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[蓝光原盘] 蝙蝠侠:元年/蝙蝠侠:第一年 [REMUX原盘] Batman Beyond Year One 2011 1080p BluRaycd REMUX AVC DTS-HD MA 5.1-FGT 12.18GB

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卓越贡献勋章

24小时 发表于 2018-11-4 05:14:50 | 显示全部楼层 |阅读模式
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/ I( X, C4 ~4 B, I◎译  名 蝙蝠侠:元年/蝙蝠侠:第一年
, w4 A- l- j$ B( C◎片  名 Batman: Year One
8 R. Z+ s. I8 P( c9 z◎年  代 2011
5 q" [1 M7 w% c. f( a◎产  地 美国
. V) E) ]) l( b0 e: j0 j" Z$ I◎类  别 剧情/动作/动画/犯罪( I$ q5 o1 u# Z; p- u+ o
◎语  言 英语
' Q5 c4 B$ ?  l/ k9 d◎上映日期 2011-10-18(美国): u  ~" U9 k. k4 s% K
◎IMDb评分  7.4/10 from 26,734 users& T6 ^9 H# n; x+ u: l" {
◎IMDb链接  https://www.imdb.com/title/tt1672723/
3 d6 V3 `$ p" n0 q: c/ O◎豆瓣评分 8.1/10 from 5,015 users
* Z# h" I! Q  N) c- F3 }9 I8 P/ p◎豆瓣链接 https://movie.douban.com/subject/5150481/
6 N5 s7 w3 a$ V: u% C6 w; g7 ]( K+ ]◎文件格式 x264 + DTS
4 ]4 m' g' n  I8 m8 @◎视频尺寸 1920 x 1080; \2 H3 c5 ^# J( L" R" b9 G
◎文件大小 1DVD 12.18 GiB
2 I! m4 @3 i0 [/ o1 M7 a◎片  长 1 h 4 min
! h$ l- Y! C9 i/ x4 `- Y% ^◎导  演 Lauren Montgomery
! n7 U- z( T) c: J5 L4 j◎编  剧 鲍勃·凯恩 Bob Kane- B/ b. [8 t, b: s6 y5 t9 X
       弗兰克·米勒 Frank Miller
* v! F2 f# U/ y◎主  演 本杰明·麦肯锡 Ben McKenzie  u# L( f: p+ p$ }- E6 H" m
       布莱恩·科兰斯顿 Bryan Cranston: I6 {% L( h! l" f' j  X7 z8 k! j
       艾丽莎·杜什库 Eliza Dushku6 L2 M/ K4 A+ e# a/ p
       凯缇·萨克霍夫 Katee Sackhoff/ H5 x8 O, G9 G1 a. d3 x: l
       阿历克斯·罗克 Alex Rocco# P" [1 D; {, }" \
; g: b  M2 y. I4 K" h" X0 r8 c
◎简  介     
* l5 X9 s# x# {0 U: j6 O3 \
5 o+ }. d# T4 ]  Batman's first year as the dark knight crime-fighter.
# J5 s3 N8 ?  b! M# r. d9 B9 X7 z. e' ]5 x, f% [7 \
  《蝙蝠侠:第一年》原著漫画于1988年首次发表,作者弗兰克·米勒开创性地再造了蝙蝠侠的起源故事——他是什么人,他如何成为蝙蝠侠。! y5 n' |) B) e& C1 x  f' e. j
  本作从布鲁斯·韦恩第一次回到高谭市为开端,为这个传奇人物的诞生打下了新的基础,成为正史中最重要的一页。作为一切故事的开端,本集讲述了各个人物的来历。哈维·邓特不是令人瞩目的青年才俊,而是屡败屡战的检察官;猫女赛琳娜·凯勒不是上流社会的优雅贵妇,只是一名出身街头的穷妓女。在他们生存的哥谭市里,官员们同黑帮勾结,警察是罪犯的保护伞。新调来的警官詹姆斯·戈登想在一个堕落的城市做一名好警察;刚刚回到故乡准备扫尽罪孽的布鲁斯·韦恩则在流血中懂得,惟有让人恐惧才能叫人尊敬。在深夜中,他悄然出现,又随着宽大黑披风带起的一缕微风而没入黑暗。有人说他是野蛮的暴徒,有人说他是嗜血的疯子,也有人认为他只是一个都市传说。一切传说都有它的起源……
" `6 C/ k3 C2 f' Y1 b% e. G9 s3 C6 g8 w
  A wealthy playboy and a Chicago cop both return to Gotham City where their lives will intersect in unexpected ways.
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: M" j( e6 d5 I4 X7 zMenu
6 o8 |6 Q4 k2 ]( C0 l* E00:00:00.000 : en:Chapter 017 c# h. @* W- _( r5 w" g
00:01:51.152 : en:Chapter 02
. F$ A  W- k/ [8 A; Y00:09:41.330 : en:Chapter 03
8 G; a, d' ^7 d- {00:18:57.010 : en:Chapter 04
" J& i% Q+ g& O00:27:09.461 : en:Chapter 055 z; ^& H2 J  Y9 B' Z1 e
00:39:44.465 : en:Chapter 06
0 K0 _7 f! f( p) i' {; P+ y1 n/ g00:49:15.953 : en:Chapter 07
: ^$ S- N9 H' V# J2 ~9 a* a00:59:45.915 : en:Chapter 08
0 W5 T* }2 H2 h" i+ _/ z9 g01:00:39.052 : en:Chapter 09
