魔鬼关卡/雪岭大偷渡/柏林大逃亡 [REMUX无损版] The Passage 1979 1080p BluRaycd REMUX AVC DTS-HD MA

During World War II, a Basque peasant smuggles a French scientist and his family into Spain. They are pursued by a brutal German SS officer.
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◎译　　名　魔鬼关卡/雪岭大偷渡/柏林大逃亡
◎片　　名　The Passage
◎年　　代　1979
◎产　　地　英国
◎类　　别　剧情/动作/战争
◎语　　言　英语
' I$ G# j( ]; v◎上映日期　1979-03-21
9 `' B; e( \) j* g◎IMDb评分  6.3/10 from 1,250 users
6 E% G8 R2 s  `4 r# H◎IMDb链接  https://www.imdb.com/title/tt0079700/
' `5 q+ l5 s; K. |! u* e  W2 o4 \- S◎豆瓣评分　0/10 from 0 users
◎豆瓣链接　https://movie.douban.com/subject/1305013/
9 q! L. W9 A( }◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 22.13 GiB
◎片　　长　1 h 38 min
◎导　　演　J·李·汤普森 J. Lee Thompson
/ U. A# L8 z, L$ B! s: X8 _) E◎编　　剧　Bruce Nicolaysen
3 u, |3 X2 F9 _◎主　　演　安东尼·奎恩 Anthony Quinn
　　　　　  詹姆斯·梅森 James Mason
　　　　　  马尔科姆·麦克道威尔 Malcolm McDowell
　　　　　  帕德里夏·妮尔 Patricia Neal
　　　　　  凯伊·兰兹 Kay Lenz
; f; M+ C8 ]( E2 U　　　　　  克里斯托弗·李 Christopher Lee
% D/ t& o+ i, l$ d! d+ m1 I　　　　　  保罗·克莱门斯 Paul Clemens

◎简　　介     

　　影片讲述了二战期间由法国通往西班牙的一条山区，一队科学家及其家人在一名山胞的帮助下，企图逃出德军的占领区，不料被德军的一名军官四处阻击，穷追不舍的故事。
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　　During World War II a Basque shepherd is approached by the underground who wants him to lead a scientist and his family across the Pyrenees while being pursued by a sadistic German.
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------------------Video-------------------
Format/Info..............................: Advanced Video Codec
4 }2 E) q& J( i; H% h) K! xFormat profile...........................: High@L4.1
Format settings..........................: CABAC / 3 Ref Frames
Format settings, ReFrames................: 3 frames
Format settings, GOP.....................: M=3, N=12
Duration.................................: 1 h 38 min
2 z$ o% C! b6 e5 IBit rate.................................: 28.9 Mb/s
Maximum bit rate.........................: 35.0 Mb/s
( ~7 G- I' Q3 i9 H6 gWidth....................................: 1 920 pixels
Height...................................: 1 080 pixels
Display aspect ratio.....................: 16:9
Frame rate...............................: 23.976 (24000/1001) FPS
Standard.................................: NTSC
- ?( X; @) z" H& UBits/(Pixel*Frame).......................: 0.582
, u9 K) {! \/ G1 |' B% x! _3 a$ SStream size..............................: 19.8 GiB (90%)
Title....................................: The.Passage.1979.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT
Language.................................: English
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-----------------Audio #1----------------- XLL
. s4 t! R) }, z% HFormat/Info..............................: Digital Theater Systems
Commercial name..........................: DTS-HD Master Audio
$ @) g* i# N, ]Duration.................................: 1 h 38 min
Bit rate.................................: 1 861 kb/s
  m& P# r$ |: Z$ V% ~Channel(s)...............................: 2 channels
# Y! o6 _9 x& y7 W# s9 O3 fChannel layout...........................: L R
/ [& L. Q  a/ W0 tBit depth................................: 24 bits
Stream size..............................: 1.27 GiB (6%)
Title....................................: The.Passage.1979.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
Language.................................: English
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$ x* N. e% e1 R9 F2 O% b-----------------Audio #2-----------------
Format/Info..............................: Digital Theater Systems
4 X. P8 `0 ]- P! F- L% F( ^Duration.................................: 1 h 38 min
Bit rate.................................: 1 509 kb/s
Channel(s)...............................: 2 channels
Channel layout...........................: L R
0 u+ M3 m* W" f* @1 xBit depth................................: 24 bits
/ s- e0 W7 K% N4 dStream size..............................: 1.03 GiB (5%)
+ D& B6 u& i( \7 u7 K2 f  |Title....................................: The.Passage.1979.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
  V# z6 F9 T) L$ m% o/ sLanguage.................................: English

