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Four very different college women drive to Fort Lauderdale, Florida for spring break to find adventure and romance.7 w8 S1 a" c! T% F4 i! L
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! h; M1 B R' r7 U3 X3 I* M◎译 名 海滩春光/海滩春光(港)
+ r* |: m) T9 u8 Q) Z: M◎片 名 Where the Boys Are
! A( v4 c. H9 I. I◎年 代 1960
! u2 `+ `* [! t◎产 地 美国
, [1 r8 P" C- O$ }+ o◎类 别 剧情/喜剧/爱情
1 a# X- ~8 q' j- w5 C! M9 J◎语 言 英语
" K9 Y( A" ]8 w. Q% _◎上映日期 1960-12-28(美国)/ V4 ]4 y$ r. ^/ i$ s5 d
◎IMDb评分 6.6/10 from 2,710 users% C6 M2 P v$ A) N h
◎IMDb链接 https://www.imdb.com/title/tt0054469/
/ ?% f. `6 \8 t3 E◎豆瓣评分 0/10 from 0 users
9 N. L5 s0 n. l% g w* _◎豆瓣链接 https://movie.douban.com/subject/3647732/1 Z4 n/ N! |4 D$ Q" c& j
◎文件格式 x264 + DTS
! Z3 W! O7 l6 L2 F8 N◎视频尺寸 1920 x 1080
: w6 d- G* a/ Z7 M◎文件大小 1DVD 29.13 GiB
+ a/ t" B, M# {0 g◎片 长 1 h 39 min. y4 m3 Q/ X/ H( }# F* t; Q1 t Z
◎导 演 亨利·莱文 Henry Levin
+ c$ T/ i/ T1 B" l3 y2 s◎编 剧 乔治·韦尔斯 George Wells: P. _; H% u. ^3 \
◎主 演 乔治·汉密尔顿 George Hamilton
* A0 ^% r- b- J9 ^+ m& ^$ E% ~ 多洛蕾丝·哈特 Dolores Hart
8 y s; V/ x: p5 s3 [' A2 @ 伊薇特·米米亚克斯 Yvette Mimieux
/ W# K6 _% n1 a! B8 }8 p- |6 G 吉姆·赫顿 Jim Hutton% ?4 l# a$ ?& S" h1 ~% F
芭芭拉·尼科尔斯 Barbara Nichols
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# L: X s2 b2 X6 d◎简 介 * |" Y( k& U4 a) ?( }
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Four very different college girls drive to Fort Lauderdale, Florida for spring break and seek out various adventures and romance for themselves.4 M# M7 u& H9 \: m7 T( h
2 R3 [- Q3 c8 r) F5 ^   Video/ n( P: b( @$ w7 D
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4 x3 [" S' O" h! KFormat/Info : Advanced Video Codec
$ v4 }1 {+ K7 d: Y4 e9 A0 X7 zFormat profile : [email protected]$ A3 E* y# L( o/ c, v0 O5 ^! ]
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. f, q# J* \1 B1 @! U2 z5 eFormat settings, CABAC : Yes
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% ?. e. d# P; F6 y+ g7 ^Bit rate : 34.9 Mb/s
' \# q' j5 C* T' gMaximum bit rate : 38.0 Mb/s
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+ s) @! H4 h2 N2 J( I2 THeight : 1 080 pixels5 w: {8 s: V, q8 I4 `. s
Display aspect ratio : 16:9. ~$ U0 M* i, u7 W+ X3 q
Frame rate mode : Constant, T+ N1 z/ X. f/ P9 o* u9 O
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. P; x. U9 q+ hScan type : Progressive8 J0 Q1 t" ^+ ~
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- L7 ~9 r! ~0 }1 WLanguage : English$ ~; \0 S# ~ W; A2 b! B
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' q; C. k+ q4 V7 J+ lFormat profile : MA / Core& u% {1 \6 } ^
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3 u' V, y' y! Q/ F3 {8 _7 ODuration : 1 h 39 min" G' H/ P. C, A5 e
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3 L* I' Z ~2 ^& y" R: y- DChannel(s) : 2 channels
" B/ }7 G% P1 ^. f* I+ F' b" HChannel positions : Front: L R9 o5 Z1 `2 T; ?$ v- }$ {
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- q# p9 L) l7 Q$ J! q$ B: HFrame rate : 93.750 FPS (512 SPF)' W2 B8 f. v( k+ b! k5 M s
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8 V" a5 \! [" K$ F4 lCompression mode : Lossless / Lossy
" W" [& J: e" B; CStream size : 1.38 GiB (5%)# y4 Q" I! Y4 b1 X: K5 Q: E* _& f1 \& ]
Title : Where.the.Boys.Are.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
