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[蓝光原盘] 梦幻杀人档案/幻想之王 [REMUX无损版] Lord of Illusions 1995 1080p BluRaycd REMUX AVC DTS-HD MA 5.1-FGT 28.25GB

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黄金嫖客 发表于 2018-11-30 02:16:56 | 显示全部楼层 |阅读模式
During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult, who are waiting for the resurrection of their leader Nix. 13 years ago, Nix was...
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# s' ]' a1 _4 s9 g7 o◎译  名 梦幻杀人档案/幻想之王0 }6 t6 {, e- I* V. ]5 G, ]* f8 }
◎片  名 Lord of Illusions / Clive Barker's Lord of Illusions( z, c, v* }1 r# ~( k
◎年  代 1995& u9 {) r$ o1 ?) m9 F+ `
◎产  地 美国
2 {1 I2 i8 }$ S( P2 G  e◎类  别 悬疑/惊悚/恐怖/奇幻
: Y0 ~! k( H3 `+ i: L  V: r◎语  言 英语4 c3 h! J/ ^. A8 Y
◎上映日期 1995-08-25
9 l# C# a7 i0 N6 N5 I1 K) T◎IMDb评分  6.1/10 from 12,907 users% o$ h2 b$ q' w9 h; _
◎IMDb链接  https://www.imdb.com/title/tt0113690/4 r  Z" X- a5 C
◎豆瓣评分 6.3/10 from 203 users
6 w. E, w7 q" ]6 ?◎豆瓣链接 https://movie.douban.com/subject/1305246/
5 A" K( M' U5 s  }- H: T7 H: j9 h◎文件格式 x264 + DTS) a  j% x4 ~; y  o% g
◎视频尺寸 1920 x 10809 ~% ^+ v3 k- R5 n* r: D
◎文件大小 1DVD 28.25 GiB
; ^1 R3 F4 C: K7 v◎片  长 2 h 1 min( p/ O7 B) [* P" J( j8 A- T/ Q
◎导  演 克里夫·巴克 Clive Barker$ z. n( a1 _, n; R7 k
◎编  剧 克里夫·巴克 Clive Barker
$ W& `+ g7 U, Y, ~9 b2 Q+ z◎主  演 斯科特·巴库拉 Scott Bakula
- S- j" b4 Q, X3 O7 E       凯文·J·奥康纳 Kevin J. O'Connor
% u. m3 E: R2 P2 c: u7 s       Joseph Latimore
1 J) e$ n7 |/ Z0 B       法米克·詹森 Famke Janssen1 ?# ?9 L# _1 k) t
       希拉·图西 Sheila Tousey9 Z& {/ H  G+ B1 [1 t
       苏珊·泰勒 Susan Traylor/ K6 d% L# p8 V8 J6 g1 g' X% P
       Ashley Tesoro
+ R( m9 @' o) [- b       Michael Angelo Stuno- Z% s. }' K0 C  r' f. b: [0 z
       Barbara Patrick
$ j0 d, {  h& }/ u       J. Trevor Edmond
* a( G* x; l2 i/ X2 U. q; w       Wayne Grace9 c; W! ~0 ?6 z, W7 |$ g' r
       Mikey LeBeau
; r8 E0 S0 ^& ?/ u       丹尼尔·冯·巴根 Daniel von Bargen
8 m6 r4 b# s) m8 [       Johnny Venocur
% N' u4 H! l2 @! F4 A5 B       乔丹·马尔德 Jordan Marder1 U" i7 {" ]% T; @2 S
       巴里·德尔·舍曼 Barry Del Sherman" J& i  l- ?5 @8 F& F
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◎简  介     
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' O2 w- S. z  y( ]  电视影集《时空怪客》男主角斯科特·巴库拉在片中饰演一名具有超自然感应能力的私家侦探哈利。他从纽约来到洛杉矶办案,不知不觉间掉入了一个黑暗阴森的陷井。哈利偶然遇见神奇魔术师菲利浦和他的娇妻桃乐西,不久菲利浦即在台上表演时被杀,而哈利却情不自禁爱上了桃乐西。随着哈利深入调查案情,他发现菲利浦表演的神奇魔术都是跟恶魔尼克斯交换来的,而且这些都是骗人的把戏,只有移人魔术却是真的,形势逼使哈利非要跟邪恶力量决一死战不可。编导克莱夫·巴克改编自己原著的诡异惊悚小说,气氛处理颇佳,在略嫌单薄的剧情中仍然拍出了吸引人的视觉效果,是侦探小说异化的一个成功尝试。+ v6 Y# K' M! k5 g! w
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  During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult, who are waiting for the resurrection of their leader Nix. 13 years ago Nix was calmed down by his best trainee Swann. In the meantime Swann is advanced to a populary illusionist like David Copperfield and is married to the charming Dorothea. She hires D'Amour to protect Swann against the evil cult members. Short time later Swann is killed by one of his own tricks and the occurrences are turning over. And it crackles between Dorothea and D'Amour...