6 S  s  Q' t+ x, R, m+ d( r------------------Chapter-----------------
00:00:00.000.............................: en:Chapter 01
7 e' j) V0 c/ {00:06:45.279.............................: en:Chapter 02
" [4 k/ l8 b& T4 Y5 w2 Z00:11:18.469.............................: en:Chapter 03
' j( M2 p$ I4 P' B& Q6 m00:15:51.158.............................: en:Chapter 04
00:19:44.308.............................: en:Chapter 05
! f2 J+ H+ y9 g  A+ }3 E1 A00:26:15.657.............................: en:Chapter 06
6 e" ?9 i$ c4 C6 r$ }00:31:16.082.............................: en:Chapter 07
00:34:34.864.............................: en:Chapter 08
00:39:04.550.............................: en:Chapter 09
9 ~/ X% D/ T( y$ ~6 [00:43:28.606.............................: en:Chapter 10
8 [& V- ^$ z8 a! F+ c0 J7 i00:50:34.156.............................: en:Chapter 11
00:58:01.603.............................: en:Chapter 12
- F8 u6 \  X3 K" n5 J. d8 l7 y01:02:14.689.............................: en:Chapter 13
01:08:21.055.............................: en:Chapter 14
' W" p, c1 p; c1 p( U9 t01:15:10.756.............................: en:Chapter 15
01:19:59.836.............................: en:Chapter 16
. A% e; j7 A3 n- e5 \0 J01:27:41.214.............................: en:Chapter 17
# T2 `, c2 R0 x& z+ G$ r# A01:37:21.919.............................: en:Chapter 18
' C$ H$ _7 x% I; Q8 g01:38:01.458.............................: en:Chapter 19

The Passage Blu-ray, Video Quality
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! L1 S6 k. j. I  e. S- P1 l' ~6 q) TI'm going to trust there were good intentions with the AVC encoded image (2.35:1 aspect ratio) presentation for "The Passage," with disc producers working with less than ideal elements to bring the feature to Blu-ray. It's a problematic viewing experience that favors a darker appearance, which dims delineation needs, solidifying many scenes as black figures interact with other black figures. When the frame is fully illuminated, detail is more easily accessible, with adequate textures on facial particulars and location highlights, delivering passable distances. Colors aren't explosive, but they manage intent, working with a subdued palette that communicates hardship and wintry vistas. Source is in rough shape, with constant speckling and scratches, and cinematography is all over the place (gauzy one moment, sharp the next), with a scene at the 85:00 mark showcasing a squeezed look for a moment that seems inherent to the original shoot, but there's no explanation for it.  

The Passage Blu-ray, Audio Quality

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- A) q3 s" _1 d3 u# eThe 2.0 DTS-HD MA sound mix also struggles with consistency, finding dialogue exchanges thin and artificial, with the picture's crummy ADR work disrupting the aural flow of the film. Crispy extremes are common, but intelligibility isn't entirely ruined, with basic dramatic efforts followed, while McDowell's work is unmistakable. Scoring also suffers from age and condition, with its sweep muted by shrillness and a clouded instrumentation. Sound effects are more insistent, with loud gunfire and explosions, and atmospherics are thick. Hiss and pops are detected, but never distract.
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