- 积分
- 100252
- 经验
- 32075 点
- 热情
- 19721 点
- 魅力
- 9302 点
- 信誉
- 15071 度
- 金币
- 3758 枚
- 钻石
- 3775 颗
- 蓝光币
- 0 ¥
Post Share
- 金币
- 3758 枚
- 体力
- 29327 点
|
Over the course of one night, a beaten down L.A. engineer accidentally meets, falls for and tries to help a beautiful jewel thief on the run from some extremely dangerous people. ~! V! q# F+ g" Y& Y
2 Z8 b) N5 \5 R9 G
+ c/ w# T# M# f1 {7 u) M
) v- ^0 M8 {( \# @$ U; ]0 ~4 o' k
8 q$ e5 C) D% H1 ~9 l t: W1 M' i
◎译 名 皇家密杀令/奇情今晚夜/惊魂今晚夜% i2 | j) O2 v! L
◎片 名 Into the Night
2 V4 T- V- E4 f7 x9 [! ]◎年 代 1985
S/ a& W1 v& ?◎产 地 美国8 `& D9 ^) U% T1 a& x8 D
◎类 别 剧情/喜剧/动作/惊悚
$ f# Y4 s& @7 p5 W◎语 言 英语/法语/西班牙语/波斯语
% H* m ?* A0 z◎上映日期 1985-02-15
/ n; l- H2 m! U1 L$ J) q4 X9 O1 }◎IMDb评分 6.5/10 from 9,427 users
* f; o& Z: F' E2 ~3 s6 a& T& l◎IMDb链接 https://www.imdb.com/title/tt0089346/
: |' ^# \ r! w$ z. p0 }7 k◎豆瓣评分 6.0/10 from 89 users
# @" i- ~0 U0 o) t& m◎豆瓣链接 https://movie.douban.com/subject/1301462/
! r& V+ I/ Y L1 ~9 i◎文件格式 x264 + LPCM& L8 n1 B, t W, y
◎视频尺寸 1920 x 1080& Q/ w8 {. { J! @- v& n
◎文件大小 1DVD 30.78 GiB/ P% i4 _( t; }/ x. t; N0 {
◎片 长 1 h 54 min, ?7 b1 Q$ t- K A0 U( F6 \9 t
◎导 演 约翰·兰迪斯 John Landis
2 u% q* O( B3 k5 U1 `7 Y◎编 剧 朗·科斯洛 Ron Koslow
. g6 H+ h! Z/ P! D◎主 演 杰夫·高布伦 Jeff Goldblum7 Z0 \9 `2 y8 G2 x% Q. `
斯泰茜·皮克伦 Stacey Pickren. s A+ s5 n# S
米歇尔·菲佛 Michelle Pfeiffer
$ N- ~( R% A2 g5 W9 m, Y 丹·艾克罗伊德 Dan Aykroyd( k& L* E* Z) F1 h9 P3 h
Patricia Gaul
) u' g7 ]+ q$ y Rusdi Lane
/ D5 D H$ T1 J& X& E8 [+ M8 d# t8 c/ s( ^
◎简 介 G+ K) D# j: q
$ P2 r8 ^* c+ N0 W' Q 本片是由曾执导过《美国狼人在伦敦》的约翰.兰迪斯导演,是一部风格特异的悬疑惊险片。还邀请了《魔鬼克星》的丹.艾克罗伊德、摇滚乐巨星戴维.鲍伊、大导演保罗.马泽斯基等人。 剧中讲述一个住在洛杉矶的工程师艾德,在赌城拉斯维加斯巧遇美女黛安娜。黛安娜正受人之托准备把宝石秘密交给别人,但收货人却被人暗算,残暴的杀手组织对黛安娜仍紧追不放,这使她和艾德陷入危机四伏的处境中。
: O0 I/ ?! T: Q0 E8 E+ s
" T8 \; _7 V% t8 ?( Z, d Ed Okin's life is somewhat out of control. He can't sleep, his wife betrays him and his job is dull. One night he starts to drive through Los Angeles and he finally ends in the parking garage of L.A. Airport. Moments later a beautiful young lady jumps onto his bonnet and he finds himself being chased by four Iranians. What follows is a wild chase through the streets of Los Angeles and a very funny one too./ P: _4 O; p4 G1 ^
' m# F! h, F/ h( ]- g. X8 L) F+ e0 V; w. F
; e& L) ]: _8 @# p% c. [7 h) {' v, [* v' v Z7 g
9 L9 n5 `9 J* F$ AVideo; w4 C: C; C* S" A& W% l
ID.............................. : 1
9 `, ^ U6 B: Y C$ yFormat.............................. : AVC
$ V4 U' r" c% O- j; ], iFormat/Info..............................: Advanced Video Codec
6 \ W# I$ d" |+ h( HFormat profile...........................: High@L4.15 B* z" @" l5 n0 \# ?# n0 Y4 V4 Z* ^
Format settings..........................: CABAC / 3 Ref Frames
) D( ~) ~* Q; A7 S5 F& ^2 DFormat settings, ReFrames................: 3 frames
; @3 Y0 C; C$ i; ]2 MDuration.................................: 1 h 54 min
' G' G: W" Q$ }3 pBit rate.................................: 37.0 Mb/s! I5 D0 p5 H' ?, n; n
Width....................................: 1 920 pixels6 a. k+ ?' m' c+ ~# u
Height...................................: 1 080 pixels9 K1 |/ q) c* e/ Q/ o" R9 x/ C
Display aspect ratio.....................: 16:9
3 K7 X6 [0 \9 w/ c4 G6 IFrame rate...............................: 23.976 (24000/1001) FPS
4 e6 l# k, v4 u0 f# }2 L+ Q# IStandard.................................: NTSC; J1 A ]! U6 E: z( v
Bits/(Pixel*Frame).......................: 0.744
5 A: @4 ]6 C4 G% ?) MStream size..............................: 29.5 GiB (96%)
" G/ B8 F1 \4 q2 q1 v$ MTitle....................................: Into.the.Night.1985.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT" {$ B1 ^# ~$ }9 f( R; R
