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Four very different college women drive to Fort Lauderdale, Florida for spring break to find adventure and romance.$ X6 x! o+ x; r5 p9 x7 W
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6 o. g$ D+ q* c) N/ r* b w' _◎译 名 海滩春光/海滩春光(港)
3 w A2 |4 p3 ^1 l% p* @◎片 名 Where the Boys Are
% c2 O2 h9 @& P- r. n4 [! W◎年 代 1960
3 V- t* m6 T- c+ ?6 m8 ~; r; N◎产 地 美国
/ j! u% G2 ~" {# y( b7 P◎类 别 剧情/喜剧/爱情5 G6 X" S* v T: S" E* o) v' W m
◎语 言 英语" N7 ^1 }5 z8 a' g; v
◎上映日期 1960-12-28(美国)
3 Q q& t3 G5 _7 q4 a# c B" ?◎IMDb评分 6.6/10 from 2,710 users
8 s4 I8 V# G2 b0 H/ J. F" n; ^◎IMDb链接 https://www.imdb.com/title/tt0054469/
0 Z1 e& V/ O0 U1 _◎豆瓣评分 0/10 from 0 users. }: Y9 r4 ]9 Q( S; K G# A
◎豆瓣链接 https://movie.douban.com/subject/3647732/
+ Z# N. O. ]$ \8 ~% G" [) ], v◎文件格式 x264 + DTS
* b. F) M2 h. n% ]8 w+ @2 s' R◎视频尺寸 1920 x 1080) V. E% _' a2 Y1 C+ \. L
◎文件大小 1DVD 29.13 GiB5 b; L$ l0 o( r1 |+ y
◎片 长 1 h 39 min
/ R' m. N; R% s( S) |◎导 演 亨利·莱文 Henry Levin0 L G7 Q7 H0 ~9 U) F7 t) s, J
◎编 剧 乔治·韦尔斯 George Wells r7 `9 u& r# H% I+ p
◎主 演 乔治·汉密尔顿 George Hamilton+ {3 [1 s2 d# j. W! A& v1 M
多洛蕾丝·哈特 Dolores Hart+ `; y: Y% W! D
伊薇特·米米亚克斯 Yvette Mimieux- E& D5 P& s4 M
吉姆·赫顿 Jim Hutton Z- Y. R* D& v' ^6 `% B
芭芭拉·尼科尔斯 Barbara Nichols
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◎简 介 1 f2 r* i9 ~% O4 |2 {6 A$ p$ Y
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Four very different college girls drive to Fort Lauderdale, Florida for spring break and seek out various adventures and romance for themselves.
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4 L9 g2 z: [' S# c   Video
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Format/Info : Advanced Video Codec# P- |+ q2 e! _ S7 I! P( n
Format profile : [email protected]
* o- [/ D' ^9 S2 s$ GFormat settings : CABAC / 4 Ref Frames# ^, b- [" {, C; N |. g' V
Format settings, CABAC : Yes
* Q0 ^+ x) F' {/ z* Z* WFormat settings, ReFrames : 4 frames0 I$ T% i4 L+ B! A6 ~6 @5 R1 R
Codec ID : V_MPEG4/ISO/AVC! j4 Z; S5 z, v. I: M: E
Duration : 1 h 39 min
3 M6 T( y# Z3 s1 f) dBit rate mode : Variable* m8 ]5 q9 q, |. H
Bit rate : 34.9 Mb/s* j- _: J' C+ T8 }1 v2 C9 f7 G
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% b) c3 m9 U. _, P; X) l4 {Width : 1 920 pixels
3 k& g/ g' [, X' MHeight : 1 080 pixels# i" K- M6 v- @ s7 u2 h
Display aspect ratio : 16:9
( R8 B: Q; W* X oFrame rate mode : Constant
) Z9 D& J1 Q, t- u" k% jFrame rate : 23.976 (24000/1001) FPS2 a7 g9 V* w& ^% \$ R
Color space : YUV
# k4 M: G, C- V, CChroma subsampling : 4:2:0
1 o; K+ K0 V' Q ^. U& }Bit depth : 8 bits
& m4 W; i' s! l; O8 ?6 ]Scan type : Progressive( [7 R0 L7 n: d; W0 Q9 W$ p) G: }
Bits/(Pixel*Frame) : 0.702% u( v6 l. e6 E" y, F
Stream size : 24.2 GiB (83%)
4 f9 P) }0 }( J. I3 b% LTitle : Where.the.Boys.Are.1960.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT: I/ ?% B4 s7 S3 d+ i
Language : English
3 m1 `# S# X2 R# r% R% rDefault : No
) @7 k- l0 S* |2 h3 G" S6 {5 OForced : No Z2 C) x2 f3 j
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! Y! ] o# A Q- Q/ y3 l: u! rFormat profile : MA / Core
1 {7 F y; P% G5 {+ v/ oCodec ID : A_DTS
4 m' `/ m; C* I4 _Duration : 1 h 39 min: w( ]/ Y# a; b7 \$ [
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Sampling rate : 48.0 kHz; K2 Y1 r+ ?5 M# H$ ^- n& _: c: h7 x
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6 I" X% V0 f) [* a& |7 s7 b6 _Bit depth : 24 bits