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Video" K+ O. g+ f7 l. t( b" A% _
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: {3 n$ c% \: d4 d7 o% QFormat : AVC# G1 y; ]4 m& j' T8 @2 |! I
Format/Info : Advanced Video Codec
% f- E" L% t1 yFormat profile : High@L4.17 U' u0 Q2 l* w# a: @8 u) X+ b$ C
Format settings : CABAC / 4 Ref Frames
. R2 s* F: A& W# }# W& bFormat settings, CABAC : Yes* I: z; I7 {/ d* @# U; V
Format settings, ReFrames : 4 frames
: x: L1 k7 N8 \) ^% x: X3 Z3 rCodec ID : V_MPEG4/ISO/AVC
3 P7 P7 g# \; |+ X5 vDuration : 2 h 1 min
$ K0 m) d- E1 u$ L' W$ Y5 m+ fBit rate mode : Variable( [0 y) {2 Z4 s% b9 T
Bit rate : 26.9 Mb/s
$ z) h3 R9 J9 W) j) NMaximum bit rate : 36.0 Mb/s
1 J. V/ W' k& p5 KWidth : 1 920 pixels5 u: {2 h  F2 ^+ A
Height : 1 080 pixels
6 _5 M$ k  ~$ C( JDisplay aspect ratio : 16:9
2 d7 K9 N# P  H6 dFrame rate mode : Constant
5 k7 ~; ~2 m+ h0 f" ~2 bFrame rate : 24.000 FPS: r$ j" `- M: U. Q
Color space : YUV
" Y* E/ a0 `5 M  M# R6 U  uChroma subsampling : 4:2:0+ @( R% W$ Z" D
Bit depth : 8 bits
: v5 H) f: I; m3 H+ pScan type : Progressive2 X# Z& o% @" E. E2 T
Bits/(Pixel*Frame) : 0.540
" w1 e9 Z8 F( F8 n) q: D1 D5 PStream size : 22.8 GiB (81%)
2 s: T& g. a- @. _$ z2 P5 S- |Title : Lord.of.Illusions.1995.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT$ X1 H3 |# ]$ L6 F7 o: @) Z
Language : English
6 h! [# w% {6 @; y1 c) CDefault : No3 m/ b; |/ ]5 S0 U& V- M
Forced : No
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Audio #1
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, V8 f' g7 ?! b. y4 LFormat/Info : Digital Theater Systems
/ q8 j' j7 i; q  `7 D$ RCommercial name : DTS-HD Master Audio. W( X' B( a8 I' G5 s  q, |3 w
Codec ID : A_DTS1 f: t1 L& \" h  O6 q7 R2 h6 Z# ^
Duration : 2 h 1 min
2 Y- T8 n  k; z! C( d2 {, GBit rate mode : Variable
/ U; _7 p' w2 i. h. qBit rate : 4 272 kb/s
$ D# ^; B$ t4 C# |1 nChannel(s) : 6 channels
4 F2 U  t5 ^- z+ z% T( ?Channel layout : C L R Ls Rs LFE
( b7 ?  A3 A9 m: rSampling rate : 48.0 kHz
+ {% c: I+ b- ?5 c1 xFrame rate : 93.750 FPS (512 SPF); H; z) G! p: @8 s' x* ?
