- 积分
- 64147
- 经验
- 16551 点
- 热情
- 11188 点
- 魅力
- 5337 点
- 信誉
- 14600 度
- 金币
- 570 枚
- 钻石
- 451 颗
- 蓝光币
- 10 ¥
Post Share
- 金币
- 570 枚
- 体力
- 13292 点
|
4 Q# [. r9 z; }7 A0 V3 Q$ t2 n* c. h; A; g
◎译 名 尸骨工厂
- H3 N) W; _; Q8 X- x0 Q4 c◎片 名 The Boneyard
0 l4 b' D0 h0 h1 Q6 A' l+ \$ }◎年 代 1991
+ L: K s) _6 v2 |! r d◎产 地 美国& r J- V. b: X- \2 Q0 @) {5 |
◎类 别 恐怖
* b( x' ?# h5 |, x0 K◎语 言 英语( h: Y' C7 l- J, G+ N9 |3 r$ f' e
◎上映日期 1991
" v8 y H) D( F8 g" ^ t/ F◎IMDb评分 5.6/10 from 830 users
- m, q6 | t& \% }. E◎IMDb链接 https://www.imdb.com/title/tt0101497/
: E3 Y+ C3 L& C, F◎豆瓣评分 6.3/10 from 70 users
0 ?# y% Z3 [' U# a# r◎豆瓣链接 https://movie.douban.com/subject/4303958/! t% `- j/ ] f
◎文件格式 x264 + DTS: s8 ^- L+ c6 d6 C4 X' h {5 p
◎视频尺寸 1920 x 1080) T7 d7 |; n2 F2 |; a
◎文件大小 1DVD 16.57 GiB
$ E8 l `3 `, i4 |. K7 g◎片 长 1 h 33 min* s8 J9 ^" A. j8 C
◎导 演 James Cummins
) }4 `2 O4 |' b0 [7 k u( ^- L7 Z◎编 剧 James Cummins
% E9 k6 g! i. M$ v9 Y1 ]◎主 演 艾德·尼尔森 Ed Nelson
( }* q* L% T( ^/ }- I 黛博拉·蔻儿 Deborah Kerr
. E1 N( I- B2 }( [1 ~ 诺曼·费尔 Norman Fell
0 l7 s+ v7 u3 S5 o2 ]6 y. a Rick Brophy
6 ~# n9 o, [5 Y( k. j James Eustermann
; p4 g% c1 T! r3 _ 菲莉丝·迪勒 Phyllis Diller
, n- g. x4 l9 E4 Y. }8 Q' V
. D) C* y/ p- f+ ]2 A7 x" B J9 y◎简 介 4 z7 ^) V& Q" [ L
$ M* T3 _" f! n; e3 K5 T! n+ x. x Children turned into zombies wreak havoc in a coroner's building with just a burned-out psychic an experienced cop and two coroners to stop the madness.6 \& u* P i/ N9 b/ J2 M
; X. o- I8 V" ^1 Y1 M/ M2 s# d( Y; q
一个女通灵师为了调查一场儿童谋杀案,和她的警探搭档闯入一个如同城堡一样的停尸房后的恐怖经历。一群儿童僵尸在停尸房里肆虐,通灵师、警探和两个验尸官和它们展开了搏斗。9 [) i! y9 s/ ]5 T5 o p( T4 s2 R
4 p) `& b9 r w ]- e+ w; e5 {8 K" `The Boneyard Blu-ray, Video Quality
: e+ z8 @( O" `- T" K/ k: P! Y, w( X; {6 l3 d% N9 v
1 r. }& q1 e. x, n8 x
The AVC encoded image (1.78:1 aspect ratio) presentation is billed as a "New HD restoration from the original negatives – Financed by Code Red DVD's credit card." I'm not exactly sure what's going on with that piece of information, but the work shows during the viewing experience, which provides a bright look at the particulars of this monster movie. Detail is acceptable through, exploring gruesome make-up achievements and basic facial particulars, and costuming remains fibrous. Set decorations are easy to study as well. Colors are tastefully refreshed, bringing life to macabre encounters, with yellow and green slime retaining sharp hues, while skintones are natural. Grain is fine and filmic. Delineation preserves shadowy encounters. Source isn't plagued with damage issues, but mild judder is detected, along with a brief frame freeze at the 1:49 mark.
* Z- l. [1 C9 m* ?4 h" O; T$ [0 ]
( ]4 | Q/ X* }1 ` ]The Boneyard Blu-ray, Audio Quality
) ]7 k; A5 v! h6 b1 C; T& c
' V, ]# c- R* t# _; m
( ] R) b0 [4 U' D! X) y6 [! hThe 2.0 DTS-HD MA mix was never destined for greatness, as the makers of "The Boneyard" didn't prioritize sound quality, leaving the film with uneven recording levels at times. Dialogue exchanges are acceptable, picking up on performance choices and personal enthusiasm (Diller is engaged, Fell looks like he'd rather be elsewhere). Scoring is acceptable, supporting screen activity with appropriate emphasis and basic instrumentation. Sound effects are strangely muted at times (including gunfire), but that appears to be an inherent issue. Hiss is prominent throughout the listening event, and brief audio dropouts are found at 21:48 and 65:47.
