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◎译 名 血枪富士
8 _% b3 ~/ e6 Q. @' O◎片 名 血槍富士 / Chiyari Fuji / A Bloody Spear on Mount Fuji* C7 P! W. r* r
◎年 代 1955+ d" T8 z5 Y! m* }/ C0 V3 O
◎产 地 日本
) s$ z2 m G H◎类 别 冒险/剧情/ G* T+ }8 L- m2 g7 F4 Q) i
◎语 言 日语
( q! _8 A) N1 q" P* E I◎上映日期 1955-02-27(日本) Y! O+ j, Q+ T+ C- x0 |5 e
◎IMDb评分 7.6/10 from 422 users
5 b& I. A/ v( y4 v' N◎IMDb链接 https://www.imdb.com/title/tt0047937/+ Y) Q, Y5 Y# h3 D* Q
◎豆瓣评分 7.6/10 from 247 users
' \' G8 T: f6 ~ x; V. o◎豆瓣链接 https://movie.douban.com/subject/1755415/
3 Q% }2 x" C Z d3 \/ d6 Q◎文件格式 x264 + DTS" T. _5 d" N. {# K2 p- f8 v
◎视频尺寸 1920 x 1080+ r% h8 C h. l/ t9 J
◎文件大小 1DVD 21.42 GiB
; s5 l9 F: {9 |8 {5 r2 R; g◎片 长 1 h 34 min
# B9 f9 {+ F2 p) l: k/ ?! W% y◎导 演 内田吐梦 Tomu Uchida$ o2 l$ w* u% p
◎编 剧 井上金太郎 Inoue Kintaro
$ [/ ]( W3 e, k% E; T( h, \ 三村伸太郎 Shintarô Mimura
; L- x* f/ Y& I6 p 八寻不二 Fuji Yahiro) a0 o% s) b! u) L6 ?7 V# ] |
民门敏雄 Minmen Minxiong
$ P* t, E! A& |8 [8 C1 ]9 ^◎主 演 片冈千惠藏 Chiezo Kataoka) Q9 W7 {. Y# f8 t# }2 d
月形龙之介 Ryunosuke Tsukigata, }5 b8 `5 c7 {. w! P0 t
田代百合子 Yuriko Tashiro
3 N+ S5 m* r4 q/ V 加东大介 Daisuke Katô& X0 O( K, u! s
进藤英太郎 Eitarô Shindô& D t, z" P5 ?6 N
小川虎之助 Toranosuke Ogawa G9 B1 S7 F1 C* g+ c
赤木春惠 Harue Akagi! q9 {; A! S: k
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◎简 介 : r4 J3 ^3 O# H. g
2 ?, P `) |( ] C' r1 g) k) x A samurai travels to Edo with his two servants. On their way they meet many people and encounter great injustice.
