到货即损 [REMUX无损版] D.O.A. 1980 1080p BluRaycd REMUX AVC LPCM 2.0-FGT 22.0GB

Documentary chronicaling the rise and fall of the punk movement with rare interview footage of Sid Vicious and Nancy Spungen. Also concert and news footage.

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◎译　　名　到货即损
- B+ h2 s8 ^7 l+ _; t  A◎片　　名　D.O.A.
◎年　　代　1980
& m% @- |, `; h◎国　　家　英国
  e7 p# m* v8 j◎类　　别　纪录片/音乐/历史
" y  l* ~3 R" y  e1 N+ e# F+ k◎语　　言　英语
  ~) Y0 ?/ ?0 n, Q◎上映日期　1980
) @0 H9 h/ e/ u# W◎IMDb评分  7.3/10 from 389 users
◎IMDb链接  https://www.imdb.com/title/tt0082226/
9 x9 L5 t: Y" |◎豆瓣评分　0/10 from 0 users
2 z- a+ t# u& ]. R- X8 L8 P◎豆瓣链接　https://movie.douban.com/subject/10767876/
/ \  ?6 d& h- A- v/ L* R◎文件格式　x264 + LPCM
& N; ]- X7 k( a' }- Z◎视频尺寸　1920 x 1080
◎文件大小　1DVD 22.01 GiB
6 I$ j- E7 n& T6 L. B$ [3 `. C◎片　　长　1 h 32 min
6 K  x+ A. l! C2 L◎导　　演　Lech Kowalski
/ C5 ^4 y# F0 V" {4 V( m◎编　　剧　Lech Kowalski
* ~! B4 I; X6 c9 ]9 r　　　　　  Chris Salewicz
◎主　　演　Stiv Bators
1 }2 [# [9 X8 v  @( @/ o　　　　　  Terry Chimes
7 F9 U9 c% D( e$ q$ v6 H7 w( s　　　　　  the Clash

◎简　　介     
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　　通过Sid Vicious和Nancy Spungen的罕见采访录像，纪录片推动了朋克运动的兴衰。音乐会和新闻片段。


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Video
1 O0 B3 l$ X5 XID.............................. : 1
0 g; S; L4 n2 k* a2 aFormat.............................. : AVC
Format/Info..............................: Advanced Video Codec
* O' i/ I! J7 s) j% j0 oFormat profile...........................: High@L4.1
! g6 ^% z7 \9 i: W" kFormat settings..........................: CABAC / 4 Ref Frames
Format settings, ReFrames................: 4 frames
Format settings, GOP.....................: M=3, N=24
1 ^: h8 B+ g1 i& G' UDuration.................................: 1 h 32 min
Bit rate.................................: 32.4 Mb/s
, q5 h' T& }/ h; W" ?Maximum bit rate.........................: 38.0 Mb/s
) W3 @. H% A% O& ]Width....................................: 1 920 pixels
Height...................................: 1 080 pixels
Display aspect ratio.....................: 16:9
% N& H. Q" r6 Q: C6 ^Frame rate...............................: 23.976 (24000/1001) FPS
; m  k1 s. f5 H1 I6 m$ q" T4 `Standard.................................: NTSC
Bits/(Pixel*Frame).......................: 0.651
: x& z) q: ]4 q' d! E0 `Stream size..............................: 21.0 GiB (95%)
( D  u  ~3 _( `3 V/ ^% ZTitle....................................: D.O.A.1980.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
  f8 n4 [8 h' }2 ?! I; q' M; s- XLanguage.................................: English
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& ?7 W! `4 Y* \6 s( c5 CAudio
9 K9 i: T, k0 @% B/ sFormat...................................: PCM
. b, d, [$ \8 `( \( k! sFormat settings..........................: Little / Signed
. ^/ `7 \+ a" Z# sCodec ID.................................: A_PCM/INT/LIT
* I. O. O& @6 ?9 ^, t! M2 EDuration.................................: 1 h 32 min
2 R1 h' V. K% YBit rate.................................: 1 536 kb/s
$ V8 J: B1 Y- T5 j. I, c) [Channel(s)...............................: 2 channels
, z( P5 Q2 s* L- J- _. ZFrame rate...............................: 30.000 FPS (1600 SPF)
! S$ l/ ^% Q2 [% u, f- Q" k# KStream size..............................: 1 020 MiB (5%)
0 O, E  Z- k. j5 LTitle....................................: D.O.A.1980.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
Language.................................: English

Subtitle
, r$ U+ M  }' Z, f8 z& Y- FCodec ID/Info............................: Picture based subtitle format used on BDs/HD-DVDs
Duration.................................: 1 h 27 min
& P( E+ P/ r5 o4 j, XBit rate.................................: 45.5 kb/s
. M, K9 g4 X) R4 I0 XCount of elements........................: 2080
' V5 f2 p2 F: o# Y$ L0 b' u% A; iStream size..............................: 28.6 MiB (0%)
Language.................................: English
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Chapter
00:00:00.000.............................: en:Chapter 01
00:05:49.349.............................: en:Chapter 02
00:10:35.468.............................: en:Chapter 03
: H* |/ L9 V+ v7 r; l00:16:36.620.............................: en:Chapter 04
! d. w# k( t0 ?00:22:31.224.............................: en:Chapter 05
6 x# m/ f4 i0 U7 ?00:28:36.923.............................: en:Chapter 06
) c' j3 S- X$ c3 N5 W3 ?9 q& X00:32:58.059.............................: en:Chapter 07
00:40:33.055.............................: en:Chapter 08
00:45:16.630.............................: en:Chapter 09
* b5 E, i$ D1 p5 r! H& K& W00:50:55.927.............................: en:Chapter 10
00:57:36.077.............................: en:Chapter 11
01:04:48.718.............................: en:Chapter 12
, U- D% M% c' {01:07:51.525.............................: en:Chapter 13
0 b4 k! [8 c# L" j2 b01:14:15.534.............................: en:Chapter 14
01:19:25.385.............................: en:Chapter 15
01:25:08.186.............................: en:Chapter 16
01:30:58.536.............................: en:Chapter 17

D.O.A. Blu-ray, Video Quality
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D.O.A.:  A Right of Passage is presented on Blu-ray courtesy of the new MVD Rewind Collection imprint of MVD Visual with an AVC encoded 1080p transfer in 1.32:1.  Detail levels here are somewhat variable and really never overly fulsome due to the fact that this was shot on 16mm and obviously features a lot of very dark and even murky club or other dimly lit interior material.  As such, fine detail is often passable (if even that), and general detail levels can tend to be on the fuzzy side as well.  The palette looks great for the most part, though there are slight tendencies for blacks to assume a kind of oily sheen at times.  Whatever element was utilized has quite a bit of damage, including regular scratches and the like, aspects that may in fact only make the film more seemingly "appropriate" in terms of a true punk ethos, and which at least support the theory that no undue digital processing has been applied.
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1 E& r8 |/ j$ s+ r( `6 N" X# n% E( sD.O.A. Blu-ray, Audio Quality

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( B- Z$ F7 s7 D) _6 _* A8 V7 [- aD.O.A.:  A Right of Passage features an LPCM 2.0 mono mix which, like the video element, has some slight but not overly problematic issues, with some noticeable (if, again, slight) distortion during some of the more raucous musical elements.  The talking heads sequences make it through the gauntlet relatively unscathed.  It's notable that the film features "burnt in" subtitles (rendered in crayon like colors) offering up some of the provocative lyrics of the Sex Pistols, since the "singing" isn't overly enunciated.
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