" F& J% b. q( a+ \5 s7 MVideo
: `# G6 g f) P" {; p: I% RID : 1/ \( ~$ A! n3 Q* f: h- T# j
Format : AVC
; b+ |, O3 n( x- \' V+ B2 ^Format/Info : Advanced Video Codec
" p5 @7 i, M( E: u- vFormat profile : High@L4.1) Y- J! n: E' Z; R9 C
Format settings : CABAC / 3 Ref Frames9 J, R0 h: {% r3 f4 P( m
Format settings, CABAC : Yes* ^& U$ o0 ]+ U6 G
Format settings, ReFrames : 3 frames9 r: r4 ]. B: T! Y# g3 H3 D
Format settings, GOP : M=3, N=23
5 j4 |5 ?, \% a+ qCodec ID : V_MPEG4/ISO/AVC
# |4 k1 A/ X1 J9 c0 w1 n% s) bDuration : 1 h 33 min0 E2 Z* ?: ]1 N6 f, p% h: T$ A- X ?/ z
Bit rate mode : Variable
% ?7 k, m- I9 ?% S6 }9 [Bit rate : 25.0 Mb/s4 _2 \6 v5 @' _& @* d
Maximum bit rate : 35.0 Mb/s2 Y* i D* X* U1 h% x- t
Width : 1 920 pixels
$ Q7 a- H- ^, K5 d' d! `) M6 j" KHeight : 1 080 pixels8 \; X! L. o4 C
Display aspect ratio : 16:9. ]' o2 M9 Y+ V* p* j" M: J
Frame rate mode : Constant
1 J5 I3 A- z+ j9 G& ZFrame rate : 23.976 (24000/1001) FPS
1 {( |/ D( D$ I# CStandard : NTSC9 N l% o$ q$ u
Color space : YUV
+ ]: V. q! o" GChroma subsampling : 4:2:0
6 i. \+ J6 @2 o3 LBit depth : 8 bits
0 E/ I1 s5 I( e. F' KScan type : Progressive% J* @0 l M- G+ p0 d0 k" s+ I
Bits/(Pixel*Frame) : 0.503
$ V# I2 a y$ V3 L' J8 fStream size : 16.3 GiB (98%)0 R' o0 X0 C% k, F/ K
Title : The.Boneyard.1991.1080p.BluRayCD.REMUX.AVC.DD5.1-FGT! ~* @8 v2 U4 P5 V
Language : English! c( n; L5 D9 ~) j
Default : No
: {. Z& O+ E) T: f& S* B. yForced : No' h" F/ l3 {3 T9 C1 P3 O; p; f, v
Color range : Limited5 |5 ~# ~1 H$ l
Color primaries : BT.709
0 Z9 Z% d7 I! ^/ D r! X* GTransfer characteristics : BT.709+ B3 p$ \" Y8 s8 E/ ~8 p- e4 B r
Matrix coefficients : BT.709, J! z* ?0 s& Z5 J, y
3 b: h* C( x& F h$ vAudio: c( k$ H1 R! |! C& [! [; D1 m
ID : 21 T) V4 T1 `% _3 V' X8 \2 W* o
Format : AC-3
% V K( y% e6 N! y+ S( D# \/ LFormat/Info : Audio Coding 3
: W; Y- s' L. ?) j, f: d9 \Codec ID : A_AC3
' ?& }# P) h5 {+ g3 _Duration : 1 h 33 min
& v& x1 a& n2 a% WBit rate mode : Constant
" _/ u }; U6 o; aBit rate : 448 kb/s0 u3 ~" C6 Q$ X. I
Channel(s) : 6 channels! v' Y8 ]& D( f6 J. e
Channel positions : Front: L C R, Side: L R, LFE
" K* ~7 C& a7 j$ }) b% }Sampling rate : 48.0 kHz
! ]" F: Z5 B( XFrame rate : 31.250 FPS (1536 SPF)
. J* ]4 M' [+ G' ~6 \) qBit depth : 16 bits4 a0 ^, z9 L. p( x
Compression mode : Lossy
7 s) z8 C, d' V" ~# ?Stream size : 299 MiB (2%)7 W1 ~# q! Y3 ?8 X5 q2 u
Title : The.Boneyard.1991.1080p.BluRaycd.REMUX.AVC.DD5.1-FGT
: _9 p7 e A. ZLanguage : English* `' l' X' U2 h* Q: F
Service kind : Complete Main
* c9 E+ e3 Q1 M5 b, YDefault : Yes& y+ t: i9 W, V) N& T; r! ?
Forced : No
& n3 t8 f- ?( y% G* \& X
8 m+ B$ ]4 z+ b1 T) U. IMenu; R4 l0 P+ C' S9 P5 g
00:00:00.000 : en:Chapter 01
# y* |. J" n" e x: [# l00:00:00.959 : en:Chapter 02' c0 X. |- `2 \; l# E
00:15:08.699 : en:Chapter 03! W" J$ ^ p- v M: z
00:31:03.903 : en:Chapter 045 Y% b: b: M2 y
00:45:14.586 : en:Chapter 050 C" _1 [9 F1 ~0 D# u( ~$ J
00:59:55.592 : en:Chapter 06. q9 y& { Q0 K# N
01:08:45.704 : en:Chapter 07
. e; \( k; j. ?$ E1 r0 _01:20:35.914 : en:Chapter 08
# e$ G: _$ b% `# ]- F2 S4 h01:29:24.233 : en:Chapter 09
3 b" Z6 ~4 L3 ]
/ f# u) Y ?" z+ R0 q0 e/ w
4 [# [9 X4 D* j0 e
9 ], j" X# E) f. q& Z. _7 y/ a9 P! l. m6 J0 n+ b: r! Z
|
|