天堂可以等待/上错天堂投错胎 [REMUX无损版] Heaven Can Wait 1943 1080p BluRaycd REMUX AVC LPCM 1.0-FGT 28.78GB

An old roué arrives in Hades to review his life with Satan, who will rule on his eligibility to enter the Underworld.
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◎译　　名　天堂可以等待/天长地久/天堂可待/上错天堂投错胎
◎片　　名　Heaven Can Wait
6 B1 I  s' D7 i, q# Q. {- u- ~◎年　　代　1943
◎产　　地　美国
◎类　　别　喜剧/剧情/奇幻/爱情
◎语　　言　英语/法语
◎上映日期　1943-08-11
4 n$ \8 f5 j- y+ h/ ?2 Q◎IMDb评分  7.5/10 from 8,554 users
◎IMDb链接  https://www.imdb.com/title/tt0035979/
6 l6 @* i7 B6 c0 z- x$ N; m◎豆瓣评分　8.0/10 from 2,250 users
◎豆瓣链接　https://movie.douban.com/subject/1293608/
◎文件格式　x264 + LPCM
2 g8 U5 V! v. o/ q3 |) y: M4 p! n1 A◎视频尺寸　1920 x 1080
- c. S% ~4 K3 J9 P/ h◎文件大小　1DVD 28.78 GiB
◎片　　长　1 h 52 min
  X1 E" e! {& x# n) E6 m◎导　　演　恩斯特·刘别谦 Ernst Lubitsch
3 f* o/ d" t( e+ h◎编　　剧　山姆森·雷佛森 Samson Raphaelson
: J; t$ B9 t  q9 t: Z* B( i$ [◎主　　演　吉恩·蒂尔尼 Gene Tierney
1 [4 l: t+ ~5 e& ]5 ~　　　　　  唐·阿米契 Don Ameche
　　　　　  查尔斯·科本 Charles Coburn
$ V3 h4 k( ^( N& w. u　　　　　  拉尔德·克雷加 Laird Cregar
　　　　　  玛约瑞·曼恩 Marjorie Main
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) x( W; M0 D1 J  U* J! l◎简　　介      
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　　浪漫一生的商人亨利（Don Ameche 饰）去世了，面对西服革履的地狱审断人，亨利悠悠然讲述起了自己一生的故事：亨利出生在富有之家，在吵闹跟呆板的亲人们中间，唯有性格豁达幽默的爷爷与自己相投。相对那位同富商千金订婚的表哥，亨利更热衷于那些在大街上不期然的浪漫偶遇。在表哥订婚的聚会上，亨利惊见未来的表嫂居然是自己曾搭讪过的美丽姑娘玛莎（Gene Tierney 饰），亨利在众目睽睽之下把玛莎抱走，也将一次浪漫爱情紧紧攥入手中。亨利与玛莎的婚姻在甜蜜的主调中偶而也有因误会产生的分离，但岁月给他们的，只有愈发浓烈稳固的爱意。不知不觉中，儿子渐渐长大成人，老去的亨利在儿子身上看到了自己不时浮现的曾经……
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# d5 u/ M. ~% h, U4 x 　　Deceased playboy Henry Van Cleve presents himself to the outer offices of Hades, where he asks a bemused Satan for permission to enter through the gates of hell. Though the devil doubts that Henry's sins qualify him for eternal damnation, Henry proceeds to recount a lifetime of wooing and pursuing women, his long, happy marriage to Martha notwithstanding.

◎获奖情况
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8 }( o% m" l- `7 t　　第16届奥斯卡金像奖  (1944)
　　最佳影片(提名)
# }8 u$ S. R. l5 `: m　　最佳导演(提名) 恩斯特·刘别谦
　　彩色片最佳摄影(提名) 爱德华·克龙耶格尔