Bit depth : 24 bits
+ ?* j1 E+ V/ r% oCompression mode : Lossless
; x% Y+ Z3 _' {' r4 _Stream size : 3.62 GiB (13%)
1 B( `0 ^1 A, W: S8 \1 _! gTitle : Lord.of.Illusions.1995.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
  U3 o& c6 Q# {$ p6 @. ]( kLanguage : English
2 y3 ^6 o1 q9 h& P4 H6 W9 y8 C, ?Default : Yes8 ~) `' \# Z0 L2 Y
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Audio #2- w4 i/ f- n  B5 z, {! W
ID : 3" {. k4 }6 G+ g+ E4 r
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4 j6 M! E& O/ _  _4 \- i8 T# IFormat/Info : Digital Theater Systems- N9 X3 q! z! q: b6 q+ H1 L8 E
Codec ID : A_DTS4 U- Z! S6 {* ~
Duration : 2 h 1 min
; A+ n4 ^2 e* aBit rate mode : Constant
+ U- @' J& m; l* iBit rate : 1 509 kb/s
3 ^8 `8 g2 K4 M5 l# v% b/ }Channel(s) : 6 channels+ b7 M0 O; J1 `
Channel layout : C L R Ls Rs LFE
8 {4 x5 G7 `$ K) bSampling rate : 48.0 kHz  \( C! h1 d1 a- e* t) W5 a! q* o
Frame rate : 93.750 FPS (512 SPF)
0 u5 Q4 E/ f( K' T9 [/ qBit depth : 24 bits, y. ]* Z6 }) p2 s) h
Compression mode : Lossy
$ N/ u  l2 o! \& _) k+ ~Stream size : 1.28 GiB (5%)( U" F4 i6 w  W9 Q$ |4 Q
Title : Lord.of.Illusions.1995.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT) T4 ^( z/ y7 s& u+ Z
Language : English# ^+ D4 `$ J1 c* y6 q$ T
Default : No
7 ^$ W# m5 X6 `  C7 ~. bForced : No0 d2 s* H7 j! |) {/ \4 W- N) S
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Audio #3' T4 o, }+ t+ [! ?9 z' h* ]1 x: t
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+ D. B* H: ?& }# k8 y' SFormat : AC-3# h1 S+ I! o- L( I. q* x/ ?
Format/Info : Audio Coding 3* l6 e$ U0 q& P5 {. ?8 v" N
Commercial name : Dolby Digital
2 H6 z! N, B0 ]- L* m! eCodec ID : A_AC3
: {& N+ @; p! E8 }Duration : 2 h 1 min. o3 L& n5 I1 E# e  u& q
Bit rate mode : Constant, M( N, q; S6 W# K, e7 n: t
Bit rate : 192 kb/s
- p& b9 e5 t4 T- b# _Channel(s) : 2 channels% f0 o' D& c- q* `0 ]: Y- c9 n
Channel layout : L R, O. `4 s) |9 W( T1 q3 m$ b
Sampling rate : 48.0 kHz
4 x- M# O# Z7 b5 Z0 TFrame rate : 31.250 FPS (1536 SPF)
8 \$ d$ C4 F# y8 m3 WBit depth : 16 bits
- W$ y/ x2 U9 C7 T& W* L: Q2 c6 Z, |Compression mode : Lossy" [' d2 J+ f' J4 F7 N. d
Stream size : 167 MiB (1%)
( k6 |+ P1 O, [  ]Title : Lord.of.Illusions.1995.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
2 n3 r" O) c* n3 O8 ZLanguage : English
  C3 {* Y6 a$ H4 |- u+ bService kind : Complete Main
9 f% d1 G  S6 d3 u1 l) _( d2 O% D, tDefault : No  [1 z3 V' A# ~5 v; n
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Audio #4
2 s# @. U: G0 x) O$ X3 {ID : 5  }; ^+ Z2 [  n+ u
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3 w# R5 m' v9 D" c3 f, vFormat/Info : Audio Coding 3. k7 j8 V7 M/ a3 H8 c
Commercial name : Dolby Digital' s# J  J2 ~+ X: ~4 G' V! d+ w! i
Codec ID : A_AC3( w4 q( e, y2 \
Duration : 2 h 1 min: Y& T( o1 @. U/ D5 f
Bit rate mode : Constant
( y( D" @1 G, z5 HBit rate : 448 kb/s! c0 Y$ V: N1 p- ^
Channel(s) : 6 channels
' ?: m7 G) [, J8 |' {Channel layout : L R C LFE Ls Rs
# Q2 S2 y0 d- P# s7 tSampling rate : 48.0 kHz
) ?5 U* x; Q  g9 SFrame rate : 31.250 FPS (1536 SPF)! x' a0 Q( w  ?& z! T) w" k- H
Bit depth : 16 bits/ _8 y7 V( [% @8 a
Compression mode : Lossy
) `( O. v$ `2 E( l2 W5 }Stream size : 389 MiB (1%)5 w4 ?2 C) T: q+ L' f1 G  X
Title : Lord.of.Illusions.1995.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