6 ^' T6 J4 n4 W& _ K( @Language : English" ]% {* O l( P7 P
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0 G7 V( O: h! m# }Bit rate mode : Constant, o$ C/ d4 {& r% [# l" u k- ~7 @" \
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/ w2 Y1 g% t7 H% d! lChannel(s) : 2 channels
* X; _. O( L2 c3 e4 [" qChannel positions : Front: L R5 D6 A( ?! y- t1 z- d
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Frame rate : 93.750 FPS (512 SPF)' |. b7 r2 ^* K( G8 `3 P, d
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" W. ~7 G9 `8 L7 YCompression mode : Lossy( p0 K, s3 F4 h+ ^ Y
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Title : Where.the.Boys.Are.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
1 P6 @- B) @* c% s+ iLanguage : English4 Q9 g6 n4 C2 U& g3 G* Z7 m
Default : No
% h2 s( d4 Y# f, r7 cForced : No
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5 u/ g5 r8 }" dAudio #31 I: C) P' g' a: E7 ]
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8 Z% q, U# _) h% _$ I% rFormat profile : MA / Core6 Z3 }: f. L2 n" i* q b: y
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G/ M# U4 ^! RBit rate : 2 048 kb/s / 1 509 kb/s
* j. d0 d# q2 i: Y: uChannel(s) : 2 channels
6 M Y- ?- e, D" H. IChannel positions : Front: L R
3 T2 p; W7 A5 D( v$ G9 @6 ISampling rate : 48.0 kHz
: T3 z% Z4 m0 M B9 uFrame rate : 93.750 FPS (512 SPF)
) X. {! g- Z$ ~" x) s5 ~$ e5 f1 ZBit depth : 24 bits
1 Z9 ?( x) \2 U+ Y% }* @- LCompression mode : Lossless / Lossy& [' d9 o! w; X) I
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Title : Where.the.Boys.Are.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT- {) t1 v* p& d, t, W O
Language : English
, r/ U' S; B6 [ J+ vDefault : No3 ~' R: Q2 J; ?: t, V b
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& q" m) a# T! r' Y- s% FChannel positions : Front: L R1 B. P$ A# b. `& _) Y- J& }
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+ l* `7 \3 M) s0 ~! U3 VTitle : Where.the.Boys.Are.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
1 n* N$ n8 c$ mLanguage : English
) ~8 w7 K9 _9 ]3 C8 _Default : No
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/ C t" m" ^" `/ \, l; yDuration : 1 h 38 min6 i/ g, A! X G% B6 j7 }0 f% J& w
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$ w6 O, S4 e. ^9 t" L, b5 dTitle : English-PGS
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$ R, }5 p, A: [/ j
Menu
# |- V% u" _, n8 U; w& E9 C( {00:00:00.000 : en:Chapter 01: l4 s: t! o, s; @ G+ P/ d
00:01:27.212 : en:Chapter 02
/ x6 q) [" B+ h9 ~00:03:01.222 : en:Chapter 03& j$ I" l% F* P5 m3 k v5 c0 M$ x
00:05:11.519 : en:Chapter 048 }. K/ V, ?) s# |
00:10:20.578 : en:Chapter 052 x$ B: ]% X) P7 S& L5 X
00:15:00.024 : en:Chapter 06) A/ Z$ W) _8 \+ g. `1 x
00:18:51.505 : en:Chapter 07
# u% V f1 Q: @& M00:23:29.408 : en:Chapter 081 f6 [" {/ B; _4 G
00:26:50.775 : en:Chapter 09
( Y/ Q+ `6 v# @2 n" Q& M! \00:29:46.034 : en:Chapter 10
; ]9 }9 U+ e, k3 k00:33:02.647 : en:Chapter 11; B: t V! F2 v2 Y3 c# L$ I m. h
00:36:12.920 : en:Chapter 12
# |" `* n2 g, t, d: h& F00:39:22.526 : en:Chapter 13
& L( D+ W$ i# ^00:45:19.299 : en:Chapter 14- f& W: I7 u5 Y/ T( T3 h
00:49:12.532 : en:Chapter 15: P! V [& C7 \7 a+ Z$ v; V/ z
00:54:54.207 : en:Chapter 16
1 g" J, t, a# ]7 q00:59:18.346 : en:Chapter 17
$ s' l- G; |% Z# N T00:59:31.526 : en:Chapter 18
