敬畏/情陷高达 [REMUX无损版] Godard Mon Amour 2017 FRENCH 1080p BluRaycd REMUX AVC DTS-HD MA 5.1-FGT 29.42GB

◎译　　名　敬畏/情陷高达(台)/高达：革命性改变(港)
◎片　　名　Le Redoutable / Redoubtable / Godard Mon Amour
◎年　　代　2017
◎产　　地　法国/意大利/缅甸
◎类　　别　喜剧/爱情/传记
◎语　　言　法语/英语/意大利语
◎上映日期　2017-05-21(戛纳电影节)/2017-09-13(法国)
◎IMDb评分  6.7/10 from 2,717 users
◎IMDb链接  https://www.imdb.com/title/tt5687334/
◎豆瓣评分　6.6/10 from 1,644 users
! B! i- A: T" _& x' ^9 s◎豆瓣链接　https://movie.douban.com/subject/26785583/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 29.42 GiB
◎片　　长　1 h 48 min
4 p) N+ A: {0 ^) W3 N; X; C◎导　　演　迈克尔·哈扎纳维希乌斯 Michel Hazanavicius
" \7 d8 V. X6 @3 @5 e1 y◎编　　剧　米歇尔·阿扎纳维西于斯 Michel Hazanavicius
: ]0 \. O" o) P4 Q. q0 W　　　　　  安妮·维亚泽姆斯基 Anne Wiazemsky
' O7 y* \8 t% }$ ~7 K& t! t* }% _◎主　　演　路易·加瑞尔 Louis Garrel
　　　　　  斯塔西·马汀 Stacy Martin
　　　　　  贝热尼丝·贝乔 Bérénice Bejo
　　　　　  米莎·莱斯科特 Micha Lescot
　　　　　  格莱高利·嘉德波瓦 Grégory Gadebois
　　　　　  费利克斯·基赛勒 Félix Kysyl
　　　　　  亚瑟·欧瑟 Arthur Orcier
7 c" U6 I+ _2 E  l, W  ~　　　　　  马克·弗赖兹 Marc Fraize
　　　　　  霍曼·顾皮勒 Romain Goupil
　　　　　  让-皮埃尔·莫基 Jean-Pierre Mocky
$ n9 H) Y+ H; q　　　　　  圭多·卡普里诺 Guido Caprino
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7 r1 J+ y* V& Z$ _8 v- _7 e+ p: a◎简　　介   

* |- {  _( s# @8 j: c- t$ ]1 P) m　　During the making of one of his films French film director Jean-Luc Godard falls in love with 17-year old actress Anne Wiazemsky and later marries her.

　　影片由奥斯卡最佳影片《艺术家》的导演米歇尔·哈扎纳维希乌斯执导，聚焦上世纪六七十年代的法国影坛，要讲述戈达尔和女作家/演员安妮·维亚泽姆斯基之间真实的爱情故事，由路易斯·加瑞尔出演五月风暴时期的戈达尔。

3 v5 a+ A. o% f　　Paris, 1967. Legendary director Jean-Luc Godard is shooting "La Chinoise", which is more a political tract than an actual movie. His female star is Anne Wiazemsky, sixteen years his junior, whom he has been dating since 1966. They marry, but the uprising of May 1968 puts their marriage to the test, as Godard's political involvement pulls him away from his new wife.
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◎获奖情况

' ~, @: p$ Q% K, }$ v1 s( t　　第70届戛纳电影节  (2017)
+ k# Z2 M1 H6 {* g. T2 f　　主竞赛单元 金棕榈奖(提名) 米歇尔·阿扎纳维西于斯

