |8 G
00:39:45.007 : en:Chapter 06
& U6 ?# R3 p: I) Z" y3 Q00:47:13.914 : en:Chapter 07' B/ g+ w8 K% K) u7 U
00:55:11.141 : en:Chapter 08
2 J$ M- m# @: l# y; O" b1 }5 \01:02:45.094 : en:Chapter 09
, }3 f2 V! O H! q! F# H01:11:45.217 : en:Chapter 10: d- Y8 f& w" X" Q4 q
01:19:43.320 : en:Chapter 11
; i5 g+ i3 N: F6 D6 H# r01:25:49.686 : en:Chapter 12 Sixteen Candles Blu-ray, Video Quality
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Note: While I noticed absolutely no difference between the (many) shared sequences that both the Theatrical Version and Extended Version offer, I've duplicated some screenshots from both versions so that everyone can compare and see for themselves. (I've also tried to come close to duplicating some of the screenshots in Brian's review of the now long ago Universal release, so that those interested can do side by side comparisons.) Screenshots 1 through 10 are from the Theatrical Version, while screenshots 11 through 19 are from the Extended Version. Screenshots 13 and 15 are from the added scene which gives the Extended Version its name.
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Sixteen Candles is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet has the following information on the restoration:Sixteen Candles has been exclusively restored by Arrow Films and is presented in its original aspect ratio of 1.85:1 with 5.1 and mono audio./ B$ u% C5 e+ {: B
) x! E$ l4 H- R. q: G+ gThe original 35mm camera negative was scanned in 4K resolution on a Lasergraphics Director at EFilm, Burbank.
* s! e3 G9 V( i R5 c$ JThe film was graded on Digital Vision's Nucoda Film Master and restored at R3Store Studios in London.4 j3 a, F. H+ l4 ]& }6 Q
The original mono mix was remastered from the optical negatives at Deluxe Audio Services, Hollywood.( T, X0 M+ ~+ C( f; m
The extended version sourced additional 35mm materials for this section.
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4 @+ K# h! H# P9 DAll materials for this restoration were made available by NBC Universal. Universal's release of Sixteen Candles wasn't met with much enthusiasm by many fans, and even Brian himself in his Blu-ray review, and for fans who have been wanting a more organic, filmlike presentation, this Arrow release pretty much hits it out of the ballpark. All of the digital tweaking, including filtering and sharpening, that hobbled the Universal release, is nowhere to be seen here. There's therefore a somewhat "grittier", more mottled look to much of this presentation simply because there's a verifiable grainfield to be seen, but detail levels are routinely commendable throughout the presentation. I frankly wouldn't say the palette is hugely different from the Universal release, although the filtering that the Universal release displays may give the impression that it's a bit brighter overall. Grain can kind of attain a slightly chunky, yellowish quality at times here, a tendency that kind of ebbs and flows throughout the presentation, but I have to say that in motion nothing looked unnatural to me.8 o: S1 ]# h. I: a8 |4 {6 ^
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Sixteen Candles Blu-ray, Audio Quality
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3 ]- Z" i1 {) D& ySixteen Candles features DTS-HD Master Audio 5.1 and two DTS-HD Master Audio Mono mixes (the two mono mixes are the original theatrical soundtrack, and the rejiggered home video soundtrack which replaced or omitted several songs). I noticed we have one member review and a couple of isolated comments in our Forum about amplitude of these tracks, but I have to say to my ears nothing sounded way out of whack. The mono mixes definitely sound slightly muffled and are less hot than the surround track, but I personally didn't need to "pump up the volume" on any of these tracks on my home theater system. This is the rare instance where I think I actually prefer the refashioned surround track. It's not overly ambitious, which may help, choosing isolated moments to offer immersion, but it does significantly open up the many source cues, and there are some well placed ambient environmental effects. Dialogue is rendered cleanly throughout, and I noticed no problems whatsoever with regard to damage, distortion or dropouts. V' K' a3 l4 K% l" x
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