! O# n5 | T. J4 g6 M01:01:40.196 : en:Chapter 19+ B# s* R3 B/ R6 b1 A1 Z5 P
01:04:21.107 : en:Chapter 205 T8 m) D8 \8 N! Q
01:06:39.120 : en:Chapter 21' {# \; C- v4 R5 u0 Q
01:10:05.326 : en:Chapter 222 |- N! C) h! X+ n3 e2 s
01:12:02.568 : en:Chapter 23
y- H' e+ q/ A" f( ^, ]8 F, }01:16:10.774 : en:Chapter 24
1 N$ U, E; |- Q) a% E' b- Q7 f01:17:39.696 : en:Chapter 25) g( S. C: S2 `( n1 j2 k
01:19:03.530 : en:Chapter 26: a/ o1 Y% u; C5 x f: ~' R! d
01:22:50.256 : en:Chapter 27
( H* g# b& ~6 y01:26:36.065 : en:Chapter 28+ w2 T( ?: s/ h: [' d% E" l4 X
01:28:27.302 : en:Chapter 29; j/ J) }% H: `! {0 I' `+ j$ V6 q. n
01:30:48.651 : en:Chapter 30
- {" o- h D' t* V# ]- |/ C01:33:08.666 : en:Chapter 31: b8 i" }( g Q, _
01:37:44.024 : en:Chapter 32
, m( W0 ~/ J5 h# {2 i" p, S2 O01:39:15.240 : en:Chapter 33
/ G- a) t; [0 l
# v# a4 F# \1 v" n x5 s0 HWhere the Boys Are was shot in Cinemascope by Robert J. Bronner (It's Always Fair Weather), a member of MGM's reliable cadre of cinematographers. For this 1080p, AVC-encoded Blu-ray from the Warner Archive Collection, WAC rejected an existing "temp" master prepared for broadcast and commissioned a new scan, which was performed at 2K by Warner's Motion Picture Imaging facility using a recent interpositive. After color-correction and cleanup, the result on Blu-ray is an impressive reproduction of director Henry Levin's crowded frames, some shot on location in Florida and others created in the studio, sometimes with obvious (very obvious) rear projection. Boys did not have a generous budget, and its image doesn't have the polish of MGM's A-list productions, but it ably contrasts the chilly Northern environs with the Florida sun, and its female quartet looks delightful in their various colorful (but tasteful) outfits. Some of the night scenes reflect the weak contrast typical of day-for-night photography, but that problem is inherent in the source. Sharpness and detail are appropriate for the era's Cinemascope lenses. As per its usual practice, WAC has mastered Boys with a high average bitrate, here 34.99 Mbps.
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: P/ ~! v A; n! f' H7 IWhere the Boys Are Blu-ray, Audio Quality 0 o1 }: ]8 U- {" q5 u& S
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Boys original theatrical mono track has been taken from the magnetic printmaster, cleaned of any age-related flaws and deterioration, and encoded in lossless DTS-HD MA 2.0. (Although the music for Boys was recorded in stereo, MGM did not deem the film worth the expense of a final stereo mix.) The sounds of winter in the opening sequences are comically exaggerated, and that approach to the film's audio persists throughout, shading into a more realistic style only near the end (a tense scene of someone crossing a heavily trafficked road is surprisingly convincing). The dialogue is always intelligible, even when Frank Gorshin's Basil is hamming it up, and the singing voices of both Connie Francis and Barbara Nichols are rendered with clarity and fidelity. The mostly light-hearted score is credited to George Stoll (Viva Las Vegas), although the title song, which became Connie Francis' signature tune, was written (at Francis' insistence) by Neil Sedaka and Howard Greenfield., h$ D) B2 u M2 `
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