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3 n, y6 b( K7 [& w1 k1 D 持枪侍从权八奉命保护少东家小十郎及随从源太去江户,与他们同行的还有小百货商人传次、外出卖身的农家姑娘和老爷茂作、按摩师巡礼、卖艺的澄母女、形迹可疑的藤三郎,还有流浪儿次郎。权八看见少东家小十郎和随从都酗酒贪杯,很是不安。夜幕降临,一行人在袋井住下。传次怀疑带着很多钱的藤三郎是大盗,正欲追踪,其实住在隔壁的巡礼才是真正的大盗六卫门。当晚,权八受澄之邀出门,小十郎与源太趁机大喝起酒来,幸亏权八及时赶回才没出什么事情。第二天,六门卫偷大人的盘缠,被权太擒获。藤三郎所带的钱原来是为了赎回五年前卖出的女儿,可现在他知道女儿已死,就用这笔钱为农家姑娘赎了身。小十郎与源太又进了小酒馆,大醉后遭了武士的毒手。" [: ]0 `* Q: P, B2 @* q' }
" ~. a9 @) q# R" O 影片根据日本作家井上金太郎于1927所作的《道中悲记》改编而成。这是一部历史剧,以表现“忠诚”为主线贯穿始终,充分地运用了所谓正统历史剧的表现手法,以古典的手法和游记形式拍摄,剧中出场人物各具特色。导演内田吐梦早年当演员时便已经开始了电影生涯,他在二次大战期间曾执导过很多电影,为日本有声电影的发展起到了不可忽视的历史作用。该片受到了各界瞩目,入选1959年《电影旬报》十部佳片的第八位。1 P4 L! {- y- A- W( \6 T) x
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A young samurai, Shojuro Sako, travels on the Tokaido to Edo with his two servants, Genta and Gonpachi. Gonpachi has been told by Shojuro's mother to prevent his Master from drinking... The road is not safe. On the way, they meet young orphan boy, Jiro, and many other travellers: A team of great directors, including Yasujrio Ozu, Hirochi Shimizu and Daisuko Ito, assisted Uchida with his remarkable post-war comeback film. It's an affable samurai road movie with a focus on unglamorus characters, as a dim-witted samurai and his servants traverse the Tokaido highway. Much of the film is played as comedy, making the brilliantly staged violent climax all the more shocking.! ^' M' o* g" }9 ^& } X. I' X# S! t
: ]4 x0 I4 T* R3 J2 hBloody Spear at Mount Fuji Blu-ray, Video Quality c; M+ U% {4 c* O _2 f6 t
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Bloody Spear at Mount Fuji is presented on Blu-ray courtesy of Arrow Academy with an AVC encoded 1080p transfer in 1.37:1. Arrow's insert booklet contains the following verbiage on the transfer: Bloody Spear at Mount Fuji is presented in its original Academy ratio (1.37:1) with mono sound.
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The film was scanned and restored from the original film and audio elements by Toei Company LTD, Japan. 2K scanning was done on a Golden Eye scanner and colour grading was completed on a DaVinci Resolve. Picture restoration was performed using MTI Correct and PF Clean. Some instances of picture and audio damage remain in this presentation, in keeping with the condition of these materials. The fact that there's a certain lack of specificity as to what "original film and audio elements" were utilized, along with the somewhat unusual disclaimer (for Arrow, anyway) that picture and audio damage remain may indicate that, while generally perfectly acceptable, this transfer does have some issues. This is the rare Arrow release that looks like it has had some filtering applied, for while there is a grain field apparent, things do tend to have a somewhat smooth and textureless appearance at times, and even moments that involve things like optical dissolves don't show a real spike in grain that I personally would have expected. That said,fine detail can still be quite convincing (look at the ribbed pattern on the samurai's outfit in screenshot 8 for one example). There's pretty recurrent damage on display throughout this presentation, with quite a few scratches, nicks, flecks and dirt dotting the premises. In some cases, the scratches, while very apparent, can be very short lived (compare screenshots 5 and 14, which are separated by just a few frames, to see how quickly one scratch can appear and then disappear again). Some damage is longer lived and more noticeable (see the pretty ragged looking left side of the frame in screenshot 19 for one example). Midrange shots can often look fairly soft, which, along with what I'm assuming was some denoising, can give some parts of the film a somewhat waxy appearance. There's a kind of grayish undertone to much of the presentation which may indicate a duplicate element. All of this said, the presentation looks better in motion than some of the screenshots might suggest, and the historical importance of finally having a Uchida film on Blu-ray may outweigh or at least counterbalance some issues some videophiles may have with this presentation.3 y% Z) n1 e J! l3 G8 D# l& K
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Bloody Spear at Mount Fuji Blu-ray, Audio Quality
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Bloody Spear at Mount Fuji features a decent sounding LPCM 2.0 mono track. This doesn't have the same amount of damage that the video presentation does, but there is still recurrent boxiness and hiss, along with occasional pops and crackling that haven't been totally eliminated. Dialogue is generally presented cleanly, though, and the Blu-ray does come with optional English subtitles.