1 c# f0 d4 d6 z0 |& gCompression mode : Lossless / Lossy
3 ]" T# ^# W2 n+ ?. M3 w7 {$ zStream size : 1.38 GiB (5%) }; }) A9 M) C' ~) `
Title : Where.the.Boys.Are.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
) D9 C, _( `% y, Z2 V: |- B6 bLanguage : English
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" j N' V2 t4 `, K% MAudio #29 G8 M1 h: v1 s: y5 Y5 ~
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/ X4 N0 X" t; M# M; h9 \2 \Duration : 1 h 39 min& @1 O7 _ _' V: V2 M- F: K
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# A- W! P" I1 v6 FChannel positions : Front: L R
2 A- E& Q5 F: N/ q6 o4 ZSampling rate : 48.0 kHz
7 O1 ~+ C: |) W( Q# e; d' qFrame rate : 93.750 FPS (512 SPF)
2 h" g2 T: I% Y6 ~" x* OBit depth : 24 bits
: p$ T+ m x+ TCompression mode : Lossy
! \- R( P( b( Z3 oStream size : 1.05 GiB (4%)
8 \' W% a! X+ H LTitle : Where.the.Boys.Are.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
3 I `1 U% E- {1 K, {Language : English
" ^" g ~/ U( Z4 VDefault : No
& D3 L1 b3 B" d3 IForced : No
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! I' ~3 D. Z) m" b2 R& W# i0 GCodec ID : A_DTS
1 X& a' O+ j' D! @$ y* aDuration : 1 h 39 min( x" |2 `2 r; n$ x; ?
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4 Z0 T* ^# e# g v9 K$ ~3 rChannel(s) : 2 channels! z ]9 I N d" ~* K
Channel positions : Front: L R# A5 z/ `" z2 m& G6 W: O! [: e% Z
Sampling rate : 48.0 kHz
1 Y# K2 w/ l' `; ^7 T* TFrame rate : 93.750 FPS (512 SPF)
5 O7 v( p- i# }% b2 oBit depth : 24 bits4 c7 N. T# J! B. |% c
Compression mode : Lossless / Lossy1 S- R& ]: A7 ~/ W
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! }% _ U2 I- h& g+ ^, j; ~9 N4 cTitle : Where.the.Boys.Are.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT% `1 f9 K, T$ k W, U' ~ w) g$ x
Language : English# g! B: E7 Z% t Y
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Bit rate mode : Constant4 _' ^9 [' g( M3 c( }8 M/ W# r
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8 V2 o7 k; r! ?$ HChannel(s) : 2 channels3 [9 Q1 v2 N5 e+ x$ j6 F; `+ P6 G
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7 k k9 E& p1 u. D% y% rSampling rate : 48.0 kHz' r# G6 V" ^( ?9 m, [/ ] Z
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1 _. |* p5 |2 O4 tBit depth : 24 bits8 N% o4 H$ K% U
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" c8 i4 I# J. }$ `6 D2 T5 BTitle : Where.the.Boys.Are.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
1 @: K/ ]8 q: A* s1 {Language : English @" Y! ?1 b4 J: h$ b
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, q9 q0 N( u0 X; X: ~/ XDuration : 1 h 38 min3 x1 F, s/ L7 h A0 X) k
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0 ? H5 F1 ]' D7 J2 s/ mMenu
/ C* M4 g: H& g; X* S4 Q2 u& M00:00:00.000 : en:Chapter 01
" j' M& Z/ q, a" ]3 t* t& G00:01:27.212 : en:Chapter 02
$ L" e3 @9 ^3 X# Z2 D00:03:01.222 : en:Chapter 03) `7 N0 {1 w: D6 K) _2 o! X
00:05:11.519 : en:Chapter 044 K0 G- H! b5 w: c0 L' ]
00:10:20.578 : en:Chapter 05
& r1 k) y- N; C00:15:00.024 : en:Chapter 06
! z5 w, D3 I; M0 `# C9 N0 y00:18:51.505 : en:Chapter 07, c+ s: I: E5 w8 z) C
00:23:29.408 : en:Chapter 085 c) _ Y2 @ G
00:26:50.775 : en:Chapter 09
1 f9 b: j) V& _; F3 p F) l, Z# h00:29:46.034 : en:Chapter 10
5 _- P' X8 C; e1 r; E7 d00:33:02.647 : en:Chapter 11
; R2 c: R- d4 t. P; H% j1 e5 ~. C5 f00:36:12.920 : en:Chapter 125 r& u% o) ]3 X5 G* w
00:39:22.526 : en:Chapter 13
E3 e" q2 J9 X" W00:45:19.299 : en:Chapter 14