　　第43届法国凯撒电影奖  (2018)
. Q( o+ Z% h% W$ f+ }" g: H1 X# W　　最佳导演(提名) 米歇尔·阿扎纳维西于斯
1 F; `5 H+ `0 R+ `　　最佳男主角(提名) 路易·加瑞尔
　　最佳改编剧本(提名) 米歇尔·阿扎纳维西于斯
6 g# D) f0 t% Z+ ~2 a2 Q　　最佳摄影(提名)
　　最佳布景(提名)
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Video
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: j- `( p; P. LFormat settings : CABAC / 4 Ref Frames
Format settings, CABAC : Yes
Format settings, ReFrames : 4 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 1 h 48 min
Bit rate mode : Constant
Bit rate : 35.0 Mb/s
Width : 1 920 pixels
* l) H- q9 z5 \) o/ F$ v2 s0 H2 FHeight : 1 080 pixels
Display aspect ratio : 16:9
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0 o3 v2 p. x5 S# p& XColor space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.704
Stream size : 25.4 GiB (86%)
6 N5 m" ~% x4 gTitle : Godard.Mon.Amour.2017.FRENCH.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
Language : English
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, T# \/ q' R. o* S  GColor primaries : BT.709
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! U. N+ {# }8 k# c' v# p/ W# R1 J0 gAudio #1
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) s* @, J# A0 H4 w) H7 ]Codec ID : A_DTS
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9 b2 T. y( H6 ~, U& d' m9 kChannel(s) : 6 channels
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0 R) Z) c6 @- d# c( M8 WFrame rate : 93.750 FPS (512 SPF)
, [! n" S0 V+ ZBit depth : 24 bits
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" Z5 l! c$ P" @Stream size : 2.82 GiB (10%)
3 G( X, |" Y6 e* L0 `9 T* e$ r, _' YTitle : Godard.Mon.Amour.2017.FRENCH.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
Language : French
" s/ y; V  \9 U4 b) G' ?+ L* |, WDefault : Yes
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Audio #2
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9 ^* l1 t# R) W5 {" [Codec ID : A_DTS
, w# R" J% R. k7 E0 E3 e% W( PDuration : 1 h 48 min
+ f. U2 h2 @2 C' l" F: UBit rate mode : Constant
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7 C0 v' M+ s! y2 Y% ~" uChannel(s) : 6 channels
; Q+ Y1 {  |7 Y  d8 [1 C8 `7 ]Channel positions : Front: L C R, Side: L R, LFE
7 X2 u4 e; o! y9 J0 zSampling rate : 48.0 kHz
& E  a+ o+ `4 L! ]Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossy
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Title : Godard.Mon.Amour.2017.FRENCH.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
0 }: A  z* z! ~Language : French
3 n7 C0 `% c( C& q7 ~" q, c0 ?) gDefault : No
' ^% p6 q) y9 C9 q7 v4 J& g9 @Forced : No
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& m* U( T6 `2 uCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
8 l7 [( I6 Y% F1 EDuration : 1 h 46 min
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Stream size : 29.5 MiB (0%)
. D7 c6 Y) F. u3 a5 ]) q* A4 ATitle : English-PGS
5 s6 }1 q! O0 }% c4 |Language : English
( H3 d* v, n* X! ^Default : Yes
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0 h3 M; V( p7 v8 j
Menu
00:00:00.000 : en:Chapter 01
00:13:17.338 : en:Chapter 02
00:23:29.991 : en:Chapter 03
00:34:56.552 : en:Chapter 04
1 K& I' y+ w2 d00:43:50.586 : en:Chapter 05
00:52:52.794 : en:Chapter 06
8 y0 y% f2 d3 ~( D" B' N- C5 }( c3 [01:04:52.138 : en:Chapter 07
01:10:11.123 : en:Chapter 08
3 H/ b- V2 E* X01:27:07.472 : en:Chapter 09
( W6 T, h& R# ]! P% h6 l01:39:46.271 : en:Chapter 10

Redoubtable (2017)


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Godard Mon Amour Blu-ray, Video Quality
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Godard Mon Amour is presented on Blu-ray courtesy of Cohen Media Group with an AVC encoded 1080p transfer in 1.85:1.  This was shot on film and finished at a 2K DI (according to the IMDb), and as is almost always the case with Cohen releases, the transfer preserves a very natural, organic looking presentation that offers a nicely resolved grain field.  Hazanavicius and cinematographer Guillaume Schiffman mimic some of Godard's "tri color" sensibilities from his so-called revolutionary period, with an emphasis on reds and blues, all of which look rather vivid throughout the film (some of the reds looked a bit ruddy-brown to my eyes at times).  Detail levels are routinely excellent, and fine detail is often abundant (look at the precise fabric structure on the blue couch in screenshot 12).  There are a couple of "arty" black and white moments (see screenshots 2 and 18) that feature solid contrast.  Things do look slightly soft at times throughout the presentation, but this seems to be a stylistic choice, one that perhaps is meant to emphasize the "gauzier" aspects of falling in love rather than the down and dirty "sharpness" of student revolutionaries.

( P$ e7 {; U7 s" X, ]Godard Mon Amour Blu-ray, Audio Quality
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& w0 e$ y: y% pGodard Mon Amour features a DTS-HD Master Audio 5.1 track that achieves some intermittent raucousness in sequences like the huge student protest relatively early in the film (one that seems to have been staged with thousands of extras), but which tends to be a bit more tamped down in the many "two hander" scenes between Godard and Wiazemsky.  There are also occasional intrusions from voiceover (often inserted to deliberately cheeky effect, giving an "answer" to dialogue within the film).  All elements are rendered cleanly and clearly without any problems whatsoever.   

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