, w- i' `4 u, N ^0 c8 {Video* ^+ }! P( |1 Q* V
ID : 1" Z8 t* V3 F3 N: X
Format : AVC
4 v9 ]- A7 ~9 z. N& [/ gFormat/Info : Advanced Video Codec
; [- o7 S+ U0 E0 ~5 W# n1 ]: oFormat profile : High@L4.1
! j3 Y8 N* m( ^9 [Format settings : CABAC / 3 Ref Frames4 q' R( B/ Q3 ]
Format settings, CABAC : Yes2 x8 d h) f7 [8 d8 x) X I
Format settings, ReFrames : 3 frames) C0 v9 s- R8 s' a6 y" x
Codec ID : V_MPEG4/ISO/AVC
% N( h5 N" v% W: \! P! {: h5 I8 BDuration : 1 h 34 min, J' s1 i. |5 k- p
Bit rate mode : Variable; s. Y4 m( i: t1 [, w
Bit rate : 28.0 Mb/s4 ?' W+ p+ ^: s A4 m
Maximum bit rate : 35.0 Mb/s
- ]$ h5 z. H* CWidth : 1 920 pixels. V& Z2 ]' N8 y
Height : 1 080 pixels
; M2 a1 ?3 n7 }Display aspect ratio : 16:9
* Y) z, a9 U* p XFrame rate mode : Constant
% b. [+ J3 J+ B/ y$ `" j8 b6 qFrame rate : 23.976 (24000/1001) FPS# H' `! [5 m3 [) r; ?
Standard : NTSC
+ t1 l8 u5 x) W# `9 y8 uColor space : YUV& q1 O/ \( C: B8 J
Chroma subsampling : 4:2:0
|2 F8 b) Q& p+ c- B! d8 z7 NBit depth : 8 bits
$ ~+ d. p! d+ QScan type : Progressive
3 h! O8 R. w$ K, E; O7 V( lBits/(Pixel*Frame) : 0.563
7 d! ^7 W+ A5 f% {) k1 y+ }Stream size : 18.4 GiB (86%)1 ^) {5 n* K: m( s/ @
Title : Bloody.Spear.at.Mount.Fuji.1955.JAPANESE.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
. V) U3 U W8 h& aLanguage : English
, Q% ?$ S4 i/ W4 H# mDefault : No
3 D" U" J# o7 e$ c9 X( mForced : No) ?/ D. e- o) s* `" l
Color range : Limited
7 |8 I' ^' U: v0 B( D4 QColor primaries : BT.709
7 r9 w1 O' Y1 B3 A" u) {3 ?# {Transfer characteristics : BT.7094 C1 J% @( c9 ?0 m. s
Matrix coefficients : BT.709
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Audio #1* Y ~/ Z3 g' y4 z
ID : 2
& b6 i* J. \7 v1 |& D: Q* t& E, k$ \Format : PCM3 Y6 J5 p' W; S- L' ]9 J
Format settings : Little / Signed: z, h w& i6 W
Codec ID : A_PCM/INT/LIT( b) L7 M3 X; j( P' x. X
Duration : 1 h 34 min
5 g0 ]5 R3 W4 X( D# ^. B5 WBit rate mode : Constant
' D1 j, s! |3 n/ ~' M. N% nBit rate : 2 304 kb/s
( i/ x5 g$ o- i3 ]* ]Channel(s) : 2 channels
* R7 ]! Q% U5 g1 J1 J9 USampling rate : 48.0 kHz
3 p- y$ K3 {& |$ G" hFrame rate : 30.000 FPS (1600 SPF)
$ y4 {2 V: B: k- ?( [. t4 qBit depth : 24 bits
- O1 S2 S8 B" cStream size : 1.51 GiB (7%)5 y& w1 l7 ]6 t- z6 B' k
Title : Bloody.Spear.at.Mount.Fuji.1955.JAPANESE.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
- ~ L% n! P) p8 V8 ZLanguage : Japanese