. o V9 c q. B. W( l00:49:12.532 : en:Chapter 15; s/ m' Z8 G- @: h1 T
00:54:54.207 : en:Chapter 169 k: ? d6 T! e( w- }+ G V
00:59:18.346 : en:Chapter 170 F! v: r6 ?1 o
00:59:31.526 : en:Chapter 18
# ~4 _1 q- w0 s) B( D4 K' c01:01:40.196 : en:Chapter 19" ~$ ?& M9 @5 U( l
01:04:21.107 : en:Chapter 203 P6 F q2 h6 M3 y [
01:06:39.120 : en:Chapter 21) y5 r# ?: O2 W$ B" o/ o
01:10:05.326 : en:Chapter 228 T- d1 V7 O" l' [& M# v# o
01:12:02.568 : en:Chapter 23- n& f+ i" l. ]
01:16:10.774 : en:Chapter 24
8 ]: P% G0 h; W; e/ q; ?0 F01:17:39.696 : en:Chapter 25
! t/ z% C9 M% D9 q. j01:19:03.530 : en:Chapter 26
( p3 _! \% w3 E) m! Q Y01:22:50.256 : en:Chapter 27: q4 @! |/ k$ ?$ f7 \, i/ Y# q
01:26:36.065 : en:Chapter 28, B: O9 Z; e& Z4 g* f$ j
01:28:27.302 : en:Chapter 29
8 J: H3 N8 f# E- U2 C01:30:48.651 : en:Chapter 30
3 E% C4 {% y' E) X01:33:08.666 : en:Chapter 31
, a4 V3 h, X' I1 k V01:37:44.024 : en:Chapter 32
7 A0 d7 x& i; K% x& [' J! j2 H% ?01:39:15.240 : en:Chapter 33
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0 ^, S; |2 c2 ~) j8 K1 q7 O4 VWhere the Boys Are was shot in Cinemascope by Robert J. Bronner (It's Always Fair Weather), a member of MGM's reliable cadre of cinematographers. For this 1080p, AVC-encoded Blu-ray from the Warner Archive Collection, WAC rejected an existing "temp" master prepared for broadcast and commissioned a new scan, which was performed at 2K by Warner's Motion Picture Imaging facility using a recent interpositive. After color-correction and cleanup, the result on Blu-ray is an impressive reproduction of director Henry Levin's crowded frames, some shot on location in Florida and others created in the studio, sometimes with obvious (very obvious) rear projection. Boys did not have a generous budget, and its image doesn't have the polish of MGM's A-list productions, but it ably contrasts the chilly Northern environs with the Florida sun, and its female quartet looks delightful in their various colorful (but tasteful) outfits. Some of the night scenes reflect the weak contrast typical of day-for-night photography, but that problem is inherent in the source. Sharpness and detail are appropriate for the era's Cinemascope lenses. As per its usual practice, WAC has mastered Boys with a high average bitrate, here 34.99 Mbps.
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Where the Boys Are Blu-ray, Audio Quality
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Boys original theatrical mono track has been taken from the magnetic printmaster, cleaned of any age-related flaws and deterioration, and encoded in lossless DTS-HD MA 2.0. (Although the music for Boys was recorded in stereo, MGM did not deem the film worth the expense of a final stereo mix.) The sounds of winter in the opening sequences are comically exaggerated, and that approach to the film's audio persists throughout, shading into a more realistic style only near the end (a tense scene of someone crossing a heavily trafficked road is surprisingly convincing). The dialogue is always intelligible, even when Frank Gorshin's Basil is hamming it up, and the singing voices of both Connie Francis and Barbara Nichols are rendered with clarity and fidelity. The mostly light-hearted score is credited to George Stoll (Viva Las Vegas), although the title song, which became Connie Francis' signature tune, was written (at Francis' insistence) by Neil Sedaka and Howard Greenfield.
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