2001太空漫游 [蓝光原盘重制版 自带中字] 2001 A Space Odyssey 1968 REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-HDBEE 42.83GB & 34.85GB

A space-opera spanning the dawn of man to humanity reaching the stars 2001: A Space Odyssey tells the story of the Black Monolith humanity's evolution and the rise of A.I.'s ultimate supercomputer HAL 9000.

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% p% _2 ?1 g0 `. `◎译　　名　2001太空漫游/2001：星际漫游/2001：太空奥德赛
◎片　　名　2001: A Space Odyssey
/ N% j) Y1 s1 \◎年　　代　1968
◎国　　家　英国/美国
◎类　　别　科幻/惊悚/冒险
◎语　　言　英语/俄语
% e" S# c" `. o' ^$ w◎上映日期　1968-04-02(华盛顿首映)/1968-05-12(英国)
◎IMDb评分  8.3/10 from 517,004 users
◎IMDb链接  https://www.imdb.com/title/tt0062622/
: l; ?$ J9 q( k◎豆瓣评分　8.7/10 from 110,151 users
◎豆瓣链接　https://movie.douban.com/subject/1292226/
◎文件格式　x264 + DTS
6 @+ x8 s* L; h$ v3 m◎视频尺寸　1920 x 1080
/ {, z  W9 \9 \% v2 M◎文件大小　1DVD 42.83 GiB & 34.85 GiB
/ e1 g2 Y( g3 i, s% [/ [◎片　　长　2:28:51.714 (h:m:s.ms)
5 P' G$ |* r# K/ r- p. i/ K◎导　　演　斯坦利·库布里克 Stanley Kubrick
( F/ q0 J7 q2 I4 I' e◎编　　剧　亚瑟·克拉克 Arthur C. Clarke
　　　　　  斯坦利·库布里克 Stanley Kubrick
' F! M1 t3 o6 v; Z# e2 n4 L5 l! @◎主　　演　凯尔·杜拉 Keir Dullea
　　　　　  加里·洛克伍德 Gary Lockwood
$ c; J( L( v. g' z/ H　　　　　  威廉姆·西尔维斯特 William Sylvester
　　　　　  丹尼尔·里希特 Daniel Richter
; f. X% ^9 g7 s& @　　　　　  雷纳德·洛塞特 Leonard Rossiter
　　　　　  罗伯特·比提 Robert Beatty
8 p# Z& L0 n8 C5 e3 m　　　　　  肖恩·沙利文 Sean Sullivan
　　　　　  艾德·毕肖普 Ed Bishop
　　　　　  格伦·贝克 Glenn Beck
7 \: i$ u) x" M4 ]　　　　　  艾伦·吉福德 Alan Gifford
　　　　　  安·吉利斯 Ann Gillis

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0 p  [/ _/ T9 a3 O8 [3 M' e! `　　这部影片是库布里克花了四年时间制作的充满哲学命题的鸿篇巨制。一块大黑石树立在史前人类的面前，他们刚刚开始认识工具，进入到进化的里程碑。同样的黑石还在宇宙多处出现，它们矗立在月球上，漂浮在太空中，带着某种神秘的寓意。
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　　现在的时间是2001年，为了寻找黑石的根源，人类开展一项木星登陆计划。飞船上有冬眠的三名宇航员，大卫船长（凯尔·杜拉 Keir Dullea饰）、富兰克飞行员（加里·洛克伍德 Gary Lockwood饰），还有一部叫“HAL9000”的高智能电脑。HAL在宇宙飞行过程中发生错乱，令到富兰克和三名冬眠人员相继丧命，剩下波曼和这台电脑作战。
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　　从死亡线上回来的大卫一气之下关掉主脑系统，HAL彻底失效。现在，茫茫宇宙中只剩大卫一人，向木星进发。穿越瑰异壮观的星门，大卫仿佛去到一个奇特的时空，那里有人类无尽的生死轮回和宇宙的终极知识……

　　A mysterious black monolith appears on Earth in prehistoric times, changing the course of human evolution. When it reappears on the Moon in 2001, astronauts embark on an ill-fated interplanetary voyage to discover.
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' W+ s) k% X# u◎获奖情况　

, N' G5 \# y" x" s　　第41届奥斯卡金像奖 (1969)
　　最佳导演(提名) 斯坦利·库布里克
　　最佳原创剧本(提名) 亚瑟·克拉克 /  斯坦利·库布里克
　　最佳视觉效果 斯坦利·库布里克
& b7 Y% q: r  f/ J% H$ s/ x4 J　　最佳艺术指导(提名) Anthony Masters /  哈利·兰格
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First, a few technical notes: 2001: A Space Odyssey was filmed in 70mm in the 2.2:1 aspect ratio.  The film was shown around the country in various Cinerama theaters, projected onto huge, curved screens.  Probably for this very reason, Kubrick chose to give the film a very crisp and clean cinematographic look.  Fortunately, these technical choices, made forty years ago, render 2001: A Space Odyssey stunningly on Blu-ray.  Having seen the film on several occasions in 70mm, this Blu-ray presentation is very much consistent with how I viewed the film theatrically. The film has a very clean, almost sterile look.  Much of the film takes place in entirely white or black environments with the odd spacesuit providing a welcome splash of color in many scenes.  However, there are a number of vivid sequences that feature an abundance of rich color.  The opening "Dawn of Man" sequence seems to have been shot entirely at magic hour.  The resulting shots are beautiful and really show off this discs flawless handing of color.  Just about every scene in 2001: A Space Odyssey looks as though it could have been filmed yesterday.  The print is flawless and the images are truly spectacular.  This is a must own title on Blu-ray and is the very definition of reference grade.