& y* N! `, X# c# M" [% vLanguage : English+ `$ |' Q; f& R/ z# [2 G
Service kind : Complete Main$ c) K0 O* d5 z2 `8 j
Default : No0 i0 @$ S0 ^4 K) G
Forced : No! {6 u% _9 I$ x
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Menu) ~$ W3 I3 g: H( B
00:00:00.000 : en:Chapter 01
- k* n8 _/ ~+ Z5 V7 `) D3 C00:03:37.625 : en:Chapter 02+ |1 U! e" Q* ?, P& x+ h: A7 ~
00:13:55.666 : en:Chapter 033 }" {* w" t- H  N. d# A
00:23:48.916 : en:Chapter 04; q- g9 i3 x6 L( c& B& N- S$ r* m
00:29:03.416 : en:Chapter 05  M  m+ ^% _7 d( I6 m4 p
00:34:06.333 : en:Chapter 06
( s$ Z/ S* I9 A# k9 a00:41:12.083 : en:Chapter 07
' a0 S: U, B$ X8 h) t4 Y* r# h1 u  `00:45:32.666 : en:Chapter 08
9 ~' e4 z9 o! T1 ?/ T  g8 u00:51:34.500 : en:Chapter 09
" c% w! F+ _2 z- l0 [- _7 A00:56:35.750 : en:Chapter 10
3 D6 i7 p0 k# x5 c7 r01:02:11.041 : en:Chapter 11
7 b; r2 v3 O5 i$ v01:06:53.791 : en:Chapter 12
. w) c: q$ B3 t6 G6 Q. m( a8 v01:13:02.083 : en:Chapter 13
+ w( r" F+ J& C* h' f5 v  o01:18:07.333 : en:Chapter 14/ @; n2 b9 T! U7 h2 _9 Y
01:23:50.583 : en:Chapter 15+ j* X6 l9 `+ b. x% I! ?
01:31:50.458 : en:Chapter 16
4 {# U! M: j3 a# Q! }01:40:11.125 : en:Chapter 17
0 A. W& a# t7 [: @2 W7 f01:42:56.500 : en:Chapter 18
8 x% c8 z: Q' W) Z. D01:50:58.666 : en:Chapter 19
: ]$ d# ]# }" y01:56:56.000 : en:Chapter 20

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Lord of Illusions Blu-ray, Video Quality
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Lord of Illusions is presented on Blu-ray courtesy of Scream Factory, an imprint of Shout! Factory, with an AVC encoded 1080p transfer in 1.85:1.  Both the theatrical version and director's cut version appear to have been sourced from identical (or nearly identical) elements for the scenes they share.  (Screenshots 1-10 are from the theatrical version, while screenshots 11-18 are from the director's cut.)  While both versions are a bit on the soft side, and each has minimal issues with flecks, dust and transitory damage, the look of both versions is appealingly organic, with a natural looking (and at times fairly heavy) grain field in evidence and no signs of artificial sharpening or denoising interfering with the image harvest.  Contrast is slightly anemic at times, with some interior scenes looking a bit murky and suffering from low levels of shadow detail.  Colors are very nicely saturated and accurate looking.  The CGI (which was in its infancy) in the film is occasionally problematic, looking rather flat and unconvincing at times.  
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Lord of Illusions Blu-ray, Audio Quality
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Both versions of Lord of Illusions included on this Blu-ray set offer both DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 options.  The surround tracks significantly open up Simon Boswell's moody score, as well as provide occasional discrete placement of effects, but are otherwise a bit reserved in surround activity, concentrating dialogue front and center.  Dialogue is very cleanly presented in all the audio options, with excellent prioritization.  Fidelity is fine and dynamic range is nicely wide, especially in the film's more over the top sequences.  There are no issues of any kind to report on any of the audio tracks. 0 ^# T- s5 `  F5 _
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