制片人/制作人/金牌制作人/发财妙计 [REMUX原盘重制版] The Producers 1967 REMASTERED 1080p BluRaycd REM

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◎译　　名　制片人/制作人/金牌制作人/发财妙计
' x- {6 E! H* _. T9 y+ B" I( v◎片　　名　The Producers
9 d  [; c3 e% f6 t7 |6 O% D◎年　　代　1968
/ t* M- {$ Q$ q/ K  Q, z7 |◎产　　地　美国
◎类　　别　喜剧
◎语　　言　英语/德语
% G0 B0 x: G6 |! {+ B0 k/ C& Q; X◎上映日期　1968-11-10(美国)
9 K4 R" O  B! B5 ]- o! h◎IMDb评分  7.7/10 from 44,881 users
◎IMDb链接  https://www.imdb.com/title/tt0063462/
◎豆瓣评分　7.6/10 from 484 users
/ b  Y# q9 b+ J' w◎豆瓣链接　https://movie.douban.com/subject/1303293/
( Y+ n, x# e6 g1 Q$ A◎文件格式　x264 + DTS
& W5 X9 q- T$ z9 N$ Q◎视频尺寸　1920 x 1080
◎文件大小　1DVD 20.66 GiB
0 k; @) j) w1 h2 Q+ e◎片　　长　1 h 29 min
8 J; n! J  T% ~) |  A◎导　　演　梅尔·布鲁克斯 Mel Brooks
◎主　　演　泽罗·莫斯苔 Zero Mostel
; s8 _6 f- Z# S) K　　　　　　吉恩·怀尔德 Gene Wilder
　　　　　　迪克·肖恩 Dick Shawn
3 s, z# O, i7 e% a6 n1 Y4 P2 @- E　　　　　　肯尼思·马尔斯 Kenneth Mars
( `5 E2 I; m) @' [. x　　　　　　李·梅雷迪思 Lee Meredith
. Z) M, D; c" _6 ~. O& j　　　　　　梅尔·布鲁克斯 Mel Brooks
( M9 t1 p5 e! @+ G  m3 q　　　　　　埃斯特尔温伍德 Estelle Winwood
! n. `" i0 t% ?0 v: Q) g" Y2 [　　　　　　蕾妮·泰勒 Renée Taylor
- e% i; L; ^5 I9 D1 P3 T　　　　　　威廉·赫基 William Hickey
　　　　　　Barney Martin
　　　　　　Shimen Ruskin
　　　　　　Frank Campanella
　　　　　　乔西普·艾利克 Josip Elic
% ^# P* g" t, E; K( @　　　　　　Madelyn Cates
0 N# w% G" A3 C) \7 @　　　　　　John Zoller
' S! y: i4 D1 \4 @; s- I7 l　　　　　　Brutus Peck
　　　　　　Anne Ives
: k. k& u0 D3 |8 W- u　　　　　　Amelie Barleon
* L6 I. o+ b, i　　　　　　Lisa Kirk
: o+ _" D: v6 m, B4 Q. h6 o* l/ |　　　　　　Nell Harrison
& ^4 }# }/ \9 B, \  F　　　　　　Christopher Hewett
8 H8 u0 u  ^6 _　　　　　　Andréas Voutsinas
, [' s2 V4 W( D* I; k# w1 f% R　　　　　　Bernie Allen
3 v0 }* Z$ }* _　　　　　　Robert Dahdah
　　　　　　Michael Davis
　　　　　　Diana Eden
　　　　　　Linda Gillen
　　　　　　Trent Gough
! r: x& C) ?: z: i6 M" K" P3 a2 X　　　　　　Zale Kessler
　　　　　　Bill Macy
" S" z3 K( [- U$ z　　　　　　Lore Noto
　　　　　　Robert Paget
4 {' ^- B9 i3 S; P5 s1 Z/ R　　　　　　Tucker Smith
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0 s: H2 Z, g5 P1 s1 L) C◎简　　介   
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　　Producers Max Bialystock and Leo Bloom make money by producing a sure-fire flop.
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$ o3 Y  {5 ^% ^7 e8 r: v5 a! d" y+ ?　　一位落魄的原百老汇制片人跟一个“高级经济师”联手，吸引风险投资来排戏，以及如何搞砸这部叫《希特勒的春天》的戏，好让投资都进他们两个人的腰包。未曾想，那部“大话希特勒”版的闹剧大受欢迎，他们的计划也因此暴露，双双上了法庭。
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◎获奖情况
  Z  \. C3 I1 Z# Z& w$ k% K
　　第41届奥斯卡金像奖  (1969)
9 ?& e# x; l2 I8 p* O1 Q1 P# Z$ d　　最佳男配角(提名) 吉恩·怀尔德
　　最佳原创剧本 梅尔·布鲁克斯