Writing library..........................: x264pro - Adobe CS Exporter Plug-in' ^7 {$ t" u) Q+ U" ]
Encoding settings........................: cabac=1 / ref=4 / deblock=1:-2:-2 / analyse=0x3:0x113 / me=umh / subme=9 / psy=1 / psy_rd=1.00:0.25 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=0 / deadzone=6,6 / fast_pskip=1 / chroma_qp_offset=-4 / threads=16 / lookahead_threads=2 / sliced_threads=0 / slices=4 / nr=0 / decimate=0 / interlaced=0 / bluray_compat=1 / constrained_intra=0 / bframes=3 / b_pyramid=1 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=1 / keyint=24 / keyint_min=1 / scenecut=40 / intra_refresh=0 / rc_lookahead=24 / rc=crf / mbtree=1 / crf=1.0 / qcomp=0.80 / qpmin=0 / qpmax=69 / qpstep=4 / vbv_maxrate=37000 / vbv_bufsize=30000 / crf_max=0.0 / nal_hrd=vbr / ip_ratio=1.10 / aq=1:0.50
: l. ]( C( ^# y) u0 w4 k0 k0 ?Language.................................: English
+ Q+ d2 f: Q2 d; _5 R: G1 \4 K
: }7 p+ U" ~$ S* k' x# pAudio
2 i0 o" b' t$ p+ D. ~0 S, \0 pFormat...................................: PCM8 v1 {. F" z% j2 N
Format settings..........................: Little / Signed& a3 y* ]8 n, W6 Q a
Codec ID.................................: A_PCM/INT/LIT
4 s- c0 g" L4 N L7 _; \Duration.................................: 1 h 54 min! H/ d9 d* Y( i6 A( n- R" F! M
Bit rate.................................: 1 536 kb/s
$ F: H2 i8 d: k" w. }Channel(s)...............................: 2 channels
: j( \7 G, U: o: E5 V4 j1 r6 xFrame rate...............................: 30.000 FPS (1600 SPF)
# K# B# T0 w% _( f# bStream size..............................: 1.23 GiB (4%)
( |4 P8 ^- {' s+ D$ ]Title....................................: Into.the.Night.1985.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
" ?: Q% J* B& KLanguage.................................: English
% \' m) m* R% w( {5 _& r9 Y- B# c5 X
Subtitle
4 X( V$ ?* u) U: [4 l1 X7 gCodec ID/Info............................: Picture based subtitle format used on BDs/HD-DVDs9 i+ I+ a) y2 ~6 f
Duration.................................: 1 h 46 min2 }" E$ t) h1 t. D3 q8 Y
Bit rate.................................: 25.6 kb/s
2 u6 L1 c* }4 y9 t6 kCount of elements........................: 2010
8 F: b$ e4 [) I. V! Q8 WStream size..............................: 19.6 MiB (0%)
. s% q, f. f5 J0 g( j, b+ gTitle....................................: English_PGS, t1 i5 t. g9 K2 m, x# ]5 i- w
Language.................................: English, O1 G% c8 C* h* r$ J& [: ~; C
5 h& i/ d" B+ D# b3 C------------------Chapter-----------------
* l# f# J# {/ u00:00:00.000.............................: en:Chapter 018 l$ _6 Y# s( x9 Z& F- I' e3 L
00:07:25.987.............................: en:Chapter 02) {% I$ k1 b' v ^4 K# Z
00:13:46.700.............................: en:Chapter 03# V5 ?& V$ r U* v
00:20:00.699.............................: en:Chapter 04
, v3 q; V1 D! v; ~2 \2 m& _7 P" @00:24:45.817.............................: en:Chapter 05
3 v5 J4 b% H- ?5 ^/ @$ c. x00:31:45.403.............................: en:Chapter 061 c" V- B* p7 e( @- |
00:41:01.959.............................: en:Chapter 07
& c2 F7 w' E: S z- P. J% e00:50:21.601.............................: en:Chapter 085 a0 |% a5 F# \$ g! `6 q
00:56:48.446.............................: en:Chapter 09
- @' C- x/ H- Y( |2 f$ K01:03:09.702.............................: en:Chapter 101 x% t& I8 K. r# j8 ]! {$ {: C; p
01:09:58.360.............................: en:Chapter 11
7 V( Y3 e. R: c& y01:19:55.457.............................: en:Chapter 12
( _( X# U3 c" s9 y- c01:29:14.932.............................: en:Chapter 13
1 e1 Z2 i: P% F01:36:51.889.............................: en:Chapter 14% t5 f% q5 V' e' o6 P7 ?