4 {+ X7 a/ u; H; r" h7 sDefault : Yes
( I" |/ q- W% ^& Z9 {& l, C1 X" UForced : No' E; g) Q' k% k# l3 [/ L# h
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Audio #2
# S0 h4 ]# `! z- E EID : 3
' N& d5 T. [0 O3 ~ c( l4 L" fFormat : PCM
0 U( [7 p* m2 Z$ UFormat settings : Little / Signed
9 y2 I" ^# j4 I% b- P( y% h4 }Codec ID : A_PCM/INT/LIT
0 O3 v. ~( H4 c& p' |4 B- P tDuration : 1 h 34 min8 k; Y" ?5 M$ o+ O
Bit rate mode : Constant
T7 n4 p+ l! \/ LBit rate : 2 304 kb/s
8 R+ i6 r. d+ HChannel(s) : 2 channels
) P2 t4 \9 V! y7 XSampling rate : 48.0 kHz$ ?6 w q8 B* F0 z
Frame rate : 30.000 FPS (1600 SPF)# n" V, P g5 F$ ~3 P- N
Bit depth : 24 bits
$ r) R6 y' `9 B; I$ q1 dStream size : 1.51 GiB (7%), M: c. R: Q) v3 r& @* x4 V
Title : Bloody.Spear.at.Mount.Fuji.1955.JAPANESE.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
3 P% a- e/ E" K5 zLanguage : English* o E0 k5 C. O2 u) c. V
Default : No
$ A5 k6 q. g# I+ y. E" u% f7 y& i- mForced : No2 ` ]8 u& S) x' |* S" f- X9 K1 D
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Text" m1 G+ ~; q) v1 N4 r
ID : 4
( a5 }1 a0 q! v, t' gFormat : PGS
( M+ w7 {5 n: V3 Z* qMuxing mode : zlib# k% _2 ^1 N! }* e/ A. S& W! `
Codec ID : S_HDMV/PGS
: X$ ~2 d7 c Z; ICodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs$ J9 P5 g, v6 y" G/ J& |9 \. q
Duration : 1 h 33 min2 q9 p7 i" n: H: J( m0 B
Bit rate : 18.5 kb/s
% D- e$ \9 @" _Count of elements : 1464
7 j! I( m7 b% e7 d; D1 l9 DStream size : 12.4 MiB (0%); G% x+ [+ d& {5 \
Title : English-PGS5 q8 m9 s$ q2 m* J
Language : English1 j0 l7 ~' u0 Q1 ^& }/ @$ J
Default : Yes" C/ y+ D7 ?- V) R s
Forced : Yes2 |( Y9 C" J4 U3 \3 Y
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Menu
) z" d2 q/ |( q! O4 s6 d. }7 B00:00:00.000 : en:Chapter 01
b2 j: m& Z6 ?9 \: [00:08:05.276 : en:Chapter 02, I9 N o" q# U+ c/ K- ~
00:15:53.869 : en:Chapter 03" y6 t1 j0 }, h1 W; g, q
00:23:08.345 : en:Chapter 04: y! m v/ D/ p- o% t3 m+ }0 v
00:30:38.378 : en:Chapter 05
3 k5 [1 n; u1 \ _ @9 e00:38:57.752 : en:Chapter 06" H5 c4 [' v4 c. j! ~
00:46:00.632 : en:Chapter 07( |% l/ F$ N" k/ |% z! R7 |- U
00:54:48.118 : en:Chapter 08
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2 q) m# [. M' C, K01:09:30.875 : en:Chapter 108 u- r2 P1 z. B3 `
01:17:18.008 : en:Chapter 11
& g! t$ A1 z- U01:24:22.223 : en:Chapter 12 - Q& S! {* G; i$ ^
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