The Producers Blu-ray, Video Quality
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  d$ _, M: ?! w* {& qThe Producers is presented on Blu-ray courtesy of Shout! Factory with an AVC encoded 1080p transfer in 1.85:1.  Shout!'s press materials accompanying this release state that this was sourced from a new HD master, and the results are often spectacular.  The elements are in fantastic condition, and no aggressive digital tweaking seems to have been done to them (if these were scrubbed of damage, it's been done very well indeed, with no loss of detail that I could discern.)  Colors have a whole new life to them (Estelle Winwood's dress is blue, baby!), and fine detail really pops, especially since Brooks loves to shoot both Mostel and Wilder, as well as several supporting players, in extreme close-ups a lot of the time.  There are a few niggling anomalies, however, including some very minor density fluctuations that give the appearance of negligible flicker now and again.  Also a couple of scenes which have always looked soft continue to, including the romp around Lincoln Center.  I don't think I've ever noticed this before, and I'm still not entirely positive, but it seems like the film utilizes rear projections when Bialystock and Bloom get out of the car to arrive at DeBris' apartment.
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0 o$ g5 i7 |) f( ~. Y: a6 x% p, mThe Producers Blu-ray, Audio Quality


4 k# L/ R" L# P* j: GThe Producers features its original mono track via an uncompressed LPCM Mono (2.0) mix, as well as a lossless rendering of the repurposed (Dolby Digital) 5.1 soundtrack done for the Special Edition DVD, now delivered via DTS-HD Master Audio 5.1 mix.  Purists will no doubt want to stick with the original mono track, which is quite spry and delivers dialogue, music and effects quite effectively.  I have a somewhat ambivalent reaction to the 5.1 mix.  It's a bit more aggressive than I typically like in situations like this, with foley effects deliberately panned to achieve a faux surround ambience (you'll note this especially in some of the outdoor Manhattan sequences).  On the other hand, the incredible music, courtesy of John Morris and Brooks himself, sounds fantastic in the surround mix.  One way or the other, it's nice to have a choice, and kudos to Shout! for providing fans with one.