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Video
ID.............................. : 1
. C3 N2 C1 W- K% h" V" o# vFormat.............................. : AVC
Format/Info..............................: Advanced Video Codec
( E2 [+ [& Q; X  |( TFormat profile...........................: High@L4.1
% D: \4 [8 g8 }Format settings..........................: CABAC / 4 Ref Frames
Format settings, ReFrames................: 4 frames
8 v% B& A3 b5 @. FDuration.................................: 1 h 52 min
1 t! U0 k' a* I( TBit rate.................................: 35.4 Mb/s
  P1 T" X$ A) i0 CMaximum bit rate.........................: 37.0 Mb/s
Width....................................: 1 920 pixels
* S' S+ l6 I" u8 OHeight...................................: 1 080 pixels
Display aspect ratio.....................: 16:9
Frame rate...............................: 23.976 (24000/1001) FPS
+ J* R& g& \& y! Y8 D4 R: D8 EBits/(Pixel*Frame).......................: 0.711
Stream size..............................: 27.9 GiB (97%)
Title....................................: Heaven.Can.Wait.1943.1080p.BluRayCD.REMUX.AVC.LPCM.1.0-FGT
2 k$ [5 l! u2 O2 r( LLanguage.................................: English
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) T0 }% v$ y; [" z/ X4 Q, f  ?2 jAudio
Format...................................: PCM
5 |4 S6 y, \0 UFormat settings..........................: Little / Signed
, ^: V) r3 r* F, L+ ?: p' @4 iCodec ID.................................: A_PCM/INT/LIT
; M* d3 h. a8 j* H7 BDuration.................................: 1 h 52 min
Bit rate.................................: 1 152 kb/s
Frame rate...............................: 30.000 FPS (1600 SPF)
# A, y9 q6 {6 L4 ]) _Bit depth................................: 24 bits
& X- y; r( }! ?: X& OStream size..............................: 929 MiB (3%)
Title....................................: Heaven.Can.Wait.1943.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT
Language.................................: English
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Subtitle
% h, x- j5 M% y/ E; `: J2 Y3 A3 ZCodec ID/Info............................: Picture based subtitle format used on BDs/HD-DVDs
Duration.................................: 1 h 51 min
. w: c1 D5 ~+ J% T8 @: aBit rate.................................: 85.8 kb/s
Count of elements........................: 3751
# ?: z* B" M- b; d7 FStream size..............................: 68.1 MiB (0%)
Title....................................: English-PGS
Language.................................: English
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) W" r. @8 z' j" i------------------Chapter-----------------
5 v3 |& l1 a8 J! X" C00:00:00.000.............................: en:Chapter 01
/ f2 z' A1 F0 d# k, q00:01:33.176.............................: en:Chapter 02
2 t# n) V5 C% w! R5 M7 T00:09:21.852.............................: en:Chapter 03
00:16:48.882.............................: en:Chapter 04
00:23:27.614.............................: en:Chapter 05
  c& ^1 Z3 N4 u* z00:32:24.275.............................: en:Chapter 06
00:49:31.343.............................: en:Chapter 07
" t$ U- B, }$ R. ?00:55:33.246.............................: en:Chapter 08
3 w; c8 Z! c! Z- C01:04:03.673.............................: en:Chapter 09
01:16:23.412.............................: en:Chapter 10
01:23:37.887.............................: en:Chapter 11
01:31:46.709.............................: en:Chapter 12
8 a5 U4 l3 d  M6 w, e3 i* L, C01:37:24.296.............................: en:Chapter 13
01:44:24.883.............................: en:Chapter 14

Heaven Can Wait Blu-ray, Video Quality
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Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Ernst Lubitsch's Heaven Can Wait arrives on Blu-ray courtesy of Criterion.

; h3 Y9 E6 Z) LThe following text appears inside the leaflet provided with this Blu-ray release:

/ Y* \/ x' f+ w4 y0 `7 \9 y"This new digital restoration was undertaken by Twentieth Century Fox and the Academy Film Archive in collaboration with The Film Foundation. The new 4K digital transfer was created on a Northlight film scanner at Modern VideoFilm in Burbank, California, from a 35mm color reversal internegative (CRI) made from three-strip nitrate original camera negatives (the best surviving element for the film). The image restoration, addressing dirt, scratches, misregistration, and color breathing, was also performed at Modern VideoFilm. The original monaural soundtrack was remastered from a 35mmmagnetic track and a 35mm soundtrack negative.

$ ^/ e9 U6 q  Z2 F, V( ~, }4 P8 [Transfer supervisors: Schawn Belston/Twentieth Century Fox, Los Angeles; Michael Pogorzelski/Academy Film Archive, Los Angeles.
Colorist: Gregg Garvin/Modern VideoFilm, Bunrbank, CA.
$ Q5 F9 P- j. N0 ?: [Audio restoration: John Polito/Audio Mechanics, Burbank, CA."
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It is easy to tell that the end result isn't optimal because density is not at the proper levels that access to the OCN would have ensured. In the area of color reproduction balance also isn't optimal because in a perfect world color registration  would have delivered superior ranges of nuances, which in return would have improved delineation and in some cases even shadow definition. Given the nature of the existing element that was used for the restoration, however, it is virtually impossible to be disappointed with the current technical presentation of the film. In fact, many properly lit close-ups boast very good delineation and clarity. During indoor footage image balance is also greatly improved (see screencaptures #3 and 5). Native limitations are typically noticeable during group scenes where depth and fluidity suffer and the visuals become 'thicker' (see screencapture #17). There are no traces of problematic degraining and sharpening adjustments, so if you project your films you are still going to see a very strong organic appearance, but with the source limitations that the restoration retains. All in all, the Blu-ray release still represents a strong upgrade in quality over the previous DVD release of the film, so you should not hesitate to upgrade it. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).   

Heaven Can Wait Blu-ray, Audio Quality


! [5 R' C/ ?0 V2 w7 uThere is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.
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The audio is stable and promoting a good range of dynamics. Understandably, depth and nuances are modest, but these are native characteristics of the original sound design. There are no pops, cracks, audio dropouts or digital distortions to report in our review.
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