Batman: Year One Blu-ray, Video Quality
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First things first: banding rears its head on more than one occasion (especially in the skies and around bright light sources framed by darkness), but it isn't as distracting or debilitating as it has been in other, more problematic DCU Animation presentations. Warner's 1080p/AVC-encoded transfer is quite good, truth be told, reveling in rich blues and purples, somber yellows and browns, grimy grays and greens, and seemingly bottomless blacks. Contrast and clarity are strong, and detail is spot on as well, with crisp lines, sharply rendered hand-drawn characters and backgrounds, and well-resolved computer-animated elements. Problems arise, though. Artifacting, macroblocking and digital noise, minor as they are, make a few appearances, and slight aliasing and faint pixelation are rather common. While I didn't run into any scenes that were crippled by encoding or source inadequacies, the closer I looked, the more I noticed. Be that as it may, it's becoming more and more clear that the issues that plague the DCU Animation transfers trace back to shortcomings in the productions. Ultimately, Year One's presentation isn't as striking as I had hoped, but it isn't nearly as bad as I feared.
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Batman: Year One Blu-ray, Audio Quality
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8 c4 h, v" m1 j/ V" fWarner's DTS-HD Master Audio 5.1 track hits harder and pushes Year One to new heights. It isn't quite as immersive as the crime-ridden city herself, but the original sound design isn't always as cinematic as the visuals it accompanies ("quite," "always" and "as" being the key words). Even so, the rear speakers are certainly up to the task, grabbing hold of every rickety monorail car, inner-city terminal, distant police siren, throaty car engine, downpour, street noise, shattering window, and swarming bat that graces the soundscape. Ambience is persistent and effective, interior acoustics are impressive (especially for a direct-to-video animation production), and bursts of absorbing directionality deliver some great movement. Low-end output struck me as tad hollow in some (limited) regards as the movie gained momentum -- Gunshots, car wrecks and explosions sound fantastic. The bass in the movie's music score? Not so much -- but, by and large, the LFE channel doesn't disappoint and keeps things pounding along. To top it all off, dialogue and narration are clean, clear and distinct throughout, with nary a muffled or mangled line to complain about. As it stands, Batman's lossless mix is the highlight of the disc. - w) A* a8 O5 u+ w. D$ F

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