Video
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% V, [; z, C4 E. z; M/ sFormat : AVC
Format/Info : Advanced Video Codec
Format profile : High@L4.1
Format settings : CABAC / 3 Ref Frames
) \# f4 Z8 l& j* u. ]) wFormat settings, CABAC : Yes
- L  j  G+ h) y- UFormat settings, ReFrames : 3 frames
+ L- k7 G& n; k1 u5 T2 JFormat settings, GOP : M=4, N=24
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8 F5 m4 Z, s9 t# x1 i3 g- U6 NDuration : 1 h 29 min
Bit rate mode : Variable
5 q/ l/ ]) v- i$ X2 l( t6 Y) N! eBit rate : 24.0 Mb/s
# q1 i0 @. n9 {  s5 yMaximum bit rate : 30.0 Mb/s
9 @: R" U/ ]3 P0 |7 i' O. \Width : 1 920 pixels
: V( W6 D3 U+ ~8 i5 ]Height : 1 080 pixels
/ N# u  P) I8 y! mDisplay aspect ratio : 16:9
9 C& \6 `9 u9 o, [& n$ V: X) FFrame rate mode : Constant
) M6 l5 A1 P8 Q$ A" N2 C3 \- EFrame rate : 24.000 FPS
Standard : NTSC
; S! W2 X. r5 }1 l* ^Color space : YUV
3 e* g$ P( E  h, h! ^Chroma subsampling : 4:2:0
Bit depth : 8 bits
0 i+ ]* E, d+ o# H  y/ d4 zScan type : Progressive
" L% `. q8 l" K! Q+ u! e- QBits/(Pixel*Frame) : 0.482
2 w& I: O4 Y7 M" s& f, g5 NStream size : 15.0 GiB (73%)
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( K. B: j" l3 T. n# }% aForced : No
) {7 R: I% ?: I% v' VColor range : Limited
8 J' M$ M9 L5 e4 S1 SColor primaries : BT.709
0 R$ M  {) L; W2 A. mTransfer characteristics : BT.709
: C( ?) R1 ?6 J7 S* S) _2 YMatrix coefficients : BT.709
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+ R) p! D' C0 TAudio #1
4 j$ U+ p8 F6 h& A1 @, `+ t" d4 WID : 2
, E+ Y0 w1 n. O/ E: i" c+ \, IFormat : DTS
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Format profile : MA / Core
Codec ID : A_DTS
3 H7 N0 N" z) g  e, G3 KDuration : 1 h 29 min
5 g+ T* ~( U1 QBit rate mode : Variable / Constant
- @9 R/ L! D' @9 C* hBit rate : 3 624 kb/s / 768 kb/s
( }+ {9 {$ N' c5 ?2 R% cChannel(s) : 6 channels
. o7 \5 C* s/ R+ X6 @9 _Channel positions : Front: L C R, Side: L R, LFE
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2 P3 W8 S8 d/ W& R- }Title : The.Producers.1967.REMASTERED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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1 Z" N; n0 g5 q; X  a' T' \& JDefault : Yes
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! q. b, F% ]% k( [/ ^7 KChannel(s) : 6 channels
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. o& p% r# @/ ]& n, D' @9 s, N9 V+ t" |Sampling rate : 48.0 kHz
3 V) n4 q$ s. x* k4 NFrame rate : 93.750 FPS (512 SPF)
0 W; {! q3 D- Z% M+ }Bit depth : 24 bits
5 k0 H% I- R) H7 V  uCompression mode : Lossy
. p  B# [) D2 \& GStream size : 492 MiB (2%)
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6 w. Q1 I+ ?9 g  p- M- l! ~Language : English
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8 }0 a. w2 N" m8 c' D; u3 nBit rate : 2 304 kb/s
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+ z6 L) }) G& J7 l' H, wSampling rate : 48.0 kHz
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9 g# o' n8 O' f- B) Y+ r3 `Bit depth : 24 bits
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) A3 ~$ W, z; ~: {, ETitle : The.Producers.1967.REMASTERED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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  y8 _( K9 O# h2 U, K; `; bSampling rate : 48.0 kHz
$ i6 d! C# Y0 t' p1 XFrame rate : 30.000 FPS (1600 SPF)
  s8 T6 A+ {4 x! }" ]* Q6 G' xBit depth : 24 bits
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; w5 z; H' u1 E$ W0 J# W) P% }6 YTitle : The.Producers.1967.REMASTERED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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! J& Y4 |+ J5 ~% ?5 Z, @Menu
00:00:00.000 : en:Chapter 01
) K; K! I. \* k- n% C7 O- q00:07:59.291 : en:Chapter 02
00:14:48.708 : en:Chapter 03
3 n( k) I, }1 u) \2 D7 }$ f" Y. Y00:22:04.250 : en:Chapter 04
4 K/ J. I# U' M1 W; q00:29:41.375 : en:Chapter 05
00:36:45.708 : en:Chapter 06
00:43:25.833 : en:Chapter 07
00:49:55.833 : en:Chapter 08
7 j8 X. \2 V6 ~00:57:27.666 : en:Chapter 09
1 Z4 O+ K" S$ x: [" A01:05:40.333 : en:Chapter 10
+ ]4 M2 N% Y+ Z, I* F6 ?# R$ S1 O01:12:55.166 : en:Chapter 11
' V" N+ D8 Q, q% [% }" ]. }01:20:39.666 : en:Chapter 12

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