01:43:08.724.............................: en:Chapter 15
/ V' G0 w0 h! E6 {6 E01:50:37.130.............................: en:Chapter 16
4 h" h. o0 j4 m9 }' _6 b: E# L! y' ~% N5 U
" ^$ M% s. e2 R
: ?3 F) J" ~' @ m% B4 G# k
Into the Night Blu-ray, Video Quality5 Y% J# R- n( e& d
9 R$ v0 P( K6 x# P6 j
. N3 G, q6 S; C* k4 r( OInto the Night officially makes its North American debut courtesy of Shout Select (#35 in the sub-label's series) on this MPEG-4 AVC-encoded BD-50. It appears in its original theatrical aspect ratio of 1.85:1. Readers will be anxious to know whether this "new restored master" is sourced from the recent Universal restoration that screened at the Berlinale for the Classics program and La Biennale di Venezia last month. I'm uncertain whether it is or not but can state that it's sourced from a remaster. However, in my eyes, this remaster was not prepared after a new 2K/4K scan of the original negative. While the print looks relatively clean in the sense that it contains hardly any damage marks, some obvious limitations pop out that make me surmise it originates from a DVD era master. Robert Paynter's Technicolor has a generally drab and dark look in both day and night scenes. For example, the semi close-up of Ackroyd in Screenshot #18 shares those characteristics and has sub-par contrast. Skin tones are on the pink/redish side (see #s 9-11). A considerable amount of grain has been removed in the aerial shot (#20) of the airport runway during the main titles. You can also notice some noise in #1. There is also black crush in places and detail is not pronounced as it should stand out more. The red hues on Pfeiffer's Napa calf jacket are strong but none of the other colors exude any vibrancy. The transfer does maintain the soft neon appearance that at least one reviewer noted in a release print. In sum, the palette is very inconsistent. My Video score is 3.25.
8 E" _2 G2 D3 Z4 I( s6 |+ C' K5 L" K& R& I( A) a- l' c
On the plus side, authoring and compression are superior to Elephant Films' region-free French BD-25 released last year. Shout's video bitrate averages 31995 kbps while the FR clocks in at 19.99 Mbps. It's possible that both transfers are taken from the same old remaster. Consumers who owned Region 2/4 DVDs of Into the Night will be pleased with the Shout transfer as the SD discs suffered from combing after the NTSC to PAL conversion.
! Z m4 s8 o* V2 K) Q; M. P
) z5 m6 C* A4 O5 q0 Q# AShout has provided sixteen scene selections.
6 q, @# G z6 e/ ?0 x+ p3 I- C% ^# a7 I) u7 g9 g3 I4 O
Into the Night Blu-ray, Audio Quality7 t) x; m# Y' ~5 R% }
, k3 P9 f Z2 l" f+ ]3 K3 G1 A- S9 b- F( C
Into the Night's original monaural mix is rendered on Shout's disc as DTS-HD Master Audio 2.0 Dual Mono (1572 kbps, 24-bit). Dialogue is clear enough in the center channel. Background hiss is a non-issue. The three songs by B.B. King as well as the other ballads on the sound track come through with sparkling clarity. They're spread well on the the fronts but a 2.0 or 4.0 stereo remix would have been an added bonus., @' j% \1 \+ H8 d+ e
* E: a G5 s4 O! A. T
English SDH (feature only) are available to turn on through the menu or via remote. ! g7 n! G) O, _# X$ \# T
4 B7 p! B' E" ^: t' h9 J
|
|