" }# A+ m0 f4 R/ N" |2001: A Space Odyssey Blu-ray, Audio Quality
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  z5 l, v( E' m4 K: R, I* cWarner has provided a wonderful 5.1 Uncompresed PCM soundtrack on this Blu-ray release of 2001: A Space Odyssey.  The film is famous for its use of perfectly selected pieces of orchestral music.  From waltzes to more powerful, esoteric works, all of the music is beautifully reproduced.  The full orchestral soundstage is well represented here, with instruments places precisely in the mix.  Most of this particular mix is heavily front-loaded with only the occasional ambient noise coming from the surrounds.  Dialogue is beautifully reproduced with HAL's strange timber resonating well.  The heavy breathing the dominates the spacesuit scenes is more haunting than ever in PCM.  So, while you shouldn't be expecting for a mix similar to what you might find in a Star Wars film, what 2001 gives us, is an elegant mix that adds to the experience of this incredible film.
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; A% Y% n2 `+ U- K" e/ J3 }2001:  A Space Odyssey is presented on Blu-ray courtesy of Warner Brothers Home Entertainment with an AVC encoded 1080p transfer in 2.20:1, and already that aspect ratio should be an early tipoff that things are definitely "new and improved" from the long ago Blu-ray release.  As is documented in an actually fascinating two page "history" of the restoration provided by Warner's Stuart Herriott for this release, "the 2018 release contains correct picture aspect ratio as it was scanned directly from the 65mm original negative which is spherical (flat) versus anamorphic (scope).  The 35mm anamorphic (scope) reduction that was scanned for the 2000 and 2007 releases contained a little more information on the left and right of the frame then [sic] was intended for 2.2 70mm projection aspect ratio.  Also, the optical scope reduction added a slight amount of linear image distortion, which is not present in the 65mm spherical camera negative."  Mr. Herriott's detailed accounting of the long and involved restoration process, which Mr. Herriott traces back to photochemical work begun in 1999 (if I'm understanding things correctly) makes it clear that Warner, typically a commendable curator of its catalog, has approached this title with the care and handling that it deserves, and those who were fearful of Christopher Nolan's perceived "revisionism" can probably relax.  So, with that out of the way:  how does the darned thing look?  Pretty spectacular in sum, though as Mr. Herriott also gets into, those who are going to utilize previous home video releases as the standard against which this release is measured may quibble with some aspects, notably the color timing, which is noticeably different in some respects from previous releases.  As Mr. Herriott mentions, "audiences may be most familiar with previous home video releases. . .and may be struck by some of the differences.  However, the newly remastered version has been scanned and timed to directly match the original film release, rather than the previous home video master."  Some of the most noticeable differences happen right off the bat in The Dawn of Man sequence, where there's a slightly more desaturated look, with a brighter overall ambience that tends to make skies paler.  But there are some interesting new changes here, albeit often on minor things like the weirdly mid(21st?)century modern chairs on the space station, which have a kind of crimson tone to them now.   Restoration efforts have also eliminated some of the projection effect anomalies that were prevalent in previous versions, and I frankly noticed none of the admittedly minor speckling and dirt that were in evidence on the previous Blu-ray release.  Detail levels are superb throughout the presentation, and there's a nicely organic looking grain field, one that spikes expectedly in many of the optical effects, but which resolves without any issues whatsoever.   Blacks looked solid and (for those who may have feared) unboosted, and the entire palette looks appealingly saturated, and what Mr. Herriott terms as "luminance and color" dropping at the sides of the image on the older version has been eliminated.  The psychedelic climax is bold and vivid and certainly better detailed than I remember seeing in 35mm reduction prints.  

2001: A Space Odyssey Blu-ray, Audio Quality

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- [. n$ \" }1 e7 H2 ~' J2001:  A Space Odyssey features two DTS-HD Master Audio 5.1 tracks, one listed as restored and remixed (which the accompanying press sheet identifies as having been "completed in 1999 (for the previous DVD and Blu-ray releases)" and a new 5.1 repurposing of the original theatrical 6 track audio.  I frankly didn't hear a ton of difference between the two in terms of actual surround activity, though occasionally individual effects like the "hiss" of air that underlies several sequences involving Dave either outside of the ship or inside after HAL has gone berserk sounded a bit more forward in the mix to my years in the original theatrical version.  The biggest difference to me was a clear if arguably fairly slight brighter quality to the higher frequencies of the "restored and remixed" track, something that can be especially discerned during some of the music, especially some of the "odder" source cues that tend to play under scenes featuring the monolith.  That said, you can hear what I'm talking about even in the "prelude" music that occurs during the first couple of minutes before any actual imagery begins.  The original theatrical track's higher frequencies don't sound muffled in any major way, but they're not quite as bright (and some might say strident) as on the remixed version.  That said, I was personally a bit more impressed by the low end on the original theatrical track than on the remixed version, though it's again a probably incremental difference.  Again, during some of the louder music cues, there's a slightly rumbly quality that may be slight distortion but which I feel in some instances (notably the quote from Also Sprach Zarathustra) are probably endemic to the original recordings.  As fans of the film know, dialogue in this outing is actually on the sparse side, but is always rendered cleanly and clearly, and the effects are typically often placed smartly in the surround channels to develop what is strangely both a kind of claustrophobic and a wide open mix.  There are a number of fantastic sound design choices in the film that may actually startle newcomers to 2001, and I'd only point out how brilliantly Kubrick and his team actually utilize silence at some key junctures.  There's been a lot of chatter about perceived "changes" to the video side of things with this release, but some who don't mind at least a bit of revisionism may wonder what a Dolby Atmos or DTS:X remix might have offered to this release, at least in addition to the "original" mixes included here, since the film's sound design certainly provides ample opportunity for those kind of effects, but the two tracks here should certainly satisfy most ardent